Clear Channel Outdoor Displays Creativity on #Canvas at Cannes

Catering to current trends of craft and crowdsourcing, Clear Channel Outdoor commissioned two “high-profile billboard muralists” to handpaint people’s tweets on a giant canvas during Cannes. And by smushing enough ideas together on a 16m x 4m screen, they’ve set a couple records: This was the world’s first hand-painted micrography billboard made entirely of tweets, and also the world’s first gigapixel image searchable by tweet.

To gather relevant words, CCO started Twitter debates with questions like, “Who owns the creative agenda?” and “Is technology redefining creativity?” People were into it: over the four-day period, the campaign delivered a total campaign reach of 15.7 million impressions on Twitter. “Who owns the creative agenda?” trended number two worldwide. As the responses streamed in, social media visualisations of the #canvas Twitter content were displayed on CCO’s website, digital screens at the festival, and a high-resolution projection to a separate 18m x 5m canvas located on the roof of the Le Grand Hotel.

It’s a sweet reflection of the spirit of Cannes, one that could have only been more accurate if it involved alcohol. See if your tweet was chosen here.

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Grey Poupon Mustards Support for LGBT National Pride Month

As National Pride month winds down for the LGBT community, Grey Poupon and CP+B have teamed for a small piece of content in support of gay rights. A Facebook image posted yesterday afternoon depicts two men in separate cars holding hands through open windows, a heartwarming riff on a famous 1981 ad for the mustard-maker. Earlier this year, CP+B used the famous spot as a backdrop for a “Lost Footage” reveal during the Academy Awards. In the original commercial, two mayonnaise whiteys pull up side-by-side in Rolls Royces. One man happens to be eating some mustard-garnished food in the backseat, while the other politely asks for some Grey Poupon. Instead of sharing, the first man drives off devilishly. Perhaps, thirty two years later, he had a change of heart.

 

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Sony Shows Off New 4K Ultra HD TV

To be fully experienced, this spot has to be watched at your nearest Sony Store or Magnolia Home Theater at Best Buy. That’s because it’s made specially for the 4K Ultra HD TV it advertises, which raises definition to four times that of a standard HD TV.

The ad still looks pretty on YouTube, with its New Zealand ocean setting, bright blue bird, and red-dressed woman. And it doesn’t hurt that filmmaker Garth Davis (a commercial director himself) narrates it all in his soothing Australian accent.

In addition to showcasing new HD technology, the ad features the largest asset ever made for TV: a random looming spaceship, created by VFX company MPC. Pretty sure Sony agreed to it just because they could.

“This is part of our Visionaries campaign for Sony,” 180LA creative director Dave Horton says. “The idea is to bring together two industry leaders to collaborate on a creation that brings Sony’s technology to life.” In this case, Garth Davis worked with Oscar-winning cinematographer Claudio Miranda (Life of Pi). I look forward to seeing who’s next. I watch almost nothing on TV, but this technology is tempting.

Credits after the jump

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Reyka, RT+P Drink to Sunshine

On June 21, the sun shone for 24 hours in Iceland. No darkness for an entire day thanks to our buddy, the Summer Solstice (you can watch a cool slideshow of the never-ending sun here). The phenomenon is actually called a “midnight sun,” and occurs in a handful of places around the world, including Alaska, but for Reyka Vodka, the celebration begins and ends with Iceland. Reyka teamed up with Red Tettemer + Partners for “A Celebration of Summer Solstice,” which probably conjures up images of the Nordic populous engaging in a nationwide rave with a lot of blonde hair swooshing around.

Prior to the blonde bash, Reyka built up momentum on the obligatory social media channels, even offering free trips to Iceland for winners of an Instagram photo contest. This is not a what-happens-in-Iceland-stays-in-Iceland party, either. Reyka also had solstice shindigs in Chicago and San Francisco. The brand sponsored a total of 54 solstice parties in America, including a main event in a Williamsburg bar. The sun may not have been shining 24 hours straight in Brooklyn, but when vodka is involved, drinkers won’t notice the difference anyway. Credits after the jump.

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What Would You Want a Celebrity to Do for a Klondike Bar? Joel McHale Launches a Challenge

Back in the 80s, some ice cream sandwich-makers asked, “What would you do-oo-oo-oo for a Klondike bar?” Then, a balding businessman made monkey sounds. Today, reaching greater heights of sophistication, we’re crowdsourcing challenges via social media to humiliate washed-up celebrities. The new question is, “What would you want _____ to do for a Klondike bar?”

