Applebee’s, CP+B Bring Back the Lunch Decoy

CP+B originally ran with the idea of a blow-up doll lunch decoy last year, suggesting that people could secure more time at Applebee’s by tricking their bosses. In 2013, the same old bag of tricks comes in the form of a longer ad – 102 seconds – showing various worker bees running out of the office to indulge in some Applebee’s. I’ve never been a fan of the fine dining cuisine at such establishments, but I’m told customers can enjoy hundreds of lunch combos starting at $6.99. If you can get a restaurant combo for that cheap, you may want to think twice.

The spot itself isn’t digging much into new ground. There is one interesting bit, when a black construction worker uses a white lunch decoy. I’m not sure what that is trying to say, if anything at all, but the man’s boss must not pay very good attention to his staff if the lunch decoy can be effective while using a different skin color than the man who is jolting to Applebee’s (Ed. update: CP+B clarifies that it did use the likeness that most resembles of its construction worker as part of the campaign. Go here). Maybe the man’s boss is using his own lunch decoy, at which point the men would run into each other at an Applebee’s and ruin the trick for everyone. Credits after the jump.

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Subaru, Carmichael Lynch Find Love on the Road

Chances are, you’ve known a good Subie. Whether you rode to school in your mom’s, drove one yourself, or cherished your significant other’s, the thoughts are fond. Now, with their latest campaign from Carmichael Lynch, Subaru has incorporated that adoration.

In one new video, a Subaru makes an unexpected first date possible with diner milkshakes and roadside farmer’s market fun. In the second spot, “Redressing Room,” a mother puts up with her son’s affinity for nudity. The tagline for both ads is, “Love: It’s What Makes a Subaru a Subaru,” and I now wish I could be driving a car while hugging myself for maximum endorphins. These ads are sweet without being saccharine; a heartwarming play on Subaru’s role as an all-purpose family car, more a character in a story than its means of transportation. It’s a good way to win our hearts; if love is all we need, we’d better get a Subaru.

Credits after the jump

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Following Publicis Omnicon Group Merger, Coke and Pepsi, In A Fit of Frustration, Agree to Merge

Coke-and-Pepsi.jpg

In a collective fit of despair and inability to reach an agreement with WPP or IPG, neither of which could guarantee they would not merge in the future, Coca-Cola and Pepsi, this morning, announced they would merge. The new entity will be known as Poke.

Both Coca-Cola and Pepsi spokespeople reached out to Adrants this morning and collectively said, “Fuck it, this shit is ridiculous. How can each of us expect to compete with one another when there will likely be just one advertising agency to choose from in a few years?”

Both camps went on to say, “When you get right down to it, both our products, much like every single advertising shop in existence, are identical. We all spout the same bullshit about how we are better or different or unique from one another when, in fact, we’re all made of the same shit and spew the same bullshit in our marketing.”

As the media wet their pants over who can write the wittiest and most salacious headline to convey the fact Omnicom and Publicis have combined to become the number one advertising holding company with a reported market cap of $35 million, we here at Adrants prefer to get to the heart of the matter. Coke is the same shit as Pepsi. Just like Omnicon is the same shit as Publicis. It makes perfect sense the two companies dispel any myth they are different from one another and simply mix their shit up.

We look forward to the bureaucratic nightmare that, as with all mergers, will assuredly net some interesting and unexpected new flavors of Poke as the two giants work to iron out their internal differences.

Following Publicic Omnicon Group Merger, Coke and Pepsi, In A Fit of Frustration, Agree to Merge

Coke-and-Pepsi.jpg

In a collective fit of despair and inability to reach an agreement with WPP or IPG, neither of which could guarantee they would not merge in the future, Coca-Cola and Pepsi, this morning, announced they would merge. The new entity will be known as Poke.

Both Coca-Cola and Pepsi spokespeople reached out to Adrants this morning and collectively said, “Fuck it, this shit is ridiculous. How can each of us expect to compete with one another when there will likely be just one advertising agency to choose from in a few years?”

Both camps went on to say, “When you get right down to it, both our products, much like every single advertising shop in existence, are identical. We all spout the same bullshit about how we are better or different or unique from one another when, in fact, we’re all made of the same shit and spew the same bullshit in our marketing.”

