Underwear Models Tightrope the Alps to Debut Fall Catalog

Soiling their skivvies is not an option for slackliners Antoine Moineville and Tancrède Melet as they perform mind-bogglingly dangerous stunts 2,500 meters above the ground in the French Alps for a video promoting Paul Smith underwear's autumn/winter collection. (For all you Americans, 2,500 meters works out in feet to, roughly … lemme see … carry the one, OK … super freaking high.) Clad in Paul Smith fashions throughout, Moineville and Melet wind up in nothing but boxers as they bounce around spiky, snow-capped cliffs, tightrope-walk above lofty gorges and do handstands on mountaintops.

The three-minute clip was created to "celebrate the vibrancy" of the brand, and it ranks as a finely crafted, compelling piece of content that in some ways transcends its marketing mission. Since this is, ultimately, a commercial posted online, there's really no tension in the central concept. We know the daredevils won't take any tragic headers into the valley below; everything will turn out just fine. And yet, the clip is so well done, it still manages to evoke an edge-of-your-seat aura. (I got so caught up in the action, I forgot they wouldn't die. And I mean that as a sincere compliment.)

Of course, the performers deserve most of the credit, but props also to producer/director Sébastien Montaz-Rosset for his crisp, documentary-style photography. This is achieved, in part, by using a very cool James Bond-ian drone camera copter, which we see hovering around Moineville and Melet in "Behind the Scenes" footage that's just as riveting as the main video.

It's worth contrasting Paul Smith's approach with another recent high-altitude brand-content "thriller" that I found far less effective. This summer, the first installment of Range Rover's "The Driven Challenges" series starred stunt racer Paul Dallenbach setting a speed record on Pikes Peak. Though well made, that effort fell flat by overloading on Hollywood-style editing, narration and music cues to build suspense. In the Paul Smith video, the cinematography is awesome but simple, allowing the action to unfold naturally with few distractions. The music by British duo Snakehips isn't ever intrusive. Sometimes we just hear the wind. And overt branding is kept to an absolute minimum.

Moreover, watching this clip makes me realize that I have never been truly alive … not for one single second of my sedentary, risk-averse earthbound existence.

I salute you, nearly naked Alpine acrobats! Writing the post in my tighty whities, sitting cross-legged on my comfy couch, I salute you!


    

Advertising Awards Show Lets Angry Losers Physically Abuse the Winning Work

Envy is perhaps the strongest emotion in the ad business, no more so than at awards shows. Now, one advertising awards show has gone to ludicrous lengths to help its bitter non-winners get a modicum of revenge against the winners.

After its most recent show was over, the Kiev International Advertising Festival built special rooms designed to let the losers physically abuse the winning work through a Web interface. One room featured a TV on the floor and a bunch of live chickens walking around—you could pick the winning spot you hated the most and have it play on the sceen, and watch the chickens crap on it. (Fake chickens with more regular defecations were installed for maximum messiness.) Another room allowed you to pick winning print ads and see them shredded before your eyes.

Childish? Certainly. Satisfying? Possibly. See more of the rooms in the video below.

CREDITS
Client: Kiev International Advertising Festival

Agency: Banda Agency
Creative Director: Pavel Klubnikin
Art Directors: Egor Petrov, Maksim Nazarov
Copywriters: Yaroslav Serdiuk, Anna Kascheeva
Digital Director: Oleg Pashkovsky
Account Director: Anna Olkhovets

Digital Production: ISD
Production: 23/32

Executive Producer: Sasha Chernyavsky
Producer: Taya Holy
Director: Eugeniy Gozheyshiy
Director of Photography: Dmitry Nedrya

Postproduction: Cinnamon VFX
Superviser: Alex Prihodko
Visual Effects Designer: Denis Reva
Editor: Alexander Chorny
Colorist: Artem Stretovych


    

Lunatics at Dogfish Head Make a Beer That Has Moon Dust in It

Dogfish Head observed the fall equinox with a beer that is out of this world. Literally. The small-batch beer, called Celest-jewel-ale, has crushed lunar meteorites steeped into it, making it the space nerd's version of Goldschlager, or maybe Homer Simpson's Skittlebrau. Great idea, not sure about the name. Why shame themselves and their families with questionable wordplay/puns (like I did in my opening sentence) when they could have just called it Space Beer? That's what everyone I know is calling it anyway.


