In a textbook display of how advertising is much different in the U.K., Tag Europe and Tesco — the world’s second largest retailer — used the music of The Great Kat in their ad for Call of Duty: Ghosts to add a sense of drama and urgency to the spot. In America, you don’t use the music of classically-trained virtuosos to sell video games, you use Eminem. Also unlike the U.S. campaign, Tag Europe’s ad prominently features a female gamer.
The 20 second spot scores The Great Kat‘s rendition of Vivaldi’s “The Four Seasons” to its footage of players enjoying the game, actual gameplay, and (for some reason) popcorn making. Fast paced violin and guitar shredding is “synched perfectly in time with Call of Duty: Ghosts’ fast action bombs, explosions, and death defying feats,” and popcorn. The ad began airing in the U.K. this past November, to promote Call of Duty: Ghosts‘ launch. “The Great Kat’s music is brilliant on the spot,” said Adam Lieber, Music Supervisor at shtik.tv. Now would somebody please pass the popcorn?
EVB and Victors&Spoils are banking on the effectiveness of 90s nostalgia and/or attempting to make you feel old with their remake of Blackstreet’s 1996 hit “No Diggity” for JCPenney. The song has been changed to “Go Ligety,” for J.C. Penney’s campaign in support of U.S. Olympic skier Ted Ligety.
“Go Ligety,” which is performed by C-Black of Blackstreet, informs viewers that when you round up your purchase to the nearest dollar proceeds go to the United States Olympic Committee. “”I like the way you work it. Go Ligety. You got to round it up.” rhymes C-Black, a fun, if cheesy, way to get the word out about the promotion. Ted Ligety doesn’t make an appearance himself, but J.C. Penney has a small Lil’ Ligety puppet act as a stand in. C-Black has a puppet doppelganger as well, who handles piano duties on the song. Between the puppets and the reworking of Blackstreet’s mid-90s hit, “#GoLigety” is a lot of fun, with enough going for it to get people to sit through its 2:15 duration.
Yesterday, we brought you news of David&Goliath’s teaser for their big game spot, “The Truth,” promoting the all-new 2015 K900, Kia’s first-ever luxury car. Today, David&Goliath and Kia revealed the extended, 90 second version of their Super Bowl ad, designed to “dispel the notion that tradition and history are what makes a luxury sedan,” according to Michael Sprague, executive vice president of marketing & communications, KMA.
“The Truth” features Laurence Fishburne reprising his role as Morpheus from The Matrix. Morpheus offers a couple waiting for the valet outside a restaurant a choice: “Take the blue key, you go back to the luxury you know. Take the red key, and you’ll never look at luxury the same again.” (Spoiler alert: They take the red key.) Fishburne repeats the word “luxury” ad nauseum during the spot’s first 30 seconds or so, really hammering home that Kia is now offering a luxury vehicle. The spot manages to contain a lot of the Matrix references you’d expect, like a bending spoon and an explosion filled action sequence. But at the same time, “The Truth,” via Fishburne, manages at least one big surprise.
The 60 second version of “The Truth” will debut during the third quarter of the Super Bowl this Sunday, Feb. 2, launching the Kia’s campaign for the 2015 K900 in earnest, and marking Kia’s fifth consecutive year advertising in the big game. You can expect more Matrix-themed advertising from David&Goliath and Kia. Before and after the Super Bowl, David&Goliath’s integrated campaign “will incorporate TV, cinema, digital, print, experiential, social media and CRM components, all drawing heavily on imagery and ideas from the films.” Credits after the jump. continued…
On Jan. 13, Universal Orlando launched “Best Vacation Ever,” which shares more than a few similarities with Apple’s holiday spot, “Misunderstood.”
“Best Vacation Ever” shows a family enjoying their time at Universal, with a teenage daughter who seems to always be on her phone. At the end of the spot, it’s revealed that she was on her phone all that time making a digital scrapbook of the family’s trip, which she entitled “Best Vacation Ever.” When she sends the file to her father, her mother intones, “And you said no phones.” As you may remember, this calls to mind the big reveal in Apple’s “Misunderstood” spot, in which a seemingly aloof teenage boy puts together a slideshow for his family on Christmas.