In the Klondike Celebrity Challenge hosted by comedian/The Soup host Joel McHale, the blank is filled first by Alfonso Ribeiro, otherwise known as the Fresh Prince of Bel Air’s cousin, Carlton. The contest submission period has ended, so Klondike’s Facebook page has no evidence of people’s weird ideas. But on July 15th, we’ll presumably have a new video featuring the winner.

For now, watch Joel McHale wandering his ice cream museum. The videos are directed by Tristram Shapeero and written by The Soup writers Boyd Vico and Brad Stevens. It’s not half bad, actually. Maybe we have evolved since ’83.

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Everyone Deserves a Snow Day, Even in the Summer?

As everyone laments the conclusion of a great NBA season, we’re all reminded that it’s almost vacation season. Some of us find a beach, others opt for a refreshing hike. You may only think of Colorado ski resorts as a winter vacation hub, but with some creative guidance from Seattle-based Wexley School for Girls, the Copper Mountain resort wants to remind vacationers that it’s still looking to thrive as the summer gets sweaty. Three new Copper Mountain spots will be airing in the coming months. “Golf Triathlon” will be released first on June 24.

The ads are a continuation of Wexley’s “Everyone Deserves a Snow Day” campaign, somewhat puzzling considering school is out and there aren’t snow days to be had. The set-up is overly simple: a standard nuclear family trading uncomfortable banter on a skilift. The premise of a gold triathlon is a dynamic idea in theory, ripe with potential humor, but here it is rendered boring. Showing the golf course to the viewer may have fixed the boredom. The two unreleased spots, “Events,” and “Woodward,” are much of the same: jokes that don’t make you laugh. Same background, same skilift, no variety. A bland campaign for a bland Friday.

You can see the other two spots and credits after the jump.

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Jaguar Adapts ‘It’s Your Turn’ for a Digital Audience

Jaguar’s campaign for the 2014 F-Type invites people to test drive the car. In the broadcast ad, a driver speeds down various spectator-lined roads around the world. Finally he slides to a stop and tosses the keys to the next handsome man in line. “It’s your turn,” he says.

To adapt their ad for a digital audience, Jaguar’s agency Spark44 apparently designed a takeover ad in which the F-Type drives across the screen and the driver tosses his keys “straight towards the screen.” This sounds cool, conceptually. But in the demonstration I saw, Jaguar’s ad looks like any other pop-out video. It’s basically the broadcast spot with less acting.

The spot is, however, packaged with Jaguar’s social campaign #MyTurnToJag, which offers participants the chance to win the “test drive of a lifetime.” The brand’s resulting Facebook page is reflective of its enthusiastic fans.

Jaguar’s done cool creative work before, hiring Lana del Rey to sing their soundtrack and making a short action-packed film. This digital spot just isn’t all it promises, and I couldn’t care less about watching another typical vroom-vroom car commercial. Credits after the jump.

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Mozilla’s Firefox Flicks Deadline Nears, But No North American Winners

In March, Mozilla announced its “Firefox Flicks” competition, calling on aspiring filmmakers, animators, and creatives to make films emphasizing the power of the Web on mobile devices. Somehow Edward Norton is on the board of judges.

Mozilla reports that as of now, Europe, Asia, and Africa are beating North America for best entries. There are only two other rounds of judging before the final contest, and the final deadline for entries is July 31, 2013. So, let’s represent?

The regional prizes of $5,000 and $2,500 sound sweet, but the grand prize of getting to produce a short film with no corresponding screening sounds like a bit of a swindle. Is Mozilla going to use the resulting spot in a campaign? Will it be distributed in some way?

The two winners of the Early Entry Award have made fun films, showing that Mozilla’s getting the attention of ambitious students. I’m just curious to see how the Mozilla will move the projects from their insular space, making them really matter.

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Delayed Response Brings LeBron McDonald’s Spot Back into Focus

Considering game 7 is tonight, let’s just call this timely. This McDonald’s commercial from Arnold featuring Stephen A. Smith and LeBron James (sort of) isn’t exactly new, but it’s taken on some belated relevance following the headbandless fourth quarter performance from King James in last night’s NBA Finals Game 6. Once you get over the fact that Stephen A. is in a commercial, and the fact that the typical ESPN #embracedebate could be replaced in this case with #embracerecedinghairlines, you’ll see that the “greatest of all time” discussion usually reserved for LeBron vs. Michael Jordan discussions has been morphed, with good spirits, into a battle between chicken nuggets and hamburgers.