    

Author Responds Awesomely When Facebook Likens Her Page to Porn Star’s

What do you do when Facebook starts comparing you to a porn star? Well, if you're irreverent marketing consultant and author Erika Napoletano, you run with it.

Napoletano recently realized (after receiving what she describes as "a metric fuckton" of emails from friends) that fans of her Facebook page, Redhead Writing, were being targeted by an ad campaign from (see update below) recommended to also follow fellow redhead Camille Crimson, an adult video star and entrepreneur. As a writer and public speaker known for her uncensored attitude, Napoletano thought it would be fun to turn the tables, so she had a friend snap some semi-nude photos and temporarily rebranded her Facebook page to match Crimson's (see the comparison below). "Camille’s a pretty hot sandwich," Napoletano writes, "and I’m flattered that Facebook thinks we're similar."

Most marketing professionals, of course, would never have the guts to pull off something like this. Then again, most porn stars probably wouldn't have the marketing savvy to run social targeting campaigns. So while it's definitely an odd pairing, in this case they'll both likely benefit from all the buzz.

UPDATE: Camille Crimson clarifies that she has not run any Facebook ad campaigns, and Napoletano agrees that this whole situation was likely just Facebook making an organic recommendation. "I didn't target her fans," Crimson writes on AdFreak's Facebook page. "I haven't bought any Facebook ads. She and I had a polite discussion about it and laughed it off." We've updated the headline on this post to reflect that Crimson herself was not targeting Napoletano's page.


    

Submarine Surfaces in Middle of an Italian Street in Crazy Ad Stunt

Two very different kinds of out-of-home advertising stunts have been gaining traction lately—first, the sudden appearance of a spectacular, oversized prop designed to delight passersby; and second, an intricately choreographed sequence of fake pandemonium designed to terrify them. Examples of the former: UKTV's giant Mr. Darcy emerging from the British pond, and the giant Games of Thrones dragon skull washed up on the British beach. (The British love this stuff.) Examples of the latter: TNT's dramatic stunt on a quiet town square, as well as its sequel.

Now, M&C Saatchi has combined the two approaches with a larger-than-life stunt in Milan, Italy. As part of a campaign for an insurance company, the agency built a giant prop of a submarine and made it look like it was emerging from the ground. A Smart car nearby appeared to have been damaged by the sub—a potent reminder that it's good to have insurance in case all-but-impossible events occur. Many agencies would have stopped here. But M&C Saatchi then staged an elaborate early-morning event at the scene—having actors dressed as sailors and scuba divers emerge from the submarine in a daze, and the driver of the car exit his car angry and confused. Fake hospital workers and emergency personnel even descended on the scene to treat the wounded.

Check out footage from the event below. Your move, TNT.

Via Design Boom.


    

Artists Create NeverWet Graffiti That Can Only Be Seen in the Rain

People are already using NeverWet (aka the silicon-based, water-repellent spray that's been getting all the buzz lately) to waterproof just about anything that can't squirm away. But here's an interesting take from two members of Home Depot's "How-To Community." Nathan Sharratt and Dana0814 made some stencils for NeverWet sidewalk graffiti, which can be seen only in rainy weather. It's just a matter of time (and probably not much time) before advertisers will be all over this idea—and in fact, similar things have been tried in the past. But it might not go over well in every city


    

Sinead O’Connor Writes Miley Cyrus the Best Tough-Love Letter of All Time

Sinead O'Connor is a woman who knows controversy, and in one of the best-written open letters in recent memory, she wants Miley Cyrus to know that twerking your way into the headlines isn't a form of protest; it's just a way to "let the music business make a prostitute of you." O'Connor's letter was a reaction to Cyrus citing 1990's "Nothing Compares 2 U" as an inspiration for her "Wrecking Ball" video, along with Cyrus saying her hairstyle was an homage to O'Connor. Instead of being flattered, O'Connor fired back with a blistering (but clearly well-intentioned) missive on how Cyrus is being fooled and exploited by the music industry:

The music business doesn’t give a shit about you, or any of us. They will prostitute you for all you are worth, and cleverly make you think its what YOU wanted.. and when you end up in rehab as a result of being prostituted, ‘they’ will be sunning themselves on their yachts in Antigua, which they bought by selling your body and you will find yourself very alone.

