Where The Money Is

Digital advertising veterans P.J. Pereira and Andrew O’Dell caused a stir in the industry earlier this year when they left their senior posts at AKQA. Wednesday, they announced plans to launch a new full-service agency, Pereira & O’Dell.

Pereira_Odell.jpg

The two say their new San Francisco-based agency will offer clients both digital and traditional services, but won’t sell them what they don’t need, implying that both traditional and digital shops do just that.

In an interesting startup twist, the company has secured $30 million in funding — plus, the founders say, the prospect of an additional $70 million — from Brazilian investment fund ABC International. Agencies don’t normally launch with that type of capital backing.

The Wall Street Journal explores this angle:

WSJ: P.J., you have some Brazilian investment connections that you’re tapping to fund the company. Tell me about them.

Mr. Pereira: My first job in advertising was at Nizan Guanaes’s agency DM9. We never stopped talking. He was my first boss in advertising. He was my first partner. Now he is my partner again.

Web-site smackdown: R/GA vs. Modernista!

Rgasite
In an interview this week on a different topic, R/GA CEO Bob Greenberg was too polite to take any potshots at Modernista!’s new Web site. But given the opportunity to say nice things about it, he was equally silent. Hmm. Anyway, R/GA is taking the wraps off its own major site redesign, its first in nearly five years. The look is clean, and the navigation pretty intuitive. It’s all Flash, though, meaning if you use the back button, you get taken off the site. The biggest switch is the heavy use of video. The front page features thumbnails of case studies of major R/GA campaigns, such as Nike+, Verizon Action Hero and NikeiD Studio, along with its reel and video tours of its emerging media practice and digital studio. More video is on the way, Greenberg promises, even to supplement the “About us” section. “What we’re saying is the future of the commercial is going to be a demo, not a TV spot,” he says. Be sure to check out the “Leadership” section for some artsy black-and-white shots of Bob, top creative Nick Law and other R/GA bigwigs. All in all, it’s what you’d expect from R/GA: a sleek, well-done site. But does it lack the “wow factor” of Modernista!’s new site? Maybe showing off Web 2.0 cred isn’t what an agency site should be about. Which do you prefer? UPDATE: Not to be outdone, Grey this morning sent over word (via PDF, never a good sign) that it has given a makeover to Grey.com. Does it measure up? Grey says it perfectly exemplifies its “new dynamism and creative energy.”

—Posted by Brian Morrissey

Cube: Robots

Cube: Robots

Advertising Agency: King James, Cape Town, South Africa
Executive Creative Director: Alistair King
Creative Director: Karin Barry
Art Director: Rachel Brown
Photographer: Crispian Plunkett
Retoucher: Anthony Murray
Copywriter: Jabulani Sigege
Account Executives: Lesley Wright, Nicky Topliss

Cube: Gum

Cube: Gum

Advertising Agency: King James, Cape Town, South Africa
Executive Creative Director: Alistair King
Creative Director: Karin Barry
Art Director: Rachel Brown
Photographer: Crispian Plunkett
Retoucher: Anthony Murray
Copywriter: Jabulani Sigege
Account Executives: Lesley Wright, Nicky Topliss

Cube: Doll

Cube: Doll

Advertising Agency: King James, Cape Town, South Africa
Executive Creative Director: Alistair King
Creative Director: Karin Barry
Art Director: Rachel Brown
Photographer: Crispian Plunkett
Retoucher: Anthony Murray
Copywriter: Jabulani Sigege
Account Executives: Lesley Wright, Nicky Topliss

Here’s A Shocker: Folks Are Wary Of Targeted Online Ads

From Wired News:

Targeted ads might be a brass ring for the online marketers, but consumers just aren’t buying it. According to a recent Harris Interactive survey, 59 percent of Americans take exception to Microsoft, Google, and Yahoo tracking their online activities for marketing purposes.

The nationwide survey was conducted with the help of Dr. Alan F. Westin, Professor of Public Law and Government Emeritus at Columbia. Westin argues that the distrust stems from consumers disbelief of the value proposition offered by marketers.

Once people find out how they’re being tracked, they don’t like it. But usually, they’re not aware of how they’re being tracked. And there just isn’t much of an upside for consumers to all this tracking; the benefit is to marketers.

