180LA Gets Creepy for Boost Mobile

180 LA takes a creepy approach with its “Come To Data” campaign for Boost Moble, which promotes the provider’s unlimited data program.

The suggestively-titled campaign features two 60-second spots in which individuals battle, and ultimately give in to, their cell phone-loving ids when they use their smart phones in inappropriate situations.

In “Bathroom Dilemma,” a man at a urinal fights the urge to use his cellphone while taking a leak, and ultimately loses. The voice in his head, which is unsettling, ultimately convinces him to whip the device out by appealing to his love of man-baby memes. A Vine supporting the campaign takes the idea a step further, with a man playing a dice game on his cell phone while in the loo, which could be confused for an activity far more inappropriate for a public restroom. The second spot, “The Priest,” features a holy man tempted into streaming a horse race in the confessional booth.

A host of Vines and short videos support the effort, all following the theme of inappropriate cell phone use.

Credits:

Client: Boost Mobile
Director, Sprint Prepaid Group: Peiti Feng
Manger of Brand Advertising and Creative, Wally Fox
Brand Manager, Social Media and Brand Integration, Jill Johnson
Advertising Manager, Mario Cardenas
Social Media and Brand Integration, Bre Cohen

Campaign: Come To Data

Agency: 180LA
Managing Partner, CCO: William Gelner
Creative Directors: Mike Bokman and Jason Rappaport
Copywriter: Chris Elzinga / Daniel Chen
Art Director: Marcus Cross / Jenny Kang
Head of Account Management: Chad Bettor
Associate Account Director: Paul Kinsella
Social Media Account Manager: Olivia Watson
Head of Production: Natasha Wellesley
Senior Producer: Lindsey Wood
Associate Producer: Lauren Prushan
Business Affairs Manager: Ivy Chen

Production Co: Treefort
Director: Shillick
Producer: Mike Begovich
DP: Max Gutierrez

Editorial Company: Treefort (Web Films) / Melvin (Vines)
Editor: Josh Hegard (Web Films) / Dave Groseclose (Vines)
Color/ Online Finishing: Sam Maliszewski / Melvin
Sound Design / Mix: Eddie Kim / Therapy

Mekanism Trains for North Face

Mekanism launched the largest-ever spring campaign for North Face, entitled “I Train For,” promoting the brand’s new Mountain Athletics line.

The 30-second spot of the same title features North Face brand ambassadors Emily Harrington (rock climber), Daniel Woods (rock climber), Ingrid Backstrom (skier) and Hal Koerner (ultra runner). Its copy is built around repetition of the word “This” to begin sentences, which wears out its welcome by the end of the spot. Visually the ad shows the brand ambassadors pulling off some impressive feats, mixed with images of training implying all the hard work that goes into the performances. “This is a summit,” the spot begins, over piano music that, coupled with the use of repetition, gives the ad a bit of an Apple feel. The ad concludes with the line, “This is what I love,” while text introduces the “#ITrainFor” hashtag, inviting viewers to share what they train for on social media. The national broadcast spot debuts today and will run through the end of May on channels such as ABC, FX, ESPN Comedy Central and AMC. It will also run on social channels, including YouTube, Facebook and Twitter, and will be supported by banner ads.

Credits:

Agency: Mekanism                                                                                                                                                                                                                            CEO/President: Jason Harris                                                                                                                                                                                                                                          ECD: Tommy Means                                                                                                                                                                                                                                                        ACD: Joe Beutel                                                                                                                                                                                                                                                                        Art Director: Sean Grimes                                                                                                                                                                                                                                              Executive Producer: Kati Haberstock                                                                                                                                                                                                                             Producer: Danielle Soper                                                                                                                                                                                                                                       ManagingDirector:Michael Zlatoper                                                                                                                                                                                                                                                                        Director Brand Management: Anna Boyarski                                                                                                                                                                                                          Senior Brand Manager: Luke Welch                                                                                                                                                                                                                               Head of Strategy: Eric Zuncic                                                                                                                                                                                                                                       Brand Strategist: Chike Onuorah

Production Company: Farm League                                                                                                                                                                                                            EP: Tim Lynch                                                                                                                                                                                                                                                                      Head of Production: Michael Pizzo                                                                                                                                                                                                                                  Line Producer: Scott Ballew                                                                                                                                                                                                                                       Director: Tim Wheeler                                                                                                                                                                                                                                                  Director of Photography: August Thurmer

Editorial Company: Whitehouse Post                                                                                                                                                                                                       Post Producer: Jonlyn Williams                                                                                                                                                                                                                                     Editor: Lucas Spaulding                                                                                                                                                                                                                                              Assistant Editor: Brad Dupuie

Music Composition: Travis and Maude- Dave Wittman

Sound Design: One Union Recording- Andy Greenberg

Color: Spy Post- Chris Martin

W+K Tokyo Runs ‘Loop’ for Nike Japan

W+K Tokyo launched a new campaign for Nike Japan with the 15-second, “Loop.”

