Hasta La Creative!

Songs about bars have been a popular theme in music for decades. Whether it’s a song about drowning your sorrows in a dive bar or celebrating a night of revelry in a trendy nightclub, there is a song out there for every mood and setting. In this article, we will explore nine songs about bars and dive into the interesting details behind each one.

1. “Friends in Low Places” by Garth Brooks

Released in 1990, “Friends in Low Places” by Garth Brooks is a country classic that tells the story of a man who shows up at his ex-girlfriend’s wedding uninvited. He finds solace in the company of the bar patrons, who become his “friends in low places.” The song’s catchy chorus and twangy guitar riffs have made it a staple at bars and honky-tonks across the country.

2. “Bartender” by Lady Antebellum

“Bartender” by Lady Antebellum is a catchy country-pop song that tells the story of a woman who is trying to drown her sorrows at the bar after a breakup. The song’s upbeat tempo and relatable lyrics have made it a favorite among bar-goers looking to let loose and have a good time.

3. “Closing Time” by Semisonic

“Closing Time” by Semisonic is a 90s alternative rock anthem that has become synonymous with the end of a night out at the bar. The song’s memorable chorus, “Closing time, one last call for alcohol,” captures the bittersweet feeling of saying goodbye to a night of fun and camaraderie.

4. “The Piano Has Been Drinking (Not Me)” by Tom Waits

“The Piano Has Been Drinking (Not Me)” by Tom Waits is a quirky and offbeat song that paints a vivid picture of a night at a dive bar. With its jazzy piano riffs and Waits’ gravelly vocals, the song perfectly captures the chaotic and boozy atmosphere of a bar in full swing.

5. “Last Call” by Lee Ann Womack

“Last Call” by Lee Ann Womack is a heartfelt country ballad that tells the story of a woman who confronts her cheating husband at a bar. The song’s poignant lyrics and Womack’s emotive vocals make it a powerful and moving ode to heartbreak and betrayal.

6. “One Bourbon, One Scotch, One Beer” by George Thorogood

“One Bourbon, One Scotch, One Beer” by George Thorogood is a blues-rock classic that tells the story of a man who has been kicked out of his house and is drowning his sorrows at the bar. The song’s gritty vocals and infectious guitar riffs have made it a favorite among bar patrons looking to let loose and have a good time.

7. “Tequila Makes Her Clothes Fall Off” by Joe Nichols

“Tequila Makes Her Clothes Fall Off” by Joe Nichols is a playful country song that tells the story of a woman who lets loose and gets wild after a few too many shots of tequila. The song’s catchy chorus and upbeat tempo make it a favorite among bar-goers looking to have a good time and let loose on the dance floor.

8. “Red Solo Cup” by Toby Keith

“Red Solo Cup” by Toby Keith is a fun and lighthearted country song that celebrates the iconic party cup. The song’s humorous lyrics and infectious melody have made it a go-to anthem for bar-goers looking to raise a glass and have a good time with friends.

9. “I Love This Bar” by Toby Keith

“I Love This Bar” by Toby Keith is a feel-good country song that pays tribute to the camaraderie and sense of community that can be found in a neighborhood bar. The song’s catchy chorus and upbeat tempo make it a favorite among bar regulars looking to kick back, relax, and enjoy a night out with friends.

In conclusion, songs about bars have a special place in the hearts of music fans everywhere. Whether it’s a country ballad about heartbreak and betrayal or a rock anthem about letting loose and having a good time, there is a song out there for every mood and setting. Next time you find yourself at the bar, be sure to put on one of these nine songs and let the music transport you to a world of camaraderie, good times, and memories that will last a lifetime.

Common Questions:

1. What is the significance of songs about bars in music?

Songs about bars often capture the essence of camaraderie, heartbreak, and letting loose that can be found in a night out at the bar.

2. Why do bars make for such popular subjects in music?

Bars are often seen as places where people can come together, let loose, and form connections, making them a rich source of inspiration for songwriters.

3. What are some common themes in songs about bars?

Common themes in songs about bars include heartbreak, betrayal, camaraderie, and the joy of letting loose and having a good time.