According to our anonymous tipster, all these similarities are “completely (and unfortunately) coincidence.” The Universal spot was purportedly sold last spring, “as part of a larger effort, so it took some time to produce,” and wrapped in November. Universal decided to hold the spot until the new year, a decision they must have regretted after seeing Apple’s “Misunderstood” over the holiday season. Our tipster added this tidbit: “Universal contacted Lance Acord in October to direct, he saw the Universal boards, but he had already accepted the Apple job.” Let us know your thoughts on the similarities between the two spots in the comments section.
We’ve reached out to the Motorola camp on multiple tries and haven’t succeeded but sources tell that Brian Wallace, who joined the Google-owned company barely a year ago, is no longer there. Here is one of several comments we’ve received: “Razorfish took on Motorola when Brian Wallace went there, while still working on Samsung. They did the Motorola work under the name Digitas (and still are). Media planning/buying is being done by the real Digitas (NYC office) but the rest is Razorfish Chicago and Austin. Some key individuals were working on both at the same time [names redacted]. Samsung was not happy about this. Legal got involved. Went on for a while; Razorfish knew that Samsung would wind down the biz and move on, and it was so.”
Oy, if you recall, Wallace’s relationship with Razorfish dates back a few years, during the time he worked at RIM and served as VP/global digital marketing and media for the latter brand. Prior to his most recent gig, Wallace served in a similar VP/strategic marketing role at Samsung.
About two weeks ago, we shared the teaser trailer for Jaguar’s Super Bowl ad, which features Ben Kingsley, Mark Strong, and Tom Hiddleston (although only Kingsley was featured in the trailer). Today, Jaguar and their in-house agency, Spark44, have debuted the full 60 second spot, “Rendezvous.”
“Have you ever noticed how in Hollywood movies, all the villains are played by Brits?” Kingsley asks at the opening of “Rendezvous,” featuring the three star British actors as vaguely defined villains who all drive Jaguars. Filmed in London by Oscar-winning British director, Tom Hooper (The King’s Speech), in collaboration with Smuggler, Spark44 and Jaguar clearly threw a lot into “Rendezvous” to make the spot cinematic, also employing Alexandre Desplat, who worked with Hooper on The King’s Speech, to compose the ad’s original soundtrack, which was recorded by The London Symphony Orchestra at Abbey Road studios. “‘Rendezvous’ was filmed with the realization that many of today’s television viewers have access to beautifully sharp picture screens and multi-channel surround sound not unlike the best movie theaters,” explained Brand Vice President of Jaguar North America, Jeff Curry.
“Rendezvous” marks Jaguar’s debut Super Bowl advertisement, and also launches their straightforwardly-titled “British Villains” campaign, which promotes the new Jaguar F-TYPE Coupe (available spring, 2014) and will run through July. The spot features the campaign’s #GoodToBeBad hashtag (a line also spoken by Kingley during the ad, which honestly sounds a little forced), but that’s only the tip of the iceberg in terms of Jaguar’s online and social engagement. They’ve launched a campaign landing page, that “hosts information about the F-TYPE Coupe, the commercial and some unique video content including teasers starring each of the three actors.” Jaguar is also hosting an event with Deadspin as part of their partnership with the latter’s parent, Gawker, as well as two co-sponsored events with Sports Illustrated, including during the magazine’s Super Saturday event the night before Super Bowl Sunday.
What’s more, Jaguar “aims to be the most real-time engaged advertiser during the Super Bowl through a unique physical space called ‘The Loop,’ developed by Mindshare, where multiple screens will monitor real-time consumer data and translate it into actionable insights, and ultimately, rapid marketing decisions…” Jaguar claims “The Loop” is “the first real-time marketing tool to impact paid media – whereby media dollars can be quickly shifted and redeployed to leverage opportunities uncovered by the data.” It will be interesting to see how Jaguar’s first Super Bowl advertisement, and their “The Loop” strategy plays out this Sunday. Stick around for behind the scenes footage of “Rendezvous” after the jump. continued…
More from W+K, as W+K New York have unveiled their latest “This is Sportscenter” offering.
The 30 second spot, “Long Week,” celebrates Super Bowl XLVIII with a fun look at the rivalry between Denver Broncos’ mascot Miles and Seattle Seahawks’ mascot Blitz. Set in an elevator on ESPN’s Bristol, Connecticut campus, the spot stars SportsCenter hosts Jay Crawford and Steve Levy, who witness a tense, awkward exchange between the rival mascots. Credit has to go to director Jim Jenkins and the guys playing the mascots for perfect comedic timing. At the end of the spot, Everett and Levy reveal that the two mascots have been engaging in such behavior all week. Hopefully Miles and Blitz don’t kill each other before the big game.