The spot shows a woman wearing Nike 3.0 Free Flynit shoes determinedly running an intense-looking loop. As the shot pans out at the conclusion of the spot and the woman makes a final leap, it is revealed that the course spells out “NIKE.COM.” The spot is meant to communicate the “Sports Start Here” campaign message, which refers to the site as a community hub for athletic enthusiasts to “search, find, support and share their performances.”

“It’s exciting to think of a website as more than just a combination of services and products, but as inspiration to be a better athlete,” said Adam Koppel, W+K Tokyo creative director. “Put all the digital pieces together and you can inspire real world performance.”

Following the launch spot, the campaign will continue with a second spot later in the month, supported by digital and social initiatives. In addition to promoting the Nike.com site, the ad is also indicative of the brand’s focus on marketing to a female demographic, which is also evident in W+K Portland’s recently launched “Better For It” campaign stateside.

Credits:

Agency: W+K Tokyo

Executive Creative Directors: Mike Farr, ?????(Tota Hasegawa)
Creative Director: Adam Koppel
Art Director: ????(Yohei Adachi)
Copywriter: ????(Hiroki Ishiyama)
Designer: ????(Ayano Takase)
Planner: Greg White
Translator ????(Toshiko Iida)
Agency Producer: ????(Kenji Tanaka)
Agency Assistant Producer: ????(Masataka Odaka)
Account Director: Ryan Johnson
Account Supervisor: ????(Tatsuya Horikoshi)
Assistant Account Executive: ?????(Casey Yoneyama)

Film Production

Production Company: Kichi Inc. ???????? (Robot Inc.)

Director: ????(Eiji Tanigawa)
Producer: ???(Satoshi Takahashi)
Producer: ????(Fumikazu Matsubara)
Production Manager: ????(Keita Suwa)/ ????(Daichi Tanaka)
Director of Photography: ??????(Yoshitaka Murakami)
Gaffer: ????(Shinichi Miyaki)
Art Director: ????(Masahiro Ishii)
Grip: ????(Ryota Ide)
Stylist: ????(Naoki Yamada)
HairMake: ????(Toshihiko ?hingu)

Editorial Company: Cutters

Post Production Company: Cutters
Editorial & Post Production Producer: ???(Megumi Irino)
Editor: ????(Aika Miyake)
Online Artist: ????(Yu Yasuda)
Colorist: Ben Conkey

VFX Company: ????(Taiyo Kikaku Co.,Ltd.)
VFX Artist/CG Director: ?? ?(Toru Hayai)

Music Company: Audio Force
Drummer: Satnam Ramgotra
Mixer: Daniel Lovell

Cast: ???? (Rika Ogawa)

Mullen Launches Cardboard Stop-Motion Effort for Century 21

If you’ve moved recently (as two of us here at AgencySpy have), you know that while moving your life becomes dominated by cardboard boxes. Mullen took that idea and ran with it in their latest campaign for Century 21, making stop-motion spots created entirely using cardboard and only minimal color to add depth to the scenes.

In “New Nest” for example, a bird-loving elderly man moves to the city — the man, the moving truck, everything constructed from cardboard — and is originally distraught at the change of scenery. He soon notices, however, that there is a park across the street full of birds, making the location perfect for him and his wife. Other spots follow a young boy upset about moving until he finds a new friend and a more overtly-branded effort following the trials of a woman who strikes out looking for a new place on creeplist.org (I think you can guess what that stands in for) before finding the perfect place with Century 21. All of the visuals for the spots were hand-cut by artist Elizabeth Corkery.

The approach helps give the ads a distinct visual identity, making them memorable in a category where it’s hard to stand out. Each of the spots tackle a different challenge of the moving experience in an honest, relatable way, eventually arriving at the conclusion that the move was an improvement for those involved. Hopefully Mullen continues with this approach (and its collaboration with Corkery) as there’s plenty of room to explore the direction further.

BBDO NY Introduces Perfect Portions for Sheba

BBDO New York launched a new spot for Mars cat food brand Sheba entitled “Snap, Peel, Slurp, Purr.”

The spot introduces the brand’s new Perfect Portions product, which attempts to take the mess out of cat food by providing perfect portions within one container. Two containers comes strapped together, so cat owners can snap off one for each meal and not have to worry about dishing out food for their feline friend or store leftovers in the fridge. The 20-second “Snap, Peel, Slurp, Purr” illustrates the idea simply, with each word followed by a simple illustration. It opens and closes with the line “A Fresh Meal Every Peel,” driving home the idea that using the product makes meal time simple. The integrated campaign also includes supporting digital efforts, consumer sampling programs, in-store displays and PR support.

