Splenda Appoints JWT Canada as Its North American Creative AOR

Artificial sweetener brand Splenda appointed JWT Canada as its creative agency of record for North America, AdAge reports. J3 remains the brand’s media agency, with Publicis Health Media and BSTRO handling digital and LaForce & Stevens responsible for PR.

The agency will lead the account out of its Toronto office, beginning June 1. BBDO had previously handled creative AOR duties for the brand in North America, after beating out JWT, Mother and DDB in a 2007 review to win what was then a $35 million accountHeartland Food Products Group purchased the Splenda brand from Johnson & Johnson last summer. 

Splenda global VP of marketing Kim Holdsworth said the brand had an “immediate connection” with the agency, which stood out via its willingness to “challenge brands to push themselves.”

The appointment marks the first time (to our knowledge) that a JWT office in North America has won a creative review since JWT’s chief communications officer Erin Johnson filed a discrimination lawsuit against former JWT global chairman and CEO Gustavo Martinez. JWT New York was awarded creative duties for Nestlé-owned ice cream brand Häagen-Dazs back in March before launching its first work for the brand last month, and Holdsworth told AdAge the brand had “no concerns” over the discrimination lawsuit. 

JWT Toronto CCO Ryan Spelliscy claimed the agency’s goal for the brand is to “put sugar out of business” before admitting that this is a bit of a tall order.

JWT’s first work for the brand, a new product launch, is expected some time in the fourth quarter. It will roll out in the U.S. before expanding to Canada.

A Domestic Violence Message Is Hidden in This Clever 360° PSA. Can You Find It?

Lots of ads have used 360° video lately, but here’s one where the VR technology really suits the message—and delivers a powerful coda for those who absorb it.

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Pepsi's Emoji Billboards and Instagram Photos Are Cool in Ways That the TV Isn't

There’s no getting around the fact that emojis, whatever their social equity among young people, are quite literally cartoony. And if you’re going to build a whole global ad campaign around them, as Pepsi has done with PepsiMoji, it’s going to feel pretty lightweight. And indeed, the five-second TV ads, which we wrote about earlier, are bubbly but also fleetingly goofy—all the more so because of their short length.

Good thing, then, that Pepsi wisely decided to get some help from photographers for the out-of-home and Instagram elements of the campaign, created by Lloyd&Co. 

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BBDO New York Promotes Kirsten Flanik to President

BBDO New York promoted Kirsten Flanik to the role of president, effective immediately. Flanik, who formerly served as managing director, will report directly to John Osborn, who has served as BBDO New York CEO (and, until now, president) for the past twelve years.

The agency does not plan to hire a new managing director in Flanik’s place.

Flanik joined BBDO New York as managing director back in July 0f 2006 to oversee the agency’s Mars account. She also runs BBDO New York’s pro bono Autism Speaks account, helped win back the Snickers account, works with clients such as Tropicana, ExxonMobil and FedEx and chairs the agency’s Women’s Leadership Council. Before joining BBDO she spent four years as group account director with BBH New York and held roles with Fallon and Cliff Freeman and Partners. 

“In a business that never stands still, I’m excited to take this next step at BBDO New York as we continue to expand and evolve our offering,” Flanik said. “I look forward to building on the strong partnership and teamwork that already exists between myself and John and the rest of the BBDO New York leadership team.”

Flanik’s promotion follows BBDO New York winning creative duties for health insurance company Humana and Subway last August and Priceline.com the following month. It also follows Omnicom CEO John Wren‘s pledge, made during a recent Q1 earnings call, to double the number of women in creative leadership positions at BBDO over the next 12 months.

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Any Idea What These Remarkably Subtle Mercedes-Benz Ads Are Trying to Say?

Subtlety is a valuable thing in advertising, as consumers will always feel better about a brand that lets them connect the dots instead of hammering them over the head. But there is such a thing as too subtle, as well.

Mercedes-Benz rides that line in these ads from BBDO Chile. We stared at them for a few minutes trying to work out the message, and not just because the copy has been translated.

We spoke to BBDO art director Leonardo Rocha about the ads. But before we give away his explanation, let us know what you think they’re about.

Click to enlarge. Via Adeevee.

CREDITS
Client: Mercedes-Benz
Agency: BBDO, Santiago, Chile
Executive Creative Director: Jorge Espinoza
Creative Director: Rodrigo Peralta
Art Director: Leonardo Rocha
Copywriter: Felipe Araya
Photographer: Javiera Eyzaguirre

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This Creative Director's Clever 'Combophotos' Are Awesomely Off-Kilter

If you like neat visual tricks, here’s a set particularly worth checking out.

“Combophotos” is a project featuring clever pairs of pictures spliced into single images, playing with scale—and often food—in delightful ways. It’s the brainchild of Stephen McMennamy, a BBDO Atlanta creative director behind work like AT&T’s riffing kids campaign and new Milana Vayntrub work.

It’s worth spinning through one of his pages—there’s an Instagram and a Squarespace, but the Tumblr‘s linear layout is probably most enjoyable, allowing for more focus on each image.

