Hasta La Creative!

BBDO New York taps Houston Rockets star James Harden and retired NBA greats Charles Barkley and Scottie Pippen for a funny new spot entitled “Short Memory,” which promises to be the first in a series.

When Harden asks Barkley for advice on starting the new season fresh, Barkley explains that all the greats have short memories. Harden asks if that means Barkley forgot about it if he had a bad game, to which Barkley replies that he never had a bad game. Harden persists with a series of questions, until Barkley cuts him off, seeing that he doesn’t get it, and turns to Scottie Pippen for help. Pippen perfectly encapsulates Barkley’s point, declaring himself the greatest Chicago Bull ever — which would be true with a parenthetical “(available for selection in NBA Jam).”

It’s a clever spot, making good use of Barkley’s comedic potential, even if Harden comes across a bit stiff in comparison. Pippen’s tongue-in-cheek boast alone gives “Shot Memory” viral potential, which the spot already seems to be fulfilling. It has racked up almost 600,000 views since being posted yesterday. Stick around for credits after the jump. (more…)

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RPA has launched a new integrated campaign for Honda highlighting the brand’s summer clearance event and attempting to spread summer cheer, under the face-palm worthy title “Summer Cheerance.”

To be fair, “Summer Cheerance” is at least memorable, however irksome the title may be. The campaign includes broadcast spots, print, digital, radio, “an abundance of smile-inducing videos, memes, GIFs and visual jokes via social media” and special events from August 4th until August 8th to promote the Honda Summer Clearance event. As part of the campaign, Honda will donate $100,000 to the Pediatric Brain Tumor Foundation.

“Summer Cheerance” launched today with an introduction video (featured above), as well as a series of short videos designed to be shared on social media to spread summer cheer. For example, one video shows a pig swatting its tail for six seconds, followed by the message “We hope this video added some cheer to your day” and promotes Honda’s event with the #Cheerance hashtag. Other videos include dancing dolphins, an exhausted puppy and an “Epic Gopher.” Additionally, the brand has teamed up with YouTube star Andrew Hales, who will promote the brand with two videos on his YouTube channel. Stick around for a few examples, along with credits, after the jump. (more…)

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For the latest in the brand’s “Learning Meets Doing,” Y&R New York teamed up with Über Content and director Adam Gunser to create a mockumentary celebrating “5 Second Filmmaker” Marty Goldberg.

Goldberg is the (fictional) king of the the 5-second film, taking home the “Cinco” award year after year and employing “The Goldberg Method” while grooming his assistant and protege. Seemingly targeting the growing popularity of the short-format Vine, the mockumentary mostly seems to be trying too hard and its humor never really hits it mark and struggles to find a cohesive tone. Most of the time, the spot seems to be mocking Goldberg, but elsewhere seems to celebrate his working methods showcasing Dell technology. Also worth noting is that the brevity-mocking video feels long at 2:15. Goldberg could have done it in five seconds. Stick around for credits after the jump. (more…)

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In the latest sign that the digital ad lengths are getting out of control, Anomaly tapped Jude Law for a six minute “short film” long ad promoting Johnnie Walker Blue Label.

When Law admires a wealthy friend’s boat, with the friend going on about the ship’s unique aspects and building circumstances, he makes a gentleman’s wager to win the seafaring vessel with a dance. Unsure why he would do this, when he can’t really dance, Law nevertheless prepares a choreographed effort to impress the friend and win the boat. It’s an entertaining enough set up, but the dance scene itself leaves a lot to be desired and drags on far too long. While not without its charm, “The Gentleman’s Wager” really could have been told in half its running time. Stay with us for credits after the jump. (more…)

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Cheil Worldwide and R/GA teamed up with production company Psyop for the six minute conclusion to Samsung’s ambitious sci-fi soccer epic, “The Match.” The first episode in the series launched all the way back in November.

“The Match Part 2? picks up with Earth’s Galaxy 11 team trailing 3-1 at the half, and in need of some serious rallying to defeat the alien team. Of course, it’s hardly a spoiler to give away that the team is up to the task. Samsung wasn’t about to end its month long campaign with an alien apocalypse, as that would hardly help them move product. For those who have been following all along, it’s the ending they were waiting for. While Samsung’s timing is a little questionable — “The Match Part 2? was released just two days ago as a coda to the World Cup, while “The Match Part 1? made its debut with the opening of the tournament — it has still seemed to find its audience, with over four million views in two days. We’ve included “The Match Part 1? as a refresher after the jump. (more…)

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Adweek described Deutsch LA’s “MicroRave” for Pop Secret perfectly as “like a sad, seizure-inducing nightclub for corn,” in a post that also questioned whether it was the worst ad of the year.

