Jay-Z, Rihanna Just Do It in New Global Budweiser Campaign

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Hmm. After viewing some of the Translation-created work for a new 85-country Budweiser campaign which features Rihanna and Jay-Z, we can’t help but think they could have summed up the entire campaign with a tagline like, “Just Do It.”

Oh wait.

Continuing the Made in America music-focused campaign which kicked off last year with a two day event in Philadelphia that grossed $5 million and boasted 80,000 attendees, the campaign will closely marry promotions with the two musical artists as well as support Jay-Z’s Legends of the Fall tour with Justin Timberlake.

Jay-Z and Rihanna are featured in two new Mark Romanek-directed commercials. The campaign will also include limited-edition packaging, digital, out of home and social media.

Of the campaign which breaks July 15, Translation CEO Steve Stoute said, “As the program develops, we’ll be working with the team to figure out how it takes shape. Music is very elastic, so the program has to be fluid because you’re dealing with the consumer and their evolving tastes.”

Sid Lee Adds Some Sting to Bumblebees for Dewar’s

Earlier this week, we covered some Sid Lee Paris video game business. Today, we’re moving back across the Atlantic, as Sid Lee New York debuts a 3-Bee (yup, they punned 3-D) printing project for Dewar’s Highlander Honey whiskey. The technology allows for  80,000 bees to mimic their natural environment in a factory setting and create hives in custom shapes, like a Dewar’s whiskey bottle. The Ebeling Group, which produced the accompanying video, had to do their work in full beekeeper suits. That is how you commit to a project.

The 60-second video offers viewers an artsy glimpse into the totality of the 3-Bee project. The edgy tone comes from muted lighting and  background music that might as well be a leftover composition from Radiohead member Jonny Greenwood‘s There Will Be Blood soundtrack. I’m not sure that this strategy would make me want to purchase a drinkable product, but the creativity involved more than makes up for it with originality. Credits after the jump.

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New Balance Wants to Make ‘Runnovation’ a Thing, Gives it an ‘Anthem’

From Arnold Worldwide comes “Runnovation Anthem,” a spot for New Balance that depicts people running in different environments interspersed with cuts of what appear to be acts of science. There’s also a very loud musical number, which one would suppose is the titular anthem, despite not being very anthemic. The song is so utterly terrifying, in fact, that it’s easy to imagine all of these people running away from a masked pursuer who chases them while playing this song full-blast on a JVC Kaboom Box held above his or her head.

With an introduction to the idea of “Runnovation” (running + innovation for those playing at home) out of the way, the campaign will unfold into three different storylines across media platforms, with the first focusing on a grassroots fitness group called “November Project.” If you’re interested in watching some suburban white dudes run around outside and yell “fuck yeah” for a while, watch this video:

Did you enjoy watching those people vomit? Yeah, you probably did, you sicko. Credits after the jump.
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Code and Theory, Snapple Are Off to the Ostrich Races

The world is weird, and Snapple has succeeded in giving us small moments to reflect and delight in that with every juice. Now with their latest digital campaign from Code and Theory (check out our recent Cubes tour with the shop here), those moments are deepened via “Re-enFACTments,” videos that bring Snapple Real Facts to life.

The most recent bit of useless knowledge re-enFACTed is that the ostrich’s brain is smaller than its eyeball. To prove this point, we see the ostrich peck moodily at the camera, allow humans to ride on its feathery back, and make vague humming sounds. But the real point is that, “the true measurement of a champion *isn’t* the size of its brain.”

365: Neck-in-Neck is an HBO-24/7-style sports documentary on the wild world of ostrich racing. In the 5-minute (riveting and thus justified) spot, we watch the townfolk of Chandler, Arizona, put on their annual ostrich race, featuring both riding and chariot racing. Snapple interviews the head trainer and his prize ostrich, Julio, who was apparently bullied as a youngster. He hid his head in the sand but was still mercilessly attacked by vicious teenage beaks. Today he is a winner.

