LED school: Hat
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Studied, got a job.
Advertising Agency: Sniper, São Luís, Brazil
Creative Director / Art Director:Tércio Alves
Illustrator: Buda Trainee
Studied, got a job.
Advertising Agency: Sniper, São Luís, Brazil
Creative Director / Art Director:Tércio Alves
Illustrator: Buda Trainee
Continental Self Supporting Run Flat Tyres. Keeps you on track.
Advertising Agency: Medina/Turgul DDB, ?stanbul, Turkey
Executive Creative Director: Kurtcebe Turgul
Creative Director: Gökhan Erol
Art Director / Illustrator: Necmi Mutlu
Copywriter: Mehmet Güney
Digital Artist: Tolga Toykoç
Continental Self Supporting Run Flat Tyres. Keeps you on track.
Advertising Agency: Medina/Turgul DDB, ?stanbul, Turkey
Executive Creative Director: Kurtcebe Turgul
Creative Director: Gökhan Erol
Art Director / Illustrator: Necmi Mutlu
Copywriter: Mehmet Güney
Digital Artist: Tolga Toykoç
Continental Self Supporting Run Flat Tyres. Keeps you on track.
Advertising Agency: Medina/Turgul DDB, ?stanbul, Turkey
Executive Creative Director: Kurtcebe Turgul
Creative Director: Gökhan Erol
Art Director / Illustrator: Necmi Mutlu
Copywriter: Mehmet Güney
Digital Artist: Tolga Toykoç
Every year thousands of robots leave us due to mistreatment.
Save Them!
Advertising Agency: Medina/Turgul DDB, ?stanbul, Turkey
Executive Creative Director: Kurtcebe Turgul
Creative Director: Gökhan Erol
Art Director: Necmi Mutlu
Copywriters: Gökhan Akça, Mehmet Güney
3D Illustrator: Tolga Toykoç / Robotika
Every year thousands of superheroes leave us due to mistreatment.
Save Them!
Advertising Agency: Medina/Turgul DDB, ?stanbul, Turkey
Executive Creative Director: Kurtcebe Turgul
Creative Director: Gökhan Erol
Art Director: Necmi Mutlu
Copywriters: Gökhan Akça, Mehmet Güney
3D Illustrator: Tolga Toykoç / Robotika
Every year thousands of princesses leave us due to mistreatment.
Save Them!
Advertising Agency: Medina/Turgul DDB, ?stanbul, Turkey
Executive Creative Director: Kurtcebe Turgul
Creative Director: Gökhan Erol
Art Director: Necmi Mutlu
Copywriters: Gökhan Akça, Mehmet Güney
3D Illustrator: Tolga Toykoç / Robotika
Advertising Agency: The Martin Agency, USA
Chief Creative Officer: Joe Alexander
Group Creative Directors: Steve Bassett, Wade Alger
Associate Creative Directors: Neel Williams, Justin Harris
Agency Executive Broadcast Producer: Molly Schaaf
Agency Producer: Heather Tanton
Agency Junior Producer: Emily Taylor
Business Affairs Supervisor: Suzanne Wieringo
Senior Integrated Production Business Manager: Amy Trenz
Group Account Director: Brad Higdon
Account Supervisor: Parker Collins
Account Executive: Meg Ingraham
Senior Project Manager: Jason Ray
Production Company: Radical
Director: Steve Miller
Executive Producers: Frank Scherma, Gregg Carlesimo
Executive Producer/Global Director of Sales: Maya Brewster
Line Producer: Barbara Benson
Production Supervisor: Ted Liotopoulos
Assistant Director: Brian Stevens
Editorial Company: Whitehouse Chicago
Editor: Matt Wood
Assistant Editor: Caleb Hepler
Executive Producer: Dan Byrant
Editorial Producer: Dawn Guzowski
Telecine: Co. 3
Colorist: Tim Masick
Animation & VFX: The Mill
VFX Supervisor: Randy McEntee
CG Leads: Kevin Ives, Adam Carroll
Executive Producer: Verity Grantham
Producers: Colin Blaney, Sumer Zuberi
Audio Post Company: Rainmaker Studios
Engineer: Jeff McManus
Advertising Agency: The Martin Agency, USA
Chief Creative Officer: Joe Alexander
Group Creative Directors: Steve Bassett, Wade Alger
Associate Creative Directors: Neel Williams, Justin Harris
Agency Executive Broadcast Producer: Molly Schaaf
Agency Producer: Heather Tanton
Agency Junior Producer: Emily Taylor
Business Affairs Supervisor: Suzanne Wieringo
Senior Integrated Production Business Manager: Amy Trenz
Group Account Director: Brad Higdon
Account Supervisor: Parker Collins
Account Executive: Meg Ingraham
Senior Project Manager: Jason Ray
Production Company: Radical
Director: Steve Miller
Executive Producers: Frank Scherma, Gregg Carlesimo
Executive Producer/Global Director of Sales: Maya Brewster
Line Producer: Barbara Benson
Production Supervisor: Ted Liotopoulos
Assistant Director: Brian Stevens
Editorial Company: Whitehouse Chicago
Editor: Matt Wood
Assistant Editor: Caleb Hepler
Executive Producer: Dan Byrant
Editorial Producer: Dawn Guzowski
Telecine: Co. 3
Colorist: Tim Masick
Animation & VFX: The Mill
VFX Supervisor: Randy McEntee
CG Leads: Kevin Ives, Adam Carroll
Executive Producer: Verity Grantham
Producers: Colin Blaney, Sumer Zuberi
Audio Post Company: Rainmaker Studios
Engineer: Jeff McManus
BBDO New York solemnly pays tribute to servicemen in their Fourth of July spot for Guinness, entitled “Empty Chair.”
