Intuit Brews a Special Beer for Accountants Only Called CPA IPA

Tax season is hell for accountants. But in Rhode Island this year, it’s been a little less brutal than usual, thanks to this fun promotion by Intuit.

Intuit makes software called QuickBooks Online Accountant, which helps accountants manage and support clients in one place. To promote it, the company partnered with a local brewery to make a special beer for accountants only—CPA IPA. It then bought ads in the Rhode Island press touting happy hours across the state, where accountants enjoyed some free beer to de-stress. (Intuit chose Rhode Island because it’s a smaller market and because craft beer is big in the Northeast.)

Of course, only one ad agency could possibly make a CPA IPA. Yes, it was done by RPA.

More images and a video below.

CREDITS
Client: Intuit
Agency: RPA
EVP, CCO: Joe Baratelli
SVP, GCDs: Nathan Crow, Adam Lowrey
ACDs: Joao Medeiros, Alex Goulart
Designer: Lauren Geschke
Sr. Art Director: Jessie Echon
Photographer: Mark Tripp
Art Buyer: Jessica Fedynyshyn
Producer: Annie Boyle



Taking a Selfie Can Now Protect the California Coast, Thanks to This Ad Campaign

Selfies, by definition, aren’t selfless. But now, in California, you can do some good for the environment, not just for yourself, by snapping a pic along the coastline.

Gyro San Francisco has created a campaign called “Check the Coast” that encourages people to make a checkmark sign while taking a selfie at the shore, and then include #CheckTheCoast and CheckTheCoast.org when posting it. This is intended to raise awareness of a special box on California tax forms that you can check to make a donation to the California Coastal Commission.

The campaign recruited actor Adrian Grenier (Entourage) and surfer-activist Sunshine in the Fog (yep, that’s her name) to appear in ads for the cause.

“What I like about this campaign is how positive it is,” Gyro executive creative director Steffan Postaer writes on his blog. “Absent are images of the goo-infested birds washing up in the East Bay. Or the scary amount of emaciated sea lion pups beaching themselves near Point Reyes. No tangled fishing lines or plastic rings. No dead fish. That crap is happening and we all know it. Yet, we decided to eschew the appeal of grim reality in favor of a more upbeat approach, one that asked little from its participants: merely a selfie and a buck or two.”



American Greetings Hopes to Provoke a Groundswell of Gratitude With the ThankList

American Greetings goes all-in with ThankList, an immersive multimedia experience from Mullen that encourages people to thank those who’ve made an impact on their lives.

Two-time Oscar winner Barbara Kopple (for the documentaries Harlan County USA and American Dream) created five short films through production house Nonfiction Unlimited for the campaign, each focused on a different individual’s ThankList. The subjects thank friends, family and mentors for helping them through hard times and making them who they are today.

Overcoming major life obstacles is a common theme. A young woman named Lexi thanks her mom for helping her beat a serious eating disorder, while Ron, a middle-aged cancer survivor, tells viewers how his family’s love and support sustained him when, at age 13, doctors told him he’d soon die from his illness.

The tales are a varied lot, all compelling and well-told, but the story of Air Force pilot Cholene stands out as an emotional powerhouse. She thanks her foster son Keer—who was cruelly blinded as a young boy when sold into slavery in south Sudan, but has since regained some sight after surgery—for making her a “better person … much more sensitive and committed and grateful for my own life.” A gifted musician, Keer is shown playing drums and piano and says, “Music is a vibration of happiness.”

This story is so intense, you may have to take a few minutes to comport yourself before continuing your day and, perhaps, jumping on the ThankList site to create a video or text list of your own. These submissions, according to American Greetings, will be aggregated into “a collective, never-ending ThankList.”

For a purveyor of greeting cards and party favors, American Greetings is certainly thinking large and interactive with ThankList—way beyond the scope of its lauded, mega-viral “World’s Toughest Job” campaign for Mother’s Day last year. That video has amassed more than 23 million YouTube views and became something of a cultural phenomenon. ThankList probably won’t scale those heights, but the trailer’s topped 600,000 views in its first week, and Ron’s story has more than 500,000.

“Creating more meaningful connections between people isn’t simply something we believe in,” explains client president and COO John Beeder. “It’s something we are actively doing, and ThankList is the perfect way to demonstrate that practicing gratitude is easy and impactful.”

Gratitude has, in fact, become an advertising sub-genre of late. ThankList treads a trail blazed by European funeral insurer Dela—though its extremely moving, award-winning “thank-you” films can feel a tad stagey—and MetLife, which recently asked people to say who they “live for.” (American Greetings’ own “World’s Toughest Job” apparently inspired a recent mom-focused initiative from Teleflora.)

