John Oliver Made This Perfectly Bitter, Curse-Filled Farewell Ad for RadioShack

The end of RadioShack is nigh. And in John Oliver’s fantasy world, the 94-year-old brand wouldn’t sputter out gracefully. No. It wouldn’t even be passive-aggressive about its slow decline. It would be straight up aggressive-aggressive, blaming America for its failure.

Oliver calls out American media for the gleeful tone it’s taken while discussing RadioShack’s demise, noting that the brand should be hurt by the level of disrespect. 

He also made the parody ad below, which he freely offers the brand to use. It quickly shifts from sweet and sentimental to angry to full-on hurtful in mere moments, with the voiceover artist working in kind, sounding all the more sinister by the second.



Budweiser lidera mais uma vez o top 10 do Super Bowl AdMeter

Se alguém ainda tinha dúvidas de que a Budweiser levaria, mais uma vez, a liderança do Super Bowl AdMeter, realizado pelo USA Today, elas acabaram. Puppy Love, o fofíssimo comercial criado pela Anomaly e estrelado por um cãozinho e os cavalos Clydesdale, ficou em primeiro lugar no top 10, repetindo o feito de Brotherhood no ano passado. Foram 57 comerciais exibidos no jogo de ontem, três a mais do que em 2013.

Foi a consagração total da marca e da agência, mas também serviu para mostrar que é possível contar boas histórias sem precisar complicar, emocionar, sem ser piegas. Basicamente, o que a gente espera do maior embate do mercado publicitário: que realmente sejam os melhores entre os melhores.

Outro filme da Budweiser, Hero’s Welcome, que mostra uma cidade recepcionando um soldado que está voltando para casa, ficou em terceiro lugar.

Doritos também se deu bem mais uma vez, e dois comerciais do Crash the Super Bowl ficaram em segundo e quarto lugares – Cowboy Kid e Time Machine, respectivamente. A invasão dos personagens dos anos 1980 no comercial da RadioShack garantiu à rede a quinta colocação, enquanto a Hyundai ficou em sexto com Sixth Sense.

A fofíssima Gracie, de Cheerios, Technology, da Microsoft, e Going All the Way, da Coca-Cola, ficaram com a sétima, oitava e nona posição. Soundcheck, da Pepsi, encerra o top 10.

top10

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Personagens dos anos 1980 saqueiam RadioShack

Com humor auto-depreciativo, a RadioShack anuncia a renovação de suas filiais. Um atendente desliga o telefone, e avisa o colega ao lado: “Os anos 80 ligaram, querem sua loja de volta”.

Em seguida, dezenas de personagens da época invadem o local e levam tudo. No fim, o comercial apresenta a RadiShack modernizada.

RadioShack

>> Confira nossa seleção de comerciais do Super Bowl 48

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The 10 Most Sexist Ads of 2013

In a lot of ways, 2013 was an amazing year for the portrayal of women in advertising. Ogilvy's "Real Beauty Sketches" for Dove sparked a massive discussion of self-image and the definition of beauty. UN Women's "Autocomplete Truth" campaign brilliantly highlighted inequality worldwide. GoldieBlox created a viral anthem for girl empowerment (while admittedly fostering some avoidable ill will along the way). And a Pantene ad from the Philippines took issue with gender hypocrisy in the workplace.

But not every ad in 2013 was a coup for feminism. Today, we look back at some of the more egregious examples of negative stereotypes about women from ads around the world this year. Some might bother you more than others, but either way, it's a debate worth having.


    

RadioShack Throws Sexy Ladies, Phallic Objects and Robin Thicke Into Awkwardly Suggestive Ad

#UWANTIT? #NOUDONT. Grasping for relevance in the youth market, RadioShack serves up a strange, suggestive spot featuring gals in bikinis and plastic wrap dancing to Robin Thicke's "Blurred Lines" and caressing phallic Pill speakers from Beats by Dr. Dre. The ad, which also stars Thicke, is basically a rehash of the artist's uber-popular "Blurred Lines" video, and ties in with a promotion that lets customers access a remix when they buy any Beats by Dr. Dre device. "I know you want it" is a key line from the song, and #UWANTIT is the title of the ad. The level of silliness on display makes me want to beat myself in the head with a package of D batteries (only $12.99 at The Shack!) Yes, the clip has quickly amassed 700,000 YouTube views. But RadioShack shouldn't get too excited about that, because I'm betting the numbers say more about the tune's smooth mojo and the sexy imagery on display than any renewed excitement about the retail brand. RadioShack comes off like an unhip, balding, middle-aged dude desperately trying to prove he's down with the kids—and failing badly. (Being unhip, balding and middle-aged myself, I should know!) The dying chain's desire for reinvention is understandable, but how tossing off quick-buzz pop-culture crap like this is supposed to help it survive over the long haul beats me.