DDB Chicago Unveils ‘Celebrate with a Bite’ for McDonald’s

The biting of the medal has become a tradition at the Olympic games that symbolizes victory. DDB Chicago draws the connection between this iconic symbol and the biting of McNuggets and other McDonald’s products “sometimes used to celebrate life’s smaller victories” for the juggernaut Olympic sponsor.

The spot “takes viewers on a ride through Olympic history [which] cleverly juxtaposes medal-biting images with shots of fans across the world biting into McDonald’s Chicken McNuggets.” The first 45 seconds or so of the 60 second spot are given to a well-produced homage to Olympic history. When athletes start biting their medals, the text “The greatest victories are celebrated with a bite” appears on screen, followed by shots of people digging into their McNuggets. It’s well executed, even if the idea of likening winning a gold medal to biting into a meal made of molded leftover chicken parts is quite the stretch. Credits after the jump. continued…

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DDB Launches Seahawks-Inspired Print/Banner Campaign

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DDB has created a series of print and banner ads for Skittles celebrating the Seahawks in anticipation of the Super Bowl.

The straightforward ads claim that the “S” on Skittles (pictured in green in the ads) now stands for Seahawks. These ads continue the brand’s celebration of the Seattle Seahawks and their star Marshawn Lynch. Last night, Skittles began a charitable auction to benefit Lynch’s the Fam 1st Family Foundation. The auction’s three lots include “24 packs of Skittles Seattle Mix (one of them signed by Marshawn Lynch) and one unique Skittles covered item, such as a football, a helmet or a megaphone.” The bidding began at $100, with one of the lots’ current high bid at $5,700. DDB’s print campaign will run “tomorrow in the Seattle Times, and on Saturday in the Tacoma Tribune and The Olympian, and they will take over Skittles’ entire existing digital media buy starting today.”

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DDB Chicago Lands New CCO

johnmaxhamDDB Chicago has appointed a new chief creative officer in John Maxham, who rejoins the agency after spending the last four years as executive creative director/partner at Seattle-based Cole & Weber United. Maxham, who originally served as SVP/GCD on all things AT&T at DDB Chi for two years, will now oversee the creative product and 100 staffers, working with clients including McDonald’s, State Farm, Mars Inc., Capital One and Safeway in the process. Maxham’s arrival will fill a six-month void left when Ewan Paterson and DDB Chicago parted ways.

His new boss, DDB Chicago CEO Paul Gunning, says in a statement, “I looked very hard to find a partner that would share in my passion for DDB and the iconic American brands we work on. I wanted a true leader with a diverse creative skill set who could not only work across media channels, but also flex from B2C to B2B. This was not an easy task but John is uniquely qualified.”

During his ad career, Maxham (who *shameless plug* talked to us about Super Bowl a couple of years ago) served as a creative director at Team One and an ACD at Lowe.

 

 

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Agency Recruiting Creatives on Snapchat by Asking for 10-Second Pitches

You are a digital idea ninja, innovating where branding meets emerging technologies. That is to say, you are an aspiring ad creative who likes shooting videos of yourself with your smartphone. That is to say, you are an aspiring ad creative. Rejoice! Now your favorite hobby may actually bear fruit.

DDB Oslo invites you to Snapchat yourself talking about your own genius. You have 10 seconds to sell an idea. That is to say, you have 10 seconds to sell yourself. If a bunch of idea ninjas—i.e., the creatives at DDB Oslo—like your pitch, they will fly you in for a job interview. At one-third the length of your traditional elevator pitch, that may seem like a lot of pressure, or like it would invite a lot of simplistic drivel. But really, we have to credit DDB Oslo for figuring out a way to make sure the spiels stay brief. And if Miller High Life can do it in one second, you can do it in 10.

Then again, the agency is mostly selling itself here. As such, it probably should have followed its own rules. The video explaining the campaign is an exhausting 42 seconds long.

Via Adrants.


    



DDB Oslo Recruiting Young Talent via ‘Snapchat Pitch’

DDB is taking to Snapchat to hire new young talent with “The Snapchat Pitch.” The student contests invites entrants to pitch their idea to DDB in 10 seconds, operating under the assumption that “Great ideas can be explained in a sentence.”