As the media wet their pants over who can write the wittiest and most salacious headline to convey the fact Omnicom and Publicis have combined to become the number one advertising holding company with a reported market cap of $35 million, we here at Adrants prefer to get to the heart of the matter. Coke is the same shit as Pepsi. Just like Omnicon is the same shit as Publicis. It makes perfect sense the two companies dispel any myth they are different from one another and simply mix their shit up.

We look forward to the bureaucratic nightmare that, as with all mergers, will assuredly net some interesting and unexpected new flavors of Poke as the two giants work to iron out their internal differences.

Kmart, Draftfcb Wrangle Da Rich Kidzz for Back-to-School Track ‘My Limo’

For their new back-to-school campaign, Kmart and Draftfcb have wrangled Da Rich Kidzz, a rap group from Minneapolis aka the young geniuses behind “Hot Cheetos and Takis.”  In their new release, “My Limo,” Da Rich Kidzz give shout-outs to their school bus, their calculators, and of course, the first day of school. The chorus goes, “My school bus is my limo/I rule back to school with my cap on and my brim low.”

This spot comes after Kmart’s “Yo Mama” video, in which playground kids used the classic insult to compliment one another’s mother’s back-to-school shopping choices. The clincher: “Yo mama’s so fiscally responsible, she got all that on free layaway.” Previous to that, we got a pun-laden diptych in the form of “Ship My Pants” and “Big Gas Savings.”

If Da Rich Kidzz’ spot succeeds in making K-Mart a cool elementary school shopping destination, then power to them. Anything to make the first day of school less nerve-wracking. “Hot Cheetos & Takis” caught on with the young crowd, so maybe “My Limo” will too. But it’s also possible that, like Jay Z with Samsung, the commercial overload will leave a bad taste in consumers’ mouths. And if Da Rich Kidzz are really up and coming, this spot might arrest their creative momentum, forever branding them the K-Mart Kidzz.

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F/Nazca Saatchi & Saatchi Skol Beer Design: Drink, Decorate, Sit On It

As part of their Skol Design line, the international beer brand and F/Nazca Saatchi & Saatchi invited renowned furniture designer Pedro Useche to create an armchair out of Skol bottles. Useche said, “Turning an armchair into a desirable object is not only about showing aesthetic attributes but most of all, making people feel comfortable when they sit on it.” The Skol bottles can spin, creating a massage sensation for each lucky occupant.

The video that accompanies Skol Design is in entirely in Portuguese, but if the lines were in English I can guess they would include gems like, “Here’s your house, in which you store the things you love…until your monstrous girlfriend arrives!” Said flower-loving, mirror-toting creature proceeds to completely rearrange the man cave. But! Justice is restored by Skol Designs, whose bottle lamps and clocks give the GF the chic feel she wants while still satisfying man’s need for beer.

Apparently the villainous girlfriend trope does well with Brazilian audiences, as F/Nazca Saatchi & Saatchi have used it before. I’ll admit the Skol chair is cute, but I’d much rather see a couple making sweet love on the rolling bottles than a wide-eyed girlfriend horror story.

Credits after the jump

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Intel, Toshiba, Pereira & O’Dell Make Alien Movie to Sell Computer Processors

About a year ago, Intel and Toshiba partnered together with the help of Pereira & O’Dell to create “The Beauty Inside,” a so-called “social movie” that paired not-quite-movie stars Topher Grace and Mary Elizabeth Winstead as two young actors who can’t believe that this is where their careers have taken them thus far. The big budget online film was apparently effective enough at whatever it was trying to do to spawn a spiritual sequel, “The Power Inside,” starring Harvey Keitel as a guy you kind of feel sorry for until you you consider that he’s still finding work at his age.

As a press release tells us, the heavily product integrated plot will consist of “An alien invasion by a race of extraterrestrial moustaches and unibrows who take over the upper lips and eyes of people around the world. The main character is Neil, who together with his friends and the help of technology discovers his inner strength to defeat the moustache and unibrow invaders called Uricks. Intel-inspired Ultrabook™ devices by Toshiba play an important role in Neil’s journey of self-discovery.” We assume “inner strength” and “Intel-inspired Ultrabook™ devices by Toshiba” are pretty interchangeable in this scenario.

