Hasta La Creative!

San Francisco-based Venables Bell & Partners continue their ”Protect Yourself from Your Digital Self” campaign for McAfee LiveSafe, produced by its in-house content production facility, Lumberyard, with a new spot entitled ”Beth vs. @simply_the_beth.”

The spot builds on the notion of the careless, naive digital self they’ve explored in the past. In this case, @simply_the_beth’s carelessness leads to identity theft, an opportunity for VB&P to tout McAfee’s identity protection. The way in which this happens is a bit over-the-top, and I have to think the spot would be more successful if  @simply_the_beth got in trouble in a more realistic way. I understand the ad is attempting to be humorous, but it really pushes things way past believability. Aren’t you trying to get people to identify with Beth and her digital self? And by making Beth’s digital self a complete idiot, aren’t you kind of insulting your potential customers? Making @simply_the_beth so unbelievably stupid just seems like a big misstep. On an unrelated note, I really want that owl mug Beth is holding.

In the slightly more successful Gregg vs. @greggs_benedict (featured after the jump), VB&P plays on the animosity between Greg and his digital self without making the digital self quite so cartoonish (he’s more of a dick than a moron). Let us know what you think of the new spot, and the ”Protect Yourself from Your Digital Self” campaign in the comments section.  continued…

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Well, the holiday items keep pouring in today. This one is a “Christmas miracle” from our neighbors to the north.

Canadian airline WestJet and studio m collaborated to give visitors to Toronto and Hamilton International Airports a Christmas miracle. They discovered what more than 250 Calgary-bound passengers had on their wish lists, with help from a tech-savvy Santa. Then 175 Westjet employees acted as elves, taking notes on passenger’s Christmas wishes, shopping, wrapping the gifts and delivering them to the Calgary airport ahead of the gifts’ recipients. When the passengers arrived at baggage claim in Calgary, they were met with a Christmas miracle — the gifts they had wished for were there waiting for them — addressed from Santa, of course. As the wrapped presents went around the carousel, Santa himself showed up to wish everyone a merry Christmas.

Making baggage claim fun is truly a miracle, and WestJet clearly jumped through hoops to pull this stunt off. It made a lot of peoples’ days, and the kids who got presents from Santa that day will probably remember it forever. Not a bad way to engender brand loyalty, but intentions aside, WestJet staged a really heartwarming event. The genuineness of the gesture and its perfect execution more than make up for any excess cheesiness in the video, which plays on the classic poem “A Visit from St. Nicholas” (better known by its first line, “‘Twas the Night Before Christmas”). Stick around for “Santa’s Bloopers” after the jump, but beware, the cheesiness increases exponentially.  continued…

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One of the opening frames in Leo Burnett’s “Fat Talk” spot for Special K tells the viewer that 93% of women engage in fat talk, a form of passive-aggressive self-shaming. Because of Facebook and Twitter, I’m surprised that number isn’t seven percentage points higher.

But during the two-minute spot, women in a nondescript clothing store are forced to confront their own insecurities. Placards of fat talk tweets are posted around the store, and the women realize the self-degradation is bad and start hugging each other. This ad is not a comedy. Instead, it comes off as an incredibly preachy after-school special for adult women. Tackling fat talk is a compelling psychological start for a commercial, but as with a lot of good ideas, the execution winds up muddled into something so safe and vanilla that it’s hard to remember what brand is advertising in the first place. Credits after the jump.

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Yesterday, metal legends and running joke Metallica performed a concert at Antarctica’s Carlini Scientific Base to 120 people in a transparent dome of some sort. Of the 120 attendees, 20 were scientists from Russia, Korea, China, Poland, Chile, Brazil and Germany. These winners of “Music Zero” “enjoyed the talent of Metallica in a quite exceptional way: through headphones, to respect the harmony of the environment,” which…wait, what?

It’s impossible to blame anyone at the concert for rocking out at this concert. After all, once you get bored of watching penguins slide around on their stomachs, there’s not a lot entertaining that happens on the most-desolate of continents. But, I have to wonder, why is a brand that seems to target college-aged youth trying to make a statement with a band like Metallica, who the average millennial may remember first from their douche-y drummer getting pissy about Napster and again from the 2004 couples therapy session, Some Kind of Monster?

Now, this could be a sign of things changing at Coke Zero, and a decision from on high to start marketing to a consumer who remembers that Metallica was actually a pretty solid band pre-Load. It’s also very possible that Coke Zero had some money to burn and no other band was willing to travel to Antarctica to throw a concert. But, in a world where metal is getting an awesome resurgence via bands like METZ, Deafheaven, and Liturgy, there’s gotta be a better alternative to Metallica. Set list after the jump.