In a second local spot, Stephen A. apparently used the hashtag #headbandontootight in relation to LeBron’s fondness for fatty fried chicken and accidentally struck viral marketing gold for Arnold Worldwide. Nevermind that LeBron probably hasn’t had a chicken nugget in 8 years – when the timing is right, the timing is right.

Credits after the jump.

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Loveworks Promotes An Agency, Not A Marketing Methodology

Over the years, AdPulp has written many stories referencing Kevin Robert’s book Lovemarks, an overly designed Saatchi & Saatchi promo piece wrapped in a trademarked branding process. It’s amusing to note now that in 2006, a former CEO of a department store was so enamored of the book he hired Saatchi to turn his store into a “Lovemark.” That beloved department store? JC Penney.

But Lovemarks the book is so…well, 2004. After 9 years, what does the agency say now? We find out in Loveworks: How the world’s top marketers make emotional connections to win in the workplace by Brian Sheehan, a former Saatchi executive and now Syracuse University Professor.

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Sheehan doesn’t forget where he came from. What we get is simply a hagiography of Saatchi and Saatchi, as the book offers case study after case study of agency clients he seems to think can be chalked up to being a “Lovemark.” Swiffer. Reebok. Nike (a Saatchi client in Brazil). It doesn’t matter what the product is, they all somehow fit into the Lovemarks ethos. The conclusion of the book? “Love is working.” Not exactly an unbiased analysis.

The redeeming value in Loveworks comes from the interesting studies of brands working internationally (Saatchi & Saatchi has offices in pretty much any country you can name). The story of Safeguard soap being introduced to the Chinese market, for example, provides some fun and valuable insight into marketing in other cultures. But at heart, Loveworks simply acts as an agency credentials book, where any emotional connection forged with consumers is deemed to be one born from “love.” We’ve seen many agencies attempt similar ways at branding themselves, but this one comes with a cute phrase. Are there lessons you can apply at your own agency or brand? You’ll have to decide for yourself whether Loveworks is all you need.

Special thanks to FSB Associates for providing me with a review copy.

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John McAfee Goes Ballistic in Super Strange, Brand-Trashing Video

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We’d venture it’s a sure bet the brand McAfee is none too pleased with a recent video released by founder John McAfee in which he trashes the software he created because the people who have run the company without him for the last 15 years have “fucked it up.”

In the video, he hilariously reads profanity-laden emails he says he still receives even though he is no longer associated with the company.

Dressed like Hugh Hefner and accompanied by a bevy of bodacious babes dressed in cleavage-bearing tops and extremely short pleated plaid miniskirts, McAfee reads several letters than skewer the brand and beg him to tell them how to uninstall the software.

It’s quite funny but it hits close to home towards the end when in an apparent nod to his recent Belize murder investigation, McAfee says, “You know, something went wrong. Fifteen years ago, I had some beautiful software and they took it over. I don’t know what they did. It was like the time I hired that Bangkok prostitute to do my taxes while he fucked my accountant. It was terrible. The same fucking thing is going on now.”

He then illustrates how to uninstall the software — by shooting his computer with a gun.

While this will, no doubt, spark plenty of discussion surrounding the brand, we’d guess none of it will necessarily benefit the company. For now, the brand has remained mum on McAfee’s video. Which is probably a good thing. Although the best response would probably be an equally strange video confronting McAfee’s tirade. Not an easy task though.

Needless to say, the video is NSFW. You have been warned.

Rooster, Microsoft Board Up Together

Before I wrote this, my editor jokingly told me I’d been typecast as the Rooster Guy, but I won’t complain. Jason Statham has been typecast as the Rooster Guy of the film industry, and he’s probably worth $50 million. We’ve covered a few Rooster side projects recently, and now they’re back in the news, teaming with Microsoft for a co-ideation Windows 8 skateboarding app.

The project allows users to build a digital Vans skate park – would you expect anything else from Rooster? – while on Skype calls. The callers can then watch a Vans Pro skater board across the customized park on their phones and tablets. The app will include the inevitable links to merchandise and social media pages. Let’s hope the Microsoft money will let Rooster continue to make their quirky skateboard-related projects, so in turn, I can continue to be the Rooster Guy. And if you’re keeping score, let’s also hope Gavin McInness has finally seen an episode of Game of Thrones.

