NORTH Signs New CD; Tech VP Leaves DigitasLBI

Portland’s NORTH has hired Eric Samsel as its newest Creative Director. Prior to joining North, Samsel was a copywriter at W+K Portland for more than eight years, working on clients as diverse as Jeep, EA Sports, Coca-Cola and Nike (for which the shop won a Webby).

Samsel started his ad career at Portland’s JohnsonSheen. In his new role, he will handle work on existing campaigns for car-rack brand Yakima, outdoor gear maker Stanley and Anchor Brewing. Managing Director Rebecca Armstrong writes:

“With more than 16 years of experience in outdoor lifestyle brands, Eric’s experience makes him a perfect match for one of our core practices… Plus he is an exceptionally talented writer and a really nice bloke.”

Samsel will report to CCO Mark Ray.

In other agency people news, we can confirm that DigitasLBI VP/Director of Tech Jeff Kean will soon leave the agency for a spot on the roster of Omnicom’s CriticalMass. No word on details regarding his new position.

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Free Climber Alex Honnold Ascends the GS&P Building for Stride Health

California-based production company Lucky Treehouse got the world’s best free climber, Alex Honnold, to climb the Goodby, Silverstein, & Partners building & The Palace of Fine Arts for Stride Health.

Alex picked out his first health plan with Stride Health and then headed to San Francisco for a day of urban free climbing. While a veteran rock climber, urban climbing is relatively new territory for Alex, and he expresses his enthusiasm for the change in scenery. Lucky Treehouse captured the day’s events in a documentary video, running approximately five minutes. They also created a 30-second teaser spot for Stride Health. That 30-second video and more information on Alex and his chosen health plan are hosted at a Stride campaign landing site, https://www.stridehealth.com/alex. You can view the teaser above, or stick around after the jump for the full version, along with credits. (more…)

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john st. Wants Canadians to ‘Get to Know Mitsubishi’

With the brand having passed the 10-year mark in Canada, john st. is re-introducing Mitsubishi with a new branding campaign, complete with a fresh tagline, “Built Better. Backed Better.”

Built around a series of 30-second ads, the new campaign implores Canadians to get to know Mitsubishi, since, as the ending line states, “With a ten year warranty, you’ll be spending a long time together.” The tagline and “get to know Mitsubishi” angle both highlight the extensive warranty, making for a cohesive strategy. The first in the series of television spots, “Get To Know Mitsubishi” goes through the brand’s logo, history, future, “the first mass-produced electric vehicle,” it’s designer, his mother, and the house he bought her, and the warranty, in rapid succession — perhaps too rapid. With each item introduced by “This is…” and the spot running through the list so quickly, it’s a bit too easy to miss information or tune the spot out altogether. The television campaign is supported by digital, print and radio ads.

“The idea for the campaign came right out of Mitsubishi’s industry best warranty,” explains Angus Tucker, executive creative producer/partner at john st. “It’s ten years, which means that when you buy a Mitsubishi, you’re going to be spending a lot of time with your vehicle, whether an Outlander, RVR, Lancer or Mirage. So you better get to know each other first.” Stick around for credits after the jump. (more…)

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W+K NY Introduces the ‘Young Gun’ for Southern Comfort

W+K New York introduce a new character for Southern Comfort in the new, 60-second spot entitled “Young Gun.”

Apparently, the real name of the “Young Gun” is Stephen, “an accomplished bartending journeyman,” with a self-described “not neat” style. “If you can’t be comfortable with yourself, how can you expect to make anyone else comfortable?” is his very brand-appropriate motto for aspiring bartenders. None of this is evident in the spot, however, which keeps things simple.

“Young Gun” shows its titular character emerging from the back room to man the soda guns. He does so with extreme speed, albeit not great neatness, even managing to throw in some dance moves to the song “Love Me” by The Phantom while servicing a large group of drinkers. The approach is simple and straightforward, but it’s pulled off well and the results are entertaining. “We’ve cultivated a true appreciation for the brand by encouraging consumers to be exactly as they are, rather than pushing them to be something they are not,” Gwen Risdale, marketing manager for Southern Comfort UK, told Marketing Week. Stick around for credits after the jump. (more…)

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Grey Asks ‘Why Are Women Always Apologizing?’ for Pantene

Last year, Pantene made waves with their “Labels” ad from BBDO Guerrero in Manila, which explored how men and women are labeled differently for the same behavior. “Labels” gained over 46 million views and plenty of attention outside its home country of the Philippines. Now, Grey has issued a new campaign that acts as something of spiritual successor for the brand, which continues to explore gender norms. This time, Grey asks, “Why are women always apologizing?” which appears onscreen during the spots’ opening moments to prepare viewers for what’s to come.

