These Trippy 3-D Paintings Will Baffle Your Brain and Spark Your Creativity

Here’s an idea that could make outdoor advertising not only more attention-grabbing but also more shareable.

Given how many award-show judges were mesmerized by Honda’s mind-bending “Illusions” ad from mcgarrybowen (which won gold at Cannes and the public choice award in The One Show’s Automobile Advertising of the Year), agencies might want to look into the real-world optical awesomeness of reverse perspective.

As you can see in the videos below from British artist Brian Weavers and “reverspective” innovator Patrick Hughes, the painters create 3-D images that seem to shift before your eyes as you look at them from different angles.

While out-of-home marketers have been using 3-D tricks for years, this approach takes it a big step further. Seeing an ad like this would certainly stop you in your tracks and likely even make you pull out your smartphone to shoot some video and blow your friends’ minds.

I couldn’t find many examples of reverse perspective in high-profile ad placements, but let us know in the comments if you know of some beyond the Nokia case study below.

 
To see even more interesting uses of reverse perspective, check out this video featuring the art style’s best-known pioneer, Patrick Hughes:

 
Here’s how Nokia used reverspective to launch the Lumia:



Next Up in Useful Outdoor Ads: Billboards That House the Homeless?

Outdoor ads have been physically demonstrating a commitment to environmental causes for a while. Here’s a project that aims to make a difference in a social issue.

Design Develop, an architectural design firm in Slovakia, has embarked on The Gregory Project, an initiative to turn billboard spaces into actual living spaces for the homeless.

Roadside boards in that country feature two surfaces that face oncoming drivers in both directions—creating a triangular space in between. The Gregory Project would build small two-room apartments in those spaces—one room with an entrance hall, kitchen with a small desk and a raised bed with storage underneath, and the other room being a bathroom.

The ad space would help offset the cost of construction, and the houses would already be wired for electricity because of the lights that illuminate the boards at night.

It’s a great idea to optimize existing structures, especially when you consider the additions wouldn’t infringe on the billboard. See more about the project here, including blueprints for the apartments. More images below.

Via PSFK.



So Why Is AshleyMadison Featuring Hillary Clinton in a Billboard, Anyway?

Should we expect better of AshleyMadison.com? Definitely not. But while this isn’t the first time the adultery website has used a politician’s past to promote its ideals (heck, it’s not even the first time they’ve used someone in the Clinton family) this billboard is particularly questionable.

The tagline for it doesn’t even really make sense: “Harder Choices … lead to AshleyMadison.com.” Oh hey, they’re playing off her book title. Cheeky, but what are they trying to say? Hillary Clinton hasn’t cheated on Bill, as far as we know, which puts her in quite a different situation than most of the politicians featured in the site’s ads. So what choice are they referring to?

In an interview with MyFoxChicago, site CEO Noel Biderman danced around the answer, saying that it’s less about Hillary than about how the decision to have an affair is “not an easy choice. People, women in particular, don’t come to affairs lightly. They try to explore alternatives within their relationship. They try everything. For many, it’s a last-ditch effort before, maybe, separation.”

But he also acknowledged that Hillary was being featured because she’s a “survivor of infidelity.” Is that supposed to be flattering? Hillary Clinton is a lot more than an adultery survivor, and to continue pulling from the the same ’90s scandal is worse than offensive; it’s boring. 



FX Pulls Disturbing Eye-Worm Billboards for The Strain

The worm has been turned away.

Billboards for FX’s The Strain, with creepy critters crawling out (or perhaps boring into?) human eyeballs, are apparently too much for some folks to bear, and the cable network says it is replacing the ads in several locations—the signs have run in Los Angeles  and New York—with less-upsetting imagery.

The series was hatched by director Guillermo del Toro and writer Chuck Hogan and slithers onto TV screens July 13. It’s a medical thriller about parasites that turn New Yorkers into monsters. 

So far, the eyeball campaign had generated its share of angry parents and motorists but hasn’t precipitated any lawsuits. The same can’t be said for last year’s eerie “Dexter” takeover in Grand Central Terminal, which generated a complaint from a Bronx woman who claims that the “shocking and menacing” promo caused her to slip on a stairway and sustain injury.

The Strain’s ad controversy is generating plenty of buzz for the show. So if you subscribe to the theory that there’s no such thing as bad publicity, these wormy posters have hit pay dirt.