This is all real, seconded by a Daily Mail article on the “Hilarious and Unpredictable World of the Great American Ostrich Races.” There’s something fascinating about ostriches, and seeing fully-grown men on their backs is even more bizarre. Snapple strikes us with wonder every time we open a juice, and this campaign lengthens that curiosity, engaging until the last sip.

Credits after the jump

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‘Assassin’s Creed’ Gets Face Time in Historical Painting

Ubisoft is still a few months away from the release of Assassin’s Creed IV: Black Flag, the sixth installment in its blockbuster video game franchise, but some recent teamwork with Sid Lee Paris will offer fans and future some customers some strangely artistic publicity. “Defy History,” an interactive art project that will be displayed in Le Musée de la Marine, will let users transpose facial webcam pictures onto a selection of characters that are part of a large historical painting. Before the painting is finished, people will be able to vote on the best faces, with the winners being included in the final product.

It’s hard to say why Ubisoft wanted to jump into this creative work, since the painting project is only tangentially related to Assassin’s Creed IV. Sometimes, companies and agencies overthink, especially for a game about an assassin pirate. If interested, you can find out more details about the picture posting here.

I miss the good ole days of Ezio. Credits after the jump.

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Boost Mobile, 180LA Say ‘You Earned It’

After their amusing spot featuring a basketball player juggling a couple of extra balls, Boost Mobile and 180LA are back together once again, this time emphasizing the savings Boost customers can get. In three short videos, we see various stealing scenarios: a man on the subway gets pickpocketed, a city guy leaps over fences to evade a mugger, a woman has her purse snatched on the sidewalk. But by the end of each ad, the victim has money handed back to them, showing that “Boost Mobile puts cash back in your pocket, literally.”

It’s a good concept, and the little song that shifts each scene into celebration coupled with the actors’ yay-I’m-richer-than-I-thought smiles makes these spots sweet. I only wish they could have cast at least one white thief. Sure, they’re all good guys in the end, but these spots still reinforce tired racial stereotypes. We can do better.

Credits and the rest of the videos after the jump.

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Wendy’s Sings the Tweets of Those Willing to Compliment Their Food

While we’ve seem almost every iteration of brands turning fans’ tweets into ads by this point, here’s a new spot for Wendy’s new Pretzel Bacon Cheeseburger from agency VML that adds a musical component to this formula.

Using that hashtag #PretzelLoveSongs on Twitter AND Facebook (gah, Facebook has hashtags now), consumers who say exceedingly positive things about Wendy’s new burger had the opportunity for their praises to be turned into a musical number, with some having even been sung by former 98° frontman/Jessica Simpson spouse Nick Lachey during a live event last night in New York, where live-streams always take place for some reason. While the press release doesn’t say if the specific location was Times Square, we’re going to go ahead and guess this happened in Times Square.

Nothing like watching a former boy band member/reality star sing about a cheeseburger in probably Times Square. Oh, and VML offered the chance to participate via your social media, because the most effective use of it is to either praise or make fun of brands who spend a lot of money on advertising. If we’re lucky, it might even be a trending tweet. Update: The event actually took place at a Wendy’s location, natch, on 34th St in NYC.

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Street Waxing: Advertisement or PSA?

As much as I appreciate a good fail video and laugh regularly from schadenfreude, Lowe Roche’s latest for Fuzz Wax Bar in Toronto just made me cringe. To advertise their dedication to smoother skin, Fuzz covered a male model in wax strips and sent him onto the streets. People could tear the strips (and hair) off him to receive a 25% off gift certificate. The strips were illustrated with grim-faced smileys, varying based on the amount of pain they would cause. Many people appeared to delight in making this man shout in agony.

