Anthony Weiner Launches First Mayoral TV Ad

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While it could maybe/possibly/probably be true that a person who sent pictures of his erect penis to younger woman could seemingly compartmentalize all that illicit behavior to successfully function as mayor of a major American city, the likelihood of that person serving without ridicule and shame is, at best, unlikely.

But Anthony Weiner refuses to give up. And, today, he’s launched his first television commercial in support of his bid to become Mayor of New York City.The ad spend is said to be close to $500,000.

Without directly addressing his sexting debacle in the ad, Weiner says,”Look, powerful voices have made it clear from the very beginning they didn’t want me to win. But this isn’t about what they want. They’ve gotten their away far too long. if you give me the chance, I will fight for you and your family every single day.”

While it’s no surprise everyone thinks about sex, everyone as sex and, at one time or another, has even engaged in a bit of Weiner-like behavior online. That doesn’t necessarily make a person a horrible human being. In fact, we’re sure cave men were revealing their erect members to unsuspecting cavewomen long before the internet was able to permanently record it for everyone to laugh at.

But in the world of politics, the rules are different. Well, not so much different as they are adhered to far more stringently. and no one wants an image of a naked erect member in their mind when watching their mayor give a speech on television. Sometimes it’s just impossible to erase certain imagery from your head.

So while we respect Weiner’s tireless efforts to get elected, we’re pretty sure we can say with certainty the man will not become the Mayor of New York. Or any city for that matter.

Kellogg’s Froot Loops: Detector

Advertising Agency: Leo Burnett, USA
Creative Director: Craig Barnard
Copywriter: Michael Franklin
Art Director: Brad Mamo
Producer: Andrea Friedrich
Production Company: Nathan Love
Executive Producer: James Braddock
Head of Production: Derrick Huang
Associate Producer: Dennis Samatulski
Creative Directors: Joe Burrascano, Anca Risca
Director: Joe Burrascano
Character and Environment Design: Sigmund Lambrento
Additional Design: Jim McKenzie
Storyboards: Matt Haber
Animatic: Jim McKenzie
Character Modeling: Pedro Conti, James Chan
Character Texturing: Pedro Conti, Christina Ku
Rigging Lead: Lukas Wadya
Additional Rigging: Tyler Hurd
Lead Technical Director: Ylli Orana
Animation Supervisor: Tyler Hurd
Animation Leads: Tony Travieso, Doug Litos
Animator: MinSeok Jeon
Environment Modeling, Texturing and Layout: Paul Liaw, James Chan, Ylli Orana, Triston Huang
Props Modeling and Texturing: Danielle Charles, Eric Xu, Triston Huang
Lighting and Rendering Lead: Natasha Saenko
Lighting and Rendering: Ylli Orana, Eric Xu, Triston Huang
Compositing Lead: Herculano Fernandes
Matte Painting: Jim McKenzie, Sigmund Lambrento
2D FX: Kristjan Zaklynsky

Ad Groups Warn Of Potential Ad-Tax Deduction Threat


The threat is more a specter right now than a real danger, but industry lobbyists are treating the possibility Congress could eliminate or curtail the expensing of advertising fees as a looming Armageddon.

Dan Jaffe, top lobbyist for the Association of National Advertisers, said that there are proposals under consideration in both the House and Senate that would affect the ability of businesses to expense advertising fees for tax purposes. Mr. Jaffe said a prevalent idea is to allow a business to expense advertising costs — but not fully in the year the expense is incurred, but instead, over a number of years.

Ending the ability to expense advertising costs would be” counterproductive” for the U.S. Treasury, said Mr. Jaffe, because businesses would advertise less, make less money and pay fewer taxes.

Continue reading at AdAge.com

Bridgestone: LittleSticktaly

Choose where to stop.

Advertising Agency: TribuDDB, San José, Costa Rica
Creative Directors: Javier Mora, Manuel Chacón
Art Director: Roberto Leitón
Copywriter: René Pino
Illustrator: La Mano Estudio
Published: April 2013

Bridgestone: SweetSuburb

Choose where to stop.

Advertising Agency: TribuDDB, San José, Costa Rica
Creative Directors: Javier Mora, Manuel Chacón
Art Director: Roberto Leitón
Copywriter: René Pino
Illustrator: La Mano Estudio
Published: April 2013

Bridgestone: SaltShakerTown

Choose where to stop.