Credits:

Agency: BBDO New York                                                                                                                                                                                                                             Client: Mars/SHEBA®                                                                                                                                                                                                                                                     Title: “Snap, Peel, Slurp, Purr”

Creative                                                                                                                                                                                                                                                                  Chief Creative Officer, Worldwide: David Lubars                                                                                                                                                                                                        Chief Creative Officer, New York: Greg Hahn                                                                                                                                                                                                               EVP, Executive Creative Director: Joyce Pedretti                                                                                                                                                                                                        EVP, Executive Creative Director: Lauren Cohen                                                                                                                                                                                                      Senior Art Director: Adam Ward                                                                                                                                                                                                                                    Copy Writer: Joe Nelms

Production                                                                                                                                                                                                                                                 Executive Digital Producers: Eric Berg & Kristin Tomborello                                                                                                                                                                              Digital Producer: Olivia Boutcher

Account                                                                                                                                                                                                                                                                  EVP, Senior Account Director: Mark Mulhern                                                                                                                                                                                                             SVP, Account Director: Sally Nathans                                                                                                                                                                                                                      Account Manager: Lauren Stillo                                                                                                                                                                                                                               Account Executive: Rachel Greenlee

Planning/Strategy                                                                                                                                                                                                                                             SVP, Group Planning Director: Crystal Rix                                                                                                                                                                                                              Senior Engagement Planner: Sean Stogner

Additional companies:

Production & Editorial Company: Decon                                                                                                                                                                                           Executive Producer: Misha Louy
Executive Producer: Ian Blain
Director/Editor: Eriq Wities

Music Composition/Final Mix: Ramon Wesselink

Line Producer: Kent Feuerring
Supervising Post Producer: Cynthia Angel
Post Producer: M. Shane Dolly

Grey Toronto Launches ‘Not Allowed’ for Moms Demand Action

Grey Toronto launched a new ad for Mom Demand Action for Gun Sense in America entitled “Not Allowed.”

Following the group’s success in getting Safeway & Albertsons to clarify its policy against firearms in its stores, the ad takes on grocery chain Kroger for its failure to update its policies. The spot highlights the inconsistencies in Kroger’s policy by showing individuals engaging in behavior prohibited in its stores — a teenager skateboarding, a young boy with a water gun and a woman with her dog — and contrasting it with a man carrying an intimidating assault rifle, who proceeds to buy his groceries without complaint. Of course the implication is that, if it is a “safety hazard” for the boy to have a water gun and a “health concern” for the dog to be in the store, why should Kroger still allow firearms?

“Our new ad shows how Kroger policies are inconsistent and alarming – particularly given that the laws in a majority of states do not require a background check, permitting or even training to open carry a firearm,” said Shannon Watts, founder of Moms Demand Action for Gun Sense in America, in a statement. “In all states, businesses have an obligation to protect their employees and patrons and until Kroger steps up, Moms will put our money where our mouths are and shop at stores that put our safety first like Safeway and Alberstons.”

Moms Demand Action for Gun Sense in America have also launched another effort, entitled “World’s Longest Receipt” which keeps track of how much its supporters have spent at Kroger’s competitors due to chain’s firearms policy, along with the message “Thank You For Not Shopping At Kroger.” The tally currently sits at $12,794.22, but the effort just launched today.

Credits:

?Spot Title: “Not Allowed”?

Client: Moms Demand Action for Gun Sense in America
Agency: Grey Toronto
CCO: Patrick Scissons
Copywriter: Patrick Scissons
Account Director: Darlene Remlinger
Agency Producer: Erica Metcalfe
Production House: Spy Films
Director: Tamir Moscovici
DOP: Samy Inyah
Producers: Marni Luftspring, Carlo Trulli, Merrie Wasson
Editorial: Rooster Post
Editor: Paul Proulx
Online: Mike Bishop, Fort York ?VFX?
Colorist:  Wade Odlum, Alter Ego
Audio: Apollo – Daenen Bramberger, Spencer Hall, Tom Hutch
Casting: Powerhouse?

Lowe Campbell Ewald NY Reaches ‘Crescendo’ for Snuggle

Lowe Campbell Ewald New York launched a new campaign for Sun Products Snuggle, introducing the new fragrance Fresh Spring Flowers.