Lawsuit Claims Woman Was a Victim of Dexter's Creepy Advertising

Dexter usually doesn’t leave his victims alive, but this seems to be an exception.

Ajanaffy Njewadda claims in a lawsuit that she fell, broke her ankle and suffered a concussion last year after being frightened by Grand Central Terminal advertising for the final season of Showtime’s crime series Dexter.

Njewadda claims in a Bronx Supreme Court filing that she was so scared by the “shocking and menacing” image of star Michael C. Hall—shown covered in cellophane, which his character often used to wrap his victims—that she tumbled down some stairs, sustaining her injuries. The ad covered the steps of a stairwell leading to the Grand Central shuttle train. The Manhattan Transportation Authority, Showtime and the City of New York are named in the suit.

Brand takeovers at the historic NYC railroad station have been all the rage in recent years. The latest touts the debut of TNT’s apocalyptic The Last Ship, with menacing gas-mask imagery and huge signs screaming about “6 billion dead” in a global pandemic.

I’m surprised that no one filed suit against those Hammer Pants Dancers who invaded Grand Central and other locations a while back to hype the too-legit MC’s short-lived reality show. Gold-lamé parachute slacks, ’90s dance-floor moves—and the 5:15 to Stamford running 30 minutes late. Now, that sounds like a pretty compelling case of emotional distress.



Sobieski Vodka Keeps Telling It Like It Is in Outdoor Ads

When Sobieski’s “Truth in Vodka” campaign began seven years ago, it skewered pomposity in the category. Since then, the effort has broadened to call out nonsense in any realm—and amen to that.

Topical targets in recent outdoor ads from lead shop Marty Weiss and Friends range from spy in exile Edward Snowden and social media to the World Cup. Weiss, the man behind memorable TV ads for Guinness and the Nynex Yellow Pages, proves once again that outdoor needn’t be a dull medium. You just need to have something witty—and pithy—to say.

This year’s ads, which target 25- to 29-year-olds in 17 cities, will continue throughout the summer before taking a break and returning in late fall. The brand’s media agency is Horizon Media.

More images below.



Purell and TNT Ads Remind You That Hand Sanitizer Is Good in a Global Pandemic

Gas masks might imply that something stinks, but that’s probably not the intended message of Mono’s Grand Central Terminal takeover this week promoting Michael Bay’s TNT series The Last Ship. (A stinker from Michael Bay? No chance in hell!)

In the show, which debuts June 22, the crew of a U.S. Navy destroyer fights to save the planet after a pandemic has wiped out 80 percent of the population. The campaign in New York City’s historic railroad terminal features posters, banners and other elements with stark gas-mask imagery and messages like “1 virus. 6 billion dead. Don’t be next,” as well as hand-sanitzer dispensers from marketing partner Purell. I mean, why take that urban grit home to Greenwich?

Grand Central commuters have probably developed an immunity to wacky ad stunts, owing to outbreaks of “Hammer Pants Dancers” for a certain MC’s reality series (which, I’m sure we agree, changed the world in ways we’re just beginning to understand), and “technophile living mannequins” for Sony.

And who can forget the time a Dutch company rolled “the world’s largest wheel of cheese” onto the platform? Gas masks might have come in handy after that fearsome fromage spent a day aging beside the tracks.



Beauty Brand's Floating Billboard Cleans a Polluted River by Absorbing Toxins

Japanese natural cosmetics brand Shokubutsu Hana and TBWASMP have floated an unconventional idea in the Philippines to help clean Manila’s grievously polluted Pasig River—an 88-foot-long billboard made of vetiver, a grass that absorbs deadly toxins. Vetiver is often used to treat waste water and landfills, and the billboard can cleanse up to 8,000 gallons a day.

On its website, Shokubutsu Hana says the effort represents the company’s belief in “healthy beauty brought about by the restorative power of nature” and commitment to “provide not only a clean message but also a clean future.” Additional vetiver signs are planned for the ailing waterway, which was declared “biologically dead” in the 1990s after decades of contamination from industrial runoff and sewage. The Pasig River Rehabilitation Commission and Vetiver Farms Philippines are also partners in the project.

A similar concept sprouted in the Philippines three years ago, when Coca-Cola and the World Wildlife Fund created a 60-by-60-foot billboard covered in Fukien tea plants to absorb air pollution.

