Campaign TV: San Miguel gathers 'life rich' individuals to inspire guests
Posted in: UncategorizedThe San Miguel Experience saw the beer brand using “life rich” individuals and experiences to entertain and inspire guests.
The San Miguel Experience saw the beer brand using “life rich” individuals and experiences to entertain and inspire guests.
Five years on from London 2012, we take a look back at the brands that were involved in the biggest sporting event the capital has ever seen.
With London preparing to host the World Athletics Championships from next week, Campaign revisits a very different, pre-Brexit Britain. Five years ago today, the UK capital played host to the so-called “greatest show on Earth”, the London 2012 opening ceremony.
Gurjit Degun selects the week’s best advertising and marketing: a British Airways safety video that raises the game and a fun summer pop-up on Regent Street.
Sky’s profits for the year to the end of June dropped 6% year on year after a fall in UK advertising revenue, while the cost of screening live Premier League football took its toll on UK operations.
Agencies need to ask themselves, are they evolving fast enough?
Richemont, the Swiss-based luxury goods company, has appointed MediaCom to its $400m (£304m) global media planning and buying account, ending its relationship with Publicis Media.
Birchbox uses data and word of mouth to curate a subscription service for those who don’t usually take an interest in beauty products.
Diageo grew profits by 25% to £3.6bn in the financial year July 2016 – June 2017, as the collapse in the value of sterling increased the value of overseas sales.
BuzzFeed’s foodie content platform Tasty has launched the Tasty One Top, a bluetooth-enabled induction cooktop.
EE is promoting a high-end service in its latest spot, which features Kevin Bacon as a first class air steward who upgrades customers to tell them about an offer for free Apple Music for six months.
-Attention seekers launched a “Dare to Discover” campaign for Deezer celebrating a diverse array of musical artists with this spot featuring “The Bearded Dame” Harnaam Kaur (video above).
-Adweek talks with the aspiring copywriter behind the “Your Agency Hates Black Women” cover letter.
-San Francisco-based Muh-tay-zik Hof-fer hired TBWA veteran Tanya LeSieur, Heat’s Katie Ramp and Paul Stechschulte, formerly of GS&P and Airbnb.
–Creatives to pay tribute to MS Paint, which, it turns out, isn’t so dead after all.
-The Drum dissects Dutch creativity.
-Campaign asks, “Can Jex and Vogt put an end to the continual disruption at TBWALondon?”
-Even magazine editors say Snapchat peaked two years ago.
TBWAChiatDay New York expanded its leadership team with the hires of Amie Miller as chief talent officer and Chris Rowson as head of talent, group creative director.
As chief talent officer, Miller will be responsible for both recruiting new talent, as well as fostering and improving the creative environment within the agency. She arrives at TBWA following over six and a half years at MDC Partners, most recently serving as senior vice president, chief talent officer. Prior to joining MDC she spent seven years with CP+B Miami, two as vice president, group account director working on truth and Virgin Atlantic and five as vice president, talent director.
As head of design, Rowson will be tasked with leading the agency’s design team and advancing its capabilities across the agency’s client roster.
He arrives at TBWA following two and a half years at Ogilvy & Mather New York, where he served as creative director and head of design, during which time he teamed up with current TBWA global chief creative officer Chris Garbutt. Rowson also worked with Garbutt while they were both at Ogilvy & Mather Paris, where Rowson served as head of design and art director prior to relocating to Ogilvy’s New York office. He also spent four years as an art director and designer with Tag Worldwide in London.
“With great growth comes the need for more great people, and so we are thrilled to welcome Amie Miller as Chief Talent Officer and Chris Rowson as Head of Design,” TBWAChiatDay New York CEO Rob Schwartz said in a statement. “Amie is one of the best leaders of talent and human resources in the industry with experience at agency and holding company level. And Chris is flat-out one of the world’s best designers with an unrivaled background in digital model-making and graphic design.”
Tabañero and LA-based creative agency Pitch are out with a new regional advertising campaign, now running in California and Florida. It’s the first brand campaign for the hot sauce company. Apparently, Tabañero’s intense flavors make ‘foodgasms’ possible. I’ll need to test the product before I can endorse that point of view. Pitch also found a […]
The post There’s Hot Sauce, And There’s Hot Sex (Which, In Certain Conditions, May Sound Alike) appeared first on AdPulp.