The timely “Long Week” is designed to promote ESPN’s weeklong coverage of Super Bowl XLVIII, which began yesterday with ESPN Radio’s Mike & Mike kicking off 115 hours of TV and radio programming from New York City. ESPN’s programming originates from their Herald Square and Times Square Studios all week, up until Superbowl Sunday. Keep an eye out for “Long Week” during that coverage. Credits after the jump. continued…
W+K Portland and Coca-Cola have pre-released their Super Bowl ad, “Going All The Way.” One of two big game spots for Coca-Cola, “Going All The Way,” was shot in Ashwaubenon, a suburb of Green Bay, Wisconsin, with the exception of the final moments, which were shot at Lambeau Field.
The 60 second spot, directed by Jake Scott and set to House of Pain’s classic “Jump Around,” tells the story of Adrian, a small high school football benchwarmer who finally gets his chance to shine. “Don’t mess this up again, Adrian,” his teammate says when he’s put in the game, telling us all we need to know about Adrian’s past on the playing field. But things break Adrian’s way, and he’s given the opportunity to make the play of a lifetime.
Most of the cast of “Going All The Way” was made up of actual Green Bay-area residents, and Lambeau Field’s groundskeeper of 17 years has a featured role in the spot. “‘Going All The Way’ is a story that celebrates a young man accomplishing his dreams. It’s also a celebration of the amazing town of Ashwaubenon, Wis. coming together and our wonderful partnership with the city of Green Bay,” said Katie Bayne, President, North America Brands, Coca-Cola North America.
The feel-good spot will air during the second half of the Super Bowl, while Coca-Cola’s other big game ad will air during the second quarter. This marks Coca-Cola’s eighth consecutive year advertising during the Super Bowl. To celebrate the launch of “Going All The Way,” Coca-Cola has pledged to donate $50,000 to the Boys & Girls Clubs of America’s Triple Play program when the spot reaches 10,000 shares. So please feel free to share “Going All The Way” with friends, family and colleagues. Stick around for a behind-the-scenes video about the making of “Going All The Way” after the jump. continued…
With the big game less than a week away, the folks at El Segundo, CA-based David&Goliath have released a teaser for their Kia K900 Super Bowl spot.
The “Official K900 Game Day 2014 Teaser” sees Laurence Fishburne reprising his role as Morpheus from The Matrix trilogy. Morpheus returns to the Construct, where he fiddles with a classic Radiola TV set in an attempt to kick back with some chips and watch the big game. The trailer doesn’t really let us know what to expect on Sunday, other than Fishburne as Morpheus sometime in the third quarter, as it’s designed to keep us guessing. The spot won’t be the first featuring Fishburne promoting the K900, as he narrated December’s “Preconceived Notions” ad, which may offer more clues to the Super Bowl spot than the teaser itself. Stick around for credits after the jump. continued…
Coming on the heels of last year’s “The Scarecrow” campaign, Chipotle has just revealed the trailer for its upcoming original comedy series “Farmed and Dangerous,” produced in collaboration with New York-based studio Piro.
The Chipotle-sponsored series offers a satirical look at “the lengths to which corporate agribusiness and its image- makers go to create a positive image of industrial agriculture.” “Farmed and Dangerous” imagines a fictional product called the “PetroPellet, a new petroleum-based animal feed created by fictional industrial giant Animoil.” Animoil runs into a PR shitstorm, however, when security footage of an exploding cow goes viral. Buck Marshall, played by Ray Wise of Twin Peaks fame, is the Industrial Food Image Bureau member charged with damage control, and seems willing to go to any lengths to make his little problem go away. The show also stars Eric Pierpoint (of Parks and Recreation).
Like “The Scarecrow,” the new series doesn’t actively promote Chipotle, instead positioning the brand as the alternative to the industrial farming giant the show documents. “We think of ‘Farmed and Dangerous’ as a values-integration rather than typical product- integration,” explained Chipotle chief marketing and development officer Mark Crumpacker. “The show addresses issues that we think are important – albeit in a satirical way – without being explicitly about Chipotle. This approach allows us to produce content that communicates our values and entertains people at the same time.” It also allows Chipotle to position itself against the shadiness of large agricultural business without making any specific promises or concessions — although they claim to have a “commitment to finding better, more sustainable sources for all of the ingredients it uses” and have announced “plans to eliminate GMOs from the ingredients it uses” in 2014. The approach is nothing new for Chipotle, as its evolution can be traced back to the award-winning 2011 spot, “Back to the Start.”
