Les designers russes Egor Kevraletin, Max Zevakhin, Marat Dzhantuganov et Funky Business ont imaginé un design original vert et rouge pour la marque russe de produits ménagers : Happy Collections. Un style très pop et agrémenté d’un logo travaillé à découvrir sur Fubiz dans la suite de l’article.
DDB is hoping the Sumatran tiger doesn't go the way of the vinyl record—particularly the quickly degradable one.
For Earth Day, DDB New York and the Smithsonian's National Zoological Park and Conservation Biology Institute are raising awareness of the endangered animal—of which only 400 are left—by creating an endangered song.
For The Endandered Song Project, the agency got Atlantic Records band Portugal. The Man to write a new track simply called "Sumatran Tiger" and release it only on 400 lathe-cut vinyl records, which are designed to degrade after a certain number of plays (about 100 plays, we're told). The 400 people who got the record (we were one of them) are being asked to digitize the song, thus keeping it alive, and share it through social media using the hashtag #EndangeredSong.
"We liked the idea that there is this degree of difficulty to the project in terms of what people had to do," Matt Eastwood, chief creative officer of DDB New York, tells AdFreak. "We are responding a little bit to the whole slacktivism thing. We want more than just a tweet. Of course we want that, too, but saving a species is more than just a Facebook like. You have to physically get involved and do things."
DDB initially thought about releasing the song on a cassette. "Then we found out about the lathe-cut records," said Eastwood. "Records, too, are almost extinct these days. And the song will slowly become extinct if you don't copy it over to digital … It's very old school meets new school, which I like. It's old technology, but we're promoting it using the digital technology of Twitter and Instagram and Facebook."
The Sumatran tiger was a somewhat arbitrary choice (there is no shortage of endangered species) but a compelling one, Eastwood added. "It's not an unusual animal, but it's a rare and exotic animal, and everyone loves tigers," Eastwood said. "There are only 400 of them, which to us just seemed so desperate. You could fit them in a car park. It's ridiculous."
Portugal. The Man, whose members hail from Wasilla, Ala., and are committed to environmental causes, were happy to join the cause. The campaign doesn't have a specific call to action for donations, but you can contribute through a link on the campaign site.
A thrilling remake of a 1904 experiment in which live trees antennas act as antennas for radio contact. Simple and magical at the same time: the combination of nature and technology. This concept was not developed any further at the time, but now BioArt Laboratories has decided to take up the challenge again continue
The buzz is heating up for Quiznos, who has scored a hit with its House of Cards/Game of Thrones mashup called House of Thrones.
Machiavellian Congressman Frank Underwood is transported to the Seven Kingdoms, where he eliminates characters as mercilessly as George R. R. Martin himself—though he avoids killing fan favorites like Tyrion Lannister, settling instead for a merciless teasing.
Hindered by a script that is only mildly funny, the spot is held aloft by an exceptional Kevin Spacey impersonator and a spot-on concept: crossing two of today's hottest properties for maximum viral effect. They even give a few spoiler-ish nods to the fans who've read all the way up through A Dance of Dragons.
Windowseat in Los Angeles created the video, which is part of Quiznos' new content strategy for its recently launched Toasty.tv site—an interesting ploy, considering that Quiznos has just filed for bankruptcy and people are questioning whether this kind of buzz will actually sell sandwiches.
Given the target market, this kind of advertising is great for the brand. But before they invest in entertainment, they should probably focus on making subs that aren't substandard.
Ikea planted lots of LED lamps in the woods for this 60-second commercial for the U.K. and Ireland touting the home-furnishing company's commitment to sustainability.
Created by Mother London and director Martin Krejci, the ad's surreal aura is enhanced by Menomena's pop-etheral "Wet and Rusting" on the soundtrack. (Soundtree Music found the song.) Check out Mr. Squirrel's reaction as the lights blaze. Yeah, he's screwed—every predator can spot him now.
