Korail appoints Diamond Ogilvy in Korea
Posted in: UncategorizedSEOUL – Korean public railway service Korail has selected Diamond Ogilvy to handle its creative and media accounts, following a pitch that included TBWA and Cheil Worldwide.
SEOUL – Korean public railway service Korail has selected Diamond Ogilvy to handle its creative and media accounts, following a pitch that included TBWA and Cheil Worldwide.
KUALA LUMPUR – Malaysian tea producer BOH Tea has narrowed its search for a creative agency to two contenders, with M&C Saatchi to line-up with one other undisclosed agency in the final round of pitching.
Not long ago, Google released the “My Location” functionality in Google Maps Mobile, which allows you to see your location on the map regardless of whether or not your phone has GPS support. At the moment this adds limited benefit due to the accuracy (or lack of), but does raise a LOT of interesting questions, […]
I don’t think this is so much of a site launch, as a site I’ve just noticed.
Help is a pharmaceuticals company with a trendy little site. Kinda like if Nudie/Innocent took over Panadol.
I reckon the web is more in need of better writing than design. And Help delivers. Especially for a company that sells something so un-web2.0 as headache tablets:
Extract from the website:
Coatings and dyes can make a pill look prettier but they don’t really help you with your headache, and that’s what we are trying to do. If you enjoy coatings and dyes, you will have to eat them separately.
Thank you. You have given me relief from my headache without adding to my pain by making me read your overly verbose T’s and C’s or look at heavily-flared photoshop designed packets.
Nice.
Patrick Petersen interviewt Touching Media op de SpinAwards from AtMosttv on Vimeo.
Video capture of a toy packaging is displayed on a computer and augmented with the animated 3D image of the toy inside. The video is in Dutch; via Erwin van Lun.
I can imagine these installations in the stores, working similarly to price scanners. Very cool. A simpler (and older) idea: scanning the barcode in the store displays reviews and suggested add-ons.
If your customers are young, you need to be moving forward to connect with them in the social world — the world we call the groundswell — because that's where they're spending their time. But this phenomenon is like no medium you've dealt with before. There are a lot of reasons, but the main one is this: The groundswell resists campaigns.
NEW YORK (AdAge.com) — Not long ago, the main talent drag on agencies was luring young digital talent away from sexy alternatives such as video-game design or web publishing. Now there's another big question: How can agencies prevent their senior talent from being lured away by media start-ups holding out promises of big future payouts?
Today there are more affluent households than ever before, from more diverse ethnic and psychographic backgrounds, and they include a wide range of age demographics as well as various degrees of wealth. However, thanks to the flagging economy, many have one thing in common: They're not feeling nearly as affluent as they once did.
NEW YORK (AdAge.com) — The big three TV network newscasts lost about 1.2 million viewers last year, and advertising on their three big morning news shows fell to an estimated $1.03 billion. Given that rather sobering picture, maybe the discussion shouldn't be over whether Katie Couric will last at CBS through the election. Maybe it should be whether we need network-TV news at all.
NEW YORK (AdAge.com) — David Verklin once gave a speech in which he coined the phrase "the crackle of change" as a way to get at the digital transformation sweeping the ad business. The crackle caught up with the loquacious media thinker last week, when he announced that he's leaving Carat, the platform from which he became one of the industry's most visible figures during the past 10 years.