Aside from the new scent, the campaign, entitled “Crescendo” (for some reason), isn’t really anything new from the brand. In the 30-second spot above, the brand’s teddy bear mascot introduces the Fresh Spring Flowers scent, cut with footage of a young family doing laundry, lounging on a soft, pink blanket inside and outside on a hammock, and enjoying an outdoor movie screening. The Snuggle bear promises (in a voice some may find irritating) the detergent “stays fresh for 30 days, with the value you love” and promises it is “the ultimate in snuggly softness.” Of course, the ad is targeted directly at families with small children, who the mascot is designed to appeal to. According to a statement, the “Crescendo” campaign is “part of Sun Products’ larger campaign focused on storytelling – bringing attention to rich family moments.”

Credits:

Chief Creative Officer:  Mark Simon                                                                                                                                                                                                  Executive Creative Director:  Chip Rich

 

Art Director:  Kelley Samanka                                                                                                                                                                                                                 Copywriter: Erin McHugh                                                                                                                                                                                                                        Producers: Matt Joyner                                                                                                                                                                                                                                          Account Team: Jonathan Lange, Joseph Witmer

Production Company: Rebolucion                                                                                                                                                                                                       Director: Baby                                                                                                                                                                                                                                             Director of Photography: Critian Cottet                                                                                                                                                                                         Executive Producer: Ezequiel Ortiz                                                                                                                                                                                                            Line Producer: Marcelo Dovidio

Editing House: Cutting Room                                                                                                                                                                                                                   Editor: Merritt Duff                                                                                                                                                                                                                                Producer: Tara Holmes                                                                                                                

Music House: MAS – Music and Strategy                                                                                                                                                                                       Composer:  Vanessa James                                                                                                                                                                                                                 Producer: Jenn Johnson                                                                                                                

Audio Mix: Cutting Room                                                                                                                                                                                                                                         Mixer: Walter Bianco

W+K Portland Launches ‘Better For It’ for Nike

W+K Portland launched a new campaign for Nike, promoting women’s fitness and sports, entitled “Better For It.”

The campaign kicked off with the 60-second spot “Inner Thoughts,” which made its broadcast debut Sunday during the MTV Movie Awards. As the title suggests, the ad follows the inner monologue of a group of women as they battle their own doubts and insecurities. Around halfway through the spot is a turning point, where the women overcome these difficulties and find the will to succeed, whether that means completing a half marathon or just completing a workout at the gym. The spot ends with the “Better For It” tagline, which noticeably stands in for the ubiquitous “Just Do It” in this campaign. “Inner Thoughts” has already struck a chord with viewers online, totaling over one million views on YouTube since being uploaded two days ago.

“Better For It” acknowledges the significance of Nike’s women’s apparel, which has traditionally taken a back seat in the company’s marketing, but which Digiday notes overtook its men’s business in the latest quarterly earnings report. In addition to “Inner Thoughts,” the brand has released a series of online videos extending the campaign, along with social efforts built around the “#betterforit” hashtag.

“#betterforit realizes that young women are already active and interested in fitness, but that doesn’t make the mountaintop any less daunting,” Kerri Hoyt-Pack, Nike’s vice president of brand marketing, NikeWomen/Women’s Training, told Digiday. “It is more than a hashtag; it’s a call to action, realizing that new challenges are beneficial to who you are, no matter what the outcome is.”

Credits:

Client: Nike
Project: “Better For It”

Agency: Wieden + Kennedy, Portland, Ore.
Creative Directors: Alberto Ponte / Ryan O’Rourke / Dan Viens
Copywriter: Heather Ryder / Darcie Burrell
Art Director: Patty Orlando
Producer: Molly Tait / Julie Gursha
Executive Agency Producer: Matt Hunnicutt
Interactive Strategy: Jocelin Shalom
Strategic Planning: Tom Suharto / Irina Tone
Media/Comms Planning: Emily Dalton / Destinee Scott / Emily Graham
Account Team: Karrelle Dixon / Alyssa Ramsey / Marisa Weber / Jim Zhou
Business Affairs: Anna Beth Nagel
Executive Creative Directors: Mark Fitzloff / Joe Staples

Production Company: Iconoclast
Director: Matthew Frost
Executive Producer: Charles-Marie Anthonioz
Line Producer: Caroline Pham
Director of Photography: Darren Lew / Joost Van Gelder

Editorial Company: Rock Paper Scissors
Editor: Angus Wall (“Inner Thoughts” :60 and :30) / Grant Surmi (:30/:15s)
Post Producer: Jared Thomas
Post Executive Producer: Angela Dorian

VFX Company: A52
VFX Supervisor: Jesse Monsour
Flame Artist: Brendan Crockett / Matt Sousa / Steve Wolf / Dan Ellis / Richard Hirst
VFX Producer: Jamie McBriety
Color: Paul Yacono

Music Supervision: Nylon Studios
Artist: Apollo 100
Track: Joy
Sound Designer: Barking Owl

Mix Company: Lime Studios
Mixer: Matt Miller / Dave Wagg
Producer: Jessica Locke / Susie Boyajan

BBDO NY Releases Tax Day Spot for Snickers

BBDO New York has released a timely Tax Day online spot for Snickers, entitled “The Snickers Write-Off.”