Viewers are presented with women apologizing in a variety of scenarios, starting with a woman at work diminishing her own argument by asking, “Sorry, can I ask a stupid question?” Another woman apologizes when a man sits down next to her and encroaches on her space; a mother apologizes for handing off her baby to the father when he returns home from work; a woman says “Sorry, you go first” when a man interrupts her. Following these scenarios a new message appears on screen: “Don’t be sorry. Be strong and shine.” The ad then doubles back on the women from the initial scenarios, who are now presented as assertive and unapologetic. Unfortunately, the message is compromised when several of the women say “Sorry not sorry,” which is still sort of an apology. Maybe Grey just wanted to jump on the bandwagon of the popular hashtag (and Naya Rivera song) or prove that Pantene is hip to Internet culture, but it seriously undermines the impact of “Not Sorry.”

As Adweek reports, Pantene is supporting the campaign with the Shine Strong Fund, “which seeks to educate and enable women to overcome bias and societal expectations as well as celebrate strong women.” The Shine Strong Fund will collaborate with the American Association of University Women, to underwrite monetary grants and help women in college gain access to influential leaders. It’s a nice initiative, and a good way for Pantene to really get behind their recent campaigns. Stick around for credits after the jump. (more…)

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Cuts at StrawberryFrog New York

Today we can confirm that StrawberryFrog has reduced the size of its New York office.

Details remain unfortunately sparse at this time. A statement from parent company APCO Worldwide reads:
“We are always looking for ways to create greater efficiencies and streamline the business at StrawberryFrog in order to deliver the best value to our clients.  After a recent review of the business, we decided to reduce some layers in management.  As a result, some staff will be leaving StrawberryFrog’s New York office.”
No confirmation on the number of staffers who will be leaving, though our tipster says the move affects “many.”

Some of the agency’s most visible work in 2014 to date has been the Jim Beam “Make History” campaign, starring Mila Kunis and created with the other shops in the FutureWorks collective: Sydney’s The Works and Hamburg, Germany’s Jung von Matt.

Updates as we receive them.

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ROKKAN Rebrands with New Site and Updated Reel

Just two months after launching a new media planning and buying offering with the help of several agency hires, ROKKAN has officially rebranded its entire identity. The self-promotional rollout centers on an all-new, responsive, user-friendly homepage featuring–among other things–a cultural rundown and a fresh selfie lineup.
Here’s the new reel for a quick update on the agency’s latest work:

…and a quote on creative strategy after the jump.

continued…

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W+K Portland Takes Terry Crews, Old Spice to the Next Level of Craziness

W+K Portland and Terry Crews are back, dialing up the mishigas in a new spot for Old Spice entitled “Drill to Brazil.”

In what may be the craziest Old Spice spot yet, Crews attempts to drill to Brazil by spiraling himself into the ground, because Terry Crews is magic. After a few failed attempts see him end up in Egypt, an office, and a snowcone, Crews finally gets to Brazil, where he meets what appears to be Brazilian Crews. In Brazil, Crews shares (screams) the message, “Old Spice thinks you’re amazing and is now available in Brazil!” before heading off to an unexpected location. If you’ve seen any of the previous Crews spots you already know the drill, just expect even more random craziness than usual from this one.

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IMRE Gets Musical for Gravie

Baltimore-based agency IMRE has a new campaign for healthcare company Gravie that tells the brand’s story through music and humor.

The 2-minute online video (featured above),”Gravie Makes Everything Better” is crafted around a song celebrating the multiple uses of gravy before tying it to Gravie, the healthcare company, which helps save consumers from the hassles and headaches of finding a healthcare plan by through their selection process. The animated spot takes a lighthearted approach that is a welcome departure in the category, and the song is cute and almost catchy — certainly less annoying than what you’d expect for a song about a healthcare company — even if it wears out its welcome by the 2-minute mark. Stick around for credits after the jump. continued…

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RKCR Celebrates ‘Can and Will’ Spirit for Land Rover UK

RKCR has launched a new campaign entitled “Can and Will,” which celebrates the “go anywhere” attitude of the Land Rover brand.

