DigitasLBi Lets Lady Liberty’s Hair Down for John Frieda

DigitasLBi has just released “A Girl’s Got to be Free,” a new digital spot for John Frieda’s Frizz Ease Hair Care products.

Set at night in New York, the 60-second video features a team of rogue women dressed in black who make their way to Ellis Island. Once there, the crew pulls out harnesses, climbing gear and other equipment and makes their way up the Statue of Liberty. Upon reaching the top, they free Lady Liberty of the bun that has been constricting her for over a century and let her hair down.

“We wanted to create an unexpected online experience that captures the simple, universal truth that when women pull their hair back in resignation to frizz, they pull themselves back. Frizz Ease Hair Care gives her an alternative to this daily struggle and empowers her to step out and conquer each day with confidence. ” explains Melissa Pruessing, VP/Group Account Director at DigitasLBi Chicago.

“A Girl’s Got to be Free” is part of DigitasLBi’s new “Never Pull Back” campaign, which features a new website, as well as “digital paid, owned and earned media” executed by Click 3X. Kao’s USA’s media agency Spark, meanwhile, handled media planning and buying for the campaign. Stick around for credits after the jump. continued…

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Mekanism Takes on Life’s Messy Moments for Method

Mekanism has just launched a new campaign for San Francisco-based shop, Method, “the premier disruptor of the home care category,” featuring a “romantic comedy-style series of TV and online ads, content and social media programs” which will run from March 24 – June 7.

The ads tell the story of Charles and Francine, two opposites who, over the course of the spots, meet, fall in love, and have a baby. Mekanism and Method buck conventions a bit by making Francine the messy one and Charles clean (even if they feel the need to point out that he’s “pretty neat for a guy”). In the first of the spots, the 30-second “They Meet,” Charles finds Francine asleep on his toilet after a night of partying, and Charles wonders how to break the ice. From there, their domestic tale evolves with a series of relatable messes marking milestones in their lives. While not laugh out loud funny, the spots have a pleasant kind of light humor and are quite watchable. The voice over by a man with a strong French accent definitely helps things along, especially in the 15 second “Super Pregnant” where viewers are treated to hearing the words “super pregnant” in said French accent.

“Our story is about opposites attracted to one another,” said Tommy Means, Mekanism founder and executive creative director. “Francine is charming, stylish, impulsive and a bit of a mess not unlike Audrey Hepburn in Breakfast at Tiffany’s. Charles on the other hand is clean and orderly. Telling the Method story through the eyes of this odd couple falling for each other is something everyone can relate to.”

Method is also partnering with digital agency Essence to develop and execute its media plan, which marks Method’s first significant foray into online advertising. Stick around for “Easy” after the jump. continued…

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Critical Mass Questions LEAF Owners for Nissan

Critical Mass has launched a new digital campaign for Nissan, called “Real Owners. Real Questions.” which celebrates the milestone of 100,000 LEAF electric vehicle sales, making it the best-selling electric vehicle ever.

For the campaign, Critical Mass calls on the LEAF community to share their experiences and stories with “custom and crowd-sourced videos, images and text responses” to answer common questions about Nissan’s electric vehicle. Critical Mass’ newly launched website for the brand displays questions like “Why did you choose to drive an electric car?” and “How far can you go on a single charge?” with a variety of answers from actual Nissan LEAF owners available at the click of a mouse (up to 31 answers per question at the moment). If visitors don’t find the question they’re looking for, they can ask Nissan in a livechat or a LEAF owner on Facebook. The revamped website features over 500 quotes, 200 images and video footage. In addition to crowdsourcing video footage, the site also showcases stories of LEAF drivers, like “Neal Wagner, who is shown using a journey to catch a sunrise on Maui’s Haleakala Volcano to charge his LEAF.” The site should clear up a lot of questions that might make people reluctant to make the leap to electric, all while celebrating the LEAF’s 100,000 owner milestone. Critical Mass, Nissan’s digital AOR, has handled digital work for LEAF starting with their award-winning campaign launching the brand back in 2010.

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See the Amazing Transformation of These Big Brand Logos [Infographic]

Evolution_of_Logos_cropped.jpg

Ah, yes. The logo. That emblem which represents the essence of a brand in a way that communicates its purpose in mere seconds. Or at least that is the hope. Over the years, brands have evolved their logos as both the times and the brand, itself have changed.