Billed as a “short documentary,” the ad follows the story of the “injustice” faced by an Arizona woman in when she attempted in 2005 to write-off a Snickers bar as a business expense (she was later audited). She purportedly bought the bar while working late in an effort to stave off hunger and stay on-task. The spot features her telling her version of events, and features a tax attorney who agrees that it should have counted as a deductible business expense, as well as a neuroscientist explaining how hunger affects the brain. It ends with Snickers doing something to attempt to make things right. While the spot runs a bit long at over three minutes, it finds the right balance of tone and, of course, couldn’t be more timely. Now running on YouTube, a social campaign supporting the video will roll out on Facebook, Twitter and Tumblr from now until Tax Day (April 15th).

Credits:                                                                                                                                                                                                                                                           Agency: BBDO NEW YORK                                                                                                                                                                                                                                                Client: SNICKERS

Chief Creative Officer, BBDO Worldwide: David Lubars                                                                                                                                                                                          Chief Creative Officer, BBDO New York: Greg Hahn                                                                                                                                                                                        Executive Creative Director: Gianfranco Arena                                                                                                                                                                                                    Executive Creative Director: Peter Kain                                                                                                                                                                                                                 Creative Director: Peter Alsante                                                                                                                                                                                                                                            Associate Creative Director: Matthew Zaifert                                                                                                                                                                                                    Managing Director: Kirsten Flanik                                                                                                                                                                                                                             Global Account Director: Susannah Keller                                                                                                                                                                                                            Account Director: Joshua Steinman                                                                                                                                                                                                                        Account Manager: Dylan Green                                                                                                                                                                                                                                Account Executive: Jocelyn Choi                                                                                                                                                                                                                                Director of Integrated Production: David Rolfe                                                                                                                                                                                                       Group Executive Producer: Amy Wertheimer                                                                                                                                                                                                        Producer: Mona Lisa Farrokhnia                                                                                                                                                                                                                                    Music Producer: Julia Millison                                                                                                                                                                                                                                     Group Planning Director: Crystal Rix                                                                                                                                                                                                                           Senior Planner: Alaina Crystal

Director: Evan Bernard                                                                                                                                                                                                                                               Director of Photography: Joseph DeSalvo                                                                                                                                                                                                                    Line Producer: Koji Yahagi                                                                                                                                                                                                                                    Production Supervisor: Renee Haar                                                                                                                                                                                                                               Projects Lead: Michael Gentile                                                                                                                                                                                                                                         Audio Engineer: Corey Bauman                                                                                                                                                                                                                           Illustrator: Kieran Bergin

Editorial: NO6                                                                                                                                                                                                                                                                  Editor: Ryan Bukowski                                                                                                                                                                                                                                             Executive Producer: Corina Dennison                                                                                                                                                                                                                    Producer: Malia Rose                                                                                                                                                                                                                                                 Colorist: Stephen Picano

2001 Theme Helps Stihl Make Bold Statement About Leaf Blowers

With its many appearances in TV, film, and commercials over the years, one can only imagine how many heads Richard Strauss’s “Also Sprach Zarathustra” has occupied ever since it was made famous in the opening of Stanley Kubrick’s 1968 classic, 2001: A Space Odyssey.

For now, though, let’s focus on the latest usage of the 2001 theme in a new spot promoting leaf blowers courtesy of Virgina Beach-based outdoor power tool manufacturer Stihl (which is also apparently the world’s leading chainsaw retailer).

“Power” is, in fact, the operative word in this new ad, created by Paris agency Altmann + Pacreau, which shows just how much punch Stihl leaf blowers can pack with some rather bombastic, cosmic flair and a perfect counterpart in Strauss’s composition. A+P CCO Olivier Altmann tells AdFreak:

“Having done many ideas with leaves in the past, we thought we should go for something less expected to stand above the competitors in an allegoric and funny way.”

Advertising Agency: Altmann + Pacreau, Paris, France
??Creative Director: Olivier Altmann
Agency Management: Edouard Pacreau, Thomas Vigneron
Production: The Gang Films
Producer: Nathalie Le Caer

BBDO Atlanta Reshuffles Staff

BBDOATL

Today we learned of some structural changes at BBDO’s Atlanta office: an unspecified number of individuals have been laid off as part of an attempt to more effectively address clients’ changing needs.

The official word from the agency is that some staffers will be replaced with new hires “better suited to the agency’s new focus” and that the number of positions created will ultimately be as large, if not larger, than the number eliminated.