Advertising Agency: TribuDDB, San José, Costa Rica
Creative Directors: Javier Mora, Manuel Chacón
Art Director: Roberto Leitón
Copywriter: René Pino
Illustrator: La Mano Estudio
Published: April 2013

Campaign Spotlight: Ads Seek to Clear Up Qualms About Cataract Surgery

The Alcon unit of Novartis and AARP join forces to educate baby boomers about the procedure.

    

Robert Downey Jr.’s HTC ‘Change’ Campaign Pays Homage to Classic Ad Film, Putney Swope

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It’s just really hard to fathom that Robert Downey Jr. used to be a drugged out, has-been actor on the brink of death. The dude truly has become the Iron Man. His latest commercial outing, aside from his many successful films, is a two year deal with HTC that will place Downey front and center in a new campaign for the brand, launching August 15, that will playfully endeavor to define what HTC stands for.

Beginning with “humongous tinfoil catamaran,” Downey is expected to use his super powers in several humorous short commercials envisioning what HTC really stands for.

The initial ad, created by 171 WorldWide, is an homage to the opening scene of the classic advertising movie, Putney Swope which, interestingly, was directed by Downey’s father, Robert Downey Sr. In the opening scene, a Hell-Angel-ish “advertising guru,” Dr. Weasley, flies over Manhattan in a helicopter sporting a Confederate flag, makes his way to the conference room of a Mad Men-era advertising agency and shares the kind of insightful wisdom we have all heard before spewed from the mouths of over-paid consultants and account planners before simply leaving the room.

Hopefully Downey’s advice will be a bit more grounded than Weasley’s and help the struggling technology brand right itself from failed campaigns and internal upheaval.

Of the campaign’s direction, HTC CMO Ben Ho said, “With this campaign, we are reaffirming what HTC’s role is in the mobile market which is to define change and lead the industry in developing the newest and most innovative technologies.”

Following the initial brand re-positioning, product launchers will be incorporated into the campaign.

A social game of sorts will support the campaign. Called HTC Generator, visitors to the brand’s What Is HTC page can simply click a “Here’s to Change” button and explore possibilities slot machine-slyle. These random generations can be shared across social channels.

Opening scene of Putney Swope:


Putney Swope Intro by NedDorsey

HTC Change:

Saving on Insurance in England Will Make You Want to Run With the Cats

Call out the cat herders! A bunch of kitties stampede down the streets of Croydon, England, in Mother's new spot for MoneySuperMarket. "Bill here just saved £304 on his car insurance at MoneySuperMarket and now feels so good he thinks he can run with wolves,” the narrator explains, before noting almost apologetically, “There are no wolves in Croydon." So, the guy runs with the neighborhood cats instead. That's about it. The client tells The Drum it was seeking to maintain "a more British look and feel to the campaign," which certainly holds true for the visuals, though it makes the choice of music, the very American "Oh What a Beautiful Morning," from Oklahoma, feel out of place. The concept starts strong but doesn’t prove to be particularly memorable in its payoff, especially when there are so many feline-themed ads—and spots with swarming creatures of all sorts—it'd take nine lives just to watch them all. Credits after the jump.

CREDITS:

CLIENT:  Money Supermarket

AGENCY:  Mother London

CREATIVE DIRECTORS: Larry Seftel and David Day

TV PRODUCER: James Turnham

PRODUCTION CO & CITY:  Biscuit UK (London)

MD: Shawn Lacy

EXEC PRODUCER:  Orlando Wood, Colleen O’ Donnell

HEAD OF PRODUCTION: Rachel Glaub

PRODUCER: Kwok Man Yau

DIRECTOR: Jeff Low

DIRECTOR OF PHOTOGRAPHY:  Angus Hudson

EDITING COMPANY:  Final Cut

EDITOR (OFF LINE):  Ed Cheesman

POST PRODUCTION: The Mill


    

Topless Alien Sings in Shower to Sell Car Insurance

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Hey, we didn’t lie. The top of the alien’s head is, well, topless, right? Anyway, here is a really goofy new commercial for Budget Direct, an Australian car insurance company that used to have an equally goofy commercial that featured a woman singing about Budget as if it were the Tar-Jay of car insurance.

The new commercial, created by Hulsbosch, is just like the old one. It features an alien doing the Tar-Jay/Boo-Jay thing just like the woman in the original. Why the shift to aliens? We have no earthy (or galactic) idea. All we can figure is the creatives were bored and just finished watching a cheesy 1950s sci-fi movie. Goofy seems to be the overriding vision and mission of Budget Direct so we guess the new commercial does the brand justice.

