Volvo: Safety Features Dual Airbag, Safety Features


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Objective: To showcase the safety features of Volvo cars in their exclusive showrooms. Description: Volvo has always been a pioneer in safety technology in the world of automobiles. From inventing the first safety belt to ground breaking features for safer roads today; they have revolutionized the way people drive. Volvo wanted to educate its buyers in India of the various unique safety features their cars come with. Therefore, posters were designed to be put in their showrooms and in true Scandinavian minimalistic style; these posters explained each feature in a very innovative typographical play.

Advertising Agency: Pickle Lintas, New Delhi, India
Creative Director: Sujit Das
Art Directors: K.Deepak Kumar, Rajnish Tripathi, Sachin Saj
Copywriter: K.Deepak Kumar

Mercedes-Benz F-CELL: The Invisible Mercedes


Advertising Agency: Jung von Matt/Elbe, Germany

Cocaine: Freud, Monroe, Cobain, Amy, Elvis


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Advertising Agency: The Cocaine Co., New Delhi, India
Art Director /Copywriter: Kunel Gaur
Illustrator : Comedian

Priya Sebastian, Illustrations

Priya Sebastian completed a Masters in Illustration from Queensland College of Art, Australia and lives in Bangalore. She is a much sought after illustrator and her work adorns the covers and pages of many books, magazines and newspapers.
When she is not drawing, Priya writes, teaches, explores places and blogs about her experiences at her well known blog which is filled with vivid stories, sketches and photographs all of which tie in beautifully with her world view and her drawings.

Why are you an Illustrator?
That’s akin to asking a spider why it is a spider. Or a rhinoceros why it is what it is.
I cannot imagine being anything else. It is an inherent quality. Interpreting an idea or sa story visually gives me a high.

Did you attend school for fine art or design?
Yup. The first one I attended was in Bengaluru. I’m not sure what I did there. Then I went off to Australia to do a Master’s in Illustration from Queensland College of Art. It was a revelation.

You have a distinct style of illustration. How long did it take you to develop your style?
Thank you. I have been illustrating for about 15 years now. My style is still developing and I hope the development never stops.

Were there any particular role models for you when you grew up?
Most definitely Chandranath Acharya who used to illustrate stories in the Sunday editions of Deccan Herald. I wanted to do that too.

Who was the most influential personality on your career in Illustrations?
A teacher in Australia, Armin Greder

Have you worked for any advertising project? Would you like to?
Not as yet but I am open to it if the work interests me.

Are many advertising agencies getting illustrations made these days? Do you work more with agencies or publishers?
I wouldn’t know about advertising agencies. I mostly work with publishers.

What made you decide to become a freelance illustrator? When did you start freelancing?
I think there was no option but to freelance as an illustrator 15 years ago.

Was there any time when you wanted to quit Illustrating?
No

Have you considered turning your illustrations into toys?
Why would I want to go there given the kind of style I have?

Any other Indian Illustrators who you admire?
Prabha Mallya and Ajanta Guhathakurta

Do you have any favorite fellow illustrators or resources relating to your fields?
I was brought up on a diet of American Illustrators during the pre-internet era (yes, there was such an era). Now, much to my relief and thanks to blogs I get to see the style of Latin American Illustrators, Scandinavian Illustrators, Spanish and Portugese Illustrators…it is wonderful to see such a marvellous richness and diversity of styles and talent.

You have such a wide experience as a top working professional. What advice do you have for aspiring creative professionals? Would you advise them to take on Illustration as a career option? Is it paying well enough?
Regarding payment for illustrating, I think one has to ‘make’ it pay. To be a good illustrator, you have to hone your drawing skills and style to a very high standard through dedicated hard work and then you have to value your work enough to ask your client for a dignified fee. I find newspapers still pay some illustrators Rs.1000 per illustration and there young illustrators new to the field who actually accept that. I’d like to tell them that they are not doing anyone a favour by accepting work at such terms.