This change began almost exactly one year ago when former Best Buy SVP of marketing Drew Panayiotou took over for departing President/CEO Gill Duff (who has yet to list a new position on his LinkedIn page). As expected, Panayiotou’s arrival coincided with an effort to push the Atlanta office in a more content-focused, digital/analytical direction.

That meant some positions would be eliminated and new ones created to fill their place; the first round of such changes occurred in June 2014, and the second round hit this morning.

A source claims that the total number of staffers dismissed today barely broaches the two-digit mark, but we don’t currently have specifics on departments or names. We do, however, have reason to believe that at least some of those affected were creatives specializing in traditional TV work and that the departing employees will be replaced by (presumably) younger candidates with more experience in the digital realm.

Clients appear to be responding positively to the newer, sleeker BBDO Atlanta. According to an agency spokesperson, the office has won the Carnival Super Bowl work in addition to several other undisclosed pieces of business since Panayiotou took over twelve months ago.

The spokesperson also notes that the total number of employees at BBDO Atlanta will, eventually, increase as a result of this office-wide strategic shift.

Expect hiring news to come.

The Martin Agency Launches ‘Life’s Rich’ for Ritz

The Martin agency launched a new campaign for Ritz, the first for the Mondelez cracker brand in eight years (Havas’ “Open For Fun” campaign in 2007 was the most recent for the brand).

Both the title and direction of the campaign allude to the brand’s origins as an affordable indulgence during the Great Depression. “We took inspiration from where we began, which was during the Great Depression in 1934. And that was when butter crackers could only be afforded by a few,” Linda Lee, senior director of the North American cracker category at Mondelez International, explained to AdAge. “But Ritz really allowed the masses, allowed everyone, to have a taste of a buttery rich cracker.”

In the broadcast spot for the campaign (featured above), voiceover stating, “May you be rich, so rich nothing is out of reach. Filthy rich.” is contrasted with footage of a family’s everday happy moments. The approach is exemplified by “filthy rich” being delivered over footage of playing in the mud. A print ad for the campaign reads, “Not country club rich, book club rich,” a perfect demonstration of the double meaning the campaign aims to give the word. “We’ve moved from an era of materialism and financial gain to an era that is about relationship, connection, just moments,” Lee explained, citing the brand’s attempts to market to consumers who value experiences over wealth.

VW, DDB Paris Can’t Fathom a World Without Cars

Would you live in a world where teleportation — not the automobile — is the essential form of travel?

For Volkswagen and DDB Paris, the answer appears to be “no,” as you can see in a new, film-like :90 spot promoting the VW Golf GTE and fanning the passions of all the car lovers out there. Helmed by veteran commercial director Noam Murro, or the man who’s most recently been W+K’s go-to guy on ads for TurboTax and Dodge, VW’s “Choice” spot weaves an intriguing tale of familial bonds and technology.

Like Robin discovering Bruce Wayne’s Batcave, our hero embarks on a journey inspired by a letter from his inventor uncle, which leads him and his Golf GTE to his relative’s vast, mysterious inner sanctum. While the innovation he unearths in his uncle’s hidden laboratory may change the world, our protagonist can’t imagine one without his very favorite form of transportation.

(You can take a guess at what that might be.)

Agency: DDB Paris
Production Company: Wanda Paris / Biscuit Filmworks
Post Production: MPC Paris
Colorist: George K
VFX Supervisor: Franck Lambertz
Agency Producer: Sophie Merges
Executive Creative Director: Alexandre Herve
Copywriter: Elie Sachs
Director: Noam Murro
Producer: Jerome Denis

Ogilvy, Geometry Get Musical with Glass in Suntory Spot

Here’s some interesting work from Ogilvy & Mather Japan and Geometry Global.

To support client Suntory, which also sponsors one of Japan’s premier concert halls in Tokyo, the agencies collaborated on a project in which the drink glasses of 300 volunteers were turned into musical instruments.

The audio on this one seems to be real (though possibly augmented, of course):

How did the agencies do it? They worked with “world-class conductor Mr. Yutaka Sado,” who helped coordinate or conduct the “audience of up to 300? who showed to observe and make music (or some approximation thereof) with “carefully crafted note-shaped ice placed in each glass.”

Masato Mitsudera, Head of Creative for Geometry Japan, says:

“…we looked to create a concept that would appeal to a younger audience – one that is increasingly interested in the classical music scene.”

From Ogilvy Japan CCO Ajab Samrai:

“This integrated campaign seamlessly brings together both the musical and drinks heritage of the company with the world’s first ‘drink instrument.’”

Not sure that it’s the world’s first, but if we may offer our humble opinion, this project was a bit more successful than a recent attempt by DDB Brussels to sell classical music to the young folks with some ill-timed twerking.

