Rupert and Wendi Murdoch Reach a Divorce Settlement
Posted in: UncategorizedTribune Company to Cut 700 Newspaper Employees
Posted in: UncategorizedMicrosoft Now Selling Google-Bashing Merchandise, Just in Time for the Holidays
Posted in: UncategorizedMicrosoft’s anti-Google machine is churning again.
Earlier today, the company opened up an online shop selling a line of “Scroogled” merchandise, just in time for the holidays. Yes, Microsoft not only thinks you want a hoodie, hat, coffee mug and t-shirt emblazoned with anti-Google messaging, they think they can sell it to you.
“Keep calm while we steal your data,” reads a line printed on the coffee mug and matching t-shirt. The mug is priced at a reasonable $7.99 while the t-shirt will set you back $11.99.
Auto Aerobics Series
Posted in: UncategorizedLe typographe et illustrateur anglais Chris Labrooy nous propose cette nouvelle série de créations 3D appelée « Auto Aerobics ». Ce dernier réinvente les voitures pour les imbriquer les unes avec les autres, pour un rendu étrange et surprenant. Plus d’images sur son portfolio et dans la suite de l’article.
Autopista Central: 50 years of marriage
Posted in: Uncategorized
Advertising Agency: Grupo CP, Santiago, Chile
Creative Directors: Damián Agnolo, Rodrigo Sans
Art Director: Nicolás Peña
Copywriter: Paul Peñailillo
Illustrator: Rodrigo Valladares
Published: September 2013
Autopista Central: Birth
Posted in: Uncategorized
Advertising Agency: Grupo CP, Santiago, Chile
Creative Directors: Damián Agnolo, Rodrigo Sans
Art Director: Nicolás Peña
Copywriter: Paul Peñailillo
Illustrator: Rodrigo Valladares
Published: September 2013
Autopista Central: Godfather
Posted in: Uncategorized
Advertising Agency: Grupo CP, Santiago, Chile
Creative Directors: Damián Agnolo, Rodrigo Sans
Art Director: Nicolás Peña
Copywriter: Paul Peñailillo
Illustrator: Rodrigo Valladares
Published: September 2013
Autopista Central: Kiss
Posted in: Uncategorized
Advertising Agency: Grupo CP, Santiago, Chile
Creative Directors: Damián Agnolo, Rodrigo Sans
Art Director: Nicolás Peña
Copywriter: Paul Peñailillo
Illustrator: Rodrigo Valladares
Published: September 2013
What Exactly is Ogilvy’s ‘Project Sunlight’ for Unilever?
Posted in: UncategorizedUnilever, the international conglomerate producing over 400 products, hasn’t always had a sterling environmental and social record. In 2007, Greenpeace targeted the corporation for the deforestation of Indonesian rainforests linked to its sources of palm oil. The UN Environmental Programme called palm oil plantations the leading cause of deforestation in Indonesia. Then, in 2011, Unilver partnered with Proctor and Gamble in a European washing powder price-fixing scheme. About the best thing you could say about Unilever was “at least they’re not Nestlé.”
But in recent years Unilever has been doing a lot to change public perception and at least appear to work toward sustainability. They were a founding member of the Roundtable on Sustainable Palm Oil and in 2012 announced that its sustainable palm oil target would be reached three years ahead of schedule, as well as promising “100% palm oil from certified traceable sources by 2020.” But a report issued last week by the International Labor Rights Forum and Sawit Watch found ”flagrant disregard for human rights at some of the very plantations the RSPO certifies as ‘sustainable.’” These human rights violations included “labor trafficking, child labor, unprotected work with hazardous chemicals, and long-term abuse of temporary contracts.”
So here we are a week later, on Universal Children’s Day, and Unilver has a new campaign called “Project Sunlight,” which it describes in a press release as appealing to everyone, but particularly parents, “encouraging them to join what Unilever sees as a growing community of people who want to make the world a better place for children and future generations” and “a new initiative to motivate millions of people to adopt more sustainable lifestyles.”
At the center of Ogilvy London’s campaign is the video, directed by Academy Award-winning director Errol Morris, and scored with the worst Pixies cover you’ve ever heard, ”Why Bring A Child Into This World?.” which answers that question by stating that our grandchildren will live in a better place than we do. It’s a slick, well-produced 4:26 clip charged with sentimentality and promise, especially if you’re a new or expectant parent.
New Career Opportunities Daily: The best jobs in media.
