If Sam Raimi had made forklift safety videos

Forklift
Leave it to the Germans to outdo the Canadian workplace advisories with clockwork efficiency, as Klaus the Forklift Operator goes on an accidental rampage that would put Evil Dead fans off their breakfast. It may also rank as the most inauspicious first day at work of all time. The gruesomeness really kicks in around the five-minute mark. Enjoy! (Read more about the short film here. Apparently some companies have actually used it as a training video.)

—Posted by David Kiefaber

Aegis Keeps Pernod Ricard’s $200M Global Media Account

NEW YORK (AdAge.com) — Aegis Media has successfully defended Pernod Ricard's estimated $200 million global media account following a review. Publicis Groupe's Optimedia and WPP Group's MindShare also pitched the account, according to executives familiar with the matter.

Jack Zander narrowly misses 100 years age

Sad news today as the man who introduced the ad world to animation, and enriched the 50’s 60s and 70s with stylishly animated commercials for brands such as Dime Savings Bank, Alka-Seltzer, Green Giant vegetables, Crest toothpaste and Jax Beer and many more – Jack Zander – has driven his BMW bike to the dirt road in the sky.
The New York Times Obituary tells the tale of how Jack got his lucky break

The receptionist stuck her head into the lobby, where Mr. Zander and a friend happened to be sitting.
“Are you fellows animators?” she asked.
Mr. Zander, as he later said in interviews, had no idea what an animator was. But it was the start of the Depression.
“Yes!” he shouted, and so his career began.

CartonBrew has a recent Jack Zander interview from this summer, well worth a read.

One of the great things about Jack, that I think everyone who worked for him would agree on is that he hired and trusted a whole generation of young animators. Jack looked for talent, and didn’t care much about age, race, background, whatever. He wasn’t a New Yorker by birth, but he really was the quintessential New Yorker in his demeanor. And Jack sent some of the best animators in the business out into the world.
His production company was a great place with great people. And he was a great influence. A guy who encouraged free thinking and artistic expression in a business which for all its creativity, can sometimes stifle expansive thought.
He was a great man, and had a huge impact on advertising.

– says our own adgrunt tod.brody
At Animationjournal we found this quote from Jack on creating commercials:

The art form turned out to be a natural for the tube. First it grabbed the viewer’s attention just by the looks. At that time most of the commercials were talking heads or other examples of stand up deliveries. Pretty boring. Along comes the funny pictures and immediately the eye is drawn to the screen. Can t beat that. At that stage of the business all you had to do was make some drawings move. Our audience was there waiting for the message.

The lost 50’s cartoon have some images from Jack Zanders work.

read more

Ice-skating testicle roughed up on the rink

It’s a shame this ad arrives so late in the year, as it would be a shoo-in for at least an Elite Eight appearance in our Freaky Advertising Moment of 2007 contest. It features a testicle who’s having a ball practicing its salchows, but keeps getting slammed by a hockey player, leaving hairs all over the ice. The tagline: “Check your balls,” reveals it to be a campaign for testicular-cancer awareness. See the whole Carpe Testes effort here. The agency is Struck in Salt Lake City.

—Posted by Tim Nudd

Hot for the Holiday: GPS Sales up 488%

YORK, Pa. (AdAge.com) — You better not pout, you better not cry — or you won't get a GPS device or digital picture frame like the other good little boys and girls who know what's hot in tech this season.

AC #54 Now Available

The Holiday ’07 Edition.

Finally. Tug and John find a moment to sit down over a few pints for a podcast. In the warmth and kindness of the season, John and Tug drop more f-bombs than usual. Just warning you now.

Chapter One: Intro wherein Tug complains about the current state of women’s handbags.

Chapter Two: A heartfelt salute to Mr. Whipple.

Chapter Three: Holiday spot talk including Rudolph rehashes and carol rewrites.

Chapter Four: Tug and John’s do’s & don’ts at the agency holiday party. Remember, do as we say not as we have done.

Hope you and yours have a wonderful holiday. 2008 is, well, going to be another year in advertising.

Be naughty. Listen now.

Blogosphere Reacts to Google Knol

NEW YORK (AdAge.com) — It has been called a competitor to Wikipedia, Jason Calacanis' Mahalo, Seth Godin's Squidoo and Yahoo Answers: Knol is Google's foray into knowledge aggregation.

FTC Approves Google-DoubleClick Deal

WASHINGTON (AdAge.com) — The Federal Trade Commission today voted 4-1 to approve Google's $3.1 billion purchase of DoubleClick without condition. The commission rejected concerns by consumer groups that the deal may hurt consumers privacy.