The campaign is centered around a 60-second television spot featuring individuals who embody the “Can and Will” spirit, including Mike Goody, who lost a leg in Afghanistan and aims to represent the UK in the Invictus Games this September (which Land Rover will be sponsoring), and 68-year-old competitive surfer Gwyn Haslock. “Don’t tell me I can’t,” these individuals state, “because I can and I will.” The spot recently began broadcasting on terrestrial, cable and satellite channels, in addition to ITV advert breaks during World Cup games. The stories behind the individuals in “Can and Will” can be found on the campaign website, www.canandwill.co.uk. Additionally, a “series of mini-documentary films have been commissioned in partnership with Channel 4, with Paralympic hero Ellie Simmons and actor Richard E. Grant talking about their ‘Can and Will’ stories,” which will be broadcast during breaks in Channel 4 programs and through C4’s digital platforms. The campaign will run throughout the summer.

“Our new ‘Can and Will’ brand campaign is a celebration of the spirit of determination,” said Jaguar Land Rover UK Marketing Director Laura Schwab. “It’s about embarking on new challenges, but also never quitting when the going gets tough. It’s an attitude which has seen Land Rover vehicles conquer some of the world’s most inhospitable locations.” We’ve got credits after the jump. continued…

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Experience Design Firm Usable Adds CP+B Vet

Brooklyn/Boulder-based experience design firm Usable has added an agency veteran to its leadership team.

Due to a recent growth trend, the firm hired Joe Salvati, who previously spent two years as ED of digital marketing at Starz Entertainment.

Prior to the Starz gig, Salvati was director of digital strategy/MD at Boulder’s Sterling-Rice Group; that agency stole him from CP+B, where he was an account director. He also served as SVP and partner at The Wonderfactory.

Salvati is hardly the first ad vet to join the firm. Usable partner Cyrus Clemensen worked alongside him at CP+B as Creative Technology Director leading Old Navy, Amex Travel and Coke Zero. Two of Usable’s Brooklyn-based partners also worked at R/GA “on and off…for the past 15 years.”

A list of 2013/14 clients includes TedMed, Canon, PopDust, Google, Ruth Chris and the University of Pittsburgh Medical Center.

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Geometry Global’s ‘Pet Condoms’ Stunt Gets Some Love at Cannes

Back in December Geometry Global raised some eyebrows with their “Animal Instincts Pet Condoms” campaign.

The agency put up what appeared to be a free pet condom dispenser in a San Francisco park. When passers-by used the dispenser they received “condom shaped brochures explaining the importance of spaying and neutering pets.” People were directed to the Pet Condoms website, which appears to promote condom use for pets, but really just encourages spaying and neutering. The man’s face in the video above, when he receives what he believes to be a pet condom, pretty much says it all.

The campaign, which debuted back in December, generated “Over 30,000 + site visits, social chatter in over 166 countries” and became the number one trending topic on Reddit within 36 hours. All this buzz got Cannes’ attention, and the campaign was short listed at Cannes for a Promo & Activation Lion in two categories: Use of Guerrilla Marketing in a Promotional Campaign (Small Scale), Use of Promotional Stunts and Live Advertising.

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C-Level Changes at Rosetta

Today we can confirm three C-level departures at Publicis shop Rosetta.

COO Mark Taylor will soon leave his position, while CFO Rich DeMilt and partner Kristy Croft, who ran the POEM (search and media) practice, are no longer with the agency.

Taylor’s last day will come later this month. DeMilt, who joined Rosetta in 2008 after serving as worldwide controller at Ogilvy & Mather, left several weeks ago; the agency appointed Ariel Marciano to replace him as Global Chief Financial Officer in early May.

These moves follow a series of layoffs in April that affected “less than 5%” of the agency’s North American staff; over the past nine months Rosetta has also seen the arrival of new CCO Lars Bastholm and the departure of ECD Dave McClain.

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The Richards Group Rolls Out ‘Fact or Fake’ Series for Orkin

The Richards Group has unveiled a new “Fact or Fake” series of online videos for Orkin Pest Control, the latest in their “Bug Wisdom” campaign.