The debut episode of “Farmed and Dangerous” will be avilablee for free on Hulu starting on Feb. 17, with further episodes slated to premiere on consecutive Mondays. Season one of “Farmed and Dangerous” will be made up of four half-hour episodes, but “the storyline is designed to be extended to additional seasons” should the effort prove a success. Head on over to the “Farmed and Dangerous” official website for further details. Credits after the jump. continued…
To promote Snickers Bites, BBDO New York went retro. Bites give hungry customers a bag full of tiny pieces of Snickers bars, a pretty big switch for the consistent candymaker. But what if Snickers had thought of the idea decades ago?
There are two spots, “Intercom” and “Leisure Suit,” that attempt to answer the question, showing goofy scenarios dated to the 70s about follies that prevented Snickers employees from making Bites many years ago. “Intercom” is clearly the better of the two, as a forgetful man with some vague decision-making responsibilities at the company tries to tell his secretary to remind him to create Bites. Unfortunately, there’s static, which the secretary blames on the Soviet Union. “Leisure Suit” is little more than 30 seconds of lazy guys in afros pretending to be stoned. There’s no reason for the laziness, and the jokes are dumb. However, the premise does lend itself to future self-contained episodes, so BBDO can always take a mulligan and create some better spots in the future. ”Leisure Suit” and credits after the jump.
Chipotle has announced plans to launch “Farmed and Dangerous,” a Chipotle original comedy series that they say will satirically explore the world of industrial agriculture in America. Produced by Chipotle and New York-based Piro, the initial four-episode season will be presented weekly on Hulu and Hulu Plus beginning Monday, Feb. 17, 2014. While the show intends to integrate Chipotle’s values, we are told there will be no explicit Chipotle branding.
The first season will focus on the introduction of PetroPellet, a new petroleum-based animal feed created by fictional industrial giant Animoil. PetroPellet promises to reduce industrial agriculture’s dependence on oil by eliminating the need to grow, irrigate, fertilize and transport the vast amount of feed needed to raise livestock on factory farms.
Before its new feed formula can take foot, Animoil’s plans go awry when a security video goes viral sending Animoil and their spin master, Buck Marshall (Ray Wise) of the Industrial Food Image Bureau (IFIB), into damage control mode.
“Much of our marketing is aimed at making consumers more curious about where their food comes from and how it is prepared,” said Mark Crumpacker (poor guy must have had a terrible childhood), chief marketing and development officer at Chipotle. “By making complex issues about food production more understandable — even entertaining — we are reaching people who have not typically been tuned into these types of issues.”
The show follows the brand’s two award-winning animated short films – 2013’s “Scarecrow” and 2011’s “Back to the Start” – both of which sparked conversations about agriculture and industrial food production in entertaining ways. The initial season consists of four half-hour episodes, but the storyline is designed to be extended to additional seasons.
The pilot episode of “Farmed and Dangerous” will be available for free on Hulu.com and via the Hulu Plus subscription service starting Feb. 17, 2014. Each additional episode will become available on the consecutive Mondays.
It could totally suck but it’s worth watching just for Ray Wise!
If you were watching the Grammys last night, you might have caught this spot launching Mastercard’s “Priceless Surprises” campaign. The 45 second ad features Grammy-nominee Justin Timberlake surprising a fan by showing up at her door to hang out.
A 30: teaser for the spot rolled out last Friday, debuting the new campaign, ending with Justin ringing one lucky fan’s doorbell. The new spot picks up where the teaser left off, recycling some of the audio from the teaser about how Timberlake is excited about sharing a few moments with a fan. The “Priceless Surprises” recipient reacts about how you’d expect, shouting “Holy fuck!” after opening the door. Timberlake spends some time with his fan, even jamming out with her for a bit while she plays guitar. Obviously, Mastercard couldn’t have picked a more appropriate time to launch this campaign.