FREAKIEST ADVERTISING MOMENT OF 2007, CHAMPIONSHIP GAME: Dexter vs. Pioneer

Our Freakiest Advertising Moment of 2007 contest comes down to this: a viral effort that made your “friends” feel like they were being targeted by a serial killer, versus an ad campaign that attempted to sell TVs by showing eyeballs with mouths. Freaky, indeed. Vote for a winner below through noon on Friday. See the full bracket here.

—Posted by Tim Nudd

Championship

Championship game:
Dexter’s viral campaign vs. Pioneer’s laughing-eye ads.

  Dexter’s viral campaign made a murderous late charge in the Final Four and left the Lost Jaw guy with egg on his already-overtaxed face. Now, it faces Pioneer’s creepy eye-mouths, which shut down the dairy dreams of Skittles’ milked man. Which one will be crowned the Freakiest Advertising Moment of 2007?
  UPDATE: And the winner is Dexter! See the vote totals here.

10 Ways to Make the New Year Happy

The start of a new year is always a good time to reflect on the past and think about the future. But for CMOs, this end-of-the-year taking stock quickly puts a damper on holiday celebrations. CMO tenure remains depressingly low, marketing effectiveness has been disappointing and CEOs are all too quick to notice poor results. To help brighten your outlook on the year ahead, we compiled a list of 10 things CMOs can do to dramatically help themselves, their brands and their companies.

Three New Year’s Resolutions for Brands

Whether spurred by human nature or love of ritual, it's a time-honored tradition to set some goals for the New Year. So in the spirit of new beginnings I suggest the following New Year's resolutions for brands. In fact, the concepts behind the most common resolutions made by people — spend more time with friends and family, eat right, exercise more — apply to brands as well

Jakob Nielsen: Get Web 1.0 Right First

Jakob Nielsen’s newest alertbox on the web 2.0’s dangers to site profitability: “Instead of adding Facebook-like features that let users “bite” other users and turn them into zombies, the B2B site would get more sales by offering clear prices, good product photos, detailed specs, convincing whitepapers, an easily navigable information architecture, and an email newsletter.”

Santa Claus Tattoo


 

If you’ve always wanted see a more radical Santa Claus, now the good people at R/GA give you the chance. Tattoo the fatty in red where you want and with what you want.
 
Link: R/GA Tattoo Santa.
Via: NiceToMeetYou.

Color-Blind Image Simulation



Color wheel as seen by a red-insensitive protanope.

To test how your ads are seen by the color-blind, you can use Vischeck, an online tool and a set of downlodable Photoshop filters for PC and Mac.

More tools. A color-blind-friendly interface on Summize.

Earlier:
Advertising for the Color-Blind
Tool: How Color Blind People See Text
Advertising in Braille
The Robotic Shopping Assistant
Playboy in Braille


A regular color wheel (source).

New Phone Allows Speaking With Ears


image source

AFP/Breitbart: “A Japanese company Tuesday unveiled a new device that will allow people “speak” through their ear so they can use their mobile telephones in noisy places. The device — named “e-Mimi-kun” (good ear boy) — doubles as an earphone and a microphone by detecting air vibrations inside the ear, developer NS-ELEX Co. said.”

Mannequins Are Protected By Copyright Law


Mannequin designers at Rootstein find their creations frequently copied by cheaper manufacturers.

VMSD.com: “If the mannequin you acquire imitates a higher-priced model in design, pose, paint, facial expression or some other details, you’re likely breaking the law. Retailers face legal liability if there’s a whiff of suspicion that they conspired to have cheaper imitations produced. And – here’s the big cautionary message – retailers are liable even if they didn’t know the mannequins they purchased were copies.”

Earlier:
Moving Mannequins with Face Recognition
Lifelike Mannequins
Mannequin Crowd Promotes Real Estate
Concept: Social Retailing

10 Forces That Shape Headline Writing

I remembered a great quote from an old colleague of mine: “The web is the only medium in which you must create content which impresses machines.” This is especially true for headlines, and, increasingly, not only blog headlines. With online versions of traditional newspapers adding Digg Me buttons and incorporating automated contextual advertising and other technological novelties, the fine art of headline writing is under more and tighter constraints then ever before. Why and for what purpose are headlines written today?