4. What are some examples of famous songs about bars?

Famous songs about bars include “Friends in Low Places” by Garth Brooks, “Closing Time” by Semisonic, and “One Bourbon, One Scotch, One Beer” by George Thorogood.

5. How do songs about bars resonate with listeners?

Songs about bars often resonate with listeners by capturing the emotions and experiences that can be found in a night out at the bar, from heartbreak to joy and everything in between.

6. What makes a good song about bars?

A good song about bars should have catchy lyrics, a memorable melody, and a relatable theme that resonates with listeners.

7. How have songs about bars evolved over time?

Songs about bars have evolved to reflect changing social norms and musical trends, but the core themes of heartbreak, camaraderie, and letting loose remain constant.

8. What role do bars play in the storytelling of songs?

Bars often serve as the setting for songs about heartbreak, betrayal, and letting loose, providing a backdrop for the emotions and experiences of the song’s characters.

9. How do artists use music to capture the atmosphere of a bar?

Artists use music to capture the chaotic, boozy, and lively atmosphere of a bar through catchy melodies, evocative lyrics, and infectious rhythms.

10. What emotions do songs about bars evoke in listeners?

Songs about bars can evoke a range of emotions in listeners, from nostalgia and joy to sadness and heartbreak, depending on the song’s themes and lyrics.

11. How do songs about bars reflect the human experience?

Songs about bars reflect the human experience by capturing the highs and lows of life, from moments of celebration and camaraderie to moments of heartbreak and betrayal.

12. What makes bars such popular settings for songs in music?

Bars are popular settings for songs in music because they are places where people can come together, let loose, and form connections, providing a rich source of inspiration for songwriters.

13. How do songs about bars contribute to the storytelling of an artist’s work?

Songs about bars can contribute to the storytelling of an artist’s work by providing a glimpse into the emotions and experiences of the characters in the song, adding depth and complexity to the music.

14. How do songs about bars connect with listeners on a personal level?

Songs about bars often connect with listeners on a personal level by capturing the universal experiences of heartbreak, camaraderie, and letting loose that can be found in a night out at the bar.

15. What role do bars play in shaping the themes of songs in music?

Bars play a significant role in shaping the themes of songs in music by providing a setting for the emotions and experiences of the song’s characters, from moments of joy and celebration to moments of sadness and heartbreak.

16. How have songs about bars influenced the music industry?

Songs about bars have influenced the music industry by providing a rich source of inspiration for songwriters and artists, leading to the creation of timeless classics that resonate with listeners of all ages.

17. What is the appeal of songs about bars for music fans?

The appeal of songs about bars for music fans lies in their ability to capture the emotions and experiences that can be found in a night out at the bar, from the highs of celebration to the lows of heartbreak, creating a rich and relatable tapestry of human emotions.

In conclusion, songs about bars have a special place in the world of music, capturing the essence of camaraderie, heartbreak, and letting loose that can be found in a night out at the bar. Whether it’s a country ballad about heartbreak and betrayal or a rock anthem about having a good time, there is a song out there for every mood and setting. So next time you find yourself at the bar, be sure to put on one of these nine songs and let the music transport you to a world of camaraderie, good times, and memories that will last a lifetime. Cheers!

A Jaguar decidiu jogar 90 anos de história pela janela (ou quase). Em um movimento que está dividindo opiniões (para dizer o mínimo), a tradicional marca britânica revelou um rebranding radical que substitui sua identidade clássica por uma estética que parece mais apropriada para uma startup de tecnologia ou marca de moda. Relembre: A montadora …

Leia Jaguar irrita fãs e viraliza com rebranding radical para ‘apagar’ passado na íntegra no B9.

O WhatsApp decidiu dar um presente para quem não aguenta mais a “cultura do áudio”. O famoso: tomar o tempo da outra pessoa em vez do seu próprio. Por isso, o app anunciou a chegada da transcrição nativa de mensagens de voz, recurso muito pedido que promete equilibrar a balança entre quem ama mandar áudio …

Leia WhatsApp finalmente libera transcrição para acabar com a ditadura da mensagem de áudio na íntegra no B9.