"Forest" is part of Ikea's "Wonderful Everyday" campaign, which focuses on how small things can make a big difference. A voiceover notes that by 2016, Ikea will sell only energy-efficient LED lightbulbs. (Indeed, the European Union has been moving in this direction for some time.)
The work provides "an opportunity to explain a little about who we are and what we stand for as a brand, and sustainability is a big part of this," says Ikea marketing manager Peter Wright.
Some bright lights might point out that the ad displays enough timber to sustain hundreds of impossible-to-assemble dinette sets. (The company reportedly uses 1 percent of the world's wood supply each year.) But in fairness, Ikea has been working to meet ecologically prudent logging standards. So it's not like the company can't see the forest for the trees.
Loop.pH’s work speculates on near and far future scenarios as a way to probe at the social and environmental impact of emerging biological and technological futures. Some of their most renown projects include collaborating with a Nobel prize winner to communicate the functioning of molecular machines, designing a curtain made of algae that produce bio-fuel, setting up an edible DIY bio fab-lab for the video of an Aussie band. creating a sound and light performance that explores the field of neuroscience and investigating the possibilities of living architecture continue
Pour la classique Nike Air Max 90, le studio anglais ManvsMachine a réalisé cette vidéo où la basket gravite et danse devant nos yeux. C’est la naissance d’une Nike à laquelle on assiste, avec l’assemblage des lacets, du talon, de la fusion des couleurs, des matières et des formes : ronds, cubes ou encore triangles.
Nathan Kaso, photographe talentueux qui a déjà fait l’objet d’articles sur Fubiz, nous offre avec The Waters of Greenstone un voyage magnifique dans l’île du sud de la Nouvelle-Zélande. Fruit de 3 semaines de voyage, cette création tournée au Canon 5D Mark III est mise en avant par une musique produite par Tom Day.
The book contains 17 articles (in both English and Finnish) that report and meditate on the research, reflections and activities that took place during the scientists and artists’ stay in Kilpisjärvi, Lapland. The event was organised by Finnish Society of Bioart and offered one of the very few residences that allows people who engage with art&science to work and experiment directly in a natural environment and not exclusively in laboratories or galleries continue
Ice Lab presents some of the most innovative and progressive examples of contemporary architecture in Antarctica, drawing together projects that not only utilise cutting-edge technology and engineering, but have equally considered aesthetics, sustainability and human needs in their ground-breaking designs for research stations continue
Michiko and Michael’s work is never without surprise. Whether they entrust opera singers to produce food in a future world where algae have become the world’s dominant food source or explore the possibility of a city that would be isolated from the wider environment and where food, energy, and even medicine, are derived from human origin and man-made biological systems. continue
Suzanne Lee is the Founder of BIOCOUTURE, the first ‘living materials’ design consultancy. The last time i met Suzanne, she was cultivating bacteria into green tea and harvesting layers of cellulose which, once dried looked like leather that she then used to make garments.
Suzanne’s work has now taken an even more ambitious dimension as she is building an open innovation resource to enable collaboration within the global biological materials community continue
Telling the average adult to skip meat, or at least eat mutton instead of beef, is a pretty tough sell. But European designer and water-conservation advocate Angela Morelli is definitely up to the challenge with her interactive infographic, "The Water We Eat."
Morelli uses clear explanations and minimalist graphics to explain how the processes behind food production mean we each essentially "eat" 3,496 liters (923 gallons) of water per day. Most jarringly, she contrasts the fact that we use only 137 liters a day for bathing, cleaning, cooking and flushing, while the process of creating one kilogram (2.2 pounds) of beef requires 15,400 liters (4,068 gallons) of water.
Although Morelli created the infographic last year based on a presentation she had been delivering internationally, the site is still gathering momentum and reaching new audiences, such as the social-causes marketing blog Osocio. One reason for the graphic's success in changing perspectives is the practicality of Morelli's proposed solutions: Avoid wasting food; skip meat at least one day a week; and try to buy grass-fed meats.
The PhotoKinetic bus est une création de l’artiste catalan paysagiste Marc Grañén. Pour lui, les espaces verts urbains sont cruciaux pour notre environnement et rappelle le principe de la photosynthèse avec cette création proposant un toit de bus avec un jardin, alliant beauté et protection de la nature.