Taking a 100+ year look, this infographic from Graphic Design Degree Hub examines the transformation of logos from Pepsi, Coke, Shell, Mercedes, Kodak, IBM, Chevrolet, BP, UPS, Ford, Xerox, Canon, Walmart, Apple, Microsoft and others.

Some early logos from Kodak, IBM and UPS look nothing like their current iterations.

Also explored are logo screw up like the London 2012 Olympics and the Arlington Pediatric Center, both of which connoted something completely different from their intended goal.

logoevolution.jpg

Defy Media Nauseates with Hot Pockets ‘Sandwich Showdown’


There are no words to describe just how awful SMOSH’s “Meat Vs. Crust Rap Battle” is. The video is leading voting for Defy Media’s new digital campaign for Hot Pockets (two words innocent enough on their own, that, when combined, provoke an unmistakable feeling of terrible nausea).

Defy Media’s campaign for the lazy college student’s standby, fresh off a recent product recall due to possibly tainted meat, is a March Madness style bracket battle called “Sandwich Showdown.” The musical competition, which began March 18th and is timed to coincide with March Madness, pits #TeamMeat against #TeamCrust; with SMOSH and The Warp Zone facing off to win the chance to represent #TeamMeat, and Brittani Louise Taylor facing Taryn Southern to represent #TeamCrust. Voting for “Sandwich Showdown,” which takes place at Hot Pockets’ Facebook page, is still in its semifinal stage. So if you’d like to cast your vote such gems as “I’m in Crust with You” and “Love at First Bite” you only have eleven days to do so. To be fair, the other entrants aren’t so bad as SMOSH. Brittani Louise Taylor‘s “I’m In Crust With You” is affably ridiculous in a much more watchable way, complete with life size Hot Pockets guy as her long-lost love. She gets my vote, or would if I cared enough to cast a vote at least.

“We’re pumped to put our own musical spin on the Hot Pockets brand for the ultimate Sandwich Showdown,” said SMOSH’s Anthony Padilla and Ian Hecox. “This is going to be a delicious lyrical competition like you’ve never seen and we can’t wait to face-off and let our viewers decide which one of us reigns supreme.” This statement marks the only recorded instance of “Hot Pockets”and “delicious” being used within two sentences. Stick around for “I’m In Crust With You” after the jump, and if you haven’t seen it you owe it to yourself to check out Jim Gaffigan‘s Hot Pockets bit, which I can’t help thinking of every time I hear anything to do with the culinary missiles of misery. continued…

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Havas Brings the March Madness for DISH Network

Havas Worldwide Chicago has launched a new March Madness campaign for DISH Network featuring a new kangaroo mascot, which also marks Havas’ first campaign for the company since being named lead digital agency last summer.

The kangaroo mascot, voiced by Rebel Wilson, makes her debut in the TV spot “Mobile Basketball.” In the 30-second spot, the kangaroo shows off the DISH Network’s capabilities by watching college basketball at work, only pretending to be engaged in actual work when the boss walks by. While the spot never quite hits the humorous mark it’s aiming for, it’s still world’s ahead of the campaign’s painful digital spot, “Fight Song.” As you might have guessed, the 30 second spot is built around a “fight song” for DISH Network (in the style of college team’s fight songs) extolling the Network’s ability to let you watch March Madness games anywhere. “Fight Song” will run on sites like ESPN.com, where it will most likely be muted after approximately 1.2 seconds. Havas’s campaign also includes social media activations on Facebook and Twitter featuring the new mascot. Stick around for credits after the jump. continued…

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Leo Burnett Creates Talking Bench for NCAA

Leo Burnett and was produced company Prettybird/director Billy Rainey served as creative and production (in addition to media) for the NCAA’s new campaign promoting the importance of education to young athletes, called “2.3 or Take a Knee.”

The campaign introduces the new, stricter NCAA GPA requirements student athletes must meet in order to qualify for Division-I sports, “ensuring their brains are getting the workout they need” (or just driving up the cost of a term paper). To spread the word, and teach high school athletes about the importance of education, LB and Prettybird created a talking bench. 75 high school athletes were caught on eight hidden cameras receiving some tough love lectures from the talking bench, and some of their reactions are pretty funny. That their coaches don’t seem to have been in on the gag only adds to the humor. Whether the prank will translate to the teens taking away a lesson on the importance of academics, however, remains to be seen. See the talking bench in action for yourself in the 2:28 video above, and check out @talkingbench for the Twitter campaign.

