Twitter Unveils Star Wars Emojis, and All Is Right With the Galaxy

Emoji product placement on Twitter just advanced a few light years today, as the social network—in partnership with Disney and Lucasfilm—unveiled Star Wars emojis at the Star Wars Celebration in Anaheim, Calif.

There are three emojis to start: C-3PO, a Stormtrooper and BB-8—a new droid introduced back in November in the first teaser trailer for Star Wars: Episode VII-The Force Awakens. It’s the BB-8 emoji, of course, that’s the best marketing for the upcoming film—to be released Dec. 18—as Twitter users who haven’t been following the movie’s news wonder who the hell the cute little bot is.

As Twitter explains, the characters won’t show up in your emoji keyboards. You have to use the hashtags #C3PO, #Stormtrooper or #BB8 on Twitter.com or in Twitter’s mobile app (not in third-party apps). More characters are on the way, Twitter adds, “including iconic legacy characters and a handful of new characters from #TheForceAwakens.”

Clorox Explains Emoji Tweet That Many Thought Was Weirdly Racist

Some long-awaited racially diverse emojis were added to iOS today, and all the world is happy. Well, the world was happy until it saw this Clorox tweet.

The brand sent out an odd message Wednesday evening featuring a bottle of its bleach made up of emojis, and the line, “New emojis are alright but where’s the bleach.” Given the timing, it set the Internet ablaze, with many wondering if Clorox meant the diverse emoji should all be bleached white. (There were no face emojis in the tweet, though.)

Despite intense criticism, Clorox left the tweet up, at least as of this writing, though it did follow up with a response, saying it just meant that emojis like toilets, bathtubs and wine glasses might need to be bleached at some point. Odd, then, that none of those emojis appeared in the original image, either.

Well, we’re not sure if Clorox knows how Twitter works, but there’s an easy way to “bleach away” a tweet—the delete button. Both tweets are now still there gathering comments.

And it’s isn’t pretty. Below is a sampling of reaction to the original tweet.



29 People Who Can't Stand Your Stupid Branded April Fools' Joke

Here we are again, fools.

It’s the first day of April, and everyone is reluctant to click links for fear of getting Rickrolled, sent to an old website from the ’90s or even—gasp!—finding a fake product from a brand.

The latter is particularly loathesome, according to people on Twitter who hate to see brands have any fun whatsoever. It’s so tiresome and clichéd, these folks claim (a complaint that itself might be a bit tiresome and clichéd).

Take a look below at this motley crew of pitchfork-carrying villagers who won’t rest until the brands stop trying to engage with them.

 
It all started out friendly enough…

 
But even before today, it began to get heated…

 
And then things just escalated…

 
Here you go, Ross—at least one brand gets it…



Like Clockwork, These Brands Found Time for Absurd Tweets About the Apple Watch

By now you’ve heard all about Apple’s new gadget—that futuristic iPhone accesory known as the Apple Watch. When the biggest brand in the world releases a new product, it’s a cultural event. And that means Twitter explodes as everyone—including brands—offers their hot take on the new timepiece.

Check out some of the brand tweets below, whose subtext is clear: Apple is cool, but it’s time to pay attention to us instead. 

 



Fans Successfully Unlocked the New Avengers Trailer, and It Was Totally Worth It

Marvel both delighted and infuriated its rabid fan base today by making them work together to unlock the new Avengers: Age of Ultron trailer by tweeting about it. But good news: The trailer is amazing.

All morning, a promoted post on Twitter asked fans to “tweet to unlock” the new ad, and now the spot is live. Check it out below for your fix of James Spader, Robert Downey Jr. and an overflowing superhero smorgasbord:



Every Brand Wanted a Piece of #TheDress, but Who Wore It Best?

What a day the Internet had yesterday. First we by MacVx”>watched llamas on the loose. Then, just after 6 p.m., BuzzFeed posted what might be its single most-shared article ever: “What Colors Are This Dress.”

If you’re unaware—which is impossible, unless you live in a cave—the story pointed to a Tumblr discussion about the color of a dress. Welp, the Internet exploded—and so did the brands, which swarmed the topic like flies.

See some of the tweets below. Hooray for net neutrality! I guess?
 