Here’s how it works: First, connect with DDB_OSLO on Snapchat. Then, pitch your idea in 10 seconds or less in any way you deem fit. The creatives at DDB have pledged to watch every single pitch, and, if yours is sufficiently brilliant, they’ll fly you out to Oslo for an interview. The winners of the contest will be announced on April 3rd. Head on over to “The Snapchat Pitch” site for more details if you’d like to enter. Good luck.

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Menno Kluin Out at DDB (Updated: Kluin Joins Deutsch NY)

MattmennoA phone call has confirmed that Menno Kluin is no longer with DDB New York, which he joined nearly three years ago as ECD/head of art. Kluin’s arrival at DDB NY marked one of said office’s then newly christened CCO Matt Eastwood‘s first notable hires (Eastwood and Kluin pictured l-r). Kluin joined DDB after spending three years at Y&R, serving in a similar role as CD/head of art and putting out efforts such as this. During his career, the creative exec also served as an award-winning art director at Saatchi & Saatchi. No word on where he’s headed to next but we’ll fill in the blanks if and when we find out.

Update: Well, there you go. Deutsch New York has hired Kluin as ECD/head of art & design. Menno starts Tuesday, January 21.  He will be reporting to CCO Kerry Keenan.

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DDB Canada’s Netflix ‘Pep Talk’ Falls Flat

While Netflix is absolutely everywhere in the US, the streaming service has had some trouble catching on in Canada, where “research showed that Canadians struggled to see the value in the service.” So how do you get Canadians to like something? Hockey, definitely hockey.

So, DDB Canada Vancouver whipped up (and it does feel whipped up) a locker room spot for the new Canadian brand campaign entitled “Pep Talk,” in which a coach tells his players to “remember that scene from that movie on Netflix” where “the coach…gave that speech…well that, gentleman, is what I am saying!” rather than provide a speech of his own. The whole thing is reminiscent of a Simpsons joke from the 1992 episode “Homer at the Bat” in which Mr. Burns tells his softball team, “So I want you to remember some inspiring words that someone else might have told you over the course of your lives, and go out there and win!” But, you know, a lot less funny.

The idea was to show “how stories you can find on Netflix stay with you anywhere, anytime.” It would have helped to create an ad that stuck with you, instead of one this forgettable. Credits after the jump. continued…

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Can Ad Agencies Teach Women to Love Their Bodies?

Female empowerment was a major advertising theme in 2013, particularly in the area of self-esteem—led by Dove's "Real Beauty Sketches." But freed of client constraints, can ad agencies alone get women to love their bodies?

Marie Claire Australia asked six shops to try—OgilvyOne, Publicis Mojo, M&C Saatchi Australia, Airborne, Whybin\TBWA and DDB Group Sydney. Each produced a print ad on the topic. You can see all of them here. OgilvyOne's entry, above, is probably the most striking and memorable. Several of the others are interesting, too, although as a whole, it goes to show how the topic is a tough one to tackle in a single print ad.

See the text from the OgilvyOne ad below.


    

Netflix Revels in the Clichés in DDB’s Amusing ‘Pep Talk’ Ad

You guys remember that blog post about that ad that did a familiar thing in a fresh way? When a creative team took a clichéd trope and offered a meta commentary illustrating how hackneyed it was, but tied it to the client anyways? When it left at least one viewer with a smile on his face, and a vague sense of unease about what it was actually saying? That's what happens with this Canadian spot, featuring a coach appealing to his players by referencing a rousing, generic locker-room speech from a movie on Netflix. It's a fun idea. Too bad it sells the product as nondescript. Then again, nobody watches a sports flick looking for anything but the same old warm and fuzzes anyways. Agency: DDB Vancouver. Director: Michael Downing of Partners Film.


    

Malcolm Assumes ECD Post at DDB Chicago

tommalcolmDDB Chicago has announced that Tony Malcolm, who’s spent nearly the last decade at Leo Burnett, has now joined up with DDB Chicago as executive creative director on the latter’s McDonald’s account. Malcolm is no stranger to the brand as he previously served as creative director on the Mickey D’s biz while at Leo Burnett’s U.K. branch. Malcolm, who says in a statement that he’s”…sad to give up my tickets for the 2013-2014 Fulham season,but I am already a Bulls fan and will be following the Cubs,” replaces Bill Camino, who is now CCO at Y&R Chicago.