Some of the compositions are just visually curious and charming—like a turtle with a vintage bike helmet for a shell, or an albatross with a plane’s tail. Others are witty, like a boxing glove/tomato (imagine how that story ends), or laugh out loud funny—like an apricot that stands in for a man’s ass (by no means a new joke, but exceptionally executed, and perhaps a bonus for industry insiders, shot in Cannes … which is apparently not like Las Vegas).

There’s even a little borderline social commentary, like a cigarette topped smoke stack (though the caption demurs “not trying to stir up any trouble. Just combining some photos”).

They’re all the more notable for the fact that McMennamy actually shoots them, rather than using stock—and that the cuts are obvious (Some of the commentary over at Reddit captures why that’s nice.)

In fact, the only real, small complaint might be that, at least among certain small populations, the “Combophotos” name itself might evoke panic at the thought of an ad campaign for pepperoni pizza pretzel snacks.

And if you’re wondering whether someone has already productized donut headphones, the answer is, of course, yes.

AT&T's Latest 'It Can Wait' Ad Shows a Brutal Crash in Reverse, but There's No Going Back

AT&T’s “It Can Wait” texting-and-driving campaign from BBDO New York has included many notable executions, including the painful Werner Herzog documentary from 2013. And the latest spot is no exception, featuring quietly gripping storytelling from Anonymous Content director Frederic Planchon that suddenly explodes with horror.

The almost four-minute film is remarkable. (It’s supported by three 30-second spots, one of which will run on TV.) Slow-motion cinematography, shot at 1,000 frames per second, captures the brutal consequences of taking your eyes off the road to glance at your smartphone, even briefly. The footage then plays in reverse, ending on the cause of the terrible crash.

That cause, notably, isn’t that the driver was texting. The “It Can Wait” campaign has always focused on texting, but it’s is now evolving based on new research that revealed the prevalence of drivers engaging in other smartphone activities, like social media, web surfing, video chatting and more.

The campaign is evolving in other ways, too. AT&T, working with Reel FX, has developed an app called the It Can Wait Driving Simulation that uses virtual reality to give an immersive view of what it is like to text, post or video chat while driving. The VR simulator is freely available for iOS and Android and works with Google Cardboard.

A souped-up version of the simulator—running through the Samsung Gear VR headset, with premium sound from Bose QuietComfort 25 acoustic noise canceling headphones—will soon go on tour, visiting schools, fairs and partner companies in 100 U.S. cities.

CREDITS
Client: AT&T
Title: Close To Home

Agency: BBDO New York
Chief Creative Officer, Worldwide: David Lubars
Chief Creative Officer, New York: Greg Hahn
Executive Creative Director: Matt MacDonald
Senior Creative Director: LP Tremblay
Senior Creative Director: Erik Fahrenkopf
CD/Art Director: Grant Mason
CD/Copywriter: Kevin Mulroy

Director of Integrated Production: David Rolfe
Group Executive Producer: Julie Collins
Executive Producer: Dan Blaney
Music Producer: Melissa Chester
Senior Integrated Business Manager: Cristina Blanco

Managing Director: Mark Cadman
Senior Account Director: Brian Nienhaus
Account Director: Gati Curtis
Account Manager: Johnny Wardell
Account Executive: Sigourney Hudson-Clemons

Production Company: Anonymous Content
Director: Frederic Planchon
Executive Producer: Eric Stern
Producer: Paul Ure
Director of Photography: Jody Lee Lipes

Editorial: WORK Editorial
Editor: Rich Orrick
Assistant Editors: Adam Witten and Trevor Myers
Executive Producer: Erica Thompson
Producer: Sari Resnick

Visual Effects: The Mill
EP/Head of Production: Sean Costelloe
Line Producer: Nirad ‘Bugs’ Russell
VFX Supervisor : Gavin Wellsman
2D Leads: Gavin Wellsman; Krissy Nordella
2D Compositor: Michael Smith; Chris Sonia, Keith Sullivan
2D Assists: Heather Kennedy; Sungeun Moon, Yoon-sun Bae, Marco Giampaolo
3D: Yili Orana , Corey Langelotti
Pre Vis Artist: Jeffrey Lee
Editor: Charlotte Carr
Designer: Clemens den Exter

Color:  The Mill
Colorist: Aline Sinquin

Music House: Grooveworx
Executive Producer: Dain Blair
Sound Design: Brian Emrich
Original music composed by Rob Simonsen

Sound: Sonic Union
Sound Mixer: Steve Rosen

Motions Graphics and Titles: Polyester

BBDO NY Hits ‘Close to Home’ for AT&T

Kids Swear Their Faces Off in This Uncomfortably Hilarious Ad for Smart Cars

Next up in our Kids Behaving Inappropriately series, BBDO Berlin got a bunch of children to yell extremely dirty words to make a point about Smart cars, and how they can lead to a more calm, lighthearted temperament.

My favorite is the little guy in the suit. Angry, angry young man.

Smart cars look a lot like artisanal jelly beans, but that is by design—Mercedes-Benz design, as it turns out. The video goes on to show off the car’s maneuverability and convenient parking size, although the street was oddly free of traffic hazards in what was supposed to be a stressful urban environment.

Where was the random car sitting in the middle of the lane with his hazards on? The pedestrians running into traffic without looking? The 1,000-person family all using the crosswalk one at a time? C’mon guys, give those kids something to really swear about!

Actually, don’t. That’s more their parents’ job, anyway.