 

 

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DigitasLBi Takes on Memorial Sloan Kettering

medical_LOGOWe’ve been told that this has transpired in a matter of the last 24 hours, but yes, DigitasLBi has  been appointed as digital agency partner for Memorial Sloan Kettering, the 130-year-old private cancer center based in NYC. We’ve been told by sources familiar with the matter that work will be handled out of the New York and Boston (mostly Boston) DigitasLBi offices. We should have more info forthcoming, stay tuned.

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Bonfire’s Online Spot for Ricoh Gets Move to Broadcast

Creative content agency Bonfire Labs is taking its online video “Beauty Is All Around” from the Internet to broadcast, at the request of client Ricoh.

Ricoh tasked Bonfire Labs with creating engineering a tagline, website, concept/inspirational video, and a how-to video for the worldwide launch of their new camera Theta, which shoots a 360 degree spherical image. For the concept video, Bonfire secured a large studio to serve as a blank canvas for muralist Sirron Norris. For two days, Norris prepped and painted the space, while the Theta captured the process with in time-lapse fashion, with the assistance of a tiny robot (called the roboTap3000).

“The creative behind our concept video revolved around capturing time-lapse images with the Ricoh product, but the product didn’t have the capability to do that,” explains Bonfire Labs creative technologist Phil Spitler. “I needed to find a way to automatically capture moments in time as the mural developed. So I designed and built the ‘roboTap 3000’ to allow us to achieve our creative vision.”

The resulting video (featured above) which debuted on September 5, 2013, was such a success that Ricoh has asked Bonfire to cut 30 and 60-second versions for television audiences both domestically and in Japan.” Our team will assure the broadcast creative makes as much of an impression on audiences as the longer online version did,” promises Jim Bartel, managing director at Bonfire Labs. The broadcast campaign will launch on ESPN in the U.S. and domestic channels within Japan this Spring.

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Dollar Shave Club CEO Live-Streams Colonoscopy

Dollar Shave Club CEO Michael Dubin has a family history of colon cancer. So when his doctor recommended a colonoscopy, he decided he wanted to live-stream the procedure to help raise awareness about the importance of early screening.

It’s, well, not exactly riveting viewing, but that’s not the point. Mike has partnered with Colon Cancer Alliance, who have doctors standing by to answer any questions you might have about the procedure. You can tweet your questions with the hashtag #DSColon, and follow along for informative posts on colon cancer and the procedure. The stunt, by the way, is timed to coincide with Colon Cancer Awareness Month. Colon cancer is the second leading cause of cancer-related death, so this is really an important cause. Hopefully Mike can raise awareness and get some guys to schedule an early screening. If you’d like to learn more about colon cancer and how getting a colonoscopy can help lead to an early diagnosis, head on over to the Colon Cancer Alliance website.

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McKinney Sticks it to iPad, Kindle for Samsung Galaxy Pro

McKinney just launched a new campaign for Samsung’s Galaxy Pro series called “It Can Do That.” If that sounds a lot like Apple’s “There’s An App For That” 2009 campaign for the iPhone 3G, Samsung would probably welcome the comparison. Their 60-second television spot takes on Samsung’s competitors in a very direct way.

The first spot in the campaign — also called “It Can Do That” — showcases the Galaxy Pro’s multi-functional capabilities, while disgruntled users of the iPad and Kindle ask “It can do that?” They also take on a Microsoft Surface user, making fun of the fact that his “tablet” has a keyboard, battery dock and mouse. The spot concludes with the tagline, “The Next Big Thing Is Here.” While the approach borders on being a little smarmy and self-satisfied, it certainly does make the competition look bad by pointing out situations where Samsung’s product can do things that their competitors just can’t. You just have to wonder, and this always seems to be the problem with this kind of approach, if they could have pulled this off without making Samsung users seem kind of mean about it. Stick around for credits after the jump. continued…

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Mike McAvoy, President of The Onion, on His Most Successful Campaign So Far

Mike-McAvoy-article

The Onion.com, known for its deadpan humor and mock-news network, has been expanding beyond its namesake site. Onion Inc. now boasts The A.V. Club, its entertainment-based sister site and Onion Labs, its advertising/marketing layer.