  1. For others to read the article. That’s what headlines and titles (there’s a difference: headlines have verbs in them) have been invented for, after all: to attract readers’ attention to the content under them. A corollary: it also needs to attract readers’ attention when it is found out of its original context, for example, on someone else’s site.
  2. For others to notice it in the RSS reader (this was a topic of a separate post on RSS usability last year).
  3. For the author to like it. This is straightforward: you wouldn’t slap a subjectively ugly headline on your article (although in newspapers, copy editors often do) because you will be the one staring at it before anyone else sees it. And long after that, too.
  4. For the author to find it. How do you link back to your old posts relevant to the subject at hand? I use my own search box, and I got into the habit of using keywords that I’m likely to remember months or even years down the road.
  5. For others to find it. This is the non-profit SEO part where you write you headline so that it comes up for a search on the topic the article is about and helps someone out. This means two things: the article needs to be in the top search results, and the headline needs to prompt the click.
  6. For others to find it, for a different reason. In the for-profit world of SEO, you’ll write your headline so that it drives people who search for something that your site in general (but not necessarily each particular post) is promoting. The real trick here is to make the headline keyword-rich without it sounding artificial.
  7. For others to find it again, in their own information universe. It is terribly difficult to locate something you’ve bookmarked on del.icio.us when your bookmark count is in the thousands unless you know (or, importantly, you think you know) what the title was (Tags, while invented for a good purpose, are a mess).
  8. For the AdSense funnel, where the searcher clicks on your link in the search engine, arrives at your blog, looks around, and then bounces off through a well-targeted AdSense ad that is closer to what he’s been searching for in the first place.
  9. For AdSense robots to display the right ads. I don’t really know how much weight is assigned by the AdSense and other contextual ad algorithms to headlines, but it has to be significant since post titles are also page titles.
  10. To influence social forces on Digg and other similar content microcosms. There are plenty of guides on writing Diggable headlines out there.

Ribbit has the tech part down, but what about consumer marketing?

News media outlets are heralding Ribbit’s goal to “be the platform company for Voice 2.0 applications.” Countless articles in mainstream news media and posts in blog media have appeared, written by individuals with a solid command of exactly what Ribbit is all about. Om Malik, writing for GIGAOM, sums it up: “…what they have done is built their own Class 5 softswitch and back-end infrastructure and married it to front-end technologies like Flash and Flex from Adobe Systems (ADBE).” Okay, if you say so.

The company calls itself, “Silicon Valley’s first phone company.” Chief Executive Officer Ted Griggs comes across as a really nice guy on a promotional video. The video will probably challenge the attention deficit Web readers are known for. Griggs basically talks about the company and what the technology means.  But the video is about as lively as a lint brush. There’s a photo of a guy in a suit on the front page of the Ribbit Web site. He’s in a Zen state of mind. Who is he supposed to be speaking to? Even a developer wouldn’t relate to this guy. Your average person, to get excited about this product, needs to know in flat English what Ribbit is going to do for us and what it will cost.

 

A page on the company’s Web site does give consumers an idea of what to expect. You’ll be able to: make calls through your computer so you have a phone wherever you have an internet connection, read your voicemails so audio playback is no longer a necessity, play your messages in any order so you decide the order of importance, and access your messages on the go from any phone through a smart voicemail interface.

A New York Times headline asked, “Would you buy a telephone from a company named Ribbit?” Most of us would if we get a unique service at reasonable cost. I actually think the name can be an asset—frogs are cute and there’s a lot of creative leeway in those little amphibians. Think about what GEICO does with a gecko who talks like an Aussie and has better manners than most of us. You have to wonder what kind of accent a Ribbit-promoting frog might speak with, in between ribbits.

Meanwhile, developers are positive. According to the Ribbit Web site, more than 600 have joined the development community to date,  located throughout the world in over 65 countries, including the U.S., Europe, Brazil, China, and India. Time will tell whether future marketing efforts will succeed with consumers—maybe we’ll see a Valley girl frog offering up a designer beer, ‘ribbiting’ with zest, selling us on a new phone service in the process.

 

Outdoor Outfitter Taps BBDO for $28M Ad Account

NEW YORK (AdAge.com) — Outdoor gear and clothing retailer REI has handed its estimated $28 million creative and media account to BBDO, Atlanta, according to executives familiar with the matter.

Cops pull over decent drivers just to give them Starbucks coupons.

An update on that Starbucks Holiday cheer – presumably happens in drive-throughs – now we learn that cops in California pull over drivers who have done nothing wrong just to hand them a Starbucks coupon. Get the hell away, really? How would you react if a police car went all blinking lights on you, pulled you over and then handed you a coupon for a decaf latte?

read more