It’s Not Her Grandmother’s Post


NEW YORK (AdAge.com) — Katharine Weymouth is the fifth member of her family to serve as publisher of The Washington Post, but she presents a firmly unassuming air.

Hey, Buddy, Can I Bum a Snus Off You?


LOS ANGELES (AdAge.com) — Faced with rising taxes for cigarettes and ever-tightening smoking bans, Big Tobacco is rolling out snus, smokeless tobacco that doesn't involve spitting.

Donaton: EW Is Not a Celebrity Magazine


NEW YORK (AdAge.com) — It's been six months since Scott Donaton, Ad Age's editor-turned-publisher, jumped ship to become the fifth publisher in five years at Time Inc.'s Entertainment Weekly. We decided to check in with our former boss and see what he's been up to.

Actor Sparks BK-Card Freakout


CHICAGO (AdAge.com) — Burger King got a deluge of publicity after the blogosphere picked up on a London Times interview with "House" star Hugh Laurie, who told the paper his celebrity perks include getting good tables and his "Burger King gold card."

Coors Lights a Fire Under Miller


CHICAGO (AdAge.com) — You can expect a kinder, gentler Miller — and one with a laser-focused, single-minded message — when the U.S. combination of Miller and Coors takes effect next week. There might also be some agency shifts brewing.

Virtual Mixed Media Scrapbooks – Glogster

Sure you blog, but do you Glog? It’s like collages 2.0, like an amalgamation of social network-like photo sharing and blogging with more traditional scrapbooking. Essentially, Glogster is a place you can…

Bus Top Billboards – Ads for High Rise Eyes

Marketers aren’t willing to waste any potential ad space these days. We’ve covered the advantages of mobile billboards before, but this bus, which I saw from the 15th floor of Toronto high-rise, not only…

Milk Packaging Design Contests – Future Milk

What will milk containers look like in the future? Let your mind run wild on this, then consider entering the Future Milk contest.

The competition, being put on by Cravendale & YCN, asks people to contribute…

Sweat Absorbing Lingerie – NiteSweatz for Hot Flashes (GALLERY)

(TrendHunter.com) Waking up in a bed drenched in your own perspiration isn’t something any woman wants to endure, but thanks to NiteSweatz, an innovative sweat-wicking lingerie by Lesley Hatfield, you won’t have to anymore.…

Virtual Mixed Media Scrapbooks – Glogster (GALLERY)

(TrendHunter.com) Sure you blog, but do you Glog? It’s like collages 2.0, like an amalgamation of social network-like photo sharing and blogging with more traditional scrapbooking. Essentially, Glogster is a place you can…

Caffeine Chips (REVIEW) – Engobi Energy Go Bites

(TrendHunter.com) Engobi Energy Chips intrigued me from the first time I heard the caffeinated snacks existed. Consumed by curiosity, I knew I had to try them, and both flavors, as soon as possible.

I wasn’t sure if early…

Are Ad Men As Hollow As The Fantasies They Create?

Alex Witchel, a staff writer for the New York Times Magazine spent some quality time with Matthew Weiner (pronounced WHY-ner). Weiner is creator, producer and head writer of “Mad Men,” the original series on AMC. The show begins its second season on July 27th.

WEINER_MADMEN.jpg

It’s a long article with lots of interesting detail, like the fact that Weiner is a meticulous control freak from an over-achieving family and somewhat insecure for a man with industry cred spilling out of his golden pockets. But what interests me most is Witchel’s conversations with George Lois and Jerry Della Femina, two ad guys from the “Mad Men” era.

Weiner chose advertising as a subject, he said, because “it’s a great way to talk about the image we have of ourselves, versus who we really are. And admen were the rock stars of that era, creative, cocky, anti-authority. They made a lot of money, and they lived hard.”

Some of those rock stars are less than enthralled by Weiner’s interpretation of their careers. George Lois, the legendary art director who co-founded Papert Koenig Lois in 1960 and recently had an exhibition of the iconic covers he designed for Esquire magazine at the Museum of Modern Art in New York, says: “When I hear ‘Mad Men,’ it’s the most irritating thing in the world to me. When you think of the ’60s, you think about people like me who changed the advertising and design worlds. The creative revolution was the name of the game. This show gives you the impression it was all three-martini lunches.”

People like me who changed the advertising and design worlds? That’s bold, even if it’s true.

Nike football Spain – Euro 2008

I’m not sure what the message of this spot is, this seem to be a response to the pubic criticism, Spanish football supporters.

Although this is another Nike advertising for Euro 2008, this advertising seems to virtually involve a crush between Spain’s football team and crowd.

All five players in this ad, Torres, Iniesta, Ramos, Puyol and Fábregas are all sponsored by Nike as individuals. They are all individually sponsored by Nike; however the Spanish national team is sponsored by ADIDAS.

People in the background are discussing why Spanish football team can’t win any big tournament and what team needs to be successful.

The answer is taking football to the next level and win.

Good commercial, after all.