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This one’s been making the rounds for awhile now, but we thought we’d give some love anyway. McgarryBowen New York’s new spot for Verizion, “A Lot Can Happen in 48 Hours” features the talents of Ed Norton. It originally aired on December 5th, although it was posted to YouTube about a week before that.

In the spot, directed by Matthijs van Heijningen, Norton is thrown into a variety of dicey situations, with his Droid helping him get through most of them relatively unscathed. “A Lot Can Happen in 48 Hours” opens with Norton waking up to find himself in a strange room, with his Droid still at 3% power. “It’s been an interesting 48 hours,” Norton says, followed by a flashback. We then follow Norton through his series of misadventures, which begins with him finding a lost wallet and using Droid to find the location. This leads Norton to a karaoke bar, where he ogles a taken woman while singing “If I Could Turn Back Time” (the funniest part of the spot).

From here, Norton’s misadventures include attempting to land a plane, being held captive, having a key found in his stomach, playing a high-stakes game of Connect Four, and being held captive once again. Its everything-goes-wrong brand of humor borrows a little bit from The Hangover series, and although the spot seems to employ the kind of random connections Grey NY used in their 2012 DirectTV campaign, the superior execution helps keep it from feeling too easy or derivative. The spot uses a clever setup to promote the Droid’s impressive battery life, and then finds ways to showcase the phone’s other features in the process. This is certainly a far cry better than McgarryBowen Chicago’s disastrous “Denskies” campaign for Sears. Bonus points for the excellent use of a Lykke Li song. Credits after the jump. continued…

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W+K Portland tapped some of the world’s greatest athletes for their new holiday spot touting the advantages of Nike Hyperwarm Performance Baselayer, directed by Rupert Sanders. ”Winning in a Winter Wonderland” features the talents of Giants defensive end Justin Tuck, skier Julia Mancuso, snowboarder Scotty Lago, soccer stars Alex Morgan and Sydney Leroux, and former Yankees second baseman Robinson Cano, who now appears to be headed to Seattle. Ohio State football coach Urban Meyer also makes a brief cameo appearance.

While undeniably cheesy (hey, it’s the holidays) the spot does an admirable job at promoting the Nike Hyperwarm Performance Baselayer. People are prone to listen to endorsements from star athletes, and W+K got a wide, varied group together for the spot. They emphasize that the Nike Hyperwarm Performance Baselayer makes playing in cold, harsh conditions seem almost enjoyable by keeping you warm without restricting movement, perfectly matching the song selection. “Winning in a Winter Wonderland,” of course, changes the words of the holiday classic, which gets a bit cringe-worthy in spots but mostly comes across as cheesy holiday fun. The words are sung by the star athletes in the spot, mostly while in action, and they seem to have a lot of fun with it — which makes it hard to hate.

The campaign features both a one minute and thirty second version of the spot, as well as a digital takeover and social media elements.”Winning in a Winter Wonderland” premiered during college football’s Big Ten NCAA Championship game and will run throughout the holiday season. Credits after the jump.  continued…

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LA-based agency David&Goliath has crafted a new campaign promoting VIZIO’s M-Series Smart TV and VIZIO Sound Bar, complete with the new tagline, “Beautifully Simple.”

The TV campaign contains three new spots: “So Easy,” “My Station” and “Tiny Dancer.” Each of these was directed by Michael Downing, with cinematography by Masanobu Takayanagi (who has worked on Silver Linings Playbook and Babel). Together, the spots form a kind of narrative, beginning with “So Easy” (featured above). This spot, and the campaign as a whole, play on the fact that children often understand new technology better than their parents. In “So Easy” a young girl helps her dad through problems with his laptop and smartphone. The father then jumps at the opportunity to help his daughter pick a program on VIZIO’s M-Series Smart TV. A cute idea, that is unfortunately followed by the theme-line ”So easy, even an adult can figure it out.” This wouldn’t be a problem, if it wasn’t for the fact that Geico ruined the lines “So easy, even a…” for everyone, forever.

The next spot, “My Station,” is probably my favorite of the bunch, featuring the dad discovering his daughter’s Pandora station. “Tiny Dancer” concludes the series by upping the cute factor, as well as the father’s competence with the M-Series Smart TV. David&Goliath’s approach of creating a series of ads meant to be viewed in a certain order is interesting, and they pull it off by making each of them able to stand alone as well. I just wish they’d get rid of that theme-line.