 
 



Dove, Twitter Team Up to ‘#SpeakBeautiful’

Dove and Twitter are teaming up for a campaign aimed at curbing negative tweets about body image.

Campaigns promoting online positivity seem to be big lately, with examples from brands such as Coca-Cola and McDonald’s. But Dove’s campaign seems to be more hands-on and issue-specific than those efforts. It’s based on the statistic that over 5 million posted negative tweets about body image last year, and aims to reverse the trend by encouraging women to post something positive instead.

“Ideas and opinions about body image are now fluidly shared every second through social feeds, and sometimes we do not fully realize the resounding impact of the words in even one post,” Jennifer Bremner, director of marketing at Dove, explained to Adweek. “The power to #SpeakBeautiful is in the hands of us all—we can positively change the way future generations express themselves online.”

The social effort is being promoted with a 30-second broadcast ad (featured above), which will run during the red-carpet coverage of the Academy Awards. It begins by sharing the statistic that sparked the campaign before declaring “But it only takes one positive Tweet to start a trend” and ends with the message, “Let’s change the way we talk about beauty on social media.” The effort gels well with Dove’s longstanding “Real Beauty” message, and the ads’ impact should be optimized by its placement during the red-carpet coverage — when a lot of hate typically goes down on social media.

Brands Are in Love With the #WhatIsLoveIn4Words Game, but They Only Love Themselves

Vanessa Bayer comes on to everyone in an elevator in Audi’s Fifty Shades of Grey spoof. http://adweek.it/17mGIgB

A Twitter hashtag game like #WhatIsLoveIn4Words is irresistible to brands. It’s easy, and the answer is simple: With only a few exceptions, they love themselves first.

Check out a slew of brand posts around the hashtag below. Beats by Dre gets our grudging respect for being so uncreative, they were actually creative.



Chipotle Is Asking Fans to Write Haikus, and Some of Them Are Truly Impressive

Chipotle has come up with a pretty clever way to get people to express their deep love for burritos. Today, Chipotle is running a social media campaign asking people to post a haiku on Twitter or the brand’s Facebook page for the chance to win prizes. The Top 20 poems with the most Likes and retweets will win a dinner for two.

Usually, this sort of consumer-generated contest fare is pretty bad. But some of Chipotle’s fans are putting some impressive levels of creativity into it. 

On Facebook, someone submitted, “I used to date you/ But now you just serve me food/ One taco, no love.” Another user says, “Electric salsa/ Glides across beans, rice and meat/ dancing palate joy.”

Here are some of our favorite Twitter poems so far:



Monster Created a Masterpiece of Twitter Trolling With This Brilliant Super Bowl Post

Faking out your followers on Twitter is quickly becoming a tired tactic for attention, but Monster still deserves a round of applause for its Super Bowl social stunt.

BBDO New York worked with the job listing site (which wasn’t a Super Bowl advertiser this time around) to create a tweet celebrating the Seattle Seahawks’ victory. The problem, of course, was that the New England Patriots won the game 28-24 thanks to a last-second interception.

As you can see above, most Twitter users saw a cropped version of the congratulatory image. But clicking through to the full image revealed the punch line at the bottom:

In addition to sparking more than 4,000 retweets and 2,400 favorites, the stunt increased discussion of Monster by more than 1,500 percent compared to the average day, BBDO says. 



10 Tweets That Show How Big a Buzzkill Nationwide Was With Its Morbid Super Bowl Ad

Nationwide decided to use one of its two Super Bowl ad slots tonight to highlight the lethal potential of preventable child accidents. The result wasn’t exactly festive fare.

Here’s a pretty accurate cross-section of Twitter’s response, which you probably experienced first-hand when the ad came up during the game’s first half.

 



From Alerts to Apologies: Tracking a Meteorologist's Tough Night on Twitter

For ages, when a dire weather prediction came up lacking, there was little the average person could do beyond shaking a fist at the TV. But now we have Twitter, an outlet not just for bitching, but also for atonement.

Late last night, after New York City and nearby areas went into full disaster-prep mode in expectation of several feet of snow, National Weather Service meteorologist Gary Szatkowski took to Twitter to apologize when it became clear the region would receive only a scant few inches.