UPDATE: Cyrus has responded on Twitter, mocking O'Connor for not exactly being a role model herself and pointing out the fact she's hosting SNL this week:

Also, Amanda Palmer has written a rebuttal to O'Connor, saying that Cyrus isn't a record label puppet. "She's writing the plot and signing the checks."

If you haven't read O'Connor's letter in its entirety, be sure to check it out below:

Dear Miley,

I wasn’t going to write this letter, but today i’ve been dodging phone calls from various newspapers who wished me to remark upon your having said in Rolling Stone your Wrecking Ball video was designed to be similar to the one for Nothing Compares… So this is what I need to say… And it is said in the spirit of motherliness and with love.

I am extremely concerned for you that those around you have led you to believe, or encouraged you in your own belief, that it is in any way ‘cool’ to be naked and licking sledgehammers in your videos. It is in fact the case that you will obscure your talent by allowing yourself to be pimped, whether its the music business or yourself doing the pimping.

Nothing but harm will come in the long run, from allowing yourself to be exploited, and it is absolutely NOT in ANY way an empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you) more for your sexual appeal than your obvious talent.

I am happy to hear I am somewhat of a role model for you and I hope that because of that you will pay close attention to what I am telling you.

The music business doesn’t give a shit about you, or any of us. They will prostitute you for all you are worth, and cleverly make you think its what YOU wanted.. and when you end up in rehab as a result of being prostituted, ‘they’ will be sunning themselves on their yachts in Antigua, which they bought by selling your body and you will find yourself very alone.

None of the men oggling you give a shit about you either, do not be fooled. Many’s the woman mistook lust for love. If they want you sexually that doesn’t mean they give a fuck about you. All the more true when you unwittingly give the impression you don’t give much of a fuck about yourself. And when you employ people who give the impression they don’t give much of a fuck about you either. No one who cares about you could support your being pimped.. and that includes you yourself.

Yes, I’m suggesting you don’t care for yourself. That has to change. You ought be protected as a precious young lady by anyone in your employ and anyone around you, including you. This is a dangerous world. We don’t encourage our daughters to walk around naked in it because it makes them pray [sic] for animals and less than animals (a distressing majority of whom work in the music industry and the associated media).

You are worth more than your body or your sexual appeal. The world of showbiz doesn’t see things that way, they like things to be seen the other way, whether they are magazines who want you on their cover, or whatever.. Don’t be under any illusions.. ALL of them want you because they’re making money off your youth and your beauty.. which they could not do except for the fact your youth makes you blind to the evils of show business. If you have an innocent heart you can’t recognise those who do not.

I repeat, you have enough talent that you don’t need to let the music business make a prostitute of you. You shouldn’t let them make a fool of you either. Don’t think for a moment that any of them give a flying fuck about you. They’re there for the money.. we’re there for the music. It has always been that way and it will always be that way. The sooner a young lady gets to know that, the sooner she can be REALLY in control.

You also said in Rolling Stone that your look is based on mine. The look I chose, I chose on purpose at a time when my record company were encouraging me to do what you have done. I felt I would rather be judged on my talent and not my looks. I am happy that I made that choice, not least because I do not find myself on the proverbial rag heap now that I am almost 47 yrs of age.. which unfortunately many female artists who have based their image around their sexuality, end up on when they reach middle age.

Real empowerment of yourself as a woman would be to in future refuse to exploit your body or your sexuality in order for men to make money from you. I needn’t even ask the question.. I’ve been in the business long enough to know that men are making more money than you are from you getting naked. Its really not at all cool. And its sending dangerous signals to other young women. Please in future say no when you are asked to prostitute yourself. Your body is for you and your boyfriend. It isn’t for every spunk-spewing dirtbag on the net, or every greedy record company executive to buy his mistresses diamonds with.