Onion Labs has created campaigns for everyone from Microsoft to Ford to Home Depot. Mike McAvoy, president of The Onion, recently talked with Mediabistro about this new branch of the company. McAvoy says: “It became our pitch really as a business [to] evolve with the whole native-advertising movement, as well as advertisers’ decision to change how they tried to reach millennials.” McAvoy talks about the most successful campaign they’d had so far:

I think we’ve had quite a few that have been good and have gotten good plays. We haven’t had the Old Spice viral campaign just yet, you know, where we’ve gotten 100 million [hits]. But we’ll let you know when we do. I think our most successful piece, our most viewed piece was [an] April Fool’s joke for YouTube [last year about the social-media site selecting the best video on YouTube], which has been seen by [over 11 million people]. We do a lot of work that is behind the scenes, white label or work for hire, where we’re creating content for a brand and the audience, or the world, doesn’t know it.

To hear more from McAvoy, including how he deals with native ads on his own site, read: So What Do You Do, Mike McAvoy, President of The Onion?

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BBDO Nabs CVS Biz

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You’ve heard it, we’re sure, but just a week after taking on Wells Fargo, BBDO has been appointed as the creative lead on pharma chain, CVS. Here’s a statement from CVS Caremark CMO, Rob Price. “As we look ahead to exciting challenges for CVS Caremark as a leader in a quickly evolving health care marketplace, we have the opportunity to amplify our purpose of helping people on their path to better health.  BBDO is well-positioned to partner with us in this journey and bring our message to life with all stakeholders.” BBDO has won out following a new creative agency of record for its enterprise and retail businesses, “concluding a national search that began in January and included a number of outstanding agencies.”

The incumbent on the CVS account, in case you were wondering, was Arnold.

 

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Bacardi Gives New Life to ‘Good Spirited’ Barrels

Bacardi has launched “Good Spirited: Building a Sustainable Future,” described as an “environmental initiative for sourcing, packaging and operational efficiencies across the entire Bacardi family of premium spirits brands.” The new initiative builds on existing programs and efficiencies in an attempt to “reduce water and energy use and greenhouse gas emissions.”

One aspect of the in-house campaign, highlighted in the above online video, is recycling of oak barrels used for aging Bacardi rum. Bacardi ages their rum in American white oak barrels, in some cases for many years, to instill their product with “richness, aroma and smoothness.” Usually these barrels are used continuously for about 20 years or so until they are retired. But even at this point, they haven’t become useless. At the Bacardi Corporation in Puerto Rico, “old barrels are ground into woodchips that are then spread as mulch for landscaping.” This commendable recycling effort helps beautify Bacardi’s 127-acre campus, while also supplying employees with nutrient rich mulch for their own lawns and gardens. “If we didn’t recycle, our barrels would eventually go to a landfill, which is not the best option for a small island like Puerto Rico,” explains Lissette Sepulveda, environmental health & safety coordinator for Bacardi Corp.

The “Good Spirited” campaign is built around specific goals in three areas: responsible sourcing, global packaging, and operational efficiencies. Bacardi pledges to source “all raw materials and packaging from sustainably sourced, renewable or recycled materials while maintaining or enhancing the economic status of growers and suppliers,” to “use eco-design to craft sustainability into its brand packaging and point-of-sale materials,” and has pledged to reduce water use and greenhouse gas emissions — with a “2017 goal to cut water use by 55 percent and GHG emissions by 50 percent.” To learn more about Bacardi’s “Good Spirited” campaign, head on over the the campaign website and check out the video above for more on their barrel recycling efforts.

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360i Has No Worries About Capital One RFP

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After spending the last three-and-a-half years serving as the digital agency for Capital One, 360i will be defending the biz. According to the folks on the Spy line, the financial institution has issued an RFP for its search/display portion of the account, which has been handled by the aforementioned, Dentsu-owned agency. Sources familiar with the matter, though, tell us that 360i is “not concerned” about the RFP, which we’ve been told is a federal requirement that needs to be issued every now and then. Our sources add that 360i has maintained an “excellent relationship” with the client and will be defending the account. We’ve yet to hear back from Capital One on the matter, but we’ll update if and when we do.