Clearly targeted at dads, the campaign will run through the college football season on ESPN’s networks and Hulu into early 2014. Stay tuned for the final two spots, as well as credits, after the jump.  continued…

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BBDO NY’s new holiday campaign for Champs Sports helps kids hack their wish lists into their parents’ browsers, through fake viral videos and a browser extension that turns all banner ads into ads for their wish list. The campaign is a mix of sneaky and clever, and kids whose wish lists are full of Champs merchandise should be happy about this one.

The 56 second video promoting the campaign (see above) features Jon Gruden, who introduces himself as a “football coach, TV personality, and overall tough guy.” Gruden always gets what he wants for Christmas, because all he really wants are pork rinds. He appeals to kids to make sure their parents see their wish list via “Hard Hinting,” so they don’t end up getting a clarinet, instead of the Jordan Retro 1 they asked for. (Hey, what’s wrong with the clarinet?) Gruden then goes on to describe Champs Sports’ two methods of Hard Hinting: viral video hacks and banner ad takeovers.

Although Champs Sports does have products for girls, this ad is clearly aimed squarely at the young male, sports fan market (the only audience that doesn’t find Jon Gruden overwhelmingly obnoxious). You have to wonder a little bit about targeting such a specific demographic, but then I suppose that audience accounts for a lot of Champs’ business this time of year. It just might have made sense to do so in a way that wasn’t so alienating to everybody else. While the hacking your wishlist to get your parents attention schtick is pretty clever (and I’m sure kids will appreciate it), I imagine a few parents will feel it crosses the line. And they’re the ones ultimately doing the shopping, right?

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I’m not sure we’ve ever featured a Namibian ad here on Agency Spy, so here’s one. This spot by Advantage Y&R for MTC is just brimming with friendliness. The agency imagines the interaction fueled by the cell network as spreading hugs across the country. It’s a cute idea, and the production — by Fly On The Wall — rises to the occasion. The music they chose fits perfectly, too. The 90 second ad begins with a young man at a bus stop getting a text, then turning and hugging the old woman next to him. Soon everyone is hugging, from a guy in a chicken suit hugging a security officer to two boxers hugging in the ring. The spot ends with the young man from the opening scene sharing a hug with his girlfriend, who has just arrived on a bus, adding some nice closure to the scenario.

With the dwindling energy that comes with the shortening days, and the leftovers in the fridge starting to run out, this just might be the kind of happiness spreading video you need to get you through the middle of the week. It’s pretty hard not to smile watching this one, and on the Wednesday after Thanksgiving that is much appreciated. Credits after the jump. continued…

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How excited Skullcandy must have been.

In the battle of headphone brands, competing with the insanely popular Beats By Dre product line must have seemed like an impossible task. Marketshare was decreasing rapidly. What they needed was a miracle, the kind of great idea that can rocket their brand back into the competition. What they needed was a celebrity endorser big enough to compete with Dr. Dre but cheap enough that it didn’t totally break the bank. But who could that be? How can you get someone who’s universally respect and beloved at a reasonable price tag?

And then, it became clear. Derrick Rose, Bulls star point guard and Chicago’s most cherished native son, was on his way back from an entire year spent cheering from courtside after sustaining a devastating knee injury. The narrative was already being written by Adidas: Rose was back, and better than ever. The story was one of redemption; an opportunity to tell off the critics who felt he was sitting on the bench when he was well enough to be back on the court. “The Return” is what Adidas called it. Rose had the charisma, the talent, the credibility and, much to Skullcandy’s delight, a relatively reasonable price tag due to his year spent in street clothes. It must have sounded almost too perfect to Skullcandy’s marketing team. As preseason rumors spread this fall about Rose adding four inches to his vertical jump, fives must have been highed, glasses must have been clinked, and the familiar feeling of optimism must have crept its way back inside the Skullcandy offices.

I wonder who was watching the game, a late November Friday night as the Bulls faced the Portland Trailblazers. Who saw Rose pivot awkwardly on his knee while fighting for the ball, and limp gingerly toward the sidelines? Who had to make the mournful phone call when it was reported the star needed emergency knee surgery? Who first gasped when news broke on Twitter that, oh God, not again. Who remembers the studio, Gentleman Scholar, who wanted to use the above spot as their showpiece? Who can see a billboard on the Kennedy Expressway and thinks “Skullcandy!” instead of feeling a toxic mixture or sadness and frustration brought the reminder that another cold winter in Chicago would go bye without seeing #1 on the court?

Man, sucks to be them, huh? By the way, the song that plays in the background is “Back to Ballin’” by Wale. HA!  Credits after the jump.

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