Similar to its predecessor, computer processor fans every can be part of the film by interacting with the protagonist via Facebook. Users can also upload a photo of themselves, edit that photo with a moustache and unibrow, and reach self-actualization after the process is completed. Credits after the jump.

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Did You Know a Kleenex Can Hold 32 Eggs?

Second only to snow day, experiment day was the best in elementary school. We got to see the legendary combination of Mentos and Coca-Cola, drop eggs off of roofs, and bake cookies in solar ovens. The 90 minutes flew by.

Kleenex and Studiocom, the latter of which recently gave us the “Hand Washing Station” for the Kimberly-Clark brand, channeled this concept into their latest campaign, proving Kleenex’s added strength and absorbency with Kleenex Xperiments. They challenged 100 elementary and middle schools across the country. 10 accepted, and 5 were featured in the resulting videos. I’m guessing these kids were stoked to have more than the usual one-per-unit experiment day. They came up with projects like the “Rolling Mucus Burst” and a “Slime Cannon.”

At Highland Oaks Middle School in Miami, FL the students piled egg yolks onto tissues, comparing Kleenex and “Brand X.” Brand X broke after 8 yolks, while Kleenex withstood the weight of 32 yolks. That’s a lot of representative mucus.

It’s clear that the kids involved in these projects had fun being inventive, and (perhaps due to the brand’s selectivity) their experiments showcased Kleenex’s upgrade. A good time was had by all, and I bet–at the very least–when these kids grow up to be parents, they’ll remember their results and buy Kleenex, not Brand X.

See more at  https://www.kleenex.com/school/.

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Let’s Celebrate National Hot Dog Day with Schweigert Meats

Minnesota Twins fans don’t have much to cheer about these days. Their team is in 4th place in the AL Central, and they have a new outdoor stadium, which is problematic when you remember that playing baseball outdoors in Minnesota may not be fun in April or September. But, there is temporary relief. Today is National Hot Dog Day – I didn’t know, either – and Schweigert Meats, which produces the official hot dog of the Twins, has used the special occasion to release a couple of short video spots that show how the brand’s meat is “overly uncomplicated.” The brand is opting for a tongue-in-cheek tone with the videos and slogan as the campaign expands over the next few months with digital, print, and TV ads in the extended Minnesota region.

The campaign comes from Austin-based Proof Advertising and seems to appeal to a certain Northern blue-collar rural population that may find humor in the soft irony of things that are overly uncomplicated. But when it comes to Minnesota Twins advertising, Proof and Schweigert will have to step up their collective game to surpass the ability of the dandruffless Joe Mauer. Credits after the jump.

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NZ Telecom, Saatchi & Saatchi Make Us Wait in ‘Waiting is Over’

How do you make an ad about waiting? The worst approach might be to show paused scenes while the dulcet notes of a piano play in the background. Sure, the hi-res shots of robots falling, halted car chases in progress, and rock concerts are good-looking, but if I saw this ad a second or a third time on TV, I would hit mute and go get some ice cream.

The new spot for New Zealand Telecom via Saatchi & Saatchi New Zealand and GoodOil director Michael Spiccia ends with a close-up on a car chase hero. He blinks, and the tagline appears: “Waiting is over.” Instead of this indulgent imagery, I’d much rather see a humorous piece on how impatient we’ve become in the Internet Age, or a puppet-filled drama in a doctor’s office. “Waiting is Over” looks like something that would play (and could work) on the New Zealand equivalent of Best Buy’s panoramic screens, but watching it online or on TV, I just feel twitchy. The waiting better be over.

Additional TV, radio, digital and outdoor executions will be rolling out over the coming weeks. Check out the credits after the jump

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Grey New York, Downy Tell a T-Shirt Love Story

We all have an extra soft, hol(e)y shirt that fits perfectly, whether it’s an oversized sleepshirt once worn by a parent, an old boyfriend’s flannel, or an embarrassing Greenday tour T. In their new spot, Downy celebrates the journey of one such garment: it’s a treasured piece of memorabilia for our protagonist, a witness during a heated make-out sesh, a comfort for his pregnant wife, and finally a dress on his young daughter. It lasts through all these phases of his life, because “Downy helps protect the clothes you love.”