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Saatchi & Saatchi NY Delivers Poignant Story for Walmart

Saatchi & Saatchi NY are helping Walmart in their bid to get you to please not hate them, delivering a an emotionally effective (some may say emotionally manipulative, given how Walmart treats their own employees) online spot for their “Work is a Beautiful Thing” campaign telling the story of Patrick.

Patrick introduces himself by saying, “When I was born the doctor said I had a condition that affected every part of me, from my body to my brain.” His whole life, Patrick is treated differently: sent to a different school, put on a different team, talked to “a different way.” But Patrick doesn’t let his disability stand in his way, as his fierce determination to be independent leads him to learn how to drive, to learn to walk again when his condition causes him to lose feeling in his legs, and to get a job at a local factory where he’s part of a team.

“My whole life, people have been telling me I have a learning disability,” Patrick says in a line turning that phrase on its head, “I guess they’re right, because I’ve never learned how to give up.” This great line is followed by the “Work is a beautiful thing” tagline and Walmart’s message: “It’s why we’re committed to the American factory, and all the people who work there.”

As you’ve probably gathered, it’s impossible not to like Patrick, so Saatchi & Saatchi hopes that by aligning Walmart with him, it’s a little harder for people to hate Walmart, too. Patrick’s poignant story is already making waves on YouTube, where it’s garnered over 600,000 views in five days. If it wasn’t for people’s reluctance to have anything to do with WalMart (let’s say this was an ad for Target, for example) that figure would probably be even higher. As is, Saatchi & Saatchi NY did a fine job here, with a conversation changer that just may get a few people to rethink their views on the retail giant, and which stands as great work regardless. Credits after the jump. continued…

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HUSH Designs Web Experience for Aerin Fragrances

Brooklyn-based design agency HUSH, who recently created the ambitious “Beauty of Night” for Estée Lauder, crafted an interactive web experience for lifestyle brand Aerin’s expansion into fragrances.

The website invites users to explore videos of the fragrances and the way each of the fragrances was sparked from Aerin Lauder‘s memories and experiences. The longest of these, at 1:30, is the above introduction to the fragrance line, explaining the importance of fragrances in Aerin’s life and exploring the evocative nature of scent and its ability to transport people in time and space. It’s a well-produced vignette that introduces both the line’s philosophy and the individual fragrances, even if it’s pretty much what you’d expect for a fragrance line. Other videos on the site briefly examine the individual fragrances and their ingredients.

More out of the ordinary is that site users can create their own packaging or monograms, using images of berries, flowers, and other fragrance ingredients, and share them on social media for a chance to win $3,500 worth of Aerin products.

“We took a simple and elegant approach to exploring the world of fragrance. It can be a science-heavy subject, but driven by artistry and craft – in the same way that wine and food are both art and science,” explains HUSH creative partner David Schwarz. “We were interested in the artistic, emotional story behind these creations and gave consumers the opportunity to engage on multiple levels.” Stay tuned for credits after the jump.

Credits:

AERIN Fragrance Video
Director: Charlie Wan
Director of Photography: Luca Fantini
Director of Engagement: Dan Rodriguez
Hair & Make Up: Mari Shten
Director of Production: Gabe Banner
Line/Post Producer: Mateo Suarez
Producer: Sue McNamara
Editor: Duc Nguyen

AERIN Fragrance Site
Design Director: Keetra Dixon, Sarah Ancalmo
Producers: Mei-Ling Wong, Leonard Shek
Director of Engagement: Dan Rodriguez
Director of Production: Gabe Banner
Designers: Andrew Teoh, Erik Yang, Yvonne Romano, Christina Hogan, Pedro Sanches
Development: Matt Knight, Jonathan Keller
Copywriter: Jaclyn Marinese

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BBH China’s Harbin World Cup Spots Are Over in a Flash

Wow, talk about efficient. Fresh off winning the AB InBev Harbin Beer business back in November, BBH China has launched a series of ultra-short television spots for their Harbin Beer World Cup 2014 campaign.