Of course, like all advertising, these initiatives are ultimately self-serving. Still, their hearts are in the right place, and I’ll gladly march to the beat. After all, the human condition can sometimes feel so thankless. Perhaps ThankList and similar campaigns will, to some degree, help make the world a kinder, more thoughtful place. I think we’d all be thankful for that.



This Beautiful PSA From Spain About Embracing Life Keeps You Guessing Until the End

A new Spanish PSA from Publicis wants you love life, and not ruin it entirely.

Hang picture frames, go running through the woods, get a tattoo, play rugby or hang out on a mattress somewhere. There’s plenty to keep you occupied—and away from darker choices—says the ad, which in some ways recalls the vibe of Puma’s “After Hours Athlete” and Levi’s “Go Forth” work.

The moralistic kicker, necessary as it may be, doesn’t seem ideal—and could turn teenagers off. Also, the spot might miscalculate just how many free hours kids can have to waste. But hopefully the message gets through anyways.

CREDITS
Directors: Marc Corominas, Lorena Medina
Client: FAD
Agency: Publicis
DOP: Oriol Vila
Art Director: Oian Arteta
Wardrobe: Ana Morera
Makeup: Oona Napier
Head of Production: Marta Antón
Head of Postproduction: Tamara Díaz
Assistant Director: Israel Marco
Production Team: Carles Pequerul, Ángela Puig-Pey, David Bello, María Asensio, Ana Terrero, Andrià Nebot, Eli Apezteguia, Sivila Arimany
Camera and Photography Team: Agnes Corbera (DOP assistant), Sergio Santana (Camera Assistant), Pablo Lagos (Camera Assistant), Moncho Bartroli (Electrics Head)
Warbrobe Team: Andrea Pi Sunyer (Assistant Wardrobe)
Art Team: Alexandra Jordana (Art Assistant), Cristina Hontiyuelo (Props), Anna Auquer (Props)
Rental Cars: Quadis
Travel Agency: IEST
Postproduction Coordination: Metropolitana



Volvo and Grey London Invent an Invisible Paint That Lights Up Cyclists at Night

Safety is a huge part of the Volvo brand. And now, the automaker, with help from Grey London, is extending the concept beyond its own drivers—to cyclists with whom they share the road—and beyond advertising, into product development.

Client and agency have collaborated with Swedish startup Albedo100 to produce LifePaint, a reflective safety spray designed to increase the visibility and safety of cyclists and others on the road at night. Invisible in the daytime, the spray glows brightly in the glare of headlights at night.

Here’s the launch video for it:

It’s not really paint. The transparent spray washes off and will not affect the color or surface of materials. It can be applied to almost any fabric—clothes, shoes, strollers, children’s backpacks, even dog leads and collars—and last about a week after application.

Beginning today, 2000 cans of LifePaint will be given away at six London and Kent-based bike shops. If successful, the project will expand nationally and perhaps internationally.

“Our job isn’t just to advertise our clients,” said Nils Leonard, chairman and CCO of Grey London. “It’s to help them make a positive impact on culture. With the creation of LifePaint, we’ve turned Volvo safety inside out, giving it away to the most vulnerable road users. What more positive action can a brand take than to try to save lives?”

Grey also used LifePaint to create “invisible” black posters that only reveal their message in the flash of a smartphone.

“This is the sort of work we want to be making,” says Grey London creative director Hollie Newton. “Properly integrated innovation. Design a valuable, remarkable product for a brand, and then launch it with the same level of craft.”

CREDITS
Client: Volvo
Creative Agency: Grey London
Chief Creative Officer: Nils Leonard
Creative Director: Hollie Newton
Creative Team: Jonas Roth, Rasmus Smith Bech
Account Team: Cristyn Bevan, Sophie Critchley, Alex Nixon
Planning: Wiktor Skoog
Head of Film: Glenn Paton
Integrated Producer: Francesca Mair
Assistant Producer: Talia Shear
Designer/ Typographer: Chris Chapman
Creative Producers: Helen Llewelyn, Glen McLeod
LifePaint Collaborators: Albedo100
Production Company: Caviar
Director: Andrew Telling
DOP: Jeremy Valender
Executive Producer: Louise Gagen
Producer: Adam Smith
Editor: Matt Newman at GreyWorks
Colourist: Julien Biard at Finish
Post Production: Gramercy Park Studios
Sound Design: Munzie Thind at Grand Central Studios
Music Composition: Adam Halogen through Wake The Tow
Microsite: Paul Cackett, Piers Cleveland-Copeman and Johan Runge-Goransson @ clear.as



Famous Foes Square Off and the 'Best Idea Wins' in Ads for the 2015 Clios

In life, as in advertising, the best idea usually wins.

