Cardboard Animal Masks – The Jozef Mrva Masks Are Eerie and Creatively Crafted (GALLERY)

(TrendHunter.com) Jozef Mrva has been creating an exciting series of cardboard animal masks that experiment with identity and which are also extremely captivating to look at.

Mrva says he has been working on these…

Five Best Practices for Optimizing Content for Facebook Timeline

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With the debut of Timeline for brands earlier this year, brands and marketers everywhere wondered whether or not the major changes to fan page functionality would cause noticeable differences in engagement activity. Social media firm Wildfire decided to find out and ran the stats for 43 brands ranging from 20K to 40MM fans. They tracked engagement metric 21 days prior to and 21 days after the Timeline change. A new report, part of the Adrants whitepaper series, sums up the findings and informs:

  • Whether the transition to Timeline has had a significant impact on fan page engagement
  • What the early adopter brands have discovered about optimizing content for the new page format
  • Lessons learned and best practices from the savviest marketers on Facebook

Download the report now to find out how your brand can take full advantage of Facebook Timeline.


Integrated Advertising Redefined for the Social Media Era

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They had us until they mentioned Lovemark. OK, that said, BBR Saatchi & Saatchi Tel Aviv is out with a video that takes a look at integrated advertising as it was in the days of Mad Men and redefines if for the social media age.

While the video is concise, explanatory and makes a lot of sense, it’s purpose is to tout what, apparently, is a new position inside Saatchi that aims to set itself apart from the herd, the Brand Navigator. The Brand Navigator is essentially an agency version of the client-side marketing director.

BR Saatchi defines the Brand Navigator saying, “Because the big idea combines a number of tools that are sometimes operated by different professionals such as app developers, public relations, social media and others, it’s important that the ad agency lead the process from start to finish making sure everything is done using the same language and that every channel really serves the big idea and [this person] analyzes the effectiveness of each tool during and after the campaign.”

Of course, any good account supervisor or director inside an ad agency should already be doing this. Slapping a fancy new name on something won’t necessarly solve anything. But that’s what agencies do. That’s what agencies are famous for. And, really. when you think about it, it’s their job; to slap a shiny new label on something so a buyer (in this case, a potential client) will buy.

So can we really blame Saatchi for coming up with yet another piece of puffery? After all, they’re just doing their job.


‘Football Expert’ Sean Astin Advises NFL Rookies

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Even though he doesn’t even like football or play the game (at least in real life), actor Sean Astin – who played underdog Notre Dame football player Rudy Ruettiger in the 1993 film, Rudy – is a football expert in this Pepsi Max-sponsored video.

In the video, Astin sits down with this year’s crop of rookies for some innocuous and sometimes funny banter.


Twitter Hashtag Shoots Nerf Gun Inside Philadelphia Ad Agency

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On September 13th and 14th, anyone who tweets using the hashtag #TweetToShoot from anywhere in the world will fire a real Nerf dart inside Philadelphia ad agency Neiman. The target is a a re-creation of the Nintendo game, Duck Hunt.

It’s a project with far reaching possibilities for brands according to Digital Creative Director Chris Reif who told us, “Imagine the ability for a consumer packaged goods brand to deliver a coupon from an in-store end cap. By tweeting a specific hashtag, the customer gets a coupon. By incentivizing word-of-mouth, brands reap the benefits of a consumer’s influence on their social circle. Then, if you look outside of social influence of individuals, perhaps a brand would become a trending topic in that city.”

Over the past month, Neiman has converted its Social Media Command Center into a life-size 8-bit shooting gallery. Dubbed “Tweet to Shoot,” this project uses technology to bridge the gap between the digital world and the physical world. In addition to the hashtag shooting the Nerf gun, each user’s handle is displayed as they trigger. By logging onto http://tweettoshoot.neimanlabs.com between 10am and 5pm, anyone can watch the action live. Check out the demo video below.

What are your thoughts? A waste of time or are there really opportunities for brands here? And while your at it, check out this HubSpot whitepaper, How to Attract Customers with Twitter, to see if you can put Nieman’s notioins to work for your brand.


100 Innovative iPhone Applications – Inspired by the New iPhone 5 Release News

(TrendHunter.com) Apple fans are eagerly anticipating the iPhone 5 Release, as journalists have been invited to preview the launch of its new handset.