It’s a sweet spot, backed by a cover of Alphaville’s Forever Young. Hopefully they make this a series, telling the stories of the dirt-stained jersey you now wear to the beach with the fam, or the tattered sweatshirt that’s now one square in a grandchild’s quilt. It’s hard to go wrong with an idyllic tale of growing up, especially when the story evokes the soothing smell of laundry soap.

Credits after the jump.

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Here’s the Ogilvy Memo Regarding E*Trade Win

By now, word is out and widespread that Ogilvy has taken the reins on the E*Trade account, which WPP sibling Grey NY of course resigned at the end of June. Whether they keep the baby or not is a story yet to be told, but according to the Spy line, O&M was one of the frontrunners on the business from the get-go. Anyhow, we’ve read recently installed E*Trade CMO Liza Landsman‘s perspective. Now, let’s pass the mic and read Ogilvy’s courtesy of New York COO Lou Aversano. Read on below and after the jump.

“ALL NA STAFF

July 23, 2013

E*TRADE

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Spotlight On NW Brands: Bunnyjuice Spices Up Hospitality

Hood River, Oregon is known for lots of things: Beautiful scenery, kitesailing and kayaking, and a charming downtown. It’s also home to a quirky little company called Bunnyjuice that’s making a splash in Las Vegas hotels. The company offers “Lovekits” available for purchase in-room. You know, a little something for when you and your sweetie polish off those bottles in the minibar.

LoveKits

As CEO Tod Guenther explains it, Bunnyjuice was born from a simple observation: “While traveling for work, I stayed at a hotel that offered condoms as part of their in-room amenities. Upon returning home I kept thinking, obviously the hotel has acknowledged that people are having sex, but what if there was an offering that could add to the experience of love making? Something for couples that was fun or whimsical?”

Seems like a natural idea. Of course, getting hotel rooms to offer up precious counter space to a startup isn’t easy. So why has Bunnyjuice succeeded? “It’s not so much about having more but rather replacing current items that aren’t performing,” Guenther says. “In-room items are designed to enhance the guest’s experience which helps us a ton. Once we have placement our Bunnyjuice kits always seem to place in the top 3 revenue producing items.”

And why Hood River, Oregon? As Guenther puts it, “There’s a lot of great creative talent in this small town. I’m always amazed at how much work for huge Fortune 500 companies comes out of this place. It’s nice to be a part of that, plus I have to admit – it feels also pretty good to relax and recharge with a cold microbrew in hand and your toes in the river after a long day. Hood River is special that way.”

Bunnyjuice is expanding to new venues, including international markets and retail outlets. The audience for tastefully packaged intimate products is certainly a large one. Bunnyjuice a great example of Pacific Northwest thinking: Living in a place as dreamy as the Columbia River Gorge can definitely lead to big business dreams.

The post Spotlight On NW Brands: Bunnyjuice Spices Up Hospitality appeared first on AdPulp.

Remember the Simmons Account that M|W Resigned? It’s Now at KBS+

Just over five months after Minneapolis-based, Omnicom-owned “brand activism” agency Martin|Williams cut ties with bedding brand Simmons, the latter has found a new ad partner in Kirshenbaum Bond Senecal + Partners.  Regarding the AOR appointment of the MDC-owned, NYC-based agency, Simmons EVP of marketing Jeff Willard says, “As we continue the transformation of our Beautyrest brand, it is critical to us that we bring the best creative and strategic resources in the world to support this effort. After an extensive search, we believe we have found that with kbs+. Their creativity and understanding of our brand stood out, and we were impressed by their track record for demonstrating the measurable impact of their work. We look forward to working together to create communication that is as compelling and inventive as the beds we make.”

 Let’s just hope that Simmons has figured out how to solve the problem of the “revolving door” of marketing decision-makers at its company that caused Martin|Williams to bounce in the first place. Anyhow, KBS+, which beat out the likes of Martin Agency and McKinney in the pitch, will handle creative, digital, social and public relations responsibilities for Simmons.

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Team One Declassifies More of ‘The Bureau: XCOM Declassified’

In April, we covered the first piece of ambiguous viral ad content for The Bureau: XCOM Declassified, a 2K Games and 2K Marin video game. We’re back to report another promo, titled “Orbit & The Asteroid,” and produced by Team One. This 90-second spot isn’t any less ambiguous than the first ad, most of it about a 1960s era creepy clown television show and the young boy who watches it. According to the creators, there are a number of easter eggs that contain clues for the future of the video game series. The game won’t be released until August 20, which means there are four weeks left for more curious marketing spots, creepy clowns and all. Credits after the jump.