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Healthcare Marketing Is Growing Like A Pubescent Teenager

Today, health insurer Aetna is launching a new campaign themed, “What’s Your Healthy?” Created by Arnold Worldwide and Digitas, the campaign seeks to do what so many health insurance providers are trying to accomplish: Engage their customers and get them to be “proactive” about their healthcare. Pushing healthy habits ultimately reduces healthcare costs, so it’s not shocking to see most insurers focusing their messages there.

Aetna

There’s nothing overly remarkable about this campaign, except to add that it’s being launched with a $50 million budget. I suspect we’ve barely begun to see all the advertising and marketing efforts healthcare providers and health insurance companies are set to launch.

With the new Affordable Care Act (i.e., Obamacare) gradually being rolled out, individual states being tasked with providing health exchange marketplaces so consumers can compare and purchase plans for themselves, and employers rethinking the coverage they provide to their workers, it’s going to be a mad rush for revenue. And it’s a huge opportunity for advertising agencies and other firms to get in on the spending.

Healthcare marketing is crowded field with a lot of similarity in the messaging and very little boldness. So who’s out there doing a great job of healthcare marketing? What’s the ultimate message insurers need to send? Will hospitals and health systems need to up their marketing game now, too? Will consumers simply be too confused and overwhelmed with marketing to make the best choices?

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Pizza Hut Launches Review (Updated)

We’ve received confirmation that Pizza Hut is indeed reviewing its creative ad duties, which have been handled by The Martin Agency for the last three-and-a-half years. We’ve been told, though, that the Richmond, VA-based Martin will defend the account, which it beat out Gotham for at the end of 2009.

We’re trying to get a comment/statement from Yum! Brands-owned Pizza Hut, which worked with BBDO for 20 years prior to moving its account to the Martin Agency. Some of the latter’s most recent work for the chain includes this year’s “Hut Hut Hut” pre-Super Bowl push (see after the jump). No word yet if Pizza Hut’s review includes the digital and social components, which Martin also took over on two years ago, but we’ll hopefully have some clarification this afternoon.

Update: Pizza Hut has issued the statement below regarding the move. We’ve been told that the review involves just the advertising account as Martin doesn’t actually handle digital and social. Huge in fact manages e-commerce for the brand and TracyLocke is handling the latter.

“Pizza Hut is continually looking at fresh ways to enhance its marketing efforts and strengthen relationships and points of engagement with pizza lovers. As a result, we are conducting an advertising agency review. We are thankful for the commitment The Martin Agency has made to our business over the past 3 1/2 years and have invited them to participate in the review process. We will not disclose the other participating agencies nor additional details regarding the search.”

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Firstborn Nabs Digital AOR Duties for L’Oreal Luxe

It’s been quite a while since we’ve heard from NYC-based, Dentsu-owned digital shop Firstborn, which has now taken over for R/GA as digital agency of record for L’Oreal Luxe, the cosmetics/beauty giant’s luxury brands unit that includes Lancome, Giorgio Armani, Kiehl’s and Urban Decay. The review for the Luxe digital account appears to have lasted longer than Honda’s as L’Oreal kicked it off last summer with approximately 15 agencies initially vying for the biz.

Regarding her company’s new digital AOR appointment, L’Oreal Luxe president Carol J. Hamilton says, “I am so pleased to have a partnership with Firstborn, whose dedicated energy and expertise in the world of digital will help drive our brands to new heights.” As a result of the win, Firstborn essentially extends its relationship with L’Oreal as it’s already worked with the brand’s Redken line. The digital shop, which has also handled digital efforts for other notable brands including Pepsi, Aflac and Under Armour, will initially focus on digital ecommerce marketing strategies for various brands within the Luxe portfolio.

R/GA, which had served as Luxe digital AOR for two years, will still continue its seven-year relationship with L’Oreal Paris.

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Perhaps Guy Who Directed ‘Smack My Bitch Up’ Will Convince You to Buy a Lexus

From Team One and director Jonas Åkerlund (whose music video reel includes Prodigy’s “Smack My Bitch Up,” Blink 182′s “I Miss You,” and Madonna’s “Ray of Light”) comes a new campaign for the Lexus IS. As you can see, Lexus is really trying to market their new luxury sedan as a high-fashion, chique automobile, which strays a bit from the brand’s usual “Hey, you want a luxury car, but you don’t want to go nuts?” appeal. And, considering Åkerlund’s impressive resume, who better to pay a ton of money to make your product pop on TV?