For most New Yorkers, the rather extreme weather warnings simply resulted in an early (if frustrating) dismissal from work and a bonus snow day. But there was also a tremendous economic and logistical impact on the communities involved. Recognizing this, Szatkowski, lead meteorologist for the NWS office in Mt. Holly, New Jersey, was effusive in his apologies.

Here’s a chronological recap of how Szatkowski’s messaging and tone changed from Sunday night to early this morning:

On Sunday, Szatkowski was sharing National Weather Service predictions that anticipated around 2 feet of snow for the New York area.

Sunday afternoon, the National Weather Service released a blizzard warning that largely set the tone for the next 24 hours by calling the storm “a crippling and potentially historic blizzard.”
 

By early Monday, though, Szatkowski was beginning to express concerns that earlier predictions might not come to pass, at least not on the level of 30 inches.
 

Shortly before midnight, Szatkowski’s tone shifted considerably as he and the rest of the National Weather Service realized conditions would not be incredibly severe for New York and New Jersey. By then, government officials had issued road travel bans and suspended mass transit, essentially bringing one of the world’s largest cities to a halt.
 

As you might expect, he received a few rather pointed criticisms.
 

But overwhelmingly, Szatkowski’s openness and transparency on Twitter generated vocal support and appreciation from those following his updates.
 



ZzzQuil Isn't Feeling the Love From Its Tweet About Landing a Husband

Sleep-aid ZzzQuil left some followers wondering what year it was when they saw the brand’s recent engagement-themed tweet.

“SLEEP LIKE he finally proposed,” the tweet noted. “And you have been dating for a decade. #SleepLike #engaged #shesaidyes”

The message felt a bit too 1950s for women who’d like to move past the stereotype that peace of mind is all about finding a husband.

Despite being posted late Thursday and sparking quite a lot of backlash, the tweet remained live this morning, and the brand hasn’t responded to any of those upset by it. 

Here are just a few of the responses:



Seahawks Follow Up Their Big Win With a Bigger Fail: a 'We Shall Overcome' MLK Tweet

One day after their unbelievable, inspiring win over the Green Bay Packers, which sent them to the Super Bowl, the Seattle Seahawks hit rock bottom on Twitter with a tweet that read, “We shall overcome #MLKDay”—using Martin Luther King Jr. to celebrate the team and its football prowess.

The tweet, which appears to have been deleted, also included a photo of quarterback Russell Wilson, with a tear in his eye, captioned with this MLK quote: “Take the first step in faith. You don’t have to see the whole staircase, just take the first step.”

As you can see below, the response was not kind. As we did our MLK tweet roundup earlier today, we had thought brands had learned a thing or two about sensitivity in this regard. Clearly not. The New England Patriots, meanwhile, didn’t post any MLK tweets, preferring to keep it simple.



Brands Are Having Way Too Much Fun With the #FiveWordsToRuinADate Hashtag Game

Social media moves quickly, and yesterday’s trending #KissAGingerDay is today’s #FiveWordsToRuinADate.

Mere mortals have been playing the hashtag game by tweeting quips like “A salad for the lady?,” “I’m an Android user,” and “Do they have WiFi here?” But brands are also hopping on board.

Some tweets are a little predictable, and some are more clever than others, but generally it’s good, clean fun for everyone. (Except it’s Twitter, so take what I said about good and clean and fun with a grain of salt, please.)

Got a favorite?



Netflix Sure Picked an Interesting Time for This Tweet About Above-the-Law Cops

As Twitter was erupting this afternoon with outrage over a grand jury’s decision not to indict the NYPD officer whose chokehold killed Eric Garner, Netflix made a rather odd marketing decision.

The streaming service posted a Peaky Blinders promo featuring hard-boiled Irish cop Chester Campbell, played by Sam Neill. The tweet message—”Just because you’re law enforcement doesn’t mean you’re law abiding.”—seemed especially topical when paired with the photo’s quote, “God help those who stand in our way.”

While the tweet didn’t spark much real anger at Netflix, it did draw a mixed reaction from those who felt the company was siding (intentionally or not) with protesters and others who felt it was simply insensitive.