 

Agency?                             Ogilvy & Mather Japan (O&M) / Geometory Global Japan (GGJ)
CCO?                                  Ajab Samrai (O&M)
CD?                                    Masato Mitsudera (Head of Creative of GGJ)
PL?                                     Yasushi Arikawa
AD?                                    Akihiko Ono
C?                                       Shinichiro Fukushima
MD?                                   Masahiro Saito
AD?                                    Koichi Maeda
AE?                                    Ai Shimomura
Production?                      TOKYO / TAIYOKIKAKU
Pr?                                      Kazushige Fujie, Hidekatsu Nagasawa
PM?                                    Toshiaki Fujishima, Tomoko Morishige, Ryusuke Yoshida
Dir?                                    Eiji Tanigawa
Ca?                                     Senzo Ueno
Lig?                                    Masachio Nishida
Art?                                    Etsuko Akiba

Sound Design?                 invisible designs lab

Music?                               audioforce

‘They Grow Up Fast’ in BBH’s Latest for Robinsons

A baby grows into a man in just 60-seconds in BBH’s latest ad for British juice brand Robinsons.

At the start of the ad, a mother and father lounge on a blanket in the yard and “Give Me Just A Little More Time” plays as their baby crawls, and then walks, away. Soon, through the magic of CGI, he grows up before their eyes. The next thing they know, he’s an angsty adolescent bashing away at the drums and then finally a grown man ready to start a family of his own. Through all the changes, though, he still reaches for a glass of Robinsons. While the CGI effects can be a little off-putting, or, as Adweek put it “a little creepy in an Evian-like way,” the approach is endearing enough to work past the difficulties, ending with the tagline “Play Thirsty.” The ad launched last weekend on Britain’s Got Talent and is supported by print, digital and OOH efforts.

Credits:

Client name and title: Helen Gorman, Brand Director
BBH Executive Creative Director: Nick Gill
BBH Creative Director: Dominic Goldman
BBH Creative Team: Nikki Lindman & Toby Brewer
BBH Business Lead: Heather Cuss
BBH Team Director: Rebecca Levy/James Rice
BBH Team Manager: Louise Long/ Joanna Rose
BBH Strategy Director: Lilli English
BBH Strategist: Damien Le Castrec

—Film Credits
BBH Producer: Natalie Parish
BBH Assistant Producer: Sarah Cooper
Production Company: Park Pictures
Director: Tom Tagholm
Executive Producer: Stephen Brierley
Producer: Fran Thompson
DoP: Luke Scott
VFX: MPC
VFX Producer: Amy Richardson
VFX Supervisor: Tom Harding
CG Supervisor: Carsten Keller
Grade: MPC
Colourist: Jean-Clément Soret
Editor/Editing House: Stitch

WCRS Enlists Sylvester Stallone in Latest for Warburtons

Sylvester Stallone stars in WCRS’ latest spot for Warburtons, “The Deliverers.”

In the tongue-in-cheek ad, Stallone calls up “the Jonathan Warburton” with a pitch for a movie starring Stallone as a Warburtons delivery driver “commanding a crack squad of bakers hell bent on being the best.” As Stallone delivers the pitch, the remainder of the ad plays out like a trailer for the film Stallone has in his head. He lampoons his usual set of roles, and runs through a traffic jam in the film’s climax, in order to deliver bread on time.

Of course, actions stars of yesteryear lampooning themselves in advertising is nothing new, with VCCP’s recent work for e-commerce brand Compare the Market starring Arnold Schwarzenegger and the same agency’s Jean Claude Van Damme stunt spot for Coors just a couple of the most recent examples. While WCRS won’t win any points for originality, they handle the approach well here, with cheeky humor light-heartedly making fun of action movie cliches while showing the brand not taking itself too seriously. Will Stallone be back for a sequel?

Åkestam Holst Helps IKEA Open Online Wedding Business

Just when you thought IKEA stocked every conceivable amenity for your home, the Swedish retail giant now wants to help you get married.

Yes, IKEA just delved into the business of marriage with “Wedding Online,” which lets couples pick from a handful of virtual settings (swanky rooftop, classic style or even fairy tale, anyone?), invite up to seven loved ones, and eventually tie the knot — all with a few clicks of a mouse.

To help promote its new Wedding Online service — which essentially looks like a fun Google Hangout with loved ones — IKEA turned to hometown agency Åkestam Holst to provide a quick synopsis of the offering and entice viewers to take the virtual plunge in the process. While it might not be the most romantic way to get married, Wedding Online is certainly a novel one that seemingly eliminates the financial burden and planning stress that come with, you know, a real wedding.