Sears: Squirrel Revolt
Posted in: Uncategorized
Advertising Agency: mcgarrybowen, Chicago, USA
Chief Creative Officer: Ned Crowley
Group Creative Directors: Kevin Thoem, Lee Remias
Associate Creative Directors: Jose A. Martinez, Addhemar Sierralta
Director Of Production: Lisa Burke
Broadcast Producer: Lindsey Zuercher
Music Producer: Morgan Thoryk
Production Company: Moxie Pictures
Director: Martin Granger
Producer: Heidi Soltesz
Editorial: Whitehouse Post
Editor: Matthew Wood
Executive Producer: Dan Bryant
Producer: Jojo Scheerer
Visual Effects: The Mill
Producer: Anastasia Von Rahl
VFX Supervisors: Bill Higgins, James Allen
Sound Design: Stimmung
Audio Mix: Another Country
Sears: Medium
Posted in: Uncategorized
Advertising Agency: mcgarrybowen, Chicago, USA
Chief Creative Officer: Ned Crowley
Group Creative Directors: Kevin Thoem, Lee Remias
Associate Creative Directors: Jose A. Martinez, Addhemar Sierralta
Director Of Production: Lisa Burke
Broadcast Producer: Lindsey Zuercher
Music Producer: Morgan Thoryk
Production Company: Moxie Pictures
Director: Martin Granger
Producer: Heidi Soltesz
Editorial: Whitehouse Post
Editor: Matthew Wood
Executive Producer: Dan Bryant
Producer: Jojo Scheerer
Visual Effects: The Mill
Producer: Anastasia Von Rahl
VFX Supervisors: Bill Higgins, James Allen
Sound Design: Stimmung
Audio Mix: Another Country
Sears: Robo Granny
Posted in: Uncategorized
Advertising Agency: mcgarrybowen, Chicago, USA
Chief Creative Officer: Ned Crowley
Group Creative Directors: Kevin Thoem, Lee Remias
Associate Creative Directors: Jose A. Martinez, Addhemar Sierralta
Director Of Production: Lisa Burke
Broadcast Producer: Lindsey Zuercher
Music Producer: Morgan Thoryk
Production Company: Moxie Pictures
Director: Martin Granger
Producer: Heidi Soltesz
Editorial: Whitehouse Post
Editor: Matthew Wood
Executive Producer: Dan Bryant
Producer: Jojo Scheerer
Visual Effects: The Mill
Producer: Anastasia Von Rahl
VFX Supervisors: Bill Higgins, James Allen
Sound Design: Stimmung
Audio Mix: Another Country
McDonald’s: No National Launch for the McRib This Year
Posted in: UncategorizedAfter three years of offering McRib nationally, McDonald’s is switching back to offering the sandwich on a regional basis.
The chain will leave the rollout of the McRib up to its franchise groups, according to the Associated Press, which broke the news. Many McDonald’s locations have been offering the product for the past couple weeks.
A McDonald’s spokeswoman said: “This year we continue to focus on our customers for the remainder of 2013 with several new menu items Mighty Wings, Southwest Premium McWrap, White Chocolate and Peppermint Mocha. We also had introduced Pumpkin Spice Latte earlier in the fall. Because of these new options, we left it up to our franchisees as to whether or not they want to offer the McRib, based on their local preferences.” She added that customers can go to the fan-generated mcriblocator.com website to find which markets where the sandwich may be available.
The Kraken: Black Ink
Posted in: Uncategorized
Advertising Agency: Dead As We Know It, USA
Executive Creative Director: Mikal Reich
Creatives: Ella Wilson, Charmaine Choi, Kirsten Larson, Andrew Kay, Jesse Adelman
Senior Producer: Kirsten Larson
Animation / VFX & Design: Blur Studio
Director: Tim Miller
CG Supervisor: Jerome Denjean
FX Supervisor: Kirby Miller
Producer: Tiffany Webber
Executive Producer: Al Shier
Layout Supervisor: Franck Balson
Character Modeling Lead: Mathieu Aerni
Character Modeling: Alessandro Baldasseroni, Daniel Garcia, Chris Grim, Alex Litchinko, Jesse Sandifer
Rigging Supervisor: Jeremie Passerin
Rigging Development TD: Enoch Ihde
Rigging Lead: Jennifer Hendrich
Rigging: Steven Alley, Justin Callanan, Brent Wiley
Animation: Isaac Fernandez, Jason Hendricks, Bryan Hillestad, Nick Whitmire
Cloth Supervisor: Jon Jordan
Cloth Lead: Luis Lopez
Cloth: Justin Callanan, Don de Castro, Tyler Fox, Dyllan Lu, James Marcus, Lennon Montejo, Jace Timmer
Environment Modeling: Jinho Jang
Prop Modeling: Zack Cork, Colin James
Lighting and Compositing Lead: Colin James
Lighting and Compositing: Simon Blanc, Darren Butler, Peter Wildman
FX: Brian Alvarez, Matthew Benson, Wayne Hollingsworth, Matt James, Matt Radford, Brandon Riza, Brandon Young
Technical and QC: Jennifer Hendrich, Jon Jordan, Luis Lopez
Concept Design: Leopard Snow
Production Coordinator: Jessie King
Production Assistant: Amanda Powell
Tools and Scripts: Brendan Abel, Jeffrey Beeland, Mike Hendricks
Programming and Systems Administration: Jeremy Donahue, Paul Huang, Matt Newell, Duane Powell, Perry Randall
Post Finishing House: Artjail
Music Company: Yessian
Executive Producer: Mary Ellen O?Brien, Marlene Bartos
Music Track License: ?Beyond the Sea?
Song Writers: Jack Lawrence, Charles Trenet, Albert Lasry
Performer: Bobby Darin
Publishers: Range Road Music, Inc., France Music Corp.
Label: Warner Music Group
Sound Design: Jafbox Sound
Designer: Joseph Fraioli
Audio Mix: Heard City
Mixer: Keith Reynaud
Times Announces Changes in Washington
Posted in: UncategorizedThis Romantic Ice Cream Ad Got 26 Million Views Without You Noticing
Posted in: Uncategorized
You've seen most of the big viral ads of the year, but not this one—because it was made for the Turkish market by Unilever's Cornetto ice cream brand. It's a short film about a fateful teenage romance, set to a track by Turkish pop singer Yal?n. It's gotten more than 26 million views on YouTube since April, which is pretty incredible, given the market. Notably, though, the spot doesn't even feature ice cream—it's simply presented by Cornetto.
The brand did some similar films in the U.K. this year; the Turkish work was the pilot program. Ben Curtis, senior brand development manager for Cornetto, told Marketing Week: "The short films allow us to take more time to develop a deeper connection with teenagers in a way that we can't in a 30-second spot. Also we know that our teens are always online, and are so creative."