Twitter failed to attract more global monthly users in the second quarter, spooking investors looking for evidence that the company is on a sustainable long-term growth path. The shares tumbled more than 9% in early trading, even as quarterly revenue topped analysts’ projections.
A long-term turnaround depends on Twitter expanding its audience. That number stands at 328 million monthly active users worldwide — the same as in the prior quarter, the San Francisco-based company said in a statement Thursday. Revenue fell 4.7% and the company’s net loss also widened, affected by a $55 million writedown of the value of its investment in SoundCloud, the German music streaming service.
Monthly active users in the U.S., Twitter’s most important advertising market, declined to 68 million from 70 million in the prior quarter. U.S. advertising revenue also fell 7% to $335 million as it struggles to compete with Alphabet Inc.’s Google and Facebook Inc., which account for most of the growth in digital advertising.
From the company that brought you the fidget spinner that doubles as a lip gloss container and a hot glue gun for cheese, there now comes a smart hotplate that will do everything from tell you when to flip your pancakes or add your veggies to your stir fry.
The Tasty One Top is the latest invention out of BuzzFeed’s Product Labs. The Bluetooth-enabled induction cooktop, which will retail for $149, can prepare Tasty recipes and perform a range of culinary tasks like boil water, slow cook and sous vide.
In conjunction with the launch of Tasty One Top, BuzzFeed is also debuting a stand-alone Tasty app that will connect directly to the smart appliance. The app, available for the iPhone, includes about 1,700 video recipes, which can be searched based on ingredients available, time of day, difficulty and dietary needs, among others.
When I was an Ad Age reporter in New York, in the ’60s, I used to hang out with Bob Heady, the most intrepid Ad Age journalist I ever worked with, and Bob Launey, an account guy at BBDO before he started his own agency in 1965. Bob turned 90 this June, and I thought you’d like to hear the story of how Bob’s agency developed royal connections.
Bob’s idea for his agency was ahead of its time, and even today most agencies don’t do what he did. The agency, Launey, Hachmann & Harris, did all the usual stuff, but it also did licensing. (Bob also appeared in some print ads while at BBDO– for Hart Shaffner & Marx, Lucky Strike and the New York Times.)
“We treat licensing like a package-goods product,” Bob told the New York Times in 1995. “As a licensing agent, we market the licensor’s product for a long life. We’re really doing brand management.” Whatever Bob and his agency was doing, it worked: licensing was the agency’s primary revenue producer. His agency, in fact, was the creative force behind a plan to sell a bracelet on a famous soap opera that it was hoped would create a groundbreaking new revenue stream for broadcasters.
Grebstein now has to walk the tightrope of attracting new customers and not alienating those who still remain. A 53-year-old marketing veteran with three decades in the business under her belt, she’s worked in a variety of industries, including grocery (Food Lion) office supplies (Staples) and, most recently, home improvement (Lowe’s, where her 14-month stint as CMO came to a close as part of a round of layoffs early this year.) But Grebstein, whose parents were both in sales, said she’s found her fit with JC Penney. After recently shopping the stores near the brand’s Plano, Texas-based headquarters for bedding for her daughter’s college apartment, she noted that there’s huge potential.
Pulling out all the stops
The 1,000-unit chain has been trying to deliver on that opportunity through a host of recent initiatives designed to broaden its base. Last year, it returned to selling appliances for the first time in three decades and met with early success. More recent debuts include toy shops in stores, a b-to-b hospitality offering and the acceptance of Apple Pay within all locations. The brand is also chasing the menswear business with a new campaign from Michael Strahan.
Coca-Cola’s Fanta has been quietly growing in an otherwise depressed soda market. Now the brand’s marketing is about to get a lot louder with the return of The Fantanas, a cheesy song-and-dance group that has been spoofed by the likes of “Family Guy” and “MadTV” over the years.
The foursome, which hasn’t been featured in Fanta marketing since 2011, appears in a new TV ad as part of a campaign that marks the brand’s biggest marketing push since 2010. The group’s newest cast includes its first-ever male member, Jordan Fisher, a singer, dancer, songwriter and actor who has appeared in “Hamilton” on Broadway and on Fox’s “Grease Live.”
In the spot he dances alongside his female counterparts to a remix of the group’s signature “Wanta Fanta” anthem produced by Mike WiLL Made-It. They are joined by people who spill out of a variety of adjoining dance studios. Soda-drenched happiness ensues.