Hasta La Creative!

Well, this agency’s certainly keeping us busy today. We’ve received confirmation that Ewan Paterson, who’s spent over three years as chief creative officer at DDB Chicago, is leaving the agency. Paterson joined DDB Chicago in 2010 from CHI & Partners in London, where he served as executive creative director for five years. Regarding his reasons for leaving, the DDB Chicago camp says, “He will be moving back to London with his family. Ewan intends to take some time off and will remain available to us for the next several months as we make a transition to new creative leadership in Chicago.”

Paterson is no stranger to the DDB fold as he spent a decade in the agency network’s London office working with brands including VW and Sony. During his career, the creative exec also worked at BBH London, where he led campaigns for British Airways, Unilever and Vodafone.

As for his time at DDB and future plans, Paterson himself says, “Its been a fantastic three and half years and I’m proud of the agency’s transformation from the where it was in 2010. With six Cannes Lions over the last twelve months it’s evident that agency is becoming  stronger and more diversified creatively. I’ll miss the people who make up DDB Chicago hugely, but the stars have aligned for me and the my family to go home to London.  I intend to spend three to four months being a ‘dad’ for the first time-ever and then working on setting up my own agency.”

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If you ever run across a marketer offering you an impromptu adventure overseas, you might first want to clarify whether it will entail you being kidnapped by clowns and dropped from an airplane. That was the terrifying fate of South African graphic designer Clint Jacobs, the final latest of four participants in Heineken's "Dropped" campaign from Wieden + Kennedy, Amsterdam. As you may have guessed, the campaign (which got a lot of buzz from the related Departure Roulette stunt in JFK) literally drops real people into remote destinations to film their adventures. In the campaign's last installment, a group of Heineklowns tosses the affable Jacobs into rural Poland and makes him hitchhike and tandem-bike his way to Germany, where he must host his own circus. This seems like the sort of proposition you'd have to be drunk to accept, so it works as a long-form beer commercial even if it seems like a total non sequitur. Watch how the story plays out after the jump.

Coca-Cola is encouraging UK consumers to live more like their grandparents, as part of its continued anti-obesity marketing drive.

No official word from the Deutsch LA camp as of yet, but a phone call to the agency tells us that Victoria Guenier is no longer at the IPG-owned operation where she’s spent nearly a decade. For the last four years, Guenier served as SVP/director of broadcast/content production at Deutsch LA, which last December helped fund her feature film effort, Between Us, via the agency’s Side Project Project initiative. As for her day job, Guenier worked on several campaigns for the likes of Volkswagen (including this), Playstation, Dr. Pepper and Taco Bell (including this). No word yet on reasons for her departure, but those on the Spy line allege that VW budget issues may have had something to do with it.

Prior to her lengthy stint at Deutsch LA, Guenier spent a few years on the production side at Ogilvy.

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Here it is, the first official Men's Wearhouse brand ad since the departure of iconic founder George Zimmer and the hiring of Phenomenon in Los Angeles as the retailer's new agency of record. (Last month, we got a bit of a sneak peek with a brief spot promoting the chain's charitable effort, the National Suit Drive.) The new spot, "Walk of Fame," is a retrospective of suit fashion through the decades since the store's founding in 1973. It's a fun watch, fueled by The Heavy's track, "What Makes a Good Man?" But I'm not sure the tagline—"For 40 years we've been helping men dress like gentlemen"—really fits in an ad where a guy keeps sleazily spinning around to eye hot women with a level of blatant ogling that went out of fashion long before most of these suits did.

Albion, the independent creative and digital agency, has promoted four senior employees to the new role of associate director in the wake of successive client wins such as Comparethemarket.com and YouView.

Google has today launched a pan-European ad campaign for its first music-streaming service, Google Music All Access, as it seeks to take on rivals such as Spotify.

In 2012, a creative director fell into Herman Melville’s 720-page trap and reimagined Ahab as a tow truck driver, madly chasing his white whale, an Audi Quattro. “Sometimes, I actually think it’s mocking me,” Ahab says in a gruff voice, anxiously twisting his thermos as he waits in the arctic tundra.

Said creative director then got distracted by Cetology, but has now resurfaced to produce “Ahab Redux,” in which, obviously, our automotive whale has yet to meet his driver. Ahab has retired on an island “most folks would call paradise,” but he can’t escape his all-wheel drive demon. “There isn’t a road on earth that can stop it.”

Thankfully this ad is a departure from the old winding-mountain-road glamour reel, and I appreciate the attempt at literary allusion. We’re all familiar with Moby Dick, whether we became obsessed like Ahab or SparkNoted its entirety. “Ahab Redux” is a bit of a cop-out due to its repetition, but the general idea probably gives Audi’s target affluent audience a twinge of self-satisfaction: “Oh, I know that story!”

Credits and original Ahab after the jump continued…

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Entries for the Winston Fletcher Prize, a short story competition for people working in the advertising and marketing industry, close on 4 September.