You could probably use a little levity after last night debate’s, so here’s some political comedy from Katy Perry, who suggests that you vote in November no matter how you look or what you’re wearing (or not wearing).
Katy Perry may have headlined the Super Bowl Halftime Show, but the costumed sharks acting as her backup dancers completely stole the show, (and our hearts in the process). In its latest “This Is SportsCenter” spot for ESPN, entitled “Sharks,” W+K New York unmasks the halftime heroes.
In the spot, Left Shark and Right Shark pull into the ESPN parking lot in Bristol, Connecticut after a long drive. After stepping into the ESPN office, the sharks finally remove their costumes and reveal their true identities before assessing their performance and getting back to work as usual. Capitalizing on the popularity of the Super Bowl’s breakout personalities (and using the real costumes, designed by Katy Perry, Baz Halpin and Marina Toybina) the spot is a fun reminder of the Super Bowl’s breakout personalities.
72andSunny has a new campaign for longtime gay rights supporter YouTube, entitled “ProudToPlay.” The star-studded campaign celebrating diversity in sports is set to run through the end of June, which is LGBT Pride Month, reports AdWeek.
In addition to gay athletes such as Jason Collins, Michael Sam and Robbie Rogers, the spot also features clips of Nelson Mandela, President Obama and Kobe Bryant talking about the unifying power of sports and the importance of gay rights. Set to Katy Perry‘s “Roar,” the “#ProudToPlay” video clocks in at two minutes, ending with a rainbow soccer ball YouTube logo tying the spot to the impending World Cup in Brazil (as does some of the footage used). “#ProudToPlay” is already getting a lot of attention. Since its launch yesterday, the video has racked up almost 3 million views (and an unfortunate but completely expected rash of homophobic comments).
“We applaud the courage and openness of athletes at all levels who have come out and admire their teammates, friends, families, and supporters who are all proving that it doesn’t matter who you are or who you love—what matters is that you put forward your best effort,” YouTube wrote in a blog post. “We stand with our community in the belief that youth everywhere should all have the same opportunities to grow up and pursue their dreams and passions, on or off the field.”
For the remainder of the month, YouTube will be sharing a collection of videos about the LGBT community and sports on the YouTube Spotlight Channel, and invites users to upload their own videos “talking about what being #ProudToPlay means to you.”
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Right about this time every year, TBWA\Chiat\Day LA debuts its TV spots for the Grammys. And, every year, they’re pretty underwhelming. A few years back, we got a swirly, graphics overload with CGI re-tellings of artists like Eminem’s life story. Last year, we got the hashtag-happy #TheWholeWorldIsListening, which aimed to put viewers into the shoes of stars like Rihanna while trying to convince them that the awards show was still in any way relevant.
This year’s first spot, “Anthem,” looked more like a VH1 commercial than anything else, and it seemed we were in for yet another year of mediocrity. But then, dare we say it, the Grammys and Chiat LA ctually surprised us. The latest spot in the Music Unleashes Us campaign, “Drive” (above), does a fantastic job of convincing viewers that they owe it to the artists who get them through times of sorrow and heartbreak to watch their performances on the Grammys.
From Pink and fun., we move to Macklemore and “Doughnut Shop,” another well-produced and compelling spot filmed outside of Inglewood’s famous Randy’s Donuts. Again, these spots excel at following through with what the campaign promises – portraying the affect that popular music has on the average TV viewer. It both ignites and unleashes, an important sentiment for the Grammys to glom onto as the show still figures out its approach to celebrating an industry that doesn’t know what to do next. One more Katy Perry-tinged spot, and credits, follow after the jump.
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It’s been a while since we’ve heard from Maude Standish, co-founder and managing director of Tarot, a millennial trend forecasting and strategy development company that’s the sister company of L.A.-based agency, Mistress. Now that she’s introduced herself with her call to arms for millenials, Standish turns her focus to arguably the most talked-about celeb in the past several months and how she’s taken over in terms of branding. We should note that while we’re not in the habit of republishing/repurposing content, the original version of this was published in the blogger section of HuffPo–though Standish did us a solid and added more to the mix. Read on if you will.
Sinead O’Connor is worried about Miley. So is Elton John. So are the bearded guys of Duck Dynasty. But I’m not. Because I know that Miley is a strategic genius and that brands actually have quite a bit to learn from her. You might not like the way her tongue hangs off to the side or the fact that her nipples have become commonplace water-cooler fodder. But you can’t argue with the fact that she has captured the world’s attention and aroused a response out of the best of us.