Of the direction the agency took, Hulsbosch EVP Hans Hulsbosch said, “I think a lot of ad campaigns are just wallpaper these days. I like thinking outside the square, and I’m impressed Budget Direct would make such a big leap, because it is out of the box. We’ve worked with Budget Direct a number of times over the years, and it’s been fantastic to develop a whole new set of characters and TV campaign for them.”

A whole new set of characters and TV campaign? Dude, you swapped humans animated aliens and had them utter the same script as the original. Well, at least you saved a little on actor fees. We’ll at least give you that.

New ad:

Old ad:

Pereira & O’Dell Takes Creative Lead on Fox Sports 1

With the upcoming launch of Fox Sports’ potential ESPN rival Fox Sports 1 on August 17, the brand has chosen Pereira & O’Dell New York as lead creative agency for its 24-hour sports network. This move expands a relationship that began in the spring as P&O’D had already been working on a project basis on 1-2 assignments for Fox Sports 1. In a statement, Fox Sports EVP/head of marketing Robert Gottlieb says, “We’ve never brought in an outside creative agency on a continuous basis as we have significant in-house capabilities. With Pereira & O’Dell  we have found a great partner who  can operate as a creative think-tank as we enter the market with Fox Sports 1. We’re thrilled with their  initial work and look forward to what’s    coming down the pipeline.”

What’s coming down the pipeline includes not only work for upcoming Fox Sports 1 shows like Fox Sports Live, Fox Football Daily and Crowd Goes Wild but a big campaign supporting Super Bowl XLVIII, which will take place in New York. While Pereira & O’Dell gets down to work, its newest client is still trying to iron out deals with Time Warner Cable, DirecTV and Dish.

 

New Career Opportunities Daily: The best jobs in media.

Wallet-Replacing Phone Cases – The Leverage iPhone Case Also Works as a Wallet (GALLERY)

(TrendHunter.com) Trying to find a multitasking cell phone case is a pretty difficult endeavor, but the Leverage iPhone case does the trick as it also works as a wallet. With a sleek black design that still embodies…

Principal livro sobre teoria das cores vira aplicativo para iPad

Josef Albers, da escola de Bauhaus, foi um dos principais artistas e acadêmicos que contribuíram para o campo da geometria abstrata, deixando como legado um dos principais livros sobre teoria das cores do mundo: Interaction of Color, publicado em 1963. Para comemorar os 50 anos do livro, a Yale University Press em parceria com a Potion relançou o título em uma edição modernizada, como aplicativo para iPad.

Com dedos em vez de pincéis e touchscreen no lugar do papel, usuários podem manipular mais de 125 paletas de cores.

No aplicativo é possível selecionar entre duas categorias para iniciar a leitura: “texto” ou “paletas e comentários”. A partir daí, a navegação é lógica e intuitiva, com 27 capítulos de textos acompanhados de vídeos didáticos e outros recursos multimídias, além de ilustrações que servem de estudo e dão abertura para que o usuário crie seus próprios designs e experimentos em uma tela em branco.

Do livro original, todo o conteúdo foi mantido, tendo sido preservado até a tipografia original e as colunas de texto como layout. O círculo de amostras de cores, um dos principais recursos, agrega tatialidade à leitura ao transformar o espaço de estudo em tentativa e erro. Aqui, as cores cores podem ser ajustadas, trocas e manipuladas, até que se entenda suas combinações e chegue nos resultados esperados.

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O trabalho de Albers já era feito para meios como este, móvel, interativo e imersivo.

De acordo com a Yale University Press, Albers sempre teve a intenção de que seu livro fosse usado como ferramenta de ensino, com papeis espalhados pela mesa, junto aos textos e comentários. Algo mais limitado e complexo de se entregar com livros de papel, passíveis de uma experiência mais linear, mas que foi atingido com sucesso neste aplicativo.

Interaction of Color está disponível para iPad por $9.99. Há uma versão gratuita também, que se concentra mais na parte de estudos e experimentos, cortando um pouco dos textos e teorias.

 

Brainstorm9Post originalmente publicado no Brainstorm #9
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Chanel: onde a beleza começa

“Onde a beleza começa? Sendo eu, apenas eu mesma. Não querendo me parecer com ninguém. Beleza não se busca, é revelada. Não precisa de aprovação, emociona…” Mais um comercial de Dove? Parece, mas não é. O texto faz parte da mais recente campanha de cuidados com a pele da Chanel, estrelada pela embaixadora da marca Diane Kruger, que certamente não precisa se parecer com ninguém para se sentir bonita.