“Fact or Fake” is a series (so far two) of videos that attempt to prove or disprove commonly held views on bugs, MythBusters style. In the video, above for example, the crew attempts to answer the question, “Are Daddy Longlegs Poisonous?” Much like MythBusters, The Richards Group tries to mix scientific inquiry with goofy humor. If the results aren’t exactly funny, they are at least still entertaining — especially when you consider the typical approach for advertising pest control. Another spot in the series tackles the question of whether termites eat faster when rock music is played.

The Richards Group also recently released a series of “Top 6” listicle videos, counting down the best bugs to eat and the most venomous insects. With both coming on the heels of the initial “Bug Wisdom” series, it’s clear The Richards Group has been quite busy for Orkin. Stick around for “Does Rock ‘n’ Roll Make Termites Eat Faster?” and credits after the jump. continued…

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Ogilvy MD Matt Dowshen Joins Partners + Napier

Agency veteran and Ogilvy & Mather Managing Director Matt Dowshen “was recently wooed away from big agency life” by Partners + Napier, an independent shop that sold to Project: WorldWide in 2011 and hired him as MD to manage its growing New York office.

Dowshen joined Ogilvy in 2009 after leaving Deutsch NY, where he managed IKEA and Novartis. Before joining that shop, he held positions at JWT overseas in Bangkok and Sao Paulo.

The move will reunite Dowshen with Jason Marks, who worked with him at Ogilvy, handling clients like Kraft and Philips Norelco, for more than two years before leaving to join P+N in early 2013.

The agency’s New York office opened in 2012 and handles clients like Lufthansa Airlines; Dowshen calls the opportunity to work with longtime colleagues at an independent agency “something I’m thrilled to dive into.”

CEO Sharon Napier, who worked with Dowshen at Deutsch, writes:
“I’ve known Matt for a long time…I knew he would be the right entrepreneurial leader to help us achieve our vision for New York.

I know our clients will find immense value in his leadership.”

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Grey Unveils ‘Will It Or Won’t It’ for Nexcare

Grey has a new digital campaign for 3M Company brand Nexcare introducing unexpected product tester Nexcare Nana.

“Will It Or Won’t It” is a series of three 30-second videos that follow the fearless Nexcare Nana as she conducts extreme product tests displaying Nexcare’s ability to stay on and keep out dirt, water, and germs. In “Nana vs. Dirt,” the highlight of the series (featured above), a dump truck dumps a pile of dirt on Nana, who emerges to reveal that her Nexcare bandage is not only still on but also free of dirt. In the other spots, Nexcare Nana takes on a water hose and a dumpster. Each ends with a “No grandmas were hurt in the making of this video” disclaimer. The campaign also includes a “Tough as Nana” consumer engagement program celebrating the Nexcare Nana persona and allowing consumers to “nominate the special people in their lives that are as daring, tough and resilient as Nexcare Nana” for a chance to win “one of three trips inspired by Nexcare Nana’s pursuit of adventure including swimming with sharks, skydiving or a racecar driving experience.” Stick around for “Nana vs. Water” and credits following the jump. continued…

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CCO Litzinger Leaves Cossette for Red Lion

Matthew Litzinger, the now-former co-CCO at Quebec City’s Cossette, has joined Toronto-based Red Lion as President/Chief Creative Officer effective July 2.

The young agency’s first CCO Brett Channer recently left to join a retail consultancy, and Litzinger will replace him.

Litzinger spent nearly seven years with Cossette after joining in 2007 and ascended to the co-CCO role along with colleague David Daga in 2012; his accolades include winning the McDonald’s account in the United States, which led to the opening of Cossette’s Chicago office.

The new CCO bears no ill will toward his former shop, announcing in the press release that the move is “all about Red Lion”:
“Red Lion represents what I believe a lot of agencies are struggling through right now: how to be truly a solutions company. The agency already benefits from the talent of key strategists, industrial designers and a creative team whose primary focus is on developing a pattern of branded behavior.”

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W2O Group Revitalizes LAP-BAND with ‘It Fits’

W2O Group has a new campaign for Apollo Endosurgery, Inc., “the leader in minimally invasive endoscopic surgical products for bariatric and gastrointestinal procedures,” aimed at “rejuvenating the LAP-BAND® System” — which was acquired in late 2013 by Apollo Endosurgery, Inc. of Austin, Texas, from Allergan, Inc. — “and educating a broad range of patients about the benefits of the minimally-invasive weight loss procedure.”