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A Jaguar decidiu jogar 90 anos de história pela janela (ou quase). Em um movimento que está dividindo opiniões (para dizer o mínimo), a tradicional marca britânica revelou um rebranding radical que substitui sua identidade clássica por uma estética que parece mais apropriada para uma startup de tecnologia ou marca de moda. Relembre: A montadora …

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This year, the Open Fields Conference, part of the RIXC Art Science Festival in Riga, addressed symbiotic senses and explored how each of us depends on interactions with lives and intelligences that are often radically different from ours. The keynotes and dozens of talks by researchers, artists, curators, media theorists, philosophers and scientists from different fields illustrated how these complex, albeit often invisible, connections challenge us to reassess the boundaries and essence of our human existence.

I discovered many intriguing ideas and artworks during the conference. Here’s a small selection of them:

Carolyn Kirschner, Rug in the Shape of the Shadow of a Polar Bear

REUTERS/Reuters TV, Arktika, 2017

Map of territorial claims over the Arctic seabed. Photo via No Pole

Designer and researcher Carolyn Kirschner‘s talk, titled Imaginaries of the Far North: Machine Senses and Digital Ecologies, was one of the most interesting i’ve heard in a long, long time.

She explained how the Arctic Ocean remains one of the least accessible but also least understood spaces on the planet. The region’s harsh conditions mean that we have to outsource information gathering to an array of remote sensing instruments and infrastructures. Satellites, airguns, radio balloons, biochemical sensors, hydrophones and probes observe and record data as diverse as wildlife, undersea topographies, atmospheric data or underwater sounds. Even narwhals have been fitted with radio transmitters and recruited as remote sensors that collect data from beneath the ice sheets. The Arctic is also a region of immense importance for ecology and for energy prospecting. As a result, sensing technologies have become geopolitical tools. They are deployed to influence climate policy, territorial disputes, resource extraction, trade routes, etc.

In case of a dispute between some of the countries vying for a slice of the Arctic seabed (Canada, Denmark, Norway, Russia and the US), the disagreement is fought via geological data, not by display of military force. As a consequence, remote sensing imagery of the region is often skewed and shaped by the agendas of the extractive industries and nation states that produce the images. These agendas provide us with different versions of the Arctic Ocean.

No matter how much data is collected, Kirschner continued, the polar ecologies are too complex to be captured by abstract digital models. Even the monitoring instruments are imperfect. To the eyes of the satellites, the Arctic is a sea of pixels. Satellites monitoring shipping routes can only detect big vessels. Bears also confuse them.

Carolyn Kirschner, Rug in the Shape of the Shadow of a Polar Bear

Rug in the Shape of the Shadow of a Polar Bear is one of the works that Kirschner developed to reflect on gaps and glitches in sensing machines. The work asks, “What does a polar bear look like to the eyes of a satellite?”

The dense fur of the polar bears absorbs portions of the electromagnetic spectrum, which can make them difficult to detect for infrared satellites tasked with wildlife observation. The cooler region created by their shadows on the ice might be their only visible trace. Like a strange hunting trophy from the worlds of machine vision, the rug – made from semi-transparent urethane – looks as if it, too, is a shadow on the ground.

Maximilian Prüfer, A Gift from Him (trailer), 2018

Another brilliant contribution to the conference was by curator and researcher Yindi Chen who presented a series of artworks that looks at how the queerness of plants disrupts humans’ difficulty to think outside of the binary format.

Maximilian Prüfer documented how farmers in Sichuan are now pollinating fruit trees by hand as a result of the drastic decline of insect populations that accompanied the overuse of pesticides in the region. Using bamboo sticks with chicken feathers attached to the ends, workers distribute pollen to individual blossoms.

As part of A Gift From Him, Prüfer brought a pear that he pollinated himself back to Germany, photographing it against a red background, a colour associated with luck, joy and happiness in China. The project comments on humanity’s cultural evolution characterised by, on the one hand, technological and mechanical achievements and, on the other, the boomerang effects that these same achievements can bring about.