Deutsch LA points out, defensively, “This wasn’t intended as an ad, but as a quickie video for social media meant to celebrate the EDC festival happening the weekend we launched it,” which may disqualify it from that title. The premise of the spot (or “quickie video” or whatever you want to call it) is simple: popcorn attend a “MicroRave” complete with blasting electronic music, seizure-inducing lighting, beads of butter-sweat (which doesn’t exactly make Pop Secret seem appetizing) and a trail of kernels sadly waiting to get in. As if that wasn’t enough already, there’s also a 20-minute long “Extended Party Version,” which we’ve included for anyone masochistic enough to attempt to sit through it after the jump.  (more…)

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One thing posting on AgencySpy has taught us: marketers and creatives love a robust conversation.

On that note, we’d like to bring your attention to an alarming trend that doesn’t seem to show signs of fading away anytime soon: “Fauxsumerism.”

Essentially, those super-valuable Millennials would rather spend countless hours browsing online than ever actually buying anything. Numerous surveys and thought leadership gatherings have been dedicated to turning these perpetual browsers into buyers–but is it really possible?

(more…)

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Agency Johnny Fearless teamed up with Aardman Animations (the creators of Wallace & Gromit) to create the above 90-second spot promoting Imperial War Museum London’s First World War Galleries, entitled “Flight of the Stories.”

The First World War Galleries will re-open on July 19th, which marks the start of the Centenary commemorations. “Flight of the Stories” imagines “the journey of personal stories and letters written by those who never left the fields of Northern France during the First World War.” These stories and letters are depicted as a series of quotations, traveling across France and over the English Channel to find their home at the Imperial War Museum London, while accompanied by lines read “from letters and diaries entrusted to the museum by relatives during and at the end of the First World War.” The effect is striking, with Aardman drawing inspiration from the art of the period and combining 2D illustrations with 3D CGI animation.

“We wanted to bring people to IWM London to see and hear the words of those who lived and died through the war for themselves and encourage them to reappraise the First World War in a way, which is different to the stereotypical mud and blood imagery,” explained Paul Domenet, executive creative director, Johnny Fearless.

“Flight of the Stories” will run online and in cinemas as part of a multimedia campaign including posters, press and radio. Stick around for credits and a “making of” feature after the jump. (more…)

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Production company Great Guns mixes molotov cocktails and soccer in their filmtrack for Santigold’s “Kicking Down Doors,” part of Pepsi’s Beats of the Beautiful Game visual album.

For Santigold’s filmtrack, director Andy Morahan was inspired by “The Christmas Truce,” a soccer-fueled temporary peace that took place between English and German forces on Christmas Day, 1915. “The English and German soldiers put down their guns and played some football in No Man’s Land,” explains Morahan. “I was thinking of a way to try and tell that story in a modern light. Obviously I didn’t have the budget for a war scene, but a riot was more reasonable as a severe stand-off between people. It’s showing football, and sport by extension, as this beacon for humanity.”

In the film, a riot breaks out, with molotov cocktail wielding forces squaring off against riot police. A group of boys falls asleep at the edge of the scene. When one of their balls makes its way into the heart of action, both sides throw down their arms and beginning playing an impromptu pickup game. It’s not a bad idea for a World Cup spot, but seems a bit stretched out as an over four minute music video — although you may feel differently if you actually enjoy the song.

Morahan filmed the scene in Kiev, which has seen its share of rioting in recent history, although he insists the location was chosen purely out of convenience. “I was in Prague and wanted to shoot it there but the budget wouldn’t fit, so we were only an hour flight from Kiev and I’d worked there before so knew some people there who could help me out,” he explains. “Really, it was just close by and it fit the budget.” Stick around for credits after the jump. (more…)

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To promote the new social sharing app SpeakingPhoto (available on Android and iOS), which sets “itself apart from youth-based social sharing apps by offering a way for consumers and businesses to document, keep and share important stories with their communities and customers,” Sorcher Films was tasked with telling stories with a real emotional payoff. Sorcher Films and writer/director Peter Sorcher responded with a series of branded content videos.

Sorcher worked directly with SpeakingPhoto to create an “interwoven, multi-character narrative to drive home an emotional connection to SpeakingPhoto.” He took a feature-film approach, creating back stories for all the characters, despite knowing that most of the footage would be cut from the final edit. This, coupled with quality editing (also from Sorcher), makes for the impression that the characters are more fleshed out than what we see onscreen, allowing for emotional moments that speak to the SpeakingPhoto’s uses.

“People see spots for apps with people engaged with screens and just tune out, so I wanted to create something that really makes the viewer take an active role to figure out who these characters are and what they are doing with SpeakingPhoto,” Sorcher said. Stick around after the jump for credits and another SpeakingPhoto spot. (more…)

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