The notion that social-issues campaign should not just call for action, but also take action themselves or facilitate change, is growing. Recent examples include Peruvian billboards that generate clean air and water, a “Drinkable Book” with pages that filter contaminants and a “Blind Book” designed to teach sighted folks how vision-impaired people feel when denied access to literature because it is not published in a format they can read.

Via PSFK.



Q&A: How a Reality TV Show Pranked America With Fake Celebrity Divorce Ads

We’ve been had. It turns out that one man’s heroic billboard crusade to prevent celebrity divorce was actually a hoax by WEtv to advertise its new show Marriage Boot Camp: Reality Stars.

We caught up with WEtv President Marc Juris to find out how he hit the zeitgeist and tricked media outlets across the nation:

AdFreak: Is there a real J. Robert Butler?
Mark Juris: You’re speaking to him. No, he’s a fictional character we invented, played by a real actor.

Whom you made up a whole backstory for about his daughter’s divorce…
Because the most important thing you have to remember, is that the audience in incredibly smart. We created a whole character, a persona, and a motivation. Thought about why he would do this, what he expected would be the response. I think the inclination is to have him say some outrageous stuff, and we pulled all that back and had him be more realistic.

How did you hatch the hoax?
We went through a couple of ideas. We thought, “Could we make these billboards poking fun at celebrity couples who had divorced?” But it just felt too much like an overt ad campaign. And that’s the problem with overt campaigns; people just drive by them and just keep going. So we thought, “How can we really do this?” What if we made an organization that seemed ridiculous, but could be real and serious?

It seemed real and serious. You fooled us. Did you get anyone else behind the movement?
We had quite a few requests for interviews from some major broadcasters and some broadcasters who were upset because we weren’t getting back to them. Some got lightly pushy, saying things like, “We’re going to go to press without your comments.” But it got a lot of pickups because it was thought provoking. What it was saying kinda made sense, and by the end it was even making sense to me.

I think you could have actually started a movement.
I think you might be right. Some of those lines really resonated because marriage isn’t a sponsorship opportunity. I think the general population is a little sick of it. The Kim and Kanye wedding happened recently, and we weren’t invited, but when you see this sort of thing where everything is sponsored, all the brands there, and people are tired of it. The best messaging is what really resonates with people. People are getting smarter and smarter, and they don’t want to be played. I mean, when you see something like “consciously uncoupled,” it really seems like they [Gwyneth Paltrow and Chris Martin] went to the same company that comes up with things like “Obamacare” to come up with the name!

The new banner across the signs says “help stop celebrity divorce,” and suggests tuning in for Marriage Boot Camp: Reality Stars. Do you think a show like this will really help prevent celebrity divorce?
No, I don’t think so. At this point we’re having a little fun.  But we wanted to make people think and link it to our show in a more meaningful way.

Well you got lots of people talking. Who was covering it?
There was a lot of online blog coverage. We had a very long piece on KPLA, we had an entire segment on Fox news referencing the billboards and talking about celebrity divorce.  We really had great coverage with just five billboards and a couple of buses. I love outdoor advertising because it really stands alone, and if it’s great you really see it. Outdoor can be really successful and very cost efficient. I also think you have to do city specific advertising when it’s appropriate.

It was definitely appropriate here.
Yeah, there’s really nowhere other than Hollywood you could have put those banners. But we also had banners running up and down Jersey Shore this weekend letting everyone know JWoww was going to be at the Jersey Shore this weekend, because she was at Marriage Boot Camp. And that got a lot of Twitter activity.

That’s great. Tell me a little about the design. How did you make it look so believable? Even the actor you chose…
I was very careful not to make it look like an ad campaign. It’s easy to go there, I really like to step back and be the cynical self that I am, and say, “Would I buy that that’s an ad campaign?” I will tell you this: We shot a video message from him, but I felt it didn’t ring true enough, so we didn’t use it. Because believability is key, and you can’t fall in love with your own stuff. I saw him on camera and I said, “I’m not buying it from him.” You would have to be De Niro to sell this stuff! You’d need an actor of that caliber to pull it off. I’d rather pull back in an effort to make it feel more real than to put it up.