Who would you like to take out for dinner?
David Hughes

What’s on your iPod?
Bach’s preludes, Beethoven’s piano sonatas

Mac or PC?
PC.

 

 

 

 

 

 

 

 

 

 

 

 

Levin Tahmaz Master Trainer: Business Card


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Advertising Agency: Bart, Turkey
Creative Director: Doris Dagistanli
Art Director: Ergin Emir

Mojo, Finch and MPU start Urban Gaming

We are pretty excited about an innovative project coming out of the Publicis stable: “Snake the Planet!”
Publicis Mojo, Finch and Mobile Projection Unit (MPU) Sydney have developed and documented a world-first in terms of mobile gaming:  Called “Snake the Planet!”, the classic mobile game Snake has been adapted for the urban canvas and can now […]

Music Festival Style Catalogs – The Planet Blue X Foam Magazine Coachella Lookbook is Hot (GALLERY)

(TrendHunter.com) The Coachella Valley Music and Arts Festival, which is an annual event held at the Empire Polo Club in Indio, California, may be all about music, but the Planet Blue X Foam Magazine Coachella catalog shows…

Disneyfied Movie Posters – The Old Red Jalopy Presents Hollywood Movies with a Comic Touch (GALLERY)

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Everything would be given that innocent…

Essve Esstack: A Great Idea


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“What seems like a great idea today, sticks with you for 50 years.
Strong and fast fixing glue.”

Advertising Agency: Falck & Co, Stockholm, Sweden
Creative Director: Svante Heiding
Art Directors: Daniel Backman, Annki Andersson
Copywriters: Angelica Lindgren, Magnus Abelin

Finish: Door


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“40% OFF. Only your furniture won’t like it.”

Advertising Agency: Giacometti, Rio De Janeiro, Brazil
Creative Director: João Santos
Art Director: Mariana Moreira
Copywriter: Sávio Paixão
Illustrator: Studio Cayman
Photographer: Andre Nazareth

MiO Energy: Watering Hole Cheetah


Avoiding the mechanical output that often comes with traditional motion capture techniques, Psyop instead interpreted the live action performances, translating them into the world of the spot. This gave Psyop’s animators creative freedom to sculpt performances and massage comedic timing. The spot’s lush look is the result of a novel approach to production that effectively dissolves the line between live action and animation.

Advertising Agency: TAXI, New York, USA
Executive Creative Director: Dave Clemans
Creative Director: Stephen Leps, Michael Pierantozzi
Copywriter: Tim Wassler
Art Director: Phillip Cho
Producer: Joyce Lee, Holly Flaisher
Director: Psyop
Production Company: Psyop/Smuggler
Psyop Creative Directors: Eben Mears, Jon Saunders
Executive Producer: Lydia Holness
Producer: Michael Neithardt
Assistant Producer: Anu Nagaraj
Designers: Naomi Chen, Ram Bhat, Annalisa Swank
Lead 3D Artists: Pakorn Bupphavesa, Alvin Bae
Lighting Lead: Jonah Friedman
Lead Animator: Pat Porter
Lead Nuke Artist: Nick Tanner
3D Artists: Zed Bennett jr., Bryan Eck, Dave Chen, Joerg Liebold, Shant Ergenian, Andy Hara, Lee Wolland, Will Robertson, John Payne, Phill Avanzato, Denis Kozyrev, Larry Leung, Dan Fine
3D Animators: Stephanie Russell, Anthony Travieso, Kevin Scott, Douglas Litos, Danny Speck, William Frazier
Nuke Artist: Thomas Panayiotou, Jason Conradt
Editor: Cass Vanini
Storyboard Artist: Robin Nishio

The Story of Sushi

Produite pour un restaurant de sushi à Portland aux Etats-Unis, la vidéo “The Story of Sushi” est le résultat de 7 mois de travail pour une vidéo explicative de personnages et décors en miniatures faits à la main. Une création réalisée par Vincent Peone à découvrir dans la suite.



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“Walk less.”

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Illustrator: Nacho Coste
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