That simple insight informs McCann’s campaign for the 2015 Clio Awards, featuring pairs of famous foes—Nelson Mandela and Hendrik Verwoerd, the architect of apartheid; Wile E. Coyote and Road Runner; Al Capone and J. Edgar Hoover; and angel and devil.

“It’s just this simple idea that, throughout history, the best ideas always go right to the top,” says Noel Cottrell, chief creative officer at Fitzgerald & Co. (part of the McCann group), who helmed the campaign, over on the Clio site. “There are very few times when bad ideas have trumped. If you think about fashion, or politics, or life generally, the best ideas win. We think it’s a great expression of that.”

The campaign is alternately goofy and serious. Cottrell—who is from South Africa, and feels a strong connection to the Mandela/Verwoerd ad—says that flexibility is a strength.

“One image could be Nelson Mandela and Hendrik Verwoerd, another could be Wile E. Coyote and Road Runner, and still the best idea wins,” he says. “I love that the campaign can stretch like that, from being sort of flip and funny to serious and controversial. I’m hoping we can carry on doing this.”

More images below.

(Note: Clio and Adweek are both owned by affiliates of Guggenheim Partners.)

CREDITS
Agency – Fitzco/McCann
Noel Cottrell – Chief Creative Officer
Andrew Whitehouse – Creative Director/Art Director
Ryan Boblett – Group Creative Director/Art Director
Brad Harvey – Group Creative Director/Copywriter
Eric Monnet – Network Creative Manager
Cris Tally – Director, Project Management
Siera Williams – Assistant Account Manager
Deb Archambault – Senior Integrated Producer
Kimberly Kress – SVP, Director of Talent Partnerships
Gordon Corte – Talent Manager



Pets Are Exciting Multi-use Tools in These Fantastic Infomercials for an Animal Shelter

Cats aren’t just great alarm clocks. They’re also excellent sleeping masks.

Two gag infomercials for the Animal Foundation animal shelter in Las Vegas (created by agency R&R Partners) hawk exciting new multi-purpose products for your home—”Pet Cat” and “Pet Dog.”

Dogs are surprisingly efficient vacuum cleaners and capable concierges. What else can they do? “The list goes on and on,” the voiceover assures you—and you should pause it while it’s scrolling by, because most of the options are great (even if maybe one too many is about warming some body part … as accurate as that may be).

The writing is sharp and funny, the acting perfectly overdone, and the voiceover as cheesy as possible—dead-on parody. Each pet even comes with a free accessory—for the dog, a leash, aka an instant gym attachment, and for the cat, a paper bag (it’s better than having a TV).

So hurry up and don’t miss out on this amazing opportunity. Litter box and Nature’s Miracle not included.

CREDITS
Client: The Animal Foundation (Las Vegas)
Agency: R&R Partners
Executive Creative Director: Arnie DiGeorge
Creative Director:  Ron Lopez
Copywriter: Chrissy Deem
Copywriter: Mary Money
Art Director: Rachel Hogan
Senior Brand Manager: Sarah Catletti
Brand Manager: Amber Allen
Agency Producer: Sherpa Pictures
Business Affairs: Pam Petrescu



Can an Ad Campaign Get Egyptian Men to Speak the Names of Their Mothers?

Stripping away someone’s name goes a long toward dehumanizing that person. UN Women and Impact BBDO Dubai poignantly drive home that point in a two-minute film that was timed for Mother’s Day in the Middle East on March 21.

“Give Mom Back Her Name” shows on-the-street interviews with various Egyptian men. Keeping with local custom, they refuse to speak their mothers’ names in public. (For men in Egypt and many other countries in the Middle East, there is a peculiar taboo of not disclosing one’s mother’s name in public, lest it become a subject of shame and ridicule.)

A young guy leaning out of a car window explains, “We feel it could bring us ridicule and embarrassment.” An older man adds, “If someone knew our mother’s name, we used to sob when we were kids.” For me, the most unsettling reaction comes from a youngish dude in a blue shirt who can’t stop giggling. It’s as if he’s struggling to process the request, and awkward laughter is the only response he can muster because the notion of naming his mother in public has, at least temporarily, short-circuited his brain.

Over time, we’re told, many women have their names largely forgotten, and they are referred to as the mothers of their eldest sons. Ultimately, the film asks viewers to change their social-media profile icons to their mother’s names and spread word of the initiative using the hashtag #MyMothersNameIs.