During his career, Malcolm has also worked at the likes Saatchi and Saatchi, Leagas Delaney, TBWA, AMV, Wieden+Kennedy and has run his own shop, Malcolm Moore.

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RIP DDB CD, Brad Morgan

ddb_logo1We received the sad news that last week, DDB Chicago creative director Brad Morgan lost his battle with cancer. Morgan had been with the agency for a quarter-century and helped lead creative on accounts ranging from Anheuser-Busch and McDonald’s to Frito-Lays and Mars. Here’s a note to staff from DDB Chi SVP/ECD Mark Gross, who mentions among other things mentions arguably Morgan’s most notable accomplishment at the agency, verbatim:

“Brad Morgan was a highly respected art director, who worked at ad agency DDB Chicago for over 25 years. It was an outstanding career filled with numerous highlights and accomplishments. Brad was a talented, skilled artist and a stellar art director with a keen sense of style and taste. As Creative Director, Brad became a beloved and respected leader. His positive attitude was infectious and uplifting, and his passion for advertising unequaled. He was a tireless worker, who always took pride in everything he did. No matter how tough things got, Brad worked through it with a warm smile on his face.

Brad worked on numerous accounts throughout his career. His most notable accomplishment was the invention of Chester Cheetah – an iconic character still being used today. Brad was also responsible for creating many of the most memorable and revered Super Bowl Ads for Budweiser and Bud Light.

The only thing more impressive than Brad’s list of talents was his fun, warm, genuine, caring personality. He was a true gentleman, a good friend, a caring soul and just an all around terrific guy to be around. Anyone who worked with Brad would tell you how special of person he really was.

Brad Morgan, thank you for everything you gave us and for being the terrific person that you were. You will be sorely missed.  We all raise a Jack and Coke in your honor and say God bless you – farewell dear friend.”

 

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DDB NY Dreams Up Incredible Bar Courtesy of New York Lottery Spot

There are a lot of bars in the state of New York, and from Brooklyn to Utica, it would cost a ridiculous amount of money to buy a round for however many patrons there’d be on any given night. But that’s what fictional Steve did. He gave a drink to everyone from the club dancer to the scarfed Bubbe, and everyone toasted to Steve even though nobody knew his identity. That’s what you can do when you win the lottery.

The minute-long spot ultimately drags a bit from relying on such a drawn-out punchline that cutting it in half would’ve been a good idea. However, “Toast” is another adequate ad for New York Lottery’s “Yeah, that kind of rich” slogan. The slogan is not be the cleverest or the simplest, but it lends itself to all kinds of silly plays on how lotto winners can spend their money. In the past, we’ve seen commercials about winners who paid for alien recreations and celebrity joke-writers.  You have to ask yourself, would somebody drop that much dough for an anonymous act of bar charity? Maybe, maybe not. But it’s certainly possible, and the next time you’re in a convenience store, you might think about it, too.

Credits after the jump.

continued…

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DDB Canada, K-Y: Let’s Talk About Lubricant, Baby

DDB Canada has a new campaign for K-Y Brand lubricant called “Warm Up To Love Again.” As the title suggests, this campaign is targeted at couples having intimacy issues, rather than continually fapping, hormonal teenage boys (another key lubricant demographic). More specifically, the campaign speaks to “women, who want to stay connected with their partner through enjoyable physical and emotional intimacy, but who have not been comfortable introducing a personal lubricant into their relationship.”