As for the shedding of the Hannah Montana image.. whoever is telling you getting naked is the way to do that does absolutely NOT respect your talent, or you as a young lady. Your records are good enough for you not to need any shedding of Hannah Montana. She’s waaaaaaay gone by now.. Not because you got naked but because you make great records.

Whether we like it or not, us females in the industry are role models and as such we have to be extremely careful what messages we send to other women. The message you keep sending is that its somehow cool to be prostituted.. its so not cool Miley.. its dangerous. Women are to be valued for so much more than their sexuality. we aren’t merely objects of desire. I would be encouraging you to send healthier messages to your peers.. that they and you are worth more than what is currently going on in your career. Kindly fire any motherfucker who hasn’t expressed alarm, because they don’t care about you.

Via OurStage.


    

How to Make Your Sadistic Advertising Boss Utterly Pathetic and Powerless

This business is full of wankers who rarely get their comeuppance. If one of them is your boss, you have very few options. You can quit via late-night viral dance video. Or, in Canada at least, you can turn him or her into an intern.

This month, for the third straight year, the country's National Advertising Benevolent Society (NABS) is holding its Vintage Intern Auction, an initiative from Toronto creative agency Zulu Alpha Kilo that lets bidders get "revenge" on any of 12 notable executives and thought leaders from the business—by making him or her an unpaid intern for a day. Bidding starts at $2,000 for each victim, and all proceeds go to help the 1,300 families supported by NABS, which provides assistance to people in the communications and related industries who are suffering illness, injury, unemployment or financial difficulties.

Zulu Alpha Kilo again created the ads for this year's event, and they comically focus on the revenge angle. "The campaign taps into the insight that you don't get to the top without ruffling a few feathers along the way. We were fortunate that all of this year's interns were great sports and could laugh at themselves a little," says Zak Mroueh, chief creative officer and CEO at Zulu Alpha Kilo.

Check out the work below, and scroll down to see which 12 Canadian ad leaders are for sale through the online auction. (Bidding ends Oct. 31.)

2013 advertising leaders up for auction:
Claude Carrier – President, DentsuBos
Mary Maddever – Vice President, Editorial Director, Brunico Publishing
Brent Choi – Chief Creative and Integration Officer, JWT
Lance Martin – Partner, Executive Creative Director, Union Creative
David Crichton – Partner, Creative Director, Grip Limited
Ian MacKellar – Chief Creative Officer, Ogilvy
Simon Jennings – President, Gesca 
Angus Tucker – Partner, Co-Creative Director, John Street
Mitch Joel – Author, President, Twist Image
Kenneth Wong – Distinguished Professor of Marketing, Queen's School of Business
Amber Mac – President, Co-founder, Konnekt; Co-host, App Central
Christina Yu – Executive Vice President, Creative Director, Red Urban

CREDITS
Client: NABS
Project: Vintage Intern Auction
Agency: Zulu Alpha Kilo
Chief Creative Officer: Zak Mroueh
Executive Creative Director: Ron Smrczek
Art Director: Grant Cleland
Writers: George Ault, Nick Asik, Japeth Kwan
Producers: Bette Minnot, Kari Macknight Dearborn, Ola Stodulska
Account: Nevena Djordjevic
Digital Strategy: Emma Brooks
Digital Producer: Ola Stodulska
Web Developer: Richard Thirumaran
Production Artists: Jamie Morren, Brandon Dyson
IT Director: Gary Stothers
Production Company: Partners Film
Executive Producer: Gigi Realini
Director: Neil Tardio
Producer: Sandy Kelly
Photography: Matt Barnes, Westside Studio
Producer: Tara O'Malley
Casting Director: Andrew Hayes, Powerhouse Casting
Editor: Daniel Reis, Panic & Bob
Producer: Taissa Callaghan
Audio Director: Chris Tait, Pirate
Web Development: Thinkingbox
Software Development: Michael Vay Lee, Tim Wienrich
Production: Chris Raedcher


    

Man Who Supposedly Lived in the Astor Place Cube Is Just an Ad for Something

Surprise. That video about a guy living inside the giant metal cube at Astor Place was a marketing stunt all along. And by surprise, we mean, of course, duh. No New Yorker could live in that thing—it's way too big.