“The right to one’s own name not being associated with shame or embarrassment is one step closer to equality,” says Fadi Yaish, regional executive creative director at Impact BBDO. “It is a basic human right.”

The film—by the same group behind 2013’s lauded Google autocomplete campaign—contains an especially sweet and uplifting scene near the end. Spoiler: The blue-shirted guy, so vexed at the outset, stands in a busy street beside his mom and speaks her name. It’s a moving, redemptive moment that reminds viewers that change and progress are always possible.

According to Yaish, in its first 48 hours online, the film received 1.5 million views on Facebook and YouTube, and over 4 million impressions on Facebook alone. The most “shocking outcome,” he says, is that women in the region felt empowered and “spoke out across all media and on social platforms saying their names.”

AdFreak: What’s the one big takeaway from this film?
Fadi Yaish: Social taboos are man made, and they can be broken by starting a conversation.

Was it tough to make? Did anyone become offended and storm off?
Some people were angry, thought we are making fun of them and refused to participate. Some people did not know what to say. Some people spoke up. As you can see in the film, some people, especially the young ones, just simply were shocked we asked them this question. It was like moment of truth. They were thinking, “I should be able to say my mother’s name! Why can’t I?” It made them question and doubt.

Who is the target audience? Do you think it will get through to them?
The core target is Egypt, which will spill to countries that have the same problem—Saudi Arabia, Bahrain, Qatar, Kuwait, Jordan. [The message] got through already, and to everyone. It is growing bigger every second.

Any big surprises?
The response of men in general was kind of expected. Because of the “moment of truth,” the real shame would be on us men—the fact that we took away the name of the person that gave us our names and gave us our lives. The surprise was women speaking up, and refusing to accept the current situation. Google the hashtag, and you will see women saying their names. This is amazing.

CREDITS
Client: UN Women
Agency: Impact BBDO Dubai
Executive Creative Director/Editor: Fadi Yaish
Art Director: Maged Nassar, Tameem Younes
Copywriter: Aunindo Sen
Graphic designer: Mohamed Said
Typographer: Mahmmad Al Mahdy
Production House: Bigfoot
Director: Maged Nassar, Tameem Younes
DOP: Ahmed Tahoun
Post Production: Lizard



A Boy Discovers the World's Greatest Superpower in This Remarkable French Ad

Here is a really beautifully filmed commercial from France featuring a boy named George who has remarkable powers. It would spoil the ending a bit to tell you the advertiser, so just watch as George shows off his amazing abilities.

The ad, made in English and French versions, was done by agency Les Gaulois and directed by Jeppe Ronde. Via Ads of the World.

CREDITS
Client: Acadomia
Agency: Les Gaulois, France
Creative Directors: Marco Venturelli, Luca Cinquepalmi
Art Director: Mickael Jeanne
Copywriter: Alexandre Drouillard
Director: Jeppe Ronde



Problems in the Bedroom? Ikea Shows You Exactly What to Do With Your Junk

Ikea does a ton of marketing worldwide, but its looniest ads come from one agency—BBH Asia Pacific. Just in the past year, it made the hilarious “Bookbook” ad, imaging the Ikea catalog as a futuristic gadget, and the parody of The Shining for Halloween.

Now, BBH and Ikea take you inside the bedroom, promising to “improve your private life” in this latest spot—which is quite suggestive, pun filled and faux-retro in parts.

Between Ikea and Durex, advertising is certainly bringing couples closer this week.

CREDITS
Client: Ikea
Agency: BBH Asia Pacific
Executive Creative Director: Scott McClelland
Creative Directors: Tinus Strydom & Maurice Wee
Senior Art Director: Janson Choo
Senior Copywriter: Khairul Mondzi
Business Director: Tim Cullinane
Associate Account Director: Manavi Sharma
Project Director: Lesley Chelvan
Producer: Wendi Chong
Head of Film: Daphne Ng
Social Strategist: Josie Khng
Director: Carlos Canal
Production House: Freeflow Productions
Editor: Jason Denning
Post Production House: BlackSheep Live
Audio Production: Fuse Audio
Executive Creative Director: Scott McClelland
Creative Directors: Tinus Strydom & Maurice Wee
Senior Art Director: Janson Choo



Agency Will Send Copywriter to Space If Enough People Like Its Facebook Page

Up, up and away?

FCB Paris plans to send one of its creatives into space. The agency will use almost 37,000 balloons to hoist intrepid advernaut Baptiste Szuwarski toward heaven. The 25-year-old copywriter is the lightest member of the creative staff at 114 pounds, probably 113 if he shaves—and his weight, we’re told, makes him the perfect choice for this publicity stunt.