And the design?
It was consciously done to make it seem like someone like him would think it was a good billboard, American values, low-fi. We placed him from Utah in our own heads. What would a guy from Utah who was a used car dealer use as his billboards? Right down to the logo, that’s the sort of logo he’d like. We knew we needed a website where he could say his piece. We even went so far to Google J. Robert Butler to see who would come up. You see, we did all our homework because we knew you’d be doing that.

Yeah, we looked through the site, and usually people don’t bother to hide the truth. The moment you get to the website the real advertiser is like, “Surprise! It was us all along!” And claims credit for the campaign.
That’s right. That was everyone’s inclination, but I didn’t want to do that. Because to be believable it simply can’t be connected to anything—no immediate messaging. You really have to be patient. I learned that from the Jimmy Kimmel twerking video, because that was, what? Two months they sat on their hands. I know our PR team was going crazy wanting to tell everyone about it. But you have to wait because that’s when things start to feel real—when you feel like there’s no ad message that’s behind it.

That’s a great point. Was there anything else surprising about the campaign besides the actual surprise at the end?
Well, J. Robert Butler, the actual actor we used, has been married four times. So that’s more than a little ironic. I’m wondering if he heard from any of his ex-wives about his billboard campaign.

Marriage Boot Camp: Reality Stars premieres tonight at 9/8 Central on WEtv.



Drunk People Passed Out in Japan Get Turned Into PSA Billboards While They Sleep

Next time you’re out at bar tying one on, you might want to reconsider your choices—if you happen to be drinking in Japan. 

Ogilvy & Mather and bar chain Yaocho bring us this glimpse into a strange phenomenon in Japan where lots of people apparently literally drink till they drop, and sleep on the street.

To curb this disturbing trend, the slumped-over drunks are made into PSA billboards—framed within a square of white tape and adorned with the hashtag #NOMISUGI, which translates to “too drunk.” Instagram users all over Japan have been capturing these impromptu ads, which are an effort to shame people into behaving better.

We’re not sure if it’s staged or not, but it’s a hilarious concept, and worth a look below. 

Via Ads of the World.

CREDITS
Client: Yaocho
Agency: Ogilvy & Mather, Japan
Chief Creative Officer: Ajab Samrai
Creative Directors: Yasuhito Imai, Federico Garcia
Copywriter: Federico Garcia
Art Director: Junkichi Tatsuki
Production Company: Babel Label
Director: Kentaro Shima



Mexican Newspaper Offers Breaking News Via Paper Towel Dispenser

Who says print is dead? Maybe it’s just on an extended bathroom break.

Mexican free newspaper Mas Por Mas recently rigged paper towel dispensers in select corporate, mall and cinema toilets around Mexico City with WiFi printers. When patrons reached for towels, the machines spat out real-time breaking news from Mas Por Mas on each sheet.

First we had TP tweets, now this. We are truly living in a golden age.

QR codes directed users to the free newspaper’s website, where unique visits reportedly increased almost 40 percent in two weeks. So I guess the printers didn’t stall very much. (Ha! Public restroom humor!)

Check out the case-study video below. Most of the patrons seem amused … except for the dude around 1:40, who looks peeved. Or maybe he just smelled something.

The folks who didn’t practice good hygiene and wash up after going about their business missed out on the paper-towel content. Newsflash: Wash your filthy hands, people!

Via PSFK.



McDonald's Unveils the Simplest Ads It's Ever Made

Last summer, TBWA Paris unveiled a bold campaign for McDonald’s that consisted entirely of classic menu items photographed up close—with no branding at all. (Did somebody say McDonald’s? Not in those ads.)

Now, agency and client are back with a follow-up campaign that, in a way, is even more minimalist. Instead of the actual products, now we get clean, simple drawings of the products—turning them into actual icons. There is a bit more explicit branding on these, though, but it’s still very subtle—a tiny Golden Arches next to the illustrations.

The ads feature McDonald’s “Big 6” menu items—Big Mac, cheeseburger, fries, sundae, Chicken Nuggets and Filet-o-Fish—and will appear on more than 2,700 outdoor displays in France, with the major rollout beginning June 2. The agency calls the work “unique and modern, in the McDonald’s brand image,” “exclusive, simple and universal, just like the six iconic products” and “a fun and intriguing addition to our cities.”

More images, plus a new McDonald’s TV spot from TBWA Paris, below.