Still, a couple of bloggers got suckered into writing about the documentary-style spot as though it might be true. Maybe if they'd been real journalists they would have viewed it with more skepticism. Just kidding. Real journalists are super gullible, too.

Other, rational people, meanwhile, instantly recognized the clip—which features a writer supposedly crammed into a DIY hipster's version of a collapsible Ikea home—as an ad. For what? Nothing you've ever heard of: Whil, which is a free, anti-technology meditation technique created by the founders of Lululemon Athletica. Now you've heard of it, so we guess the spot, created by the viral ad pranksters at Thinkmodo, worked.

The video itself is kind of charming. The 60-second meditation technique, meant to be quick and easy for anyone to practice, also sounds nice. But really … who has the time for that?


    

Kevin Smith Horror Film Inspired by Fake Ad Grieving for Pet Walrus

Clerks auteur Kevin Smith is planning a project that moviegoers can really sink their teeth into. The proposed film is called Tusk, and it's based on an elaborate (and thankfully bogus) roommate-wanted ad placed in June by prankster Chris Parkinson from Brighton, England. Parkinson wrote that he was pining away for his deceased walrus pal, Gregory, offering free rent to anyone willing to wear a walrus costume and make walrus noises for a couple of hours each day. (What, no complimentary bucket of chum for breakfast?)

Smith explains his creative vision in a Hollywood Reporter blog post: "I began reconstructing the whole thing as an old British Hammer horror film, in which a mad scientist intends to sew some hapless lodger into counterfeit blubber, creating a chimera in an effort to answer the ultimate riddle, 'Is man, indeed, a walrus at heart?'" It's a question we've all pondered at one time or another, that's for sure.

With ads forming the nexus of art and commerce, and many modern movies packed with product placements anyway, it's high time an ad served as the basis for a motion picture. That Parkinson's ad was both real and fake—placed as paid media, but still a work of "fiction"—makes the whole Tusk concept even more deliciously post-modern and ironic. And even if the movie never gets made, the story's generating plenty of publicity for Smith and everyone associated with the project.

Which bring us to Justin Long, who the director wants as the guy in the walrus suit. Such casting strengthens Tusk's adland ties, as Long famously portrayed the Mac in Apple's benchmark "Get a Mac" campaign.

Judging by Long's response to Smith's proposal, the actor's pretty stoked: "I don't know what to say … I'm nauseated, I'm terrified, I'm thoroughly confused in the most entertained way. I'm in. I'm definitely in. I didn't think Ed Gein and Boxing Helena would ever fuck and have a more deranged baby. You are a twisted imaginative talented motherfucker and I'd love to go on this trip with you.'"

Hmm, blubber, whiskers … you know, Smith could just play the walrus himself.

Or maybe John Hodgman's available. Goo goo g'joob!


    

GoPro Adds Falconry and Lion Cuddling to Its Epic Repertoire

GoPro's new promotional video for its HERO3+ Black Edition camera is a lovely pastiche of epic things white people dream of doing: whale diving, falconry, desert rock climbing, impressing native peoples with technology, and lion cuddling, just to name a few. Aside from the climbing sequences triggering my vertigo, it's a real treat to watch, and while not as emotional as that firefighter with a kitten, definitely shows off the clarity and wide-angle capabilities of this camera. How you'd film yourself doing any of that stuff without breaking something or dying is another issue entirely, though.


    

3 Ad Agencies Try to Rebrand Feminism. Did Any of Them Get It Right?

Does feminism need rebranding? Elle U.K. thinks so, and invited three British ad agencies—Brave, Mother and Wieden + Kennedy—to work on it with three feminist groups.

The results, published in November's issue, are posted below. Brave, working with teenage campaigner Jinan Younis, produced a flow chart called "Are You a Feminist?" Mother, working with the newly launched Feminist Times, created an ad focused on equal pay. And W+K, teamed up with online magazine Vagenda, produced an ad about stereotypes that women have to deal with.