The spot, the latest U.S. installment of the brand’s “Made of More” campaign, was created in collaboration with Biscuit Filmworks and director Noam Murro. Its patriotism-stoking approach is nothing new to beer advertising, as Anomaly’s “A Hero’s Welcome” Super Bowl spot for Budweiser this year (to cite just one example) also celebrated American veterans in a somewhat cheesy fashion. How you view the ad will depend largely on your opinion of such an approach (as either a welcome homage or emotional manipulation) but the 90-second “Empty Chair” is certainly well-crafted. It opens on a bartender pouring a Guinness and leaving it at an empty table, an act she repeats many times over the course of the ad, at one point even stopping someone from taking a chair from the table. A delayed reveal at the spot’s conclusion puts everything into perspective, followed by Guinness’ “Made of More” tagline, which syncs well with the ad’s message.
It’s worth noting that between this solemn spot from Guinness and the opposite approach taken by Newcastle, the most memorable ads of the Independence Day season came from non-American brewers. Stick around for credits after the jump. (more…)
New Career Opportunities Daily: The best jobs in media.
Expedia travels into amusing territory with three new commercials from Ogilvy & Mather in London. In each spot, achingly average people become intensely interesting to friends and co-workers after taking trips booked through the client’s website and mobile app.
In fact, they become so darn fascinating—sharing silly holiday snaps and gushing about their experiences—that a magician who saws himself in half, a stuntman riding fiery explosions and an acrobatic horse whisperer can’t compete in the battle for attention.
The ads are the latest from Expedia’s pan-European “Travel Yourself Interesting” campaign, which won a Creative Effectiveness Lion last month at Cannes. Gerry Human, chief creative officer at the agency, says the goal is to “steer away from travel marketing clichés.”
Indeed, the work achieves that objective in entertaining fashion with its tongue-in-cheek appeal to our ingrained vanity and sloth. Who wouldn’t want to earn praise just for taking a vacation? Making talented folks who worked hard to master their craft look like dull dweebs is the cherry on top. (Stupid magician—make yourself disappear!)
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CREDITS
Client: Expedia
Senior Marketing Director: Andrew Warner
Agency: Ogilvy & Mather London
Copywriters: Simon Lotze, Jon Morgan
Art Directors: Miguel Nunes, Mike Watson
Executive Creative Director: Gerry Human
Planner: Mattijs Devroedt
Account Leads/Directors: Mark Lainas, Larry Ball-Piatti
Account Managers: Briony Gittins, Joseph Grigg, Anastasia Selezneva
Media Agency: PHD
Production company: TV – Moxie Productions; Online film – Disqo
Music: Track – “Travel Yourself Interesting”; Siren Music – Stuart Hancock
Exposure: TV, online, radio
Are you one of the few individuals that are not yet using Twitter as a method to drive traffic to your website or affiliate links? Many people are already making use of this marketing method to get huge traffic. Here we are going to explain several small tricks that can help you start generating targeted site traffic from Twitter.
Twitter has become a huge advertising platform and there are many programs and softwares online that can help you with your Twitter marketing. If you are truly interested in marketing on Twitter, you are going to want to locate an auto following program. When you follow others, normally they will follow you too. And the more Twitter users you follow, the more Twitter followers you will get. And the more followers you have, the more money that can potentially be generated through your efforts.
After you have found a follow software, you will then want to find an un-follow software. What this type of program does for you is it un-follows any Twitter user who is not your follower. You can only follow a specific number of people based on how many people are following you. The more people who are following you, the more people you can follow.
After you have your following and un-following programs set up, you have to search for a program that will post messages to your Twitter account for you. With a software like this, you won’t have to log in all the time to send your marketing messages. You will decide how frequently you would like to post and what products you would like to promote and the software will make your posts for you. This is a huge time saver since this program will automatically make your posts for you and you won’t ever have to do anything at all.