“Pricelss Surprises” will continue to roll out as an integrated campaign featuring “social, print, radio, television and digital platforms to inspire cardholders to give, get and share #PricelessSurprises.” Timberlake will stick around to surprise Mastercard holders who use the #PricelessSurprises hashtag, spending a day with a few more lucky winners. Cardholders will be automatically entered for a chance to win a slew of other, lesser prizes, such as trips and concert tickets, when using their Mastercard or tweeting with the #PricelessSurprises hashtag as well. Stick around for the teaser spot after the jump. continued…
W+K Portland has been very, very busy for Old Spice. First it was body spray with the “Smellcome to Manhood” campaign aka “Mom Song.” Then last week it was the triumphant return of Isaiah Mustafa and the “Interneterventions” surprise online campaign. Now, breaking the consistency of strange portmanteau puns is “For Hair That Gets Results,” marketing Old Spice’s line of hair care and styling products.
The first 30-second spot, “Meeting,” finds a studly studs mop of hair jump off his head and get a girl’s number. The lesson? If, young man, you pull this move, you’ll get a phone number that connects to a voicemail message that says, “Hey, I can’t come to the phone right now. I’m either studying for my master’s degree or having a tickle fight with my friend, Consuela. (Giggles.) Stop it, Consuela, I’m going to get you!” Yep, pretty cool.
The second, “Boardwalk,” teaches young men another valuable lesson. You see, a lady wants your hair to tell her if you can put in baby in her. You know, through the means of sexual intercourse or via a mechanical claw. Credits after the jump.
Less than three weeks after we first heard that Big Lots was parting ways with Barkley, which handled creative duties for the 1,400-strong retail chain for barely a year, the Columbus, OH-based brand has found a new agency partner in Chicago shop, O’Keefe, Reinhard & Paul. No word on who else participated in the review, but Big Lots chief customer officer Andrew Stein, who most recently led the development of “Ship My Pants” among other things while serving as CMO at Kmart, says, “Big Lots is engaging with our customer in new ways, and we were looking for an agency that understood our challenges and needs in a fast-changing marketplace,” noted Stein. “We presented OKRP with a project, and they came back to us in a very short time with terrific ideas that aligned with our vision while proving their executional excellence and speed to market. They are a great partner for Big Lots.”
OKRP, if you recall, was launched by Draftfcb alums Tom O’Keefe and Nick Paul along with former Amazon exec Matt Reinhard nearly a year ago. Expect first work, which will initially be digital, from the agency for Big Lots to break in early February.
Agency Greens & Salad teamed up with global production company Great Guns for a stylish, star-studded new ad for Nike Flyknit.
Entitled “Light. Strong. Nike Flyknit,” the 1:20 spot was directed by Paul Shearer and Vincent Laforet, and features Kobe Bryant, Seahawks cornerback Richard Sherman, Olympic Gold Medalist Allyson Felix, decathlon world record holder Ashton Eaton, and world champion distance runner Mo Farah. The spot withholds any dialogue or voiceover, instead relying on footage of its star athletes training in their Nike Flyknits delivered with a visual flair (courtesy of “a Red Epic and Phantom camera, on a combination of tracking vehicles, Movi and Steadicam rigs”) to make its product look good. Kobe takes center stage, both the first and last athlete featured, but otherwise screen time is share fairly equitably. The spot debuted globally this week, in anticipation of the Super Bowl and the NBA All Star Game (for which voting results were just revealed).
If the Nike Flyknit spot has whet your appetite for more Richard Sherman, never fear. Stay tuned for a timely Beats ad featuring the Seahawks star cornerback, along with credits for “Light. Strong. Nike Flyknit” after the jump. continued…
Droga5 New York have a new campaign for Newcastle Brown Ale making fun of all the cheesy theatrics and excesses of typical big game advertising.
Entitled “If We Made It,” Droga5′s site for Newcastle imagines the over-the-top campaign that could have been, if Newcastle had the marketing budget of a much larger, shittier brewery. Oscar-nominated actress Anna Kendrick and former NFL receiver/current ESPN analyst Keyshawn Johnson are at the center of the campaign, which includes “trailers, storyboards, focus groups and behind-the-scenes interviews.”