Since March 10, for each like on its Facebook page, the agency has inflated a balloon at its offices on the Champs-Elysées to support the mission, calculating somehow that it will take exactly 36,895 to get the job done. (The page has 2,200 likes overall, so there’s a stratospheric way to go.) FCB says the precise launch date is … sigh … up in the air. #GoodLuckBaptiste is the hashtag.

Balloons? Sounds like hot air to me. And the fact that the agency emailed a PDF

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press release makes me doubt its technical prowess. Besides, if we’re going to banish an ad exec from the planet, I think everyone agrees Donny Deutsch should be the one to go. (Kidding, of course. He’s got a new TV show, and who isn’t psyched about that?)

Bon chance, Baptiste! Though you will be risking your very existence on this fateful voyage, it still beats filling out timesheets and meeting with clients.

“Dying is not an option,” Szuwarski tells AdFreak. “At least, for me it isn’t!”



3 Salty Old Wives Shout Lies About Diesel in Sweet, Silly Ads From Volkswagen

Your cranky straight-talking grandmother might not think much of diesel engines, but Volkswagen would like her—and you—to reconsider.

“Old Wives Tales,” a new campaign from Deutsch LA for the automaker’s Passat TDI, features the Golden Sisters, who rose to fame with their salty commentary on Kim Kardashian’s sex tape back in 2012. Now, the trio are riding around in a VW, sounding off on diesel cars—and getting it wrong.

They weigh in on rappers (dismissively, of course) and play “Who’s on First” with the question of whether the car is even running—because aren’t diesel engines supposed to be loud? While looking for a gas station, they start obsessing over food—Italian, in this case (the real-life siblings were all born Conticchio, in the Bronx)—though their heritage could, in many moments, just as easily be another variety of old, white and loud.

In other words, the four spots are all set pieces that showcase a certain type of gleefully abrasive charm—a shtick that will appeal best to the demographic that knows and loves the caricature. It’s a nice vehicle for the message. People who bear these misconceptions are likely more concerned with volume than accuracy, so don’t be like them (even if you think they’re funny).

The best moment by far is a close-up of what might be the world’s ugliest dog (a cameo that deserves credit for extra cutting against the grain of everyone everywhere putting adorable puppies in their ads). And in a discovery on which more mercenary brands should capitalize, it turns out even marketing hashtags like #tunameltsmyheart are less obnoxious when yelled by an old woman—probably because you don’t have a choice but to forgive them for being cheesy.

CREDITS
Client: Volkswagen
Agency: Deutsch LA
Chief Creative Officer: Pete Favat
Chief Digital Officer: Winston Binch
Executive Creative Director: Todd Riddle
Digital Executive Creative Director: Jerome Austria
Group Creative Director: Heath Pochucha
Group Creative Director: Tom Pettus
Art Director: Alice Blastorah
Copywriters: Shiran Teitelbaum, William Sawyer
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Erik Press
Integrated Producer: Win Bates
Group Account Director: Tom Else
Group Account Director: Monica Jungbeck
Account Director: Alex Gross
Account Supervisor: Aleks Rzeznik
Account Executive: Ashley Broughman
Director of Product Information: Jason Clark
Product Information Supervisor: Eddie Chae
Chief Strategy Officer: Colin Drummond
Senior Digital Strategist: Brendon Volpe
Group Planning Director: Susie Lyons
Director of Integrated Business Affairs: Abilino Guillermo
Group Director Integrated Business Affairs: Gabriela Farias
Business Affairs Manager: Jade McAdams
Director or Broadcast Traffic: Carie Bonillo
Broadcast Traffic Manager: Courtney Tylka
Production Company: LMNO Productions
Director: Eric Schotz
Executive Producer: Ed Horwitz
Editorial House: Union Editorial
Editor: Paul Plew
Assistant Editor: Otto Mertins
President: Michael Raimondi
Senior Producer: Rob McCool
Post-Facility: Resolution
Sound Studio: Resolution
Producer: Logan Aires
Mixer: Milos Zivkovic



Infographic: Your Guide to Having a One Night Stand at SXSW

Are you in Austin this week mostly just to bag a few one-night stands? Luckily, ad agency Mistress has come up with the ultimate guide to casual sex at the festival. (This is quite fitting, given the agency’s Ashley Madison-ish name.)

Whatever your preferred meaningless-intercourse partner—the millennial marketer, the teen CEO, the lifehacker, the “Christian Grey venture capitalist,” the cause marketer—this infographic will teach you how to seek them out, and find their weak spots.