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Lexus, ATTIK Combine Kaleidoscope, Cirque du Soleil for Interactive Music Video

Today, Lexus joins Kanye West on the interactive music video bandwagon. To promote the 2014 Lexus IS sport sedan, ATTIK and Blueyed Pictures created “Amazing Mix,” a surprisingly cool interactive adscape with Cirque du Soleil characters, red birds, and kaleidoscopic effects. Site visitors can type any key (or combination thereof — try “LEXUS” for a special show) to make a mix of these effects, then submit the result for a chance to win tickets to the 2014 Pebble Beach Food and Wine Festival, hotel stay at the event and $2,000, or a $500 cash prize.

Like with their Instagram film campaign, this is a step in the right direction for the automaker, though they didn’t get every aspect right. The music that backs Amazing Mix is a weird, blank James Bond knockoff, while the site that surrounds the scene is remarkably 2006. If Lexus wanted an immersive, individualized experience, they should have placed the mix on its own, minimalist page. Also, who are they targeting here? Middle-aged foodies who find Internet oddities amusing? That seems the only logical conclusion when the related prize is tix to the Pebble Beach Food and Wine Festival. If they’re going for young car owners (which they should be, with the tech and art angle), then that destination isn’t exactly enticing. Make the message more cohesive, and get us to XOXO, or Electric Zoo.

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ASICS, Vitro Taunt SoCal with Imposing Wooden Horse

Ahh, nothing like a day of summer respite on San Diego’s Imperial Beach…the sun, the sand, the waves, the–oh shit, what the hell is that?! Well, it’s not quite a Trojan horse reenactment mind you, but this little scene basically played out on July 12 at said location. Why? Well, it’s part of an effort from hometown agency Vitro and longtime client ASICS that basically aims to get people’s asses in shape.

The parties involved trotted out a 16-foot-tall wooden horse that actually doubles as a personal trainer–complete with rope climb, pull-up bar, Olympic rings and more–and dishes out prizes to those taking part. Since crashing the San Diego beach party, the fitness-focused beast, which is part of ASICS’ “Next Epic Challenge” effort, has veered its way north to Los Angeles, where it planted itself in front of the Staples Center during the ESPY Awards on Wednesday evening (see below). Next up to bat on the horse’s SoCal tour is a week-long stop at the ASICS World Series of Beach Volleyball, which kicks off Monday. Not sure how this effort measures up to Vitro’s other interesting campaigns for the brand over the years, but we do agree that is as good as any other kick in the ass to get our summer figure in shape.

 

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Team One, Lexus Take a Leap with 200 Instagrammers

It’s amazing how many automakers still rely on the old ad formula: shiny spinning wheels, long remote, wooded roads, sun glinting off an immaculate vehicle, and a dramatic soundtrack. Some, of course, take the innovative route with ads like Fiat’s In da (mother)hood and Landrover’s Roam Free.

Lexus falls halfway on the innovation scale with #LexusInstafilm, in which they gathered 200 Instagrammers to capture the 2014 Lexus IS F Sport in all its filtered glory, then compiled the images to create a stop-motion-y film. The collaboration turns out to be beautiful, and the people behind it good-natured. A burly bearded man asks, “How’s my hair?” And a fellow Instagrammer fixes it for him. Doesn’t get much cuter than that.

While it probably won’t go viral since the focus of the feature is a character-less car, the idea of combining controlled creativity, new technology, and enthusiastic people is a winning one. Hopefully we’ll see this kind of spot again. To check out each frame of the film, go to http://instagram.com/lexusinstafilm.

Credits after the jump

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Op-Ed: Rethinking Advertising as Digital Relevance

Virginia Alber-Glanstaetten, group director of planning at Huge, has returned with her monthly column for this here site, this time discussing why “digital is the perfect agent to demonstrate relevance to your customers.” With nods to everything from the Gecko to Netflix in tow, we’ll let her take it away from here.