McDonald’s: Cheese engine

McDonald's: Cheese engine

Advertising Agency: DDB Stockholm, Sweden
Creative Director: Andreas Dahlqvist
Copywriter: Magnus Jakobsson
Art Director: Fredrik Simonsson

McDonald’s: Troll teen

McDonald's: Troll teen

Advertising Agency: DDB Stockholm, Sweden
Creative Director: Andreas Dahlqvist
Copywriter: Magnus Jakobsson
Art Director: Fredrik Simonsson

McDonald’s: Left foot

McDonald's: Left foot

Advertising Agency: DDB Stockholm, Sweden
Creative Director: Andreas Dahlqvist
Copywriter: Magnus Jakobsson
Art Director: Fredrik Simonsson

McDonald’s: Knight visitor

McDonald's: Knight visitor

Advertising Agency: DDB Stockholm, Sweden
Creative Director: Andreas Dahlqvist
Copywriter: Magnus Jakobsson
Art Director: Fredrik Simonsson

Alcohol-Free Pubs – UK’s First Islamic Pub (GALLERY)

(TrendHunter.com) The Halal Inn, in Oldham UK, is the UK’s only Islamic pub. Inside is everything you would expect from a pub except there is no booze…

Of course in addition to the range of expected pub snacks there are also specific Asian foods and rather than pop songs Islamic songs are played over the radio. Ot…

Loose Neo-Con Ladies: All Yours for $7 S&H

luce-malkin.jpg

Make the Logo Bigger says wouldn’t it be funny if neo-con blog divas came in cereal boxes? They don’t, but you can get one for $7 shipping and handling. Choose between dimply Michelle Malkin and icy blonde Ann Coulter. (Something for the whole family!)

Magners releases Euro RSCG ad for low calorie cider

LONDON – The maker of Magners Original Irish Cider has launched a TV campaign for its new low-calorie cider Magners Light.

Brasil Telecom: Caller ID, Your debts

Brasil Telecom: Caller ID, Your debts

Advertising Agency: Leo Burnett, Brasil
Creative Director: Ruy Lindenberg
Art Director: Juliana Paracencio
Copywriter: Leonardo Assad
Sound Studio: Menina

Brasil Telecom: Caller ID, You didn’t call me

Brasil Telecom: Caller ID, You didn't call me

Advertising Agency: Leo Burnett, Brasil
Creative Director: Ruy Lindenberg
Art Director: Juliana Paracencio
Copywriter: Leonardo Assad
Sound Studio: Menina

Brasil Telecom: Caller ID, Telemarketing

Brasil Telecom: Caller ID, Telemarketing

Advertising Agency: Leo Burnett, Brasil
Creative Director: Ruy Lindenberg
Art Director: Juliana Paracencio
Copywriter: Leonardo Assad
Sound Studio: Menina

Brasil Telecom: Caller ID, Please donate

Brasil Telecom: Caller ID, Please donate

Advertising Agency: Leo Burnett, Brasil
Creative Director: Ruy Lindenberg
Art Director: Juliana Paracencio
Copywriter: Leonardo Assad
Sound Studio: Menina

Brasil Telecom: Caller ID, Mortgage

Brasil Telecom: Caller ID, Mortgage

Advertising Agency: Leo Burnett, Brasil
Creative Director: Ruy Lindenberg
Art Director: Juliana Paracencio
Copywriter: Leonardo Assad
Sound Studio: Menina

Brasil Telecom: Caller ID, Ex wife

Brasil Telecom: Caller ID, Ex wife

Advertising Agency: Leo Burnett, Brasil
Creative Director: Ruy Lindenberg
Art Director: Juliana Paracencio
Copywriter: Leonardo Assad
Sound Studio: Menina

Karlssons Klister (UHU) poster campaign in Stockholm fails.

There were quite a few interesting Karlssons Klister outdoor executions in Stockholm this week – sadly the best one (possibly) was taken down before I had time to photograph it. In that execution the entire inside of an bus-poster had been removed (no lights!) so you could look straight through it and the text read “in case of emergency, break glass”, inside the glass was a single real tube of Karlssons. Having broken a heel or two chasing after a bus I found it to be highly appropriate, and possibly even useful.

Here’s one that failed though. When advertising a super glue, the glue must work. The keys on the screen might have been “ctrl” and “z” but as you can see, now there’s only Z. They used double-sided tape, same mistake as the Sydsvenskan diary billboard made.

I saw another one as I was dashing to my train, a poster stuck slanted high up on the wall between the “real” poster sites at the central station. Didn’t have time to snap a shot, but the placement was funny.

read more