“Street Waxing” seems to me the opposite of an attractive ad campaign. The selling point of waxing is the final product: smooth skin. In between appointments, one primary goal is to forget about the pain. That makes this experience more of an anti-waxing PSA. Fuzz Wax Bar reminds us, very viscerally, that waxing is not a pleasant experience. And adding insult to injury, (unlike this model), you’re going to have to pay to get yours yanked off.

Credits after the jump

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Snapple Vines Some ‘Re-enFACTments’

Many top brands have preferred Instagram to Vine when deciding how to complement branding with viral videos, but that hasn’t stopped Snapple, with creative direction from NYC-based Code and Theory, from choosing six over 15. As part of Snapple’s Re-enFACTments digital campaign, here’s a little stop-motion animation to kick off the weekend. The above clip was designed by Khoa Phan, who Mashable declared “Vine’s Most Creative Stop-Motion Animator.”

Snapple and Code and Theory have reached out to a number of unique people on the platform to visualize the signature series of under-the-cap facts that lost their novelty appeal about ten years ago. Phan worked with fact #754 – an alligator can go through 3,000 teeth in a lifetime, a ridiculous number that probably excites dentists and orthodontists around the world. And, as you can see in a few additional Vines below, makes eating an apple more troubling than you’d expect.

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IKEA Makes the Most of Small Spaces with Terrifying Doll Heads

From Mother’s UK shop comes a new two-minute spot for IKEA kicks off the new ‘Make Small Spaces Big’ campaign.

Featuring the vocals support of soul singer Elayna Boynton covering Aretha Franklin‘s “One Room Paradise,” we’re taken inside a doll house stocked to the brim with IKEA furniture. There we meet a single mom with a creepy doll head raising her similarly creepy doll-headed son, both adept at finding solutions for making their tiny house bigger.

Now, for U.S. audiences, the doll heads are a bit off-putting and hard to get over. But, once you do, you come to realize what a rarity it is that we see single parent households depicted in advertising, especially for a global brand like IKEA. Mother does a wonderful job in not only demonstrating the products’ features, but also giving the spot some emotional weight. If it was only something other than doll heads…

Take a virtual MTV Cribs-style tour of the apartment from the spot here, and view credits after the jump.

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Newcastle Celebrates ‘Independence Eve’

Normally, a made-up holiday like Independence Eve would be some sort of patriotic money grab, but for Newcastle Brown Ale and Droga5, it’s actually a tongue-in-cheek U.K. money grab. Independence Eve – the latest part of the No Bollocks campaign – celebrates the last day of British rule, one day before John Hancocks were signed and European monarchies renounced.

Across the States, Americans (and immigrants, legal and illegal) can buy a Revolutionary Koozie, which features both the British and American flags on the bottle. I’m not sure how many Americans would willingly drink a British beer the day before July 4th, but I think we’ve buried the hatchet 237 years later. You see, revolutions can be humorous once enough time has passed. So in the next decade, everybody get ready to chug some Edelweiss and giggle over the French Revolution. Credits after the jump.

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ESPN Reminds Viewers that Things ‘Happened’ in ESPYs Promos

The ESPYS are supposed to throw a nudge and a wink in the direction of typical award shows that take themselves too seriously. Athletes get all dolled up in dresses and suits, the host runs through some comedic skits, and the sporting world congratulates itself on the red carpet, all of which has appeal to the average viewer, because the sports world is usually unglamorous for the other 364 days of the year.

For the 2013 ESPYS, ESPN seems to have taken that care-free attitude to a whole new level, a level that borders on creative laziness. Amazing athletes and sporting events “happened.” For example, Robert Griffin III tells us that Gabby Douglas “happened,” and Lebron James “happened, with authority.” ESPN worked with creative agency 77 Ventures to produce a dozen or so spots in advance of the July 17 show that covers just about every positive sports story from the previous year. They all happened. Which makes you want to hit your head and let out a rhetorical, “duh?” ESPN wasted the chance to use its biggest stars like RGIII, Derek Jeter, Danica Patrick, and Ray Lewis to sell great games and plays. We know they happened. These inspiring sports stories can pretty much sell themselves, but this “Happened” campaign pushes the limit of less is more. For once, less is less. Less happened.