É interessante ver uma marca como a Chanel defendendo que a verdadeira beleza está na auto-confiança de uma mulher, mas confesso que ficou meio difícil de engolir, até porque o belo texto acompanha imagens de uma mulher linda, loira, magra e que certamente não precisa fazer muito esforço para ser notada.

Sem contar que não será apenas um comercial – ou a série de cinco prevista para esta campanha – que irá mudar a mentalidade feminina forjada por anos e anos de imagens de modelos anoréxicas, altas, loiras e de cabelo esticado que fazem parte não só do mundo da moda, mas também da publicidade.

O caminho é interessante e pode ser um começo. Mas, se a Chanel realmente quiser investir neste discurso, talvez tenha de ir além das palavras e uma estrela de cinema com a cara lavada, e deixar um pouco de lado o visual etéreo de seus filmes para, realmente, colocar os pés no chão.

chanel

Brainstorm9Post originalmente publicado no Brainstorm #9
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Quintuplets for Angelina Jolie?!


The Aug. 19 issue of celebrity weekly OK, on newsstands now, shows a smiling Angelina Jolie accompanied by the headline “ANGIE TALKS TWINS!” and the subhead “Angie & Brad are getting ready for their new arrivals.” Oh, and there’s also a little inset photo of Angie and Brad and their brood with the caption “The Whole Family Is So Excited!”

Naturally! Because it is so exciting to get trolled by a stupid celebrity magazine! Probably not quite as exciting as working at a stupid celebrity magazine where you can just totally make things up, but still!

OK’s (cough) reporting here relies on “a pal,” “sources close to the couple,” an “insider,” a “longtime family friend,” etc. The premise of the story is that given that Angie and Brad were happy about having twins in the past — Knox and Vivienne, now 5 — they plan to have twins again. To wit, per OK:

Continue reading at AdAge.com

British Gas launches OOH push to highlight hidden energy costs

British Gas has launched a lenticular billboard campaign to highlight the hidden costs of energy to promote its smart meter upgrade.

News Corp wins Premier League rights in Indonesia, Vietnam and Japan

News Corp has built on its capture of UK digital rights for the Barclays Premier League with the exclusive mobile and internet rights to show clips in Japan, Vietnam and Indonesia.

Sun’s £500,000 Dream Team fantasy football league: Player, 4

With the start of the English Premier League fast approaching, Grey London is rolling out the latest campaign to promote The Sun’s £500,000 Dream Team, a fantasy football league where the winning team receives £125,000.

If you can’t play. Manage.

Advertising Agency: Grey, London, UK
Creative Director: Dave Monk
Creatives: Johan Leandersson, Erik Uvhagen
Business Director: Tamsine Foggin
Account Manager: Albert Ponnelle
Planners: Hamish Cameron, Matt Gladstone
Creative producer: Kevin Noble
Designers: Ryan Connolly, Chris Chapman
Retoucher: Tom Fryer
Photographer: Paul O’Connor

Sun’s £500,000 Dream Team fantasy football league: Player, 3

With the start of the English Premier League fast approaching, Grey London is rolling out the latest campaign to promote The Sun’s £500,000 Dream Team, a fantasy football league where the winning team receives £125,000.

If you can’t play. Manage.

Advertising Agency: Grey, London, UK
Creative Director: Dave Monk
Creatives: Johan Leandersson, Erik Uvhagen
Business Director: Tamsine Foggin
Account Manager: Albert Ponnelle
Planners: Hamish Cameron, Matt Gladstone
Creative producer: Kevin Noble
Designers: Ryan Connolly, Chris Chapman
Retoucher: Tom Fryer
Photographer: Paul O’Connor

Sun’s £500,000 Dream Team fantasy football league: Player, 2

With the start of the English Premier League fast approaching, Grey London is rolling out the latest campaign to promote The Sun’s £500,000 Dream Team, a fantasy football league where the winning team receives £125,000.

If you can’t play. Manage.

Advertising Agency: Grey, London, UK
Creative Director: Dave Monk
Creatives: Johan Leandersson, Erik Uvhagen
Business Director: Tamsine Foggin
Account Manager: Albert Ponnelle
Planners: Hamish Cameron, Matt Gladstone
Creative producer: Kevin Noble
Designers: Ryan Connolly, Chris Chapman
Retoucher: Tom Fryer
Photographer: Paul O’Connor