They’ve even included the sessions each of them are likely to attend.

Have at it, you filthy dogs.

Click the image to enlarge.



It's Funny When Celebs Read Mean Tweets. Here's What Happens When Kids Read Them

“Celebrities Read Mean Tweets” is one of Jimmy Kimmel’s most popular segments. It’s been spoofed here and there—even by ad agencies. But now, Canadian agency John St. takes the theme in a bit of a different direction with “Kids Read Mean Tweets.”

Check it out here:

“It’s easy to laugh at rich celebrities reading some of the terrible things people have said about them online. We condone it. We even revel in it,” the advertiser, Canadian Safe School Network, say in a press release. “But this same behavior is turning almost 40 percent of Canadian kids into victims of cyberbullying. It’s a growing epidemic that invades their lives and leaves many feeling like there’s no way out.”

The client has even started an Indiegogo campaign to raise money, all of which will go into buying online video so the spot can be seen by more people.

CREDITS
Client: Canadian Safe School Network
Agency: John St, Canada
Executive Creative Directors: Stephen Jurisic, Angus Tucker
Creative Director: Niall Kelly
Copywriters: Kohl Forsberg, Jacob Greer
Art Directors: Jenny Luong, Denver Eastman
Agency Producers: Madison Papple, Cas Binnington
Account Supervisor: Matty Bendavid
Digital Strategy: Adam Ferraro, Michael Nurse
Community Manager: Jacqueline Parker
Production Company: OPC
Director: Chris Woods
Director of Photography: James Gardner
Executive Producers: Harland Weiss, Donovan Boden, Liz Dussault
Line Producer: Dwight Phipps
Editorial: Saints Editorial
Editor: Mark Paiva
Editorial Executive Producer: Stephanie Hickman
Editorial Producer: Ardith Birchall
VFX, Online & Finishing: The Vanity
Colourist: Andrew Exworth
Flame Artist: Naveen Srivastava
VFX Executive Producer: Stephanie Pennington
Audio Post Facility: Eggplant Collective
Audio Director / Composer: Adam Damelin
Audio Head of Production: Nicola Treadgold



Kevin Bacon Does Ads for Eggs, Because What Goes Better With Eggs Than Bacon?

Kevin Bacon has traded off the whole “six degrees” things in ads for years. Now it’s time to put the Bacon to work.

And that he does in an amusing if obvious campaign from Grey New York promoting eggs on behalf of the American Egg Board. Because after all, nobody knows eggs better than bacon. Or Bacon.

The online video gets surprisingly suggestive, as Kevin puts up with some heavy flirting from a married woman who discovers him just lying on her counter one day. And the spot doesn’t tire of puns, even though Kevin claims not to enjoy them.

He does enjoy his eggs, however.

“With a last name like Bacon, I’m the obvious choice, and I’m excited to be a part of the new Incredible Edible Egg campaign,” Bacon says in a statement. “I like the creativity behind the idea, and I’ve always been a big fan of eggs. They’re a nutritional powerhouse and I never get tired of them because there are so many ways you can eat them.”

Per-capita egg consumption grew to 260 in 2014, an increase of more than a dozen over the last five years, according to the USDA. The celebrity ad campaign is designed to keep that momentum going.

“Kevin Bacon brings real star power to the world of eggs and we think consumers are going to love this clever new version of bacon and eggs,” says Kevin Burkum, the American Egg Board’s svp of marketing. “And there’s no better time to talk about eggs with consumption at its highest level in three decades and Easter right around the corner.”

See the print ad below.

CREDITS
Client: American Egg Board
Spot: “Side of Kevin”
Agency: Grey New York
Chief Creative Officer: Tor Myhren (Global) / Andreas Dahlqvist (New York)
Creative Directors: Ari Halper (Executive Creative Director), Steve Krauss (Executive Creative Director), Brad Mancuso, Susan LaScala Wood
Art Directors: Jay Hunt / Pete Gosselin, Matt DeCoste
Copywriters: Jay Hunt / Pete Gosselin
Agency Producer: Perry Kornblum
Production Company (location): Moxie Pictures (LA)
Director: Martin Granger
Director of Photography: Alar Kivilo
Editor (person & company): Alex Cohan / Vision Post
Music/Sound Design (person & company): Matt Baker / Vision Post
Principal Talent: Kevin Bacon, Geneva Carr, Jeff Wiens



Clever Outdoor Ads List Cost of Their Own Square Footage If They Were Homes in England

Several hard-hitting outdoor campaigns have protested soaring home prices in the U.K. lately, including these bleak billboards narrated by people who’ve been priced out of London. Now, AMV BBDO has unleashed a clever campaign on behalf of Homes for Britain, which advocates pressuring politicians to help build homes people can afford.