The campaign features “giant robots, skateboarding cats and bikini babes that would have starred in the ad – if they made it.” Above you can view the “Teaser for the Trailer” for Newcastles would-have-been huge Super Bowl spot. It’s a much needed deflation of the self-importance surrounding big budget Super Bowl ads, parodying both the content typical of such mega productions and the trend of releasing teaser trailers for 30 second TV advertisements. Stick around after the jump for a second teaser, called “Newcastle’s Cheap Ad we made for the pricey ad we didn’t make.” The bigger pieces of the “If We Made It” campaign — the centerpiece “ad” in the campaign, as well as behind-the-scenes interviews with Kendrick and Johnson — will remain under wraps until Tuesday, so you’ll have to check back in on the ”If We Made It” website next week.
By the way, if you’re looking for a relatively inexpensive beer that’s still pretty tasty, you could do a lot worse than Newcastle. It sure beats the shit you’ll see advertised during the Super Bowl. continued…
Rethink Canada’s new campaign for Molson-Coors owned Rickard’s Beer could double as a public service announcement, sharing important “Rules of the Round” for pub-goers everywhere. To make these rules sound more official, they have them delivered by a British bloke, because everything sounds smarter with a British accent. These rules are further illustrated by rudimentary stop-motion animation, accompanied by occasional graphics. It’s a charming approach that really makes me want to like Rickard’s Beer, and is also remarkably sharable.
These “Rules of the Round” answer important questions, such as who is responsible for the first round (the person in closest proximity to the bar), what to do about “The Late Joiner” and how to properly mock “The Fancy Pants.” At the conclusion of any of these spots, the viewer is directed to the other two “Rules of the Round.” Thank you, Rethink Canada and Rickard’s Beer for documenting these pub rules. We see them broken all too often. Check out “The Late Joiner” below, and stay tuned for “The Fancy Pants” after the jump. Let’s hope Rethink Canada sticks with the “Rules of the Round” approach going forward, as there are plenty of rules left unexplored.
Well, credit Brazilian-based F/Nazca Saatchi & Saatchi for truly capturing that disorienting mix of horniness and fearfulness that comes with doing a bunch of drugs and then grinding up on a bunch of weirdos for a few hours. A new campaign for African and South American beer brand Skol (not to be confused with American chewing tobacco brand Skoal, which is still around apparently) advertises ‘The Summer Beats Festival,’ a series of 20 parties/concerts around Brazil that features the country’s best DJs.
What’s the appeal, your uncultured ‘Merican self might ask? Well, rumor has it that if you get fucked up enough and dance harder than anyone else, there’s a strong likelihood that you’ll have sex with a girl wearing a tiger mask, a guy wearing a rabbit mask, or (jackpot!) both at the same time. That certainly sounds fun, doesn’t it?
A collection of shorter sports promises that after your wild night of substance abuse and terrifying lovemaking, you get to relax on one of Brazil’s many gorgeous beaches, which may or may not be filled with floating piles of garbage. Then, of course, it’s out again for another night of intermittent bouts of crying and psychotic screaming. Woo! Two more spots, and credits, follow after the jump.
On Sunday, February 2nd, M&M’S character Yellow will win a victory for sidekicks everywhere, finally starring in his own Super Bowl ad, created by BBDO NY. Mars Chocolate North America announced today that “M&M’S will debut a new 30-second commercial in the first half of Super Bowl XLVIII about M&M’S® Peanut, with Yellow taking the lead role in the Big Game for the first time.”
“It’s about time we remind the world how irresistible M&M’S Peanut really is,” said Seth Klugherz, senior director, M&M’S Chocolate Candies, adding the fun fact that “Each M&M’S Peanut is literally 1 in 100 – meaning we have to sort through 100 different peanuts, just to find one that’s lucky enough to make its way into a bag of M&M’S Peanut.” This makes me wonder: where do all the reject peanuts go?
The Super Bowl spot is the latest in M&M’s “Year of Peanut” campaign, “a yearlong effort to showcase the irresistibility of M&M’S Peanut” that kicked off “with a star-studded event on New Year’s Eve in Atlanta.” M&M’s integrated “Year of Peanut” campaign will continue following the Super Bowl, with “multiple English and Spanish television, print and digital ads, in-store displays, consumer promotions, public relations and social media.”
As you can see for yourself above, BBDO’s Super Bowl teaser doesn’t give a whole lot away. You’ll have to keep your eyes peeled during the first half of the Super Bowl for Yellow’s moment in the spotlight, as the 30 second ad itself will remain a secret until the big game.
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We’ve reached out to the Motorola camp on multiple tries and haven’t succeeded but sources tell that 