New York ad agency Barton F. Graf 9000 has turned its roguish attention to the issue of climate change, and helped activist group 350 Action with the amusing video below. According to the YouTube description: "Since 1954, the World Meteorological Organization has been naming extreme storms after people. But we propose a new naming system. One that names extreme storms caused by climate change, after the policy makers who deny climate change and obstruct climate policy. If you agree, sign the petition at climatenamechange.org." The snarky tone preaches to the choir, but it's hard to resist lines like, "If you value your life, please seek shelter from Michele Bachmann." Credits below.
CREDITS Client: 350 Action Contact: Daniel Kessler
Agency: Barton F. Graf 9000 Chief Creative Officer, Founder: Gerry Graf Executive Creative Directors: Eric Kallman, Brandon Mugar Creative Director, Copywriter: Dave Canning Creative Director, Art Director: Dan Treichel Senior Designer: Matt Egan Head of Production, Executive Producer: Carey Head Creative Technology Director: Jonathan Vingiano Account Director: Jennifer Richardi Business Affairs Director: Jennifer Pannent Planner: Danielle Travers
Production Company: Furlined Director: Ted Pauly VP, Executive Producer: Eriks Krumins Executive Producer: Dave Thorne Executive Producer of Sales: Meghan Lang Line Producer: Jennifer Gee Director of Photography: Kris Kachikis
Editing: Big Sky Edit Editor, Sound Designer, Mixer: Chris Franklin Co-Editor, Colorist: Dave Madden Senior Assistant Editor: Liz Bilinsky Junior Assistant Assistant Editor: Megan Elledge Graphics, Effects: Ryan Sears, Steve Kutny Executive Producer: Cheryl Panek Assistant Producer: Grace Phillips
Music: APM Music Account Executive: Lauren Bell
Stock Video Footage: T3Media Senior Account Manager: Amy Geisert
Photography: Magnum Photos Corporate Sales Manager: Diane Raimondo Photographer: Paolo Pellegrin
In the face of impending climate crises, environmentalists are standing with the Bio-Conservatives or with the Techno-Progressives.
However, a number of emerging factors suggest possible alternatives for the relationship between environmentalism and science. Among these are the DIYBIO or Biopunk movements and the campaign for open access to science, as well as headless and cell-based networks of activists such as Anonymous continue
Sitting somewhere between criminality, deceit and disruption, each scheme seeks to exploit the unique infrastructure, ecology, potential for dispute, and legal ambiguity of the Arctic region to provide devious financial rewards continue
Environmental debates are touchy, and often noticeably lacking in nuanced dialogue. Interesting, then, that The Nature Conservancy, which says it's committed to taking a creative and balanced approach to solving environmental issues, would frame its latest ads as the opposite of that. Portland, Maine, ad agency Kemp Goldberg Partners recently rolled out ads for the group in Boston that ask people what the "future of nature" will be—in each case, prompting them to choose between two apparently incompatible options. Loggers or forests? People or wildlife? Fishermen or fish? Ecology or economy? The campaign points to a landing page, futureofnature.org, where visitors learn that, in fact, they might not have to choose at all—that a healthy economy and a healthy natural world might both be possible. The "Tastes great, less filling" approach of the ads is a provocative one when the subject isn't beer but rather the future of the planet—though it will surely draw people into the conversation. And the audience's brief trip from black and white into gray mirrors the larger one this client hopes the population at large will eventually take, too. More images below.
A discussion with Rasa Smite about “Biotricity No.5”, a project that experiments with “green energy” technologies and sonifies the process of generating electricity from bacteria living in water continue
HeHe took the invitation to turn FACT (the Foundation for Art and Creative Technology in Liverpool) inside out literally. Their new piece used the exhibition space to extract gas from the ground underneath the gallery and suggest that in the future we might want to bypass big energy companies and extract our own fossil fuels ourselves in our back garden continue
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