Source

McDonald’s Unveils the Simplest Ads It’s Ever Made

Last summer, TBWA Paris unveiled a bold campaign for McDonald's that consisted entirely of classic menu items photographed up close—with no branding at all. (Did somebody say McDonald's? Not in those ads.)

Now, agency and client are back with a follow-up campaign that, in a way, is even more minimalist. Instead of the actual products, now we get clean, simple drawings of the products—turning them into actual icons. There is a bit more explicit branding on these, though, but it's still very subtle—a tiny Golden Arches next to the illustrations.

The ads feature McDonald's "Big 6" menu items—Big Mac, cheeseburger, fries, sundae, Chicken Nuggets and Filet-o-Fish—and will appear on more than 2,700 outdoor displays in France, with the major rollout beginning June 2. The agency calls the work "unique and modern, in the McDonald's brand image," "exclusive, simple and universal, just like the six iconic products" and "a fun and intriguing addition to our cities."

More images, plus a new McDonald's TV spot from TBWA Paris, below.




Man Puts Up Billboards All Over L.A. Telling Celebrities to Stop Getting Divorced

Upset about his daughter's divorce, and convinced she was influenced by the stellar example our celebrities are setting in that regard, J. Robert Butler bought some billboards.

The founder and president of the Society for the Prevention of Celebrity Divorce decided to use his own money to collectively wag his finger at Hollywood. And actually, the headlines aren't bad.

"Dear Hollywood. When you consciously uncouple, millions unconsciously uncouple too" takes a direct swipe at the Paltrow/Martin split. "Dear Hollywood. Divorce is a shame, not a reality show" could be talking to any of the 22 couples who have divorced after appearing on reality shows. And "Dear Hollywood. Please remember marriage is a commitment not a sponsorship opportunity" is just good, self-righteous fun.

The boards are up around Los Angeles, and even on buses. But even Butler wonders if they'll do any good. "Will they have the desired effect and inspire celebrity couples to stay together?" He asks over at PreventCelebrityDivorce.org. "We pray they will, because the price of renting billboard space is high … but not nearly as devastatingly high as the price of losing a marriage."




24-Hour Chain Pays Local Merchants to Advertise Overnight on Their Security Gates

Delis, grocery stores, liquor marts and bakeries in Bogota, Colombia—most which close at 8 p.m.—agreed to advertise for one of their competitors, Carulla, by turning their late-night security shutters into billboards for the 24-hour supermarket chain.

The campaign from Ogilvy paid local merchants to post messages on their metal gates, including "The butcher is asleep. The one at Carulla on 85th is awake" and "In here we have everything but if you need it now, go to the Carulla on 63rd."

It reminds me a bit of that DHL stunt (which DHL insisted it didn't approve or condone) that showed competitors of the delivery service carrying large packages touting DHL. Points to Carulla for devising a nonprank concept that delivered for all concerned, with participating stores providing a little extra convenience to customers.

Credits below.

CREDITS
Client: Carulla
Agency: Ogilvy & Mather Colombia
Chief Creative Officer: Jhon Raúl Forero
Executive Creative Directors: Juan Pablo Álvarez, Mauricio Guerrero
Creative Directors: Julio César Herazo, Amples Regiani
Copywritters: Julio César Herazo, José Cárdenas, Jorge Villareal
Art Directors: Amples Regiani, Gabriel Escobar, Mauricio Reinoso
Graphic Designer: Maria Fernanda Ancines
Production Company: Direktor Films
Director: Felipe Suarez
Producer: Lali Giraldo




Coca-Cola Builds Adorable Mini Kiosks to Sell Mini Cokes

"It's the little things in life that makes us happy." That's the message in this print and outdoor Coca-Cola campaign from Ogilvy Berlin, and it's true in advertising generally. Unusually little things tend to get big props—whether you're talking doll houses, mini Abe Lincolns or tiny billboards.

Ogilvy placed these mini kiosks in five major German cities. They sold mini cans of Coke, which was the whole point, but also various other miniature products. They even had a pint-size vending machine. The kiosks sold an average of 380 mini cans per day, which Ogilvy says is 278 percent more than a typical Coke vending machine.

Via The Denver Egotist.




Sunscreen Brand Trains Tattoo Artists to Look for Signs of Skin Cancer

In Brazil, sunscreen brands are all about creating advertising that goes above and beyond in offering you protection.