Last week, Geico muscled past Mayhem to take the #2 spot in the highly competitive insurance marketplace. This maneuver was executed with the help of a boat-load of ad dollars, ensuring all of America now knows how happy people are when they save hundreds of dollars by switching to Geico: happier than a camel on humpday, happier than Dracula at a blood drive, and definitely happier than Paul Revere with a cell phone.

The nature of free markets is inherently challenging—and companies are always fighting to stay front and center with their audiences. For most companies, gunning for brand preference is a tough task; it stresses margins, profitability, and generally you’re fighting neck and neck with little to differentiate you from your closest competition. And—let’s face it—while we all dream of it, it’s rare to have Warren Buffet’s substantial backing as you aim for the top of the ladder. In a race to be the preferred insurance brand, Geico has taken on a tough and expensive task of implementing clever, traditional advertising that’s simultaneously memorable for its humor while highlighting value. With their deep pockets, Geico is in an enviable position in terms of budget (and now preferred standing).

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Here’s the Full Memo Regarding OgilvyOne’s Weight Watchers Win


As you may have just heard, OgilvyOne has emerged victorious in the review for Weight Watchers’ digital account. We’ve obtained the full memo from OgilvyOne managing director Dimitri Maex to staff regarding the news. As you’ll see below, said agency beat out the likes of Havas Digital, incumbent Razorfish and 360i for Weight Watcher digital AOR duties, which span everything from digital media buying/planning to social media to analytics. McCann, meanwhile, serves as lead creative agency for Weight Watchers. Anyhow, read on:

I’m incredibly excited to announce our newest addition to the client list. Weight Watchers, the market leader in weight loss, announced today that OgilvyOne has been appointed as the digital agency of record.
This news follows an extensive competitive search in which OgilvyOne won against some of the best digital agencies out there, beating the likes of R/GA, 360i, Havas Digital and incumbent Razorfish.
We’d like to share a few words from our new clients on why they chose OgilvyOne: “The scope of our engagement is broad, and includes digital media planning and buying, social media, advanced analytics, and search engine marketing,” said Sarah Kleinhandler, Director of Digital Strategy and Marketing, Weight Watchers. “Digital is a core channel for us to connect with and engage consumers, and we believe that OgilvyOne will be an important strategic partner in evolving how we fully leverage this critical marketing pillar.”
“Weight Watchers is a social business at its core, and there is a huge opportunity to continue to evolve and unlock the power of social for our brand,” said Lee Hurley, Vice President of Advertising and Social Media, Weight Watchers. “We selected OgilvyOne because of their strategic firepower, innovative creative ideas, digital media acumen, and incredibly passionate team.”
I could not be more proud of the Weight Watchers pitch team who made this happen. The ideas and the depth of our digital capabilities across OgilvyOne and Neo blew the clients away. And it was the energy and spirit of the team and the chemistry with the clients that made the real difference. The only way to win a pitch like this is to go all out and that’s exactly what we did. Our unbelievable new business team under Daniel Korn’s leadership was the real driving force. Thanks to Abigail Lacey, Juan Luna, Charlotte Spatcher, and Keith Smolar we shot our credentials video on a treadmill, we did a company-wide hackathon and we pledged to lose more than 50 pounds as a team during the pitch process.
With every pitch there are so many people to thank and this one was no different. I can’t possibly list everyone who contributed to this win in this email. But I do want to call out the core team who rehearsed relentlessly until the early hours before every pitch presentation: our creative leaders Jim Thompson, Edu De la Herran, Alfonso Marian and Jan Leth, the incredible Gemma Craven and Caroline Chianese who were the backbone of this pitch which focused heavily on social and digital media, our planning team with Jonathan Rigby and Alvaro Cabrera and our gentle but firm pitch general Billy Aymami.  The team would also like to thank all 115 hackathon participants and especially the winners: Brett Pollack, Chris Heydt, Madeline Malachowski, and Samantha Levine. And finally we want to thank the many people who came up to us throughout this process to express their concerns about our health.  What can we say? Weight Watchers works!  But you can stop worrying now — the pitch is over so we will all stop losing weight.
This latest win comes on the heels of a year of great momentum for New York and for OgilvyOne New York, with our most recent wins of the iShares Relationship Marketing business and the Brown Shoe Customer Engagement AOR assignment. Let’s not take our foot off the gas and let’s keep our momentum going throughout the second half of this year!

 

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