With the prospect of Apple’s newest mobile phone technology…

Vídeo da Baumann Ber Rivnay explica propaganda integrada

A Baumann Ber Rivnay/ Saatchi& Saatchi Advertising, de Tel Aviv resolveu explicar de maneira muito criativa de explicar aos clientes o que é propaganda integrada. Com o reforço artístico do Studio Darom, criaram um vídeo muito bacana, que mostra as transformações pelas quais o mercado publicitário passou nos últimos anos, especialmente com a internet. A comunicação […]

Brainstorm9Post originalmente publicado no Brainstorm #9
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Gucci to sponsor David Bowie exhibition at V&A

Fashion brand Gucci and audio brand Sennheiser have signed up to sponsor an exhibition on the career of David Bowie at the Victoria & Albert Museum next year.

Energy Drink Helps Australians Facerape Their Friends

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For Australian energy drink V, Jung von Matt has developed Switcheroo, a “game” that allows one person post anything they want on another person’s Facebook profile…as long as you give them permission to do the same. It’s set up in a way that no passwords are shared nor is access to private messages or settings granted.

How this promotes an energy drink escapes us but it sure looks like fun. Suddenly, we’ll all be like a bunch of middle school girls who have no problem stupidly handing their accounts over to their friends who will wreak havoc, dump a boyfriend or generally slander each other with glee.

Will growups behave differently? And won’t Facebook have something to say about this?


Volvo Penta: Story

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“With Volvo Penta Technology you bring another story from the sea.”

Advertising Agency: G/PAC, Curitiba, Brazil
Creative Director: Juca Pacheco
Creative Manager: Ricardo Leite
Art Director: Dizzy Rachwall
Copywriter: Ricardo Leite
Illustrator: Marcão

Sharpie: Sharpie_California Wives “Purple” Music Video

Sharpie’s first-ever music video that is also showcasing the art of die-hard Sharpie fans. Consumers make amazing creations with Sharpie, as past ads have shown. For this spot, some 800 designs submitted to the Sharpie Gallery were winnowed down to be featured in the ad.

Advertising Agency: Draftfcb, Chicago, USA
Creative Directors: Gigi Carroll, Mike McGrath
Art Director: Zack Fagin
Director: Ben Flaherty
Group Management Director: Jen Rowland
Management Director: Melanie Hellenga
Music Producer: Stump Mahoney
Producer: Kelly Durham
Account Supervisor: Lorrie Brooks
Account Executive: Tracey Bien

Save the Children: Feel Again

Advertising Agency: BBDO, New York, USA
Chief Creative Officer: David Lubars
Executive Creative Director: Toygar Bazarkaya
Creative Director: Paul Vinod
Art Director: James Kuczynski
Copywriter: David Martin
Art Director: Quoc Doan
Director of Integrated Production: David Rolfe
Senior Producer: Jesse Brihn
Producer: Dave Rocco
Interactive Producer: Katie Krueger
Assistant Producer: Lawrence Chen
Production Company: Rabbit
Director: The Fines
Executive Producers: Douglas Howell, Joby Barnhart
Executive Producer / Producer: Shelby Ross
Head Of Production: Jeff Sommar
Production Supervisor: Dani Rotstein
Editorial: Butcher Editorial
Editor for TV: David Henegar
Editor for Making Of, Behind the Scenes, Interview w the Band: Chris Scheer
Editor for Lifestyle Malawi and (2) Social Worker Videos: Christina Neferis
Executive Producer: Rob Van
Producer: Chrissy Hamilton
VFX: Butcher Editorial
Executive Producer: Rob Van
VFX Producer: Chrissy Hamilton
Smoke Artist: Zac Dych
Audio: South Sound
Sound Design: South Sound
Mixer for TV and Making Of: Tim West
Recording Studio/Mix House: POP Sound
Color: MPC
Telecine Artist: Ricky Gausis

New Zealand Herald: 150 Years

To mark the launch of the new look New Zealand Herald the paper wanted to celebrate the important role it has played throughout the country’s history. DraftFCB Auckland took this insight and came up with a world first way of executing it. With help from the crew at Assembly the entire ad was printed on giant rolls of newsprint and animated on the NZ Herald’s 50 million dollar printing press.