Harbin, the official World Cup sponsor in China, will run the blink-and-you’ve-missed-them spots every night on CCTV1 news and OOH media, where they are expected to reach hundreds of millions of Chinese consumers. As might be expected given the short duration, the ads keep things simple. The above “Freedom Time” exemplifies the approach here: the spot sees a Harbin drinker ignore a call from the boss during the big game, instead using the phone as a coaster. There’s something admirable about the efficiency required of the format, especially in contrast to the lengthy online spots that we see on a daily basis. Check out “Red Card” below, and stick around for the lengthy (7 seconds) “Slide Tackle” after the jump. It won’t even take a minute.

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VB&P Quotes Queen in Star-Studded Audi Spot


Venables Bell & Partners have released a new, celebrity-packed spot for the release of the new Audi A3 entitled “Dues.”

The 60 second spot features celebrities reciting lines from Queen’s ever-popular “We Are The Champions,” inclduing comedian Ricky Gervais, chef David Chang (of Momofuku fame), photojournalist Lynsey Addario, comedian Kristen Schaal, gold medal winning boxer Claressa Shields, street artists Cyrcle, and inner city church choir Voices of Destiny. Lines to Queen’s anthem are delivered as a means of expressing the uncompromising nature of those who never settle, interspersed with shots of Audi’s latest in action and easing into Audi’s “Whatever you do, stay uncompromised” tagline. Between the bevy of celebrities and the instantly recognizable (and arguably overused) Queen song, the spot should succeed at getting people’s attention.

VB&P’s campaign extends the star power beyond the “Dues” spot, through an online video series called “Uncompromised Portraits” on Audi’s YouTube channel. Some highlights include “Names,” in which a child in the back seat reads mean tweets aloud to Gervais (highlighting the A3′s 4G LTE connectivity), and “Touch,” featuring David Chang showing off the vehicle’s MMI® touchpad with handwriting technology. It’s a clever extension of the campaign that does a lot to highlight the A3′s new features, and in the case of “Names” is arguably more entertaining than the television spot. You can watch “Names” below, and stick around for “Touch” after the jump. continued…

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Op-Ed Rebuttal: Why Experience Marketing Will Never Die

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Well, touché. In case you need a refresher, less than a month ago, we received our usual monthly op-ed from Huge, this time from Andrew Kessler, founder/CEO of Togather, a startup out of Huge Labs. Kessler, whose Togather operation serves as a platform that helps clients deploy event marketing programs with “the same control and measurability of a digital ad buy,” seemed to have sounded the death knell for experience marketing. Well, someone has taken issue, namely Eric Murphy, former VP of marketing/promotions at RCA Records who’s now head of his own experiential/music marketing agency, Pop2Life. Murphy has taken some issue with Kessler’s piece as you’ll see below. Carry on, sir.

“The ‘experience marketing’ trend is close to extinction.” -Andrew Kessler, founder/CEO of Togather

I’ll be honest. When I first caught wind of Kessler’s Op-Ed piece, I wanted to punch him in the face. After all, he was basically labeling the very thing that’s made my agency successful a joke … a waste of time and money. Or more specifically, nothing more
than a “dazzling physical installation,” heavy on pointless, big-budget items like “colored lights, a giant logo,” lots of “freebie swag,” and little more to measure success than a fuzzy count of gift bags and “total impressions.”

So I put on a Jason mask™, gathered a few key clients, and headed over to Kessler’s house with a truck full of colored lights and giant logos.

Just kidding.

Actually, I channeled that initial surge of outrage into some deeper thinking about how and why someone as intelligent and successful as Andrew Kessler would conclude that the best possible outcome of experience marketing was “a large crowd … lots of
product interest … [and] photo albums of smiling fans.” (Which frankly is what a lot of brands hope to accomplish with the majority of their marketing efforts, experiential or otherwise. More on that later.)

To be fair, Kessler posed some worthwhile questions regarding the value and impact of experience marketing campaigns:

-”Are we providing the right kind of value to give us a return on brand favorability?

-”What kind of action did this drive?

-”Can we deliver an experience that also lives beyond the actual event?”

All of these are excellent questions. Every marketer worth their weight in swag should apply them to every marketing investment they make. Still, proclaiming the pending extinction of a species [of marketing] that, when done right, checks off all four boxes of the ubiquitous “AIDA” acronym (Awareness | Interest | Desire | Action)  with a big fat marker seems … well … a bit un-evolved.

Here’s why.

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