Before her now infamous MTV Video Music Awards performance, Miley Cyrus had never had a Billboard No. 1 hit—not a single one. In fact the song “We Can’t Stop” that she performed at the VMAs rose to the No. 2 spot, but could never quite break the barrier to be a Golden # 1. Instead, the song that broke that top-spot barrier was “Wrecking Ball,” which came after her controversial performance. “Wrecking Ball” didn’t just break a personal record, she also smashed the record for most views in a single launch day, with the music video getting more than 19.3 million views in just 24 hours, beating One Direction’s previous record by more than 7 million views. Just one week later the video had been watched 36.5 million times in the U.S. alone, Miley’s VMA outfit was being called the Halloween costume of the year, and a line of twerking Miley “bobble-butts” had gone into production for the Christmas season.
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"Will somebody please feed Miley Cyrus?"
That's the request from one anthropomorphized Beats Pill speaker to another in the commercial below, which aired Sunday on MTV after the pop singer's controversial performance on the Video Music Awards. To which the other speaker opines: "Don't you need ass to twerk?"
Actually, Beats, feeding Miley would be your job.
First off, hat tip to sci-fi writer Tim Maughan for pointing out the Miley-mocking video on the Beats page. The brand is involved with plenty of pop and hip-hop stars at the moment, but the confluence of Miley and Robin Thicke at the VMAs was a branding bonanza for the electronics maker.
Beats Electronics is, of course, the brainchild of rapper and producer Dre, whose Beats by Dre headphones have been a huge success. The company's next big thing is a wireless speaker called the Beats Pill, voiced in commercials by Eminem, Chris Rock and (it sounds like, at least) Tichina Arnold from Fox's late, lamented Everybody Hates Chris. The speakers have been prominently featured in music videos, notably Miley's, and Thicke starred in a full-blown RadioShack ad for them with his accessories—I'm sorry, backup dancers—using the speakers to do more or less everything except speak.
Anyway, on Sunday, Miley and Robin got down and dirty on stage in a way that offended millions of people who were doubtless being forced at gunpoint to endure the spectacle. Beats, meanwhile, was ready—like, really, really ready (thanks to the digital wizards at Framestore)—to whip up a video showing two Pills asking where "all the thick girls" have gone while watching clips from Thicke's video and then suggesting Miley should have more material to twerk with. "Somewhere, Sir Mix-A-Lot is crying his eyes out," says one.
This actually wasn't the only time Beats teed off on a pop star during the show. It also found time to make fun of Katy Perry (who doesn't appear to be sponsored by the company) in a video with Barclays Center seats visible behind the two big-mouthed little speaker dudes. And Dre protege Eminem announced a new album at the VMAs, which Beats immediately promoted with a 30-second clip from the rapper's new single.
Check out all three videos below. It was a well-orchestrated campaign of pop-culture mockery—as well as pop-culture sponsorship, individual-artist sponsorship, cross-platform synergy, album promotion. So, y'know, don't confuse it with satire.
Here's a question: When, during the VMAs, weren't you watching an ad? Yeah, we're going to go with "never," too.
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Ever wonder exactly which messaging service Katy Perry uses to chat about being a champion while she’s taking a dump? Well, mystery solved: It’s WhatsApp. In just a few days, millions have already watched the lyric video for Perry’s new single, "Roar," which is told through a rapid-fire group chat on Perry’s iPhone. The video’s popularity, while no real surprise, has definitely been an unexpected boost for WhatsApp, the mobile messaging service that’s featured throughout the video—despite not paying Perry a dime for the endorsement. According to Forbes, a WhatsApp spokesman confirmed the company’s app was definitely the one used in the video, but he said it was not part of any paid arrangement. Perry is reportedly a fan of the app and uses it to stay in touch with her entourage, so this concept might have been drawn from real life. Which makes it pretty entertaining to watch the video with the sound off and imagine what an incredibly strange and arguably psychotic conversation this would actually be.
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Après la pub Adidas Is All in, la marque réutilise ses égéries, à savoir David Beckham, Lionel Messi ou encore Katy Perry pour un spot publicitaire nous rappelant que nous avons tous une raison de courir. Bien réalisé, la vidéo est à découvrir dans la suite de l’article.
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