You can watch three more promos after the jump.

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Aussie, SF Teams Take Young Glory 2 Crowns

It’s been a while since we’ve checked in with the 30-and-under global creative battle that is Young Glory. Well, season two is now in the books and just like last time, there are two creative teams–one professional, one student–that the YG folks have crowned the most consistent throughout the eight-month battle. The Australian duo of Tristan Viney and Kieran Adams –aka Invisible Pants–took home professional Young Glory honors, which this year were determined by judges including ex-W+K adman Jim Riswold, now-former CP+B ECD Tom Markham and TBWA worldwide digital CD, David Lee.

You can click through the image above for a visual narrative of the YG2 professional battle, which also included submissions from TracyLocke (which took 2nd place), Tribal DDB and BBDO creatives. Below and after the jump are a couple of examples of Invisible Pants’ work throughout YG2 and a full rundown of the competition, in both pro and student categories, can be seen here.

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Snickers Drops Down the Celebrity Hierarchy with Kenny G

Betty White, Joe Pesci, Robin Williams, and… Kenny G. Aside from picking the most odds-and-sods group of entertainers out there, Snickers and BBDO New York have a knack for choosing celebrities with just enough relevance for the “You’re not you when you’re hungry” campaign. The title for best Snickers jokester is a toss-up between White’s roughhousing football player and Pesci’s whiny wingman. The latest spot, “Cards,” won’t top its predecessors, mainly because Kenny G doesn’t speak throughout the whole clip, but you can always lose yourself in his patented melancholy saxophoning.

It’s strange to think that the first ad with White came out over three years ago, but these spots seem to have enough social support to keep on kicking, even as the celebrities get less celebratory. Maybe for the next one, BBDO could get all four celebs in one room at the same time – a group of hungry people who all need to eat Snickers. That way, we could get Pesci to look at Kenny G and unleash a “Who is this fuckin’ guy?” tirade. Everybody wins, even Kenny G, since he’d be in two commercials in the past decade instead of one. Credits after the jump.

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Not Everyone Knows Geico Rocks Car Insurance

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Today, Geico launches a new ad campaign that reminds us just how familiar we have become with the brand’s tagline, “Fifteen minutes could save you fifteen minutes or more on car insurance.” And they are having a bit of fun with the few who haven’t yet embedded it in their psyche.

In each of two ads, a person recites the line and another responds, “Everybody knows that” which causes the first person — feeling slightly off-put — to cite yet another insightful (and quite silly) fact.

In response to her husband, a wife, looking bewildered, responds, “Well, did you know that some owls aren’t that wise?” We then see two owls carrying on a discussion during which one owl is, in fact, not that wise.

In a second ad, a co-worker responds, “Well, did you know that Old MacDonald was a really bad speller?” We then, of course, see Old MacDonald himself screwing up a word no farmer should ever have difficulty with.

No doubt, we will see many other similar scenarios play out as the campaign progresses much is the same way we have seen with the quite brilliant “Happier Than” campaign.

Bacardi, OW Get Revolutionary with Rum

You rumdrinkers out there might not have known this while pounding down eight dollar shots at trendy bars, but Bacardi Rum has quite the historical significance. Think Cuban Revolution, Spanish-American War, and the Rough Riders. I don’t remember learning about any of these connections in social studies class – hmm, I wonder why, board of education? – but thanks to OppermanWeiss, “¡Vivimos!” the history of Emilio Bacardi Moreau and his company’s revolutionary roots will be on display in the coming weeks with a cinematic spin.