Entitled “It Fits,” the multi-channel campaign features television spots, digital, print, a new logo, revitalized website, and the launch of @LAPBAND. The 60-second television spot, entitled “Moments,” features a series of individuals enjoying their newly found weight loss in various situations: receiving a hug from a daughter, putting on a plane seatbelt, slipping on a ring. “Discover how thousands of people are fitting into old, and new, things,” intones the voiceover — so long as you aren’t worried about the (rare) possibility of “re-operation, band-slippage, stomach injury, removal and fatalities” and aren’t scared of a little “vomiting and heartburn.” “Moments” is pretty much exactly what you’d expect for an ad in this category, complete with obligatory sentimental piano music.

“With the increasing prevalence of obesity in the United States, the Apollo Endosurgery team decided that it was time to refresh the brand and inspire people who have tirelessly tried everything else to lose weight, with little to no success, to finally conquer their weight issue with the LAP-BAND® System,” said Dennis McWilliams, president and chief commercial officer of Apollo Endosurgery. “The LAP-BAND® System’s benefits speak for itself, so now is the time to raise awareness and let people know this could potentially be their weight loss solution.” Stick around for credits after the jump. continued…

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Engine USA Merges Newly Acquired Intelligence Group with Noise

The U.S. operations of U.K.-based communications company Engine has acquired The Intelligence Group, a consumer insights/consulting firm focused on young consumers that was previously owned by Creative Artists Agency. With the purchase from CAA complete, Engine USA is moving quickly as it’s now merged IG with another one of its units, creative agency Noise, a 10-year-old operation that has worked with clients ranging from Unilever and Chase to Vitaminwater and Vice. As a result of the alignment, the new Noise will house over 100 employees in L.A., S.F. and NYC and will focus on connecting brands with Millennials via everything from digital marketing and product development to research and strategy.

Regarding his company’s move, Engine USA president John Bernbach says in a statement, “It seems clear the marketplace is ripe for a comprehensive agency offering that combines research-driven insights and strategy with stellar creative execution and deep digital acumen to help brands engage with Millennial consumers more effectively. We believe the new Noise is just that.”

As far as leadership is concerned with the new, combined entity, which will continue on as Noise, IG president Joe Kessler has been named president/CEO, Noise co-founder/former CEO Noah Kerner becomes non-executive chairman/advisor and Jamie Gutfreund, previously chief strategy officer at IG, assumes the new role of chief marketing officer.  Meanwhile, all other Noise and IG executives will remain in their current positions.  You can find our more about the new Noise here.

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180 Amsterdam Champions Eco-Activism for REPLAY

180 Amsterdam has a bold new campaign unveiling REPLAY’s eco-friendly Laserblast L.I.F.E. collection, which celebrates real-life activists as models.

REPLAY’s Laserblast L.I.F.E.  capsule collection utilizes “innovative and eco-friendly Laserblast technology, which dramatically reduces water consumption, and the use of coloured mineral pigments of natural origin,” resulting in “one of the most eco-friendly, natural denim ranges.” The brand called on 180 Amsterdam to make eco-friendly jeans seem youthful and rebellious, casting “models with a world-leading ethical stance – the real-life activists transforming the way we live today.” It marks 180 Amsterdam’s first campaign for the brand.

180 Amsterdam’s two minute digital spot for the campaign (featured above), shows environmental activists (clad in jeans, of course) clashing with heavily-armed security forces. Opening with shots of protesters in the woods, with audio clips of climate change deniers in the background, the group are soon met by the security forces they clash with. The provocative spot includes violence against protesters, and even some unexpected partial nudity before ending on a positive note with a surprise twist. 180 Amsterdam certainly didn’t hold back on this one, although some may make the argument that they’re trying a little too hard to seem edgy.

“We have very ambitious targets for the business. We are thrilled to partner with 180 Amsterdam to bring our vision to life and expectations on Laserblast L.I.F.E. project. Their team, their enthusiasm and their talent make us excited about the result of this journey,” said Art Zuyderwijk, MD REPLAY Benelux.

Stay tuned for credits after the jump. continued…

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