Client: IKEA Sweden
Title: Bröllop Online
Advertising Agency: Åkestam Holst, Stockholm
Creative Director: Andreas Ullenius
Creative Director: Andreas Ullenius
Art Directors: Erik Nordenankar and Petra Albrektson
Copywriter: Julia Sebesteny
Account Executive: Kjell Mansson
Account Manager: Agneta Oppenheim
Digital Producer: Alex Picha
Planner: Jerker Winther
Digital strateg: Anna Lundeborg
Graphic Designer: Anna Forsberg
Interactive Account Director: Henrik Adenskog
DoP: Nisse Axman
Motion Designer: Eric Karlsson
Film Producer: Frida Heder
Web Production Company: From Stockholm with Love

DDB Stockholm Predicts Future for Samsung

DDB Stockholm followed up Samsung’s “Is This the Next” campaign with a series of spots featuring those who deal in predicting the future promoting the new Samsung Galaxy S6.

Among these is Orange, a harbor seal at the Maritime Aquarium in Norwalk, Connecticut, who has a penchant for predicting events like the Oscars and the Super Bowl. In a 2:30 online spot, viewers are introduced to Orange, who then makes some predictions about Samsung’s new device via selecting random technical specs scattered throughout her environment. Her predictions include “Fast charging,” “Flat on both sides,” and “Camera with 10MP front, 1 MP back.” Following the predictions, the text “Prediction time is over” appears onscreen, followed by the “Next Is Now” tagline. Two other spots in the “Predicting the Next” campaign feature human psychic Barbara Mackey and astrologer Michael Lutin. All of the spots were shot on location without actors.

The effort is just part of the Samsung’s huge “Next Is Now” global campaign pushing the new Galaxy S6 and Galaxy S6 Edge, which also includes the 60-second “Anticipation” spot from 72andSunny.

Energy BBDO Stages ‘Tough Mother’ Challenge for Ziploc

Energy BBDO created a “Tough Mother” challenge for Ziploc as part of the brand’s partnership with obstacle course competition Tough Mudder.

The brand’s obstacle course consists of representations of daily challenges: pit of toys, pantry dash, couch crawl, city sprint, race to school, kitchen conundrum, story climb, the dinner throw and the husband. Contestants dash through the challenges before jumping into bed and pressing the buzzer. Of course, several of the obstacles are completed with the aid of Ziploc products to further tie the brand to the competition. Although the attempts at humor (on the part of the announcing team) fall flat, the ad still works to further the brand’s connection to the Tough Mudder competition.

“Already demonstrating strength, stamina and mental grit in their everyday lives, we invite tough mothers everywhere to push their limits even further at a Tough Mudder event this year,” said Dan Weinberg, vice president of global partnerships for Tough Mudder, in a statement.

Credits:

Agency: Energy BBDO
Client: SCJ/Ziploc
Title: Ziploc “Tough Mother”

Chief Creative Officer: Mark Taylor
Executive Creative Director/Writer: Mike Roe
CD/Art Director: Amy Ditchman
ACD/Writer: Dan McCormack
Executive Director of Content and Delivery: Brian Cooper
Head of Integrated Production: Rowley Samuel
Executive Producer: Melissa Barany
Senior Producer: Elena Robinson

Client Service Director: Stacie Boney
Digital Client Service Director: Josh Ehart

Senior Account Director: Nicole Guisto
Account Director: Rachel Levy
Senior Account Executive: Emmalee Anderson

Production Company: Honey Badger
Director: James Frost
Producer: Sam Khazaeni
Editor: Angelo Valencia, Beast

Graphics: Vitamin Pictures

PETA Gets Graphic (Surprise) to Rail Against Classroom Animal Dissection

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PETA has never been one to shy away from courting controversy with ad campaigns in order to push its animal rights agenda, and the organization’s latest effort is no different.

This time, PETA puts classroom animal dissection in its crosshairs. The group has found a new ally from the Cyrus family: Miley’s 15-year-old sister Noah, who stars in a print effort proclaiming, “I am not a classroom experiment.”

Cyrus goes under the knife and PETA gets down to the bone with yet another trademark over-the-top effort aiming to shed light on the fact that “more than 10 million animals” are dissected in high schools and colleges every year.

In a statement regarding her experience on the #DissectionKills campaign, Cyrus says:

“It kind of was weird being on the table and the feeling of about to be cut open. The thought of that happening to an animal is terrible… if you feel weird dissecting something, say no.”

According to Yahoo, Noah is pushing for virtual dissections while encouraging kids to opt out of the practice altogether.

“Because I love all animals so much, people should realize they don’t have to cut into something to learn about it. You should ask your teacher for other humane alternatives… You’ll learn so much more off of the computer. If you have the other option, why not take it?”

Like pretty much all PETA campaigns, people will love it or hate it…but it will get headlines.

Here’s a behind-the-scenes video from Cyrus’s PETA photo shoot below.