The above clip is the second ¡Vivimos! spot from OW and director Jake Scott, featuring a handsome and thinly mustachioed version of Emilio Bacardi Moreau set to a grainy image filter. The video does embellish a bit, making it appear as if our Bacardi hero was going to be gunned down spaghetti western style. Truthfully, or at least according to the Bacardi website, Bacardi Moreau was exiled from Cuba to North Africa twice, but who are we to nitpick with an actiony marketing campaign 115 years after the fact? Also be on the lookout for the ad in movie theaters, because Bacardi and Screen Vision partnered to put the clip on 100,000 screens across the country. And if you are really into Cuban revolutions, the brand is unrolling added content through Shazam, so everyone can also vivimos with their smartphones out.

Credits after the jump.

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David Shane Writes a Sweet ‘Ghost Story’ for Nerve Dating

Dating–especially online–is nerve-wracking, funny, and requires the bravery of a preteen on a diving team (take a deep breath and pray your bottoms don’t fall off). Dating sites’ advertisements generally don’t help the cause. Match.com and eHarmony spots look like weight loss commercials, and How About We… goes for the student film aesthetic. In contrast, Nerve Dating’s “Ghost Story” is an authentic piece not only about starting a new relationship, but about moving on (which we’re all doing/hoping for every time we do this dating thing).

“Ghost Story” is directed by Emmy award-winning David Shane, the man behind Bud Light’s funny “Swear Jar” and Land Rover’s “Pathological Liar.” It features actors with charming, soft British accents. The heartwarming angle is a surprising move for Nerve, a site infamous for its explicit sex essays before Vice took over. It’s artfully done and helps carve them a unique space in the overdone online dating realm, not for people with dead boyfriends, but for those who need to come alive.

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Cap’n Crunch Confronts Controversy

Did you know that Cap’n Crunch has his own digital late-night talk show? Because I didn’t. You don’t even need to watch it to know that he’s better than Jay Leno. The latest episode of The Cap’n Crunch Show addressed a recent uniform controversy about whether or not the Cap’n is indeed a captain. (At this point, you’re wondering what’s going on. You aren’t alone). But the “controversy” has been getting play from Stephen Colbert, Jimmy Fallon, Conan O’Brien, and Leno, so Brooklyn-based shop Huge has been behind the latest self-deprecating content from everyone’s favorite cereal captain. The above clip runs about a minute and reveals the ultimate secret: Cap’n’s eyebrows are actually attached to his hat, not his head. It’s good-natured and self-aware, things that are hard to find most days.

If you happen to be interested, the next episode of The Cap’n Crunch Show airs July 9 at 11:30 p.m.

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Grey Poupon Mustards Support for LGBT National Pride Month

As National Pride month winds down for the LGBT community, Grey Poupon and CP+B have teamed for a small piece of content in support of gay rights. A Facebook image posted yesterday afternoon depicts two men in separate cars holding hands through open windows, a heartwarming riff on a famous 1981 ad for the mustard-maker. Earlier this year, CP+B used the famous spot as a backdrop for a “Lost Footage” reveal during the Academy Awards. In the original commercial, two mayonnaise whiteys pull up side-by-side in Rolls Royces. One man happens to be eating some mustard-garnished food in the backseat, while the other politely asks for some Grey Poupon. Instead of sharing, the first man drives off devilishly. Perhaps, thirty two years later, he had a change of heart.

 

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This Acura MDX is Man’s Greatest Achievment

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Hmm. Elevating an automobile to the level of mankind’s varied and stellar achievements is a tall order. Granted, it’s no small feat to create a great car but to equate it to space travel and other such lofty human endeavors is, well, a bit pompous. Now don’t get us wrong. This Mullen-created campaign for the 2014 Acura MDX, “Made For Mankind,” is great work. It’s inspiring and thought-provoking.

A little bit Red Bull Stratos and a little bit Hill Holliday-created Infiniti from back in the day, the campaign — if you can get through it without smirking — is one that will endear you to the human race and give a a warm and fuzzy feeling about what we, as humans, can accomplish when we put out minds to task.

The campaign broke Friday with, of course, a Vine teaser. Outdoor, print and online will round out the campaign.