Fuse TV: Balloon

Fuse TV: Balloon

Agency: Brooklyn Brothers
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Production Company: Blacklist
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Director: Pistachios
Creative Director: MÃ¥ns Swanberg
Animation: MÃ¥ns Swanberg
Illustration: Tomas Nilsson
Toolkit: Adobe Photoshop, Adobe After Effects.
Music: “Eyes” Rogue Wave
Music Supervisor: Matt Friedman (Amber Music)
Exec Producer/Head of Music Supervision: Patrick Oliver (Amber Music)
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Fuse TV: Therapy

Fuse TV: Therapy

Agency: Brooklyn Brothers
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Production Company: Blacklist
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Director: Cisma
Executive Producer in Brazil: Paulo Schmidt
Production Coordinator: Thais Freire
Storyboard artist: Renato Blaschi
Animatic: Alfredo Hisa
Assistant director: Carolina Campanelli
On set art director: Ana Paola ottoni
Dir. Photography: Ching C. Wang
Production director: Juliana Borges
Wardrobe: Silvinho Monteiro
Make-up: Gislaine
Casting: Flavia Cocozza
Special Effects: Martao
Pos-production producer in Brazil: Cristiano Meira
3D Artists: Gustavo Braga, Felipe Sabino, Mauricio Lobel, Edivaldo Souza, Thiago Rodrigues Batista, Elvio Cavalcante
Rotoscopy: Marcio Martins, Rogerio Merlino, Edson Costa
Flame Artists: Parana, Diogo Castro, Fabio Cristiano de Oliveira, Henrike Delgado, Ricardo Costa
Toolkit: Autodesk Maya, Flame, Smoke, After effects, Avid , Final Cut Pro
Music: “Don’t See the Sorrow” Au Revoir Simone
Music Supervisor: Matt Friedman (Amber Music)
Exec Producer/Head of Music Supervision: Patrick Oliver (Amber Music)
Sound Design: Audio Engine
Engineer: Carl Mandelbaum
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Fuse TV: Soulmates

Fuse TV: Soulmates

Agency: Brooklyn Brothers
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Production Company: Blacklist
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Directors: Friends with You
Friends With You Producer: Dan Ruth
Co-Director/Editor: Orilo Blandini
Online: Julian Manzelli
Toolkit: Final Cut Pro, After Effects
Music: “Question” by The Old 97’s
Music Supervisor: Matt Friedman (Amber Music)
Exec Producer/Head of Music Supervision: Patrick Oliver (Amber Music)
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Fuse TV: Time travel

Fuse TV: Time travel

Agency: Brooklyn Brothers
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Production Company: Blacklist
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Directors: Nanospore
Creative Directors: Ben Lee, Paul Hwang
Cell Animators: Juliana Park, Omar Ruiz
Assistant Animator: Dave Creek
After Effects: Aaron Bjork
Compositor: Matthew Encina
Toolkit: C4D, After Effects, Illustrator, Photoshop, Flash
Music: Composed and Performed by Rahzel
Produced by Leo Sidran and Eugene Cho (Amber Music)
Executive Producer: Patrick Oliver (Amber Music)
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Fuse TV: Joy

Fuse TV: Joy

Agency: Brooklyn Brothers
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Production Company: Blacklist
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Directors: Holbrooks
Creative Directors: Tom Brown, Daniel Gray
Animators: Tom Brown, Daniel Gray, Dan Cresswell, Sophie Angela Davis
Models: Luke Rudland, Iain Gillespie
Compositing: tom Brown, Daniel Gray
Toolkit: Photoshop, Aftereffects
Music: “Lovely Allen” by Holy Fuck
Music Supervisor: Matt Friedman (Amber Music)
Exec Producer/Head of Music Supervision: Patrick Oliver (Amber Music)
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Fuse TV: Adrenaline

Fuse TV: Adrenaline

Agency: Brooklyn Brothers
Art Directors: Stephen Rutterford, Clarrisa Vallaeys
Writers: Guy Barnett, Mike Pierantozzi
Agency Producer: Shana Bellot
Production Company: Blacklist
Blacklist Executive Producer: Adina Sales
Blacklist Producers: Rich Rama, Karen Lawler
Director: David Lobser
Animation Studio: Little Sister
Little Sister Producers: Melissa August, Niabi Caldwell
Little Sister Production Assistant: Zach Lewis
Modeling: David Avetisov
Rigging: Ohad Bracha, David Avetisov
Compositing: Chih Peng
Toolkit: Nuke, After Effects, Maya, Photoshop, Final Cut Pro
Music Company: Amber Music
Composer: Blue May
Producer: Patrick Oliver
Sound Design: Carl Mandelbaum, audioEngine
Sound Design: Gloria Pitagorsky, Executive Producer, audioEngine

Working: Mousse

Working: Mousse

We have ways to tempt people to move.

Advertising Agency: ACLC, Toronto, Canada
Creative Director / Copywriter: Steve Conover
Art Director: Howard Beauchamp
Photographer: AKA Photography
Published: June 2008