Both “Crowd” and “Color Shift” succeed in that they’re flashy, somewhat dystopian depiction of urban wealth looks starkly different than any other car advertising you’ll see during commercial breaks. However, will consumers buy that Lexus is a brand that can adeptly align itself with fashionable, rebellious youth? Credits after the jump.

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CP+B, Domino’s Make the Old New Again with Secondhand Logos

Even though Domino’s recently redesigned their logo, that doesn’t mean all of the company’s old materials have to go to waste. The newest content from the pizzamaker and AOR CP+B showcases products built from recycled Domino’s materials like staff shirts, pizza boxes, and anything that incorporated the old logo. You can check out some of the “upcycled” gear on Pinterest – the above picture is just one example of the innovative user creations: an in-progress light fixture made of company signane and pizza boxes.

This project from CP+B is the latest in a consistent line of inventive campaigns that have helped build up some brand equity for Domino’s. We’ve covered a few of the efforts here – a consumer contest for the “Ultimate Delivery Vehicle,” a digital suggestion box called “Think Oven“, etc. All of the content has been very social and very original, allowing for customers to constantly engage with the pizza chain. Basically, Papa John ain’t got nothing on that.

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Jay-Z Announces New, Samsung-Sponsored Album via 3-Minute Spot

This three-minute Samsung spot played during halftime of the NBA Finals last night, and it ran before my YouTube videos this morning. It’s Jay-Z, playing with sweet beats, so of course I didn’t click “SKIP AD.” You better not either, because at 1:20 you’re going to bob your head emphatically as Jay and his team recreate the sound of the speakers blowing out. If you skip the ad, you’ll also miss Pharrell’s face, looking incredulous and smiley as he assists Jay’s genius. You’ll miss uber-producer Rick Rubin hanging out on the couch barefoot.

Just as we were getting worked up over Yeezus, HOV comes through with Magna Carta Holy Grail and perhaps the greatest (or at least highest-profile) marketing coup in Samsung’s history. On July 4, the first million Samsung Galaxy users to download a customized app will receive the album for free. Three days later, other drabby people–i.e. iPhone users–get access. It’s a tantalizing prospect, and one that depends on avoiding the lately inevitable leak. Or maybe not–if the app’s “personalized stories and inspiration” really consist of never-before-seen content, then it’s an asset even if (when) the music sweeps the Internet in advance.

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Boost Mobile Brings Out the Zombies

Any agency can always reach deep down into it’s bag of tropes and tricks and pull out a zombie idea for just about every brand. Some people are bound to like watching the undead jaunt around in some apocalyptic retelling of the universe regardless of whether the take is funny, serious, or cool. For Australian-based shop The Monkeys and Boost Mobile Australia, that cool take on zombies in the centerpoint of their latest campaign: “Stay Living.” Sleek action, plenty of gore, and some moody music are all you need for the phone carrier juices to start flowing.

The clips for this campaign are somewhat graphic, making them stand out when compared to typical American commercials. Zombies getting shot in the head with arrows or completely disrespected with huge katanas to the skull holds some edgy appeal that you won’t find in our commercials with little kids who want “Puppy Brothers.” If anything, these Boost Mobile ads are a fun watch as you think about moving to Australia to start your own zombie apocalypse narrative.

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Children Compete to Be the Best at Not Doing Drugs

From the power trio of Atmosphere Proximity, The Parternship at Drugfree.org and the White House Office of National Drug Control Policy comes the above spot for the “Above the Influence” campaign which asks the question, “Who better to convince kids not to drugs than their peers?”

Of course, this begs a second question. “Wait, which of your peers is the BEST at not telling you to do drugs?  That is the peer we need.” And so, things got interesting. After all, what’s more American and capitalistic than making this shit into a contest? This isn’t about the message anymore. No sir, this shit is about TALENT. You got talent? Stand up, let’s hear it. No talent? SIT DOWN. Do some drugs until you’re able to talk about them in a raw, powerful way that is better than that other kid’s way of talking about drugs. Then, you win.

Before you submit your awesome ad idea at Above the Influence on Facebook, start strategizing. What kind of shenanigans will your peer group use to their advantage? Perhaps they lost a family member to drugs. Perhaps they’re recovering addicts themselves. Remember, this isn’t about drugs. This is about winning, and being the most popular kid at school for appearing in an anti-drug commercial. This is about fame. This is about being the best.

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