Candice Lin and Patrick Staff, Hormonal Fog (detail), 2020. Mixed media installation. Photo: Hong Xiaole.

Candice Lin and Patrick Staff vaporised a tincture of hormone-altering herbs – liquorice root, hops, black cohosh, among others – into the air to affect hormones and raise visitors’ levels of estrogen.

“Hormones – often understood as a stable determinant of binary sex, with estrogen and progesterone seen as female, and testosterone coded male – in fact fluctuate constantly both in and around us, linking the gendered body to synthetic substance; the natural world to the history of class, race and sex,” Staff and Lin wrote.

Isadora Neves Marques, Linnaeus and the Terminator Seed (video still), 2017

Isadora Neves Marques’ film-essay, Linnaeus and the Terminator Seed, asks whether there is a deterministic, evolutionary line connecting modern botany to contemporary transgenics.

Gathering botanical drawings by European naturalists in Latin America and Southeast Asia, plant genome representations, documents about transgenic seeds, as well as modern depictions of the reproductive systems of flowers and humans, the film explores the sexual imaginary of botanists such as Carl Linnaeus, to consider the post-natural conditions governing current biotechnology, the colonial management of reproduction, as well as the representation and indexation of life forms both past and present.

Beyond the Hybrid. Narratives, New Media Experiments and Speculations Touching Art and Science (Open Access PDF here)

Jean Dupuy, Heart Beats Dust: Cone Pyramid, 1968. Photo

While presenting the release of Beyond the Hybrid. Narratives, New Media Experiments and Speculations Touching Art and Science (Open Access PDF here), Lily Diaz-Kommonen from Aalto University showed us a remarkable interactive artwork that was exhibited in 1968. To experience the work, a viewer would place a stethoscope on their heart. The heartbeats would then be amplified by a loudspeaker placed under a latex membrane covered with Lithol Rubine, a brilliant red pigment that has the ability to remain suspended in air for long periods. The rubber membrane vibrates to the rhythm of the heartbeat, thrusting red dust up and down in a cone of light.

Paul Vanouse, Labor, 2019 – ongoing. Photo: Francesca Bond/Buffalo News

In his keynote, media studies scholar and art curator Jens Hauser looked at how Lynn Margulis’ concept of the holobiont inspires performative artistic practices that attempt to blur the boundaries between self and other, biological and technological realms, hence contributing to shifting discourses from ‘identity’, ‘individuality, or ‘difference’ to ‘cohabitation’ and ‘entanglement’. These artistic practices are presented in the forthcoming book Lifve is Other: A/Biotic Entanglements in Art and Curating.

One of the artworks Hauser discussed in that context was Labor by Paul Vanouse.

The art installation re-creates the scent of people exerting themselves under stressful conditions. The “smell manufacturing” is delegated to bacteria propagating in bioreactors. Each bioreactor incubates a unique species of human skin bacteria responsible for the primary scent of sweating bodies: Staphylococcus epidermidis, Corynebacterium xerosis and Propionibacterium avidum. Their scents combine in the central chamber containing a white t-shirt. The scent intensifies throughout the exhibition.

“Labor reflects upon industrial society’s shift from human and machine labor to increasingly pervasive forms of microbial manufacturing. Today, microbes produce a wide range of products, including enzymes, foods, beverages, feedstocks, fuels and pharmaceuticals. They literally live to work. These new industrial activities point to a deepening of the exploitation of life and living processes: the design, engineering, management and commodification of life itself. In Labor, the microorganisms ironically produce the scent of sweat, not as a vulgar bi-product of production, like in factories of the 19th and 20th centuries, but as a nostalgic end-product.”

Anne Yoncha, in collaboration with Hannah Selin, Brian Givens and Tuira Chamber Choir, Suon laulu (Song of the Swamp)

Anne Yoncha presented Re:Peat, an artistic research project looking at post-extraction peatland in Finland. The artist’s research explores how plants survive in extreme conditions such as the near-Arctic environment of Northern Finland. She focused on Sphagnum, a type of moss that engineers peatland. The plant can absorb 20 times its weight in water, creating an environment where only Sphagnum moss can survive. A small shrub or a tree trying to grow on the peatland can drown itself with its own weight as it grows.