Skeletor Is Waging a Twitter Takeover of @Honda. Here Are the Best Moments So Far

One of the universe’s greatest villians has conquered the Twitter feed of one the world’s most recognized automotive brands.

Yes, it appears that Skeletor, the nemesis of He-Man (both of ’80s Saturday morning cartoon fame) has manned the controls of Honda’s Twitter account, coinciding with the brand’s newest campaign featuring famous toys promoting the Happy Honda Days sales event. 

The exchanges are actually pretty hilarious and range from trolling He-Man to sharing his #ManCrushMonday. Take a look:

Here’s where it all went down…

Sexiest troll alive:

Sick burn on He-Man.

Takes one to know one:

Old joke, new delivery:

Very literal, here:

Ha! Skeletor’s on fire!

No brand is safe, even Charmin.



VML Dreams Up Juicy Promo For Wendy’s Bacon Portabella Melt

Wendy’s believes you’ve earned it. Earned what? Their new Bacon Portabella Melt. With the help of VML and voiceover artist Jon Bailey, the QSR came up with a neat way to engage customers around this new product offering. I haven’t heard the phrase “consumer generated content” in some time, or “co-creation” for that matter, but […]

The post VML Dreams Up Juicy Promo For Wendy’s Bacon Portabella Melt appeared first on AdPulp.

When a Competitor Was Caught Upselling, This Grocery Chain Had the Perfect Response

British supermarket chain Sainsbury’s had a bit of an awkward social media moment this week, when a customer noticed a sign encouraging employees to squeeze customers for more money.

The sign, mistakenly placed in a Sainsbury’s window, said: “Fifty pence challenge: Let’s encourage every customer to spend an additional 50p during each shopping trip between now and the year-end.”

Londoner Chris Dodd posted a photo of the upsell encouragement to Twitter, where it’s since been retweeted nearly 5,000 times:

The image sparked embarrassing news coverage for Sainsbury’s, but it also inspired competitor Lidl UK to have a bit of fun at Sainsbury’s expense.

A sign quickly whipped up by Lidl outlined its own 50 pence challenge: “Let’s encourage every one of our lovely customers to save as many 50ps as possible.”

Without even referencing its competitor, Lidl scored a nice publicity coup and some bonus points with consumers for distancing itself from one of shopping’s most annoying daily obstacles. 

Via econsultancy.



How to Use Animated GIFs on Twitter (While Muttering Obscenities Every Step of the Way)

Some people think animated GIFs are stupid. Some find them charming. Possibly because of this rift, Twitter seems caught in a pictorial purgatory that makes everyone unhappy.

Like it or not, animated GIFs have become a massively popular form of communication, quickly evolving from passive-aggressive zingers to earnestly useful bites of video that are convenient to watch on just about any platform.

While Tumblr and newer sites like Ello have readily embraced them, Twitter and Facebook have most certainly not. Aside from last year’s quasi-hoax from Giphy, Facebook’s been pretty consistent about not wanting animated GIFs in news feeds. (I originally took this as a stance on user experience, but now that all Facebook videos autoplay silently, I realize I was a chump.)

And then there’s Twitter.

Its love-hate relationship goes back a few years. Here’s a quick recap:

September 2012: Twitter bans animated user avatars but existing ones are grandfathered in (that’s why you still see them from time to time). In fact, other than nudity and profanity, this is just about Twitter’s only restriction on avatars.

November 2013: Animated GIF service Giphy announces it’s been integrated into Twitter’s Media Cards, meaning you can (kind of) post an animated GIF in a tweet. But they were more like attachments you had to expand and didn’t show up in most Twitter streams. And you were restricted to using Giphy images instead of any animated pic you liked.

June 2014: Twitter Support announces you can “share and view animated GIFs on Twitter.com, Android and iPhone.” But that’s not entirely true, since what you’re sharing is a GIF that’s been converted into a looping MP4 video file, meaning you have to click to watch it.

September 2014: Popular GIF service Twitpic announces it is shutting down due to the high cost of a trademark battle with Twitter. This is especially bad news for animated GIF lovers who rely on the third-party service to share animations on Twitter. However, Twitpic announces a few days later that it has been acquired and will stay alive after all.