Advertising Agency: DraftFCB, New Zealand
Group Executive Creative Director: James Mok
Executive Creative Director: Regan Grafton
Senior Art Director: Kelly Lovelock
Senior Copywriter: Peter Vegas
Head of TV: Esther Watkins
TV Producer: Sascha Mortimer
Production Company: Assembly
Director: Jonny Kofoed
Typographer: Len Cheeseman
Executive Producer: Amanda Chambers
Technical Director: Rhys Dippie
Music: Nick Manders
Sound Design: Jon Cooper
Senior Account Director: Dom Henshall
Senior Account Manager: Sarah Raine
Account Executive: Ida Levick
Print Production Director: Eric Thompson
Media Director: Anne Lipsham
Media Planners / Buyers: Dan Currin, Michelle Heighway
Planning Director: David Thomason
Planner: Emma Popping
PR General Manager: Angela Spain

VivaKi in strategic partnership with Hi-Media

VivaKi’s innovation group Nerve Center has struck a strategic partnership with Hi-Media, the European online sales operation behind the Hi-Media Ad Exchange.

Guide Dogs Australia: Puppy Pals

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Puppy Pals is a new product idea for Guide Dogs Australia that aims to help raise both awareness and funds for the organization. They have been created in collaboration with Guide Dogs Australia and New Holland Foods. The thinking was to create a product that would reward consumers when they make a donation and at the same time create a revenue stream for the charity. To make the chocolates unique to Guide Dogs Australia the product name of Puppy Pals appears in brail on the chocolates making them not only delicious but also functional in offering consumers an experience shared by those who are vision impaired. Proceeds from the sale of Puppy Pals will fund the training that turns cute but somewhat helpless puppies into life-changing Guide Dogs. They are available from selected BP and Apco service stations, convenience stores, milk bars and cafes around the country for a RRP of $1.40. 

Advertising Agency: The Monkeys, Australia
Executive Creative Director: Justin Drape
Creative Director: Noah Regan
Art Director: Bradley Averill
Designers: Erwin Santoso, Stephanie Rajalingam, Terry Chisolm
Head of Print Production: Tom Harrison
Snr Content Director: Jill Large

GGB: Cartaz Exhibition, Cartaz Music

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Advertising Agency: Tempo, Salvador City, Brazil
Creative Director: Alessandro colonnezi
Art Directors: Thiago Teles, Bruno Maciel
Copywriter: Amoedo
Illustrator: Thiago Teles

Personified Japanese Cartoons – Anastasiya Shpagina Becomes a Real-Life Anime Doll in This Series (GALLERY)

(TrendHunter.com) Becoming a real life anime doll is a craze that is undeniably interesting. Anastasiya Shpagina from the Ukraine is a living embodiment of this fad, and looks gorgeous while doing it. Inspired by…

Fragile Childhood: Monsters

Advertising Agency: Euro RSCG, Helsinki, Finland
Creative Director: Marko Vuorensola
Art Director: Marko Vuorensola
Copywriter: Annu Terho
Account director: Nina Myllyharju
Project planner: Muusa Salminen
Production Company: Sauna@Grilli Films
Executive Producer: Petteri Lehtinen
Director: Mikko Lehtinen
Service Production: Studio Arkadena, Ljubljana
Producer: Hana Kovic
DOP: Jure Verovsek
Production Manager: Tina Pungartnik
Production Coordinator: Urska Vardijan
1st AD: Tina Fratnik
Production Designer: Spela Kropusek
Make Up: Alenka Nahtigal
Rabbit Costume: Gregor Lorenci
Casting: Ivona Ljubicic
Gaffer: Robert Oberc
Grip: Jure Jelovcan
Location Managers: Joco Zivc, Dragan Mladenovic, Tina Vojnic
Editor: Anders Meinander
Sound Design: Anders Meinander, Timo Anttila / Humina
Music: Tuomas Kallio
Post Production: Post Control
Colorist: Marko Terävä

First National Bank: Bleeding Board

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Advertising Agency: Bozell, USA
Creative Director: Jerry Stoner
Art Director: Ryan Dillon
Copywriter: Michael Johnson

Durex Play: Sexy Slide Puzzles

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URL: http://www.dailymotion.com/sas/durexplay

Advertising Agency: Buzzman, France
Creative Director: Georges Mohammed-cherif
Agency Manager: Thomas Granger
Copywriter: Tristan Daltroff
Art Director: Louis Audard
Project Manager: Julien Levilain, Chloé Cremois
Tv Producer: Vanessa Barbel, Audrey Dupuis
Digital Production Manager: Laurent Marcus, Julie Bourges
Community Managers: Huber Munyazikwiye, Thomas Schmitt
Film Production: Les 84
Director: Julien Pelgrand
Web Production: Les 84