DDB manages to do this with lighthearted humor, important because of the awkwardness of broaching the issue of personal lubrication. In each spot, a woman witnesses her (conspicuously unsexy) partner performing an everyday task in slow-motion, while an R&B slow jam plays in the background. The idea is that K-Y “makes physical intimacy with your partner so comfortable and easy, women will view sex, and their partners in a whole new light,” explains agency ECD, Denise Rossetto. So, suddenly seeing her partner starting up the lawnmower or do push-ups is enough to turn each of the women in these spots on, culminating into the campaign’s “Warm Up To Love Again” tagline. DDB keeps things short and to the point, with the trio of adverts each clocking in at 15 seconds. The campaign debuted online on December 12th, and will make its television premiere next month. Credits and “Sit-Ups” after the jump. continued…

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DDB Canada Shows Organized Retail Theft Mark-Ups for Toronto Crime Stoppers

Organized retail theft costs Canadian businesses $4 billion a year, but is often perceived as harmless shoplifting. So DDB Canada created a new campaign for Toronto Crime Stoppers, called “It Costs Us All,” to raise public awareness of the realities of organized retail theft.

Sean Sportun, vice chair, Toronto Crime Stoppers explains, “Organized retail theft is often perceived as harmless shoplifting, when in fact, it’s a lucrative, criminal enterprise and part of the business plan for gangs funding other illegal activities.” So those stolen retail goods could go to funding guns, and drugs, which could wind up in the hands of Rob Ford. Their solution? “…asking the public to have their say for stiffer penalties and to contact Crime Stoppers to anonymously report suspected cases of organized retail theft,” says Sportun.

The campaign includes “flyers, wild postings, in-store posters, newspaper, radio and online advertising, which appear like conventional on-sale advertising, but instead of showing prices being discounted, the prices are marked-up on the merchandise shown.” Each of these approaches drives the consumer to the It Costs Us All website. It’s an interesting tactic, combating consumer indifference by showing consumers how they are  ”ultimately paying for the crimes of others,” says David Ross, ACD at DDB Toronto. The result is slightly less heavy-handed and melodramatic than your typical public service campaign, even if the “It Costs Us All” tagline is a tad on the serious side.

“It Costs Us All” was launched with the following corporate partners: BOMA Toronto, Building Technologies, FACECROOK, Interac Association, Loblaw Companies Limited, Mac’s Convenience Stores, Retail Council of Canada, Sobeys and TJX Canada.

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Let’s Watch Aaron Rodgers Attempt a Chicago Accent in State Farm’s Brand New Spot

Debuting during tonight’s Chicago Bears/Green Bay Packers Monday night match-up is the latest in State Farm’s Discount Double-Check campaign from DDB Chicago. And, folks, it is a doozy.

Again, we find Packers QB Aaron Rodgers flanked by the SNL ”Superfans,” George Wendt and Robert Smigel, on a flight that has now lasted two months since these guys first showed up. Rodgers, who you may know is as bad at acting as he is incredible at football (the worst and best, respectively), faces his biggest challenge yet: Portray someone who isn’t Aaron Rodgers looking uncomfortable while trying to deliver scripted lines. The results are, well, watch the clip.

In Rodgers’ defense (and it’s easy for me because he is my favorite player ever), a Chicago accent is hard to replicate. In DDB’s defense, I sympathize with how many takes of Rodgers’ “acting” they had to do before just saying “fuck it” and going with the above spot. And, in everyone’s defense, this campaign has been incredibly successful for State Farm over the years. Don’t like Rodgers’ acting? Think the spot isn’t funny? Well that’s too bad, because the rest of America loves these things. This is advertising, and the will of the consumers wins (haha). Credits after the jump.

continued…

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Samuel L. Jackson Wants You to Get a Motherf***in’ Capital One Quicksilver Card

Last night, DDB Chicago launched a new Capital One campaign for the Quicksilver card, mercifully replacing the Jimmy Fallon Cash Card campaign with something that doesn’t make me want to throw things at my television. Not only that, but they replaced Fallon with the biggest badass on the planet. I speak, of course, of Samuel L. motherfuckin’ Jackson.

Gone is the Jimmy Fallon with a whiny baby approach, replaced by the “You’re going to get a Capital One card because Samuel L. Jackson told you to and when Samuel L. Jackson tells you to do something you don’t fuck around” approach. The spot, “You Can’t Beat It” (also the name of a Catholic anti-masturbation campaign) replaces the schticky formula from the Fallon campaign in favor of a relatively straightforward description of a card that has “no rotating categories,” “no quarterly sign-ups,” and “no games” and offers 1.5% cash back “on every purchase, every damn day.” In other words: no bullshit. Since Samuel L. Jackson is basically the spokesman for not putting up with bullshit, he’s the perfect fit for the new approach.