The centerpiece is an outdoor campaign in the Westminster subway station. The ads call attention to their own square footage and calculate how much that amount of space would cost if it were part of a home in London, Edinburgh, Bath, York or Oxford.

In addition to wall posters, there are more intriguing placements, including ads on escalator steps (the area of a single step would cost £6,111 in central London) and inside train cars (a single car would cost £618,375 in Westminster and £302,182 on average in London).

Check out more ads below. Via The Inspiration Room.



NatGeo's Killing Jesus Website Might Be the Greatest Story Ever Scrolled

Mullen has created a digital experience of Biblical proportions to support National Geographic Channel’s Killing Jesus, a three-hour docudrama premiering March 29, which is Palm Sunday. The show is based on the best-selling book of the same name.

An immensely detailed, immersive website tells the story from three different perspectives: Son of God (the view of Christ and his disciples); Son of Man (the view of the Jewish priests of the time); and Threat to Rome (taking in political/economic implications). Each perspective is represented by a different crown: thorns, religious headdress and Roman laurels. This technique provides users with a panoramic perspective of Jesus’s life, allowing them to explore events from every conceivable angle.

“We were looking to tell the story in a way that allowed people to see it from several different vantage points,” says Mullen associate creative director Allison Rude. “Our war room on this project resembled the wall from ‘A Beautiful Mind’ as we pieced together historical fact, religious scripture and custom illustrations.”

French artist Bastien Lecouffe Deharme created the impressive artwork, and his hand-drawn contributions grace the site’s eight self-contained chapters, which span Christ’s story from his birth in a Bethlehem stable through the crucifixion at Calvary. The amount of interactive information and analysis is pretty staggering. Users could lose hours (days?) investigating the various timelines (from three perspectives, no less).

That said, the navigation is intuitive, and all aspects of the presentation (based on my 30-minute spin through the site) seem compelling.

The technical specs are suitable impressive. The site’s scrollable panoramas contain more than 3,000 individual images, animated with 14,000 keyframes, along with 185 sound, music and voiceover tracks. All of this was made using 290,000 lines of code, which Mullen says is four times the size of its two previous NGC sites combined. Those sites supported the cable net’s Killing Lincoln and Killing Kennedy programs.

But wait, there’s more. Supplemental material includes a Killing Jesus microsite with articles, video clips, photo galleries, deleted scenes and cast Q&As, as well as an NGC blog campaign called “Killing with Kindness,” inspired, we’re told, by Christ’s teachings on love and charity, and promoted on social media with the #KillingWithKindness hashtag.

Like Mullen’s earlier NGC outings—and The Martin Agency’s similar digital work for the JFK Library—this initiative’s vast scale can seem overwhelming at times, especially for a story whose elements are so familiar. Still, the bold, multi-view style—respectful, yet rigorously researched and probing—is fairly innovative, and might give users fresh insight.

Given the weighty nature of the subject matter, Killing Jesus’s all-in approach seems appropriate and isn’t overkill at all.

CREDITS
Brand: National Geographic Channel
Client: Matt Zymet, Executive Director, Digital Media
Client: Ashley Kalena, Digital Media Producer
Agency: Mullen
Chief Creative Officer: Mark Wenneker
Executive Creative Director: Tim Vaccarino
Executive Creative Director: Dave Weist
Associate Creative Director: Allison Rude
Associate Creative Director: Brian Leech
Associate Creative Director: Scott Slagsvol
Copywriter: Eugene Torres
VP, Executive Producer: Tiffany Stevens
Senior Digital Producer: Alyssa Hartigan
Senior Digital Producer: Kim Ryan
Group Account Director: Rebekah Pagis
Account Director: Jessica Zdenek
Assistant Account Executive: Stephanie Costa
Director of Development Operations: Steve Laham
Senior QA Engineer: Ryan Nelsen
SVP, Creative Director/Technologist: Christian Madden
SVP, Director of Interactive: Mathey Ray
Associate Creative Director/Technologist: Joe Palasek
Senior Creative Technologist: Justin Bogan
Creative Technologist: Adam Riggs
Creative Technologist: Stefan Harris
Associate QA Engineer: Amber Archambeault
Senior Production Designer: Terri Navarra
Senior Content Manager: Caroline Roberts
Motion Designer: Jeremiah True
VP, Digital Production Manager: Steve Haroutunian
Senior Creative Technologist: Costa Boudouvas
Senior Experience Designer: Charlene McBride
Senior Experience Designer: Krista Siniscarco
Junior Production Designer: Candice Latham
SVP, Director of Broadcast Production: Zeke Bowman
Animator: Eric Ko
VP, Director of Art Production: Tracy Maidment
Senior Art Producer: Jessica Manning
VP, Senior Video Editor: Jessica Phearsome
Senior Copy Writer: Kelly McAuley
Assistant Editor: Libby Ryerson
Assistant Editor: Nick Brecken
Business Manager: Vanessa Fazio