See the work below. Does any of it scratch the surface of the issue?

—Flow chart from Brave and Jinan Younis:

—Ad from Mother London and the Feminist Times:

Ad from Wieden + Kennedy London and Vagenda:


    

For Free Chocolate, Strangers Must Hold Hands in Argentine Vending Stunt

Concerned that technology is keeping us all apart, Milka chocolate created a unique vending experience this summer that made Argentine strangers work together to score free sweets. Local agency David placed a cow statue across from a vending machine and challenged people to connect the two by holding hands in order to get free chocolate bars. Each time they cashed in, the cow moved farther away, requiring more people to hold hands until they spanned across the public square. The resulting video, with more than 1 million views, is another example of how one smart idea on a small scale can quickly go global. Considered alongside Milka's current "Dare to be tender" campaign in France, where missing squares of the chocolate can be paid forward to loved ones, it’s not all that shocking that a comfort food would latch onto the comforting notion of bringing people together. Of course, it's togetherness fueled by a good old-fashioned bribe. 


    

Burger King’s Name Change to Fries King Is Making People Hungry and Confused

Between the French Fry Burger and the new Satisfries, Burger King has been really into fries lately. Now, the chain is taking this obsession a step further by pretending to change its name to Fries King—and posting a load of photos to Facebook showing the unveiling of a new corporate identity. There are a few downsides to this. First, it implies the burgers are probably not very good. And second, it confuses people—many of whom on Twitter clearly don't know how to respond. On the plus side, it does appear to be making people hungry.
 


    

Ruined Faces of Smokers Are Turned Into Halloween Masks in Britain

Holy smoke, check out these disturbing masks from British online clinic HealthExpress! Inspired by actual images of ravaged humans from cigarette-pack health warnings, they're designed to show the effects smoking can have on people's faces, hair and throats. Actors wearing the masks will roam streets this month as part of the U.K. National Health Service's "Stoptober" anti-smoking campaign.

A pair of masks show smoking's impact on 40-year-old men. One has a gaping tracheostomy hole in its neck, as well as pronounced cataracts and lots of wrinkles. (Whoa, it's like looking into a mirror, and I don't even smoke! Blogging exacts a heavy toll.) The other men's mask features a gnarly throat-cancer tumor—it looks like an alien parasite!—and prematurely graying hair. A third mask shows the impact of smoking on a 30-year-old woman, with sallow, saggy skin, lip trauma caused by mouth cancer and unsightly damage to the teeth and gums (though in England, everyone's teeth look that way).

At first, I was tempted to say these masks go too far and seem to display the ravages of crystal meth more than smoking. In fact, that's not the case. Smoking can do hella harm to one's personal appearance, which often holds the key to identity and self-esteem. Playing on vanity might prove jarring enough to get smokers to at least consider quitting. Imagine looking into a mirror someday and seeing an image that resembles one of these masks. That's a possibility no one wants to face.


    

Miss Alabama Can’t Stop Sweating and Spilling in Latest Ridiculous Ad From Carl’s Jr.

Carl's Jr. (aka Hardee's for those of us on the East Coast) has Miss Alabama USA, aka Katherine Webb, indulge a very important "Game Day Fantasy"—something with which she is quite familiar—by messily eating a giant burger in this new ad from 72andSunny. A Buffalo Blue Cheese Burger, to be precise. Seriously, the thing gets all over her. It's gross, and the whole situation makes her look more slovenly than sexy. I get that they're trying for the Paris Hilton/Kate Upton effect, but much like the burger they're selling, it's too much and not in a good way.


    

Think Dirty App Scans Your Personal Care Products Looking for Toxins

You may know what you're putting in your body, but do you know what you're putting on it? A new app called Think Dirty is here to help.

Available for free in the App Store, Think Dirty lets you scan barcodes of personal care items in the store and analyze the ingredients. The Dirty Meter then rates the product using third-party data from nonprofit science, environmental and government organizations—to determine whether it's dirty or clean and recommending alternatives. If a product isn't in the database, you can submit it by entering the product name and taking a picture of the back label.