Does this mean Fallon is gone for good? We can only hope. You know what? Jackson should just go ahead and take over for him on Late Night, too. The world would be a better place. Credits after the jump. continued…

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DDB, Supercuts Part Ways

Supercuts-Store003-1024x805

We’ve yet to hear back from Supercuts parent company Regis Corporation, but sources familiar with the matter do confirm that DDB Chicago is no longer working with the hair salon chain. DDB essentially adopted the account last fall when it absorbed fellow Chicago shop Element 79, which had worked with Supercuts since 2002. From what we’re hearing, Regis is launching a review for its brand, and DDB is likely not defending. As far as we can tell, the relationship has been relatively stagnant for the last few months as the most recent effort from DDB Chicago for Supercuts was the “Jake Miller” extension of the “Rock the Cut” campaign in April. We’ll follow up with Regis again, and will let you know if we hear more.

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DDB NY, Ad Council Debut New PSAs for Bullying Prevention Month

October is National Bullying Prevention Month, and DDB New York and Ad Council have developed a series of new PSAs to spread awareness about this important issue as part of the “Be More Than A Bystander” campaign. To do so, they also brought in a long list of partners including: MLB Network, NBA, HLN, filmmaker Lee Hirsch (BullyThe Bully Project), Cartoon Network, Facebook, and the U.S. Department of Education, among others.

The “Be More Than A Bystander” campaign calls on people to take action against bullying.  As someone who was bullied pretty incessantly during middle school, this stuff hits pretty close to home. It’s hard not to appreciate the problem of bullying after viewing the spot “Caine,” which highlights the struggles of a Texas middle schooler who is bullied for his perceived sexuality. Caine shares his struggles with physical violence and verbal abuse, saying at one point, “Pretty much a good day for me would be people leaving their hands off of me.” It’s pretty heartbreaking stuff, especially when Caine shares that “nobody’s ever tried to help me.” At the end of the spot, viewers are told, “There are ways your child could be the one that helps. Give your kids the tools to be more than just a bystander.” They are then prompted to visit thebullyproject.com/parents to give their kids the tools to help those that are bullied. There’s also a shorter version of the “Caine” spot and several other PSAs, including one for the MLB Network. If you’re wondering what to tell your kids to do to stop bullying, the “Be More Than A Bystander” campaign recommends that they “tell a trusted adult such as a family member, teacher or coach; help the person being bullied get away from the situation; be a friend to the person being bullied; set a good example – do not bully others; and don’t give bullying an audience.”

You can visit stopbullying.gov to learn more about bullying prevention, and check out the MLB Network PSA after the jump. continued…

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Lufthansa Offers a Life in Berlin to First Swede to Legally Change His or Her Name to Klaus-Heidi

Interested in being ein Berliner?

German airline Lufthansa is running a contest in Sweden, dreamed up by the pranksters at DDB Stockholm, that features an impressive grand prize—a free trip, a free apartment in Berlin, a bike and "everything else you need to start a whole new life." All you have to do? Change your name, legally, to Klaus-Heidi.

Clearly that name would suit either man or woman, so that's the first hurdle out of the way. DDB tells us: "The first person to change their surname and upload a new legitimate passport or ID at the campaign site wins the whole shebang. So who wants to become a real Berliner? Who will he or she be? Who is Klaus-Heidi?"

For those not willing or able to take such drastic action, you can also change your name only on Facebook and get a discount on plane tickets to Germany.


    

Your Cuts Clarification Time: DDB, GSD&M Edition

gsdm1Well, there’s a little bit of doomsaying on the Spy line that needs to be broached. For instance, we received several tips about layoffs at DDB New York. What we’ve been told, from sources in the know, is that there were just a handful let go from the office. No word as to why, but while we’re on the Omnicom tip, let us tell you the layoffs that some were referring to at Austin-based GSD&M actually involved “A small reorganization involving two people..” Hope that helps for now.

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