If you utilize the programs mentioned above, you will have the tools you need to start generating loads of traffic through Twitter. You will be able to locate other softwares that can assist you even more. Also, there are programs that will take each and every blog post you publish on your blog and post them to Twitter. This is good if you are utilizing your blogs to earn money from AdSense.
Now instead of trying to look for all the different pieces of softwares, you can search for one software that will be able to do everything you want it to do. WhileAlthough finding one software to do everything might cost a great deal more, when you look at all the prices for the smaller softwares, it is pretty much an even trade. Look around online and you may be amazed at how many different softwares are out there to help you with your Twitter marketing efforts.
If you are looking for an effective way to generate more site traffic, you should start using Twitter. The only issue is that without utilizing different types of software, building a list of followers can take a very long time. This is why the softwares are really important as without them it can be a full time job to utilize Twitter as a marketing tool. The key to any type of marketing effort is to make sure you keep with it. You will notice that the amount of money you generate will continue to grow when you keep on building your following.
Fondateur du label visuel ANTIVJ, l’artiste Olivier Ratsi a conçu l’installation audiovisuelle et lumineuse « Onion Skin ». Le concept était de recréer les différentes couches de la peau d’un oignon avec des effets de perspective et une musique composée par Thomas Vaquié. Produite par Nico Boritch, l’installation est à découvrir en images et en vidéo.
Inaugurado em Las Vegas no final de abril, o Polaroid Museum tem por objetivo mostrar a história, arte e futuro da fotografia. O espaço reúne algumas imagens icônicas produzidas com câmeras da marca, além de artefatos do mundo da fotografia. Atualmente, estão em exibição oito mostras, entre elas Lucas Michael, Andy Warhol “Capturing Celebrity”, Maurizio Galimberti, 20×24 Polaroid Camera, “Behind Photographs” by Tim Mantoani, Marc Serota, Maripol e The Polaroid Museum Project.
No espaço é possível conhecer um pouco mais sobre a trajetória da marca que revolucionou a indústria fotográfica há mais de 75 anos, e que ainda serve de inspiração para muitos artistas e desenvolvedores.
Post originalmente publicado no Brainstorm #9
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The Fourth of July weekend proved disappointing for the Melissa McCarthy comedy and for the North American movie box office in general.
To show off its “Smart Caring” driver assistance features, Hyundai set up an empty car convoy, in which a stuntman (who was blindfolded, mind you) led a bunch of driverless cars down an empty highway to test their response to some basic driver’s-ed-video stuff—namely the cruise control, lane keeping and emergency braking features.
Also, the stunt people who were driving the other cars all leaped from them on to a padded flatbed, which was pretty awesome.
The idea that these cars can drive themselves shouldn’t have to fight for my attention in a commercial, so Hyundai may have overdone it with all the extra Volvo Trucks-style stunt work here. But there’s really no better way to show off what these cars can do, so we’ll call it a wash and say that living in the future is great.
When Ad Age recently reported that Procter & Gamble plans to buy 70-75% of its U.S. digital media using programmatic ad tech by the end of this year, I couldn’t help but wonder: Is this a good way for the largest advertiser in the U.S. to spend a nearly $2 billion budget?
But the news just reflects what most industry insiders already know — that the digital advertising industry is headed towards a programmatic world. And I can’t completely knock it, because I understand that there is a place and value for programmatic ad buys. Automated auctions and other elements can improve efficiency for advertisers, deliver big reach, achieve direct response marketing objectives and offer a rock-bottom ad rate.
It makes perfect sense for performance-based categories such as online retail to shift the majority of their digital ad budgets to programmatic, because such companies are predominately direct-response advertisers focused on customer acquisition. This means they’ve hit their sweet spot when they can pay inexpensive prices and optimize with algorithms to win customers at a high volume. It’s merely a numbers game.
Most World Cup watchers probably don’t remember the match on June 12th, when Brazil defeated Croatia, 3-1. But Twitter does.
The game spurred a record number of tweets — 12.2 million — a tremendous start to a tournament that the social-media company is feverishly tracking. In the face of middling user growth at home, Twitter is banking on the games and a rabid fanbase, making a big marketing push and introducing features to encourage new users to join.
Twitter is desperate to grow globally. Its international user growth, 27% last quarter, is outpacing the rate at home, which at 19% is slowing and projected to keep declining. CEO Dick Costolo has called Twitter the “global town square.” Publicly, the World Cup is the stage for its expansion. But it’s taken more critical steps behind-the-scenes.
Starcom MediaVest Group is to move into offices on the site of the former Turnmills nightclub, while its sister agency Saatchi & Saatchi will relocate from Charlotte Street to Chancery Lane next year.