Where things stand now
We did test runs on the three most common options for posting an animated GIF to Twitter. We tried out Twitter’s built-in media upload feature, the popular Giphy database and the scrappy third-party Twitpic. We tested each on the Web, in TweetDeck and in the official Twitter mobile app. The result are below.

Spoiler alert: Each is flawed, cumbersome and questionably worth the effort.

Excited? Great! Here we go!

 
1. Posting an animated GIF directly to Twitter or TweetDeck.

This is definitely the easiest route, but it has the huge setback of not actually appearing as an animated GIF in people’s streams, and on TweetDeck it looks like total garbage.

How it looks on Twitter:

How it looks on TweetDeck:

How it looks on Twitter’s mobile app (Android):

(Clicking the thumbnail would play the GIF, which is actually converted into an MP4.)

Conclusion: It doesn’t autoplay, it’s not really a GIF, and it doesn’t work on TweetDeck, even though the desktop and Web app was acquired by Twitter way back in 2011. So I wouldn’t call this a great platform for sharing GIFs. Because it doesn’t.

 
2. Posting an animated GIF via Giphy:

I got a “forbidden” error when I tried uploading my test GIF to Giphy, but I was able to find a similar one already in the site’s database. I then clicked to share via Twitter, which automatically populates your tweet with a Giphy URL and lets you edit the tweet before posting. As you’ll see, the end result is mixed.

How it looks on Twitter:

(While Giphy was the only one of the three options that actually autoplays the GIF in a Web tweet, this only works if you embed the tweet like I’ve done here. In a user’s Twitter stream, it’ll just look like text and a link unless the follower clicks to expand the tweet. In other words, it’s likely to get overlooked by Web users on Twitter.com but would look good if dropped into a blog post.)

How it looks on TweetDeck:

How it looks on Twitter’s mobile app (Android):

(Clicking the link expands it to a video thumbnail, which you have to click again to watch on Giphy.com. Bleh.)

Conclusion: You still don’t get your animated GIF into the stream on TweetDeck, and on mobile it’s barely noticeable. It does look good on the Web when expanded or embedded, but not too many active Twitter users see tweets that way. I’m not altogether condemning Giphy as a service, but I would say its role as a tool for sharing animated GIFs on Twitter has likely been overstated.

 
3. Posting an animated GIF via TwitPic:

At AdFreak, we’ve been using TwitPic for a while now as our animated GIF tweeting service of choice. It autoplays GIFs in TweetDeck, which a lot of our readers seem to use. So you can see why we, like many others, were disturbed to hear the service was being shuttered and then relieved to hear about its stay of execution.

How it looks on Twitter:

How it looks on TweetDeck:

(Hey hey, it worked! Twitpic was the only one of these three options that actually played a GIF in stream on TweetDeck.)

How it looks on Twitter’s mobile app (Android):

(Clicking to expand the tweet only shows it as a still image. You have to click the link to view it as an animation on Twitpic.com.)

Conclusion: Twitpic is great for TweetDeck but looks pretty bad on mobile and Web. But with no TweetDeck support for animated GIFs from Twitter itself, playing in stream is a pretty good selling point for Twitpic.

It’s worth noting that my Twitpic posts were the only ones to get a positive reaction from followers, likely because many of my friends are TweetDeck junkies:

In Summary
Tweeting animated GIFs, for now, is still like trying get to the grocery store by riding a tricycle made of wet cardboard and rusted coffee cans. You’ll eventually get there, but you’ll look and feel like an idiot most of the way.

Which service you should use really depends on your audience. If most of your followers are mobile-savvy millennials on the go, Twitter’s native upload feature is probably best, though it’s still disappointing and (again) doesn’t actually use animated GIFs.

If your audience is more likely to be Twitter power users savvy with TweetDeck, I’d stick with Twitpic (while it exists). 

Hopefully Twitter will get past its conflicted feelings on GIFs soon and decide to either support them 100 percent or block them outright by forcing them into click-to-play MP4 videos. I wouldn’t bet on seeing autoplaying GIFs in all your streams anytime soon, though. And with Twitpic being an outlier that’s already in the crosshairs of Twitter’s legal team, I wouldn’t get too comfortable with that being a long-term option, either.

Everything’s crappy and nothing works like it should. Welcome to the future, everybody.