For the launch, Think Dirty is teaming up with the Breast Cancer Fund and the Campaign for Safe Cosmetics for an initiative called 30 Days of Dirty—in which Think Dirty will donate $1 per product scanned in October, up to $20,000, to the Breast Cancer Fund.

Hear more about the app in the video below.


    

Fashion Brand Makes a Colorful Entrance Into Russia With Pro-Gay Ad in Moscow Times

Swedish fashion house Björn Borg, whose tagline is "Björn Borg says ja!," celebrated the launch of its Russian website with a full-page ad in homophobic Russia's Moscow Times showing colored underwear arranged to look like a rainbow. In a country where homosexuality has been criminalized, this is, ja, kind of a big deal.

"Björn Borg says da!" the ad reads—meaning "Björn Borg says yes!"

In a press release, marketing director Lina Söderqvist says "the advert is a way for us to reach Russian influencers. Björn Borg as a brand has always advocated equality on all levels." That's true. Two male priests kissing, anyone?

The ad's release coincides with last week's "We don't support homosexuals, wait, yes we do" statements from Barilla, followed by Bertolli's "Love and pasta for all!" comeback. Björn Borg totally takes Paypal if you were thinking of sending a gift to Mr. Putin.


    

Honda Warns Snack Brands on Twitter About the Odyssey’s In-Car Vacuum Cleaner

Perhaps you've seen RPA's new TV spots for the Honda Odyssey, which has the world's first in-car vacuum cleaner. The ads, voiced by Neil Patrick Harris and Rainn Wilson, feature junk on the minivan's floor—crayons, candy, lint balls, tiny toys—chatting obliviously before getting sucked up by the vacuum.

On Tuesday, RPA launched a social element, in which @Honda is tweeting at snack and toy brands, warning them about what's in store if they fall on the floor of an Odyssey. The idea is fun, and the tweets are generally decent—but the added bonus is that many of the brands are responding or retweeting, extending the reach of the communications beyond Honda's 176,000 followers. Well, OK, there have been snarky replies, too.

Check out some of the tweets below, along with the TV spots.
 


    

The Most Uplifting Ad You’ll See Today Is About a 15-Year-Old’s Incredible Cancer Research

Here's one from the warm-and-fuzzies school of advertising.

Jack Andraka, barely a teenager, decided to develop an early-detection test for pancreatic cancer after his uncle died from the disease. He asked 200 researchers and other experts for help. Only one, a doctor of oncology at Johns Hopkins, provided him with lab space to use after school. At age 15, Andraka succeeded in developing a test that is 168 times faster, 400 times more sensitive, and 26,000 times less expensive than the medical standard.

Intel tells Andraka's story in the ad below. What does a computer-chip manufacturer have to do with his invention? Not much, but Intel is the headlining sponsor—and has been since 1997—of the International Science and Engineering Fair, which gave Andraka its $75,000 grand prize for his work.

The spot, from Venables Bell & Partners (and director Britton Caillouette of Farm League, himself a bone-cancer survivor), is a little self-congratulatory on Intel's part. But it's clever, too. The ad, which proceeds in reverse chronology, might make you feel the same sort of skepticism about Andraka that his idea met—but then you'll feel like a fool when you realize how quite amazing his accomplishment is. Credits below.

CREDITS
Client: Intel
Spot: "Look Inside. Jack A."
Agency: Venables Bell & Partners
Executive Creative Directors: Paul Venables and Will McGinness
Creative Director: Tom Scharpf
Associate Creative Director: Eric Boyd
Art Director: Ezra Paulekas
Copywriter: Rob Calabro
Director of Integrated Production: Craig Allen
Agency Producer: Emily Moore
Production Company: Farm League
Director: Britton Caillouette
Director of Photography: Devin Whetstone
Executive Producers: Tim Lynch/Tieneke Pavesic
Producer: David Burden
Editing Company: Farm League
Editor: Dana Shaw
Sound Design: One Union SF
Sound Designers: Joaby Deal
Music: Elias/Michael Fraumeni
Mix: Joaby Deal/One Union SF
VFX/End Treatment: Brand New School
VFX Producer: Amy Russo