This case study for Sol de Janeiro showcases a campaign from Ogilvy Rio in which 450 tattoo artists were trained to check their customers for signs of skin cancer. That follows last week's magazine ad from Nivea and FCB São Paolo, which included a removable child-tracking bracelet to help beachgoers from losing their kids.

The Sol de Janeiro work, which relied on lectures from an oncologist, is a smart if narrowly targeted way to raise awareness and signal the brand's devotion to the cause. And for what it's worth, some of the artists have already pointed their clients toward dermatologists, according to the video.

It's also a way better idea than any campaign that encourages consumers to actually get branded tattoos.




Design Student Cleans All the Unsightly Blemishes Off Dr. Zizmor’s Subway Ads

Some things are integral to the New York experience, and getting lost in Dr. Zizmor's subway ads (which have been up since at least the early '90s) is one of them. But one graphic design student doesn't see it that way. Hyo Hong finds them graphically offensive and has set out to clean them up.

On the surface, her redesign makes a lot of sense for the dermatologist. As you'll see in the video below, she's changed the side of the ad that reads "clear skin" to have just that—a clear background, which reinforces the ad's message.

But if Hong had done her research, she'd know she's only helping Dr. Zizmor's lie. (His Yelp reviews tell quite a different story from his ads.) And let's be frank, she's being a bit rude. New Yorkers deal with a lot of shit, and these ads are part of what makes the city great. They are a weird little gem that has stood the test of time. The bizarre rainbow, the horrendous before and after photos—well, they help distract you from the "It's showtime" crew or someone's overbearing cologne.

Thanks, Hyo Hong, but do we really need an underground Giuliani looking out for our aesthetic well being?

Via Gothamist.




Campaign to Plant More Trees in NYC Begins by Tagging Everything That Isn’t One

OK, it's time to play "Tree, Not a Tree."

New York City has so few trees that people there might have forgotten what a tree is, exactly. At least, that's the tongue-in-cheek idea behind the New York Restoration Project's new campaign from ad agency Tierney.

The effort involves tagging objects around the city (especially in low-tree/high-traffic neighborhoods) with labels that read, "Not a Tree." Accompanying text says, "There aren't enough trees in the city. Let's change that," along with the NotATree.org URL.

"Yes, a Tree" tags will go on saplings planted as part of NYRP's MillionTreesNYC project. Text on those reads, "Thank you. This is exactly what our city needs."

The campaign also includes more traditional media, including TV, radio ("That little red thing on the sidewalk that dogs like to tinkle on? Not a tree"), print, billboards and online quiz banners. It runs May through June, which is prime planting season.

The New York Restoration Project, founded by Bette Midler, is recruiting New Yorkers as volunteers for MillionTreesNYC, which hopes to plant 1 million new trees by 2017.

More images and credits below.

CREDITS
Client: New York Restoration Project

Agency: Tierney, Philadelphia
Executive Creative Director: Patrick Hardy
Creative Director, Copywriter: Andrew Cahill
Art Director: Tracy Shinko
Agency Producer: Tom Adjemian
Editor: Aaron Hann
Project Manager: Ben Wollman
Account Director: Rick Radzinski

Postproduction: Shooters, Philadelphia
Producers: Rebecca Lyons, Matthew Licht, Eileen Dare
Colorist: Janet Falcon
Sound Engineers: Bob Schachner, Mike Taylor

Radio: Mister Face, division of Sound Lounge, New York
Executive Producer: Michael Schmidt
Producer: Torria Sheffield
Recording Engineer: Collin Blendell




Artist Achieves His Dream of Turning a City Street Into a Waterslide

We've written before about artist Luke Jerram's ambitious plan to turn a Bristol street into a giant waterslide, but now he's gone ahead and done it.

Jerram's waterslide ended up being 300 feet long, and any locals who managed to get tickets for the slide were allowed to use it. A whopping 96,000 people applied, but only 360 were selected at random to participate. Comparisons to the golden tickets from Charlie and the Chocolate Factory were made, and they're not wrong. The slide itself looks insanely fun, and a lot of people dressed for the event (the guy wearing a Flash costume is the most obvious, but there were others).

I don't know how many questions were raised about the intricacies and costs of urban planning, which was the original point of doing this, but whatever. It was a nice day and a lot of people enjoyed themselves. Sometimes that's enough.