Finland has been using peatland for electricity and heating. Even though this is a biofuel, it is not renewable, as it takes too many decades to regrow peatland. Finnish scientists are now studying this novel ecosystem and trying to make the soil productive again in some way.

During a residency at the Natural Resources Institute Finland in Oulu, Yoncha worked with restoration ecologists and used art to materialise their data and reveal what is hidden under the ground or in time scale we find it difficult to comprehend.

Suon Laulu (Song of the Swamp), one of the works she created during the residency in Oulu, is based on the analysis of a soil core sample taken from one of the post-peatland sites. The data of the soil (water level, temperature, soil respiration, etc.) was transformed into a musical score, which was then performed by a choir.

The St. Nicholas Cathedral, Karosta

Anna Priedola, from the Liepaja University Art Research Laboratory, shared her research about Karosta, a vast compound of military and fortification buildings in Liep?ja, on the shores of the Baltic Sea. The massive territory, built in 1890-1906 by order of the Russian Tsar Alexander III and his son Nicholas II as an ice-free naval port, also features green spaces with a forest, wetland, a beach, a lake, etc. The military infrastructure is currently in ruin and taken over by species like bats. While Karosta remains mostly inhabited and is often seen as a recreational destination, the municipality of Liep?ja plans to turn it into a special economic zone where commercial companies are encouraged to settle and benefit from a series of tax incentives.

Esteban Agosin Otero, M(ol)AR

Esteban Agosin Otero, M(ol)AR

Esteban Agosin Otero gave us the lowdown on M(ol)AR, a sound art installation that investigates whether it is possible to create new technologies using non-invasive resources and materials.

The artist made antennas using seawater electrolytes and salt crystals (instead of copper) as electrical conductor. “An Arduino-controlled and automated water pump flows water up and down, adjusting the frequency at which the antenna is more efficient in picking up radio signals. The signals come from natural phenomena occurring in the ionosphere, as well as human activities, such as satellites, Bluetooth signals, Wi-Fi and electrical current.”

Oleksandr Sirous showed the evolution of the area bordering the Dnipro River with this aerial view of the region in November 2023 and 4 months later

Oleksandr Sirous, Jade Apack and Svitlana Usychenko commented on the drastic environmental transformation the Dnipro River has been experiencing since the start of Russia’s invasion of Ukraine. For Sirous, the Dnipro river is a symbol of Ukraine’s fight for survival. It is also one of the biggest and most artificial rivers in Europe. Until its explosion on June 6, 2023, the Kakhovka reservoir was the main source of water supply for southern Ukraine. The collapse of the dam had tragic consequences on the environment, creating new swamps and making the environment in Ukraine less predictable.

The group mapped the Dnipro River to illustrate the scale of the impacts that human events, and in particular Russia’s brutal invasion, have on ecosystems forming around the Kakhovka Reservoir after the dam collapse. In light of the findings, their research asked an important question: Should we rebuild the power plant, should we allow nature to reclaim the territory, or should we look for a middle ground?

They also discussed Dnipro River Integrated Vision. The project, published by Greenpeace and Ro3kvit, combines research, scenarios and proposals to encourage collaboration and dialogue about the river’s future in spite of Russia’s brutal invasion of Ukraine.

Zane Zelmene, A Guide to the Invisible Landscape, 2022

Zane Zelmene, A Guide to the Invisible Landscape, 2022

L?ga Vélina gave us an overview of Transhuman art practices in Latvia. Among the projects she described, i was particularly interested in Zane Zelmene’s A Guide to the Invisible Landscape, an artwork that depicts landscapes from dream experiences using VR installation and objects in the gallery space.

The Open Fields conference is over but the Symbiotic Sense(s). RIXC Art Science 2024 Festival Exhibition remains on view until 7 December 2024 at the National Library of Latvia in Riga.

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