Animation/Graphics
Artist: Bastien Lecouffe Deharme
Artist Representation: Shannon Associates

Music
Sound Design: Mike Secher

Audio Post
Sound Design/Mixer: Mike Secher



Huge Mole on Man's Face Becomes an Advertising Superstar in Brilliantly Insane Video

We’ve seen hilarious ad awards call for entries. We’ve seen slutty ad awards call for entries. Now, it’s time for a brilliant but batshit crazy ad awards call for entries.

Borghi/Lowe Brazil created the video below for Creative Club São Paulo, and it’s just wildly odd and wonderful. It tells the story of a mole on a man’s face, who eventually breaks free and enjoys his own celebrated career—in advertising.

It’s beautiful yet gross, disturbingly conceived yet gorgeously made. It deserves an award of its own.



Clothing Retailer's Shopping Bags Turn Inside Out to Become Recycling Mailers

Attention, Swedish shoppers: More Rag Bags are on the way!

For now, check out DDB Stockholm’s case study video for the sustainability campaign, which generated significant media coverage last year, along with a win at the Epica Awards and three nominations at Cannes.

The initiative, for Swedish fashion brand Uniforms for the Dedicated, features biodegradable shopping bags that can be used to ship unwanted garments to charitable organizations. One thousand bags were produced in a pilot program, and consumers could order them free of charge. The bags are twin-sided. When turned inside out, they become slick mailers, labeled with the addresses of individuals’ chosen charities, as well as proper postage.

“I don’t have the exact number of returns [in terms of clothing donations], but we have sold out of the bags,” DDB Stockholm CEO David Sandstrom tells AdFreak, though more will be in production for spring. “We also have a Rag Bag site, where you as a business can sign up for bags. We got interest for 600,000 bags from different companies.”

Unlike some preachy sustainability ventures, Rag Bag scores by embracing consumerism. It creates a realistic framework to nudge folks into making donations, and provides them with a rewarding experience. And a bag. (Until they mail it off with old shirts inside, that is.)

“Our hope is that this will stretch beyond what can be called a campaign,” says Sandstrom. “Wouldn’t it be great if this became a retail standard?”



'Visit Nice,' Says Nebraska in America's Most Humble Tourism Ads

Not every state has a Disney World, a National Mall or a Times Square. So, how do you attract visitors if you don’t have something astounding, amazing or awe-inspiring to show them? How about something … nice?

Nebraska has been doing that lately with perhaps the country’s most unassuming tourism ad campaign, featuring the tagline “Visit Nebraska. Visit Nice.”

“When you visit Nebraska, it’s less about the attractions, and the jam-packed vacation agenda of things to see and do. It’s more about the simple, spontaneous, nice moments you enjoy with the ones you love,” says Omaha ad agency Bailey Lauerman.

In other words, visiting Nebraska isn’t about getting amped up; it’s about slowing down. And the ads embody that. The TV spots feature slow-motion footage of people enjoying quiet landscapes, and the print ads have long copy—you have to slow down to read them.

The idea of “Visit Nice” seemed perhaps too humble to some Nebraskans when the campaign launched last year. But it seems to be growing on people. With gorgeous photography by Andy Anderson, the print ads in particular are eye-catching—they won Best of Show at the Nebraska Addys this year.

Check out more of the work below.

CREDITS
Client: Nebraska Tourism Commission
Executive Director: Kathy McKillip
Agency: Bailey Lauerman
Chief Creative Officer: Carter Weitz
Associate Creative Director: Ron Sack
Senior Copywriter: Nick Main
Account Executive: Rich Claussen
Brand Manager: Matt Emodi & Kelsey Dempsey
Designer: Andrea Trew
Agency Producer: Sally Mars
Media: Sandra Cranny and Sierra Frauen
Diane Kraijcek, Director of Research
Production Manager: Gayle Adams
Senior Art Director: Jim Buhrman Jr.
Photographer: Andy Anderson
Digital Retouch: Michael Perez and Joe McDermott