Nike "Figure skating" (2015) :25 (The Netherlands)
Posted in: UncategorizedNike "Ballet" (2015) :40 (The Netherlands)
Posted in: UncategorizedTranslation:
Inner Voice: Alright, enough. They would say it’s fine. No one will notice a thing.
Her Voice: But you’ll notice. Now, again.
Emirates NBD 'When you're not around…" (2015) 3:50 (UAE)
Posted in: UncategorizedTerrence Higgins Trust "#togethersummer" (2015) 1:50 (UK)
Posted in: UncategorizedGregory Porter "Puttin' on the Ritz" (2015) :40 (UK)
Posted in: UncategorizedPut On the Ritz
Posted in: UncategorizedHere are some ads for new Ritz Thin & Crisp. They aren’t as fun as the TV/Music video featuring the song Putin’ on the Ritz, but hey, what are you gonna do?
Freedom Flotilla's Robert Lovelace on colonialism
Posted in: UncategorizedRead more on Adbusters.org
Rémy Martin cria garrafa com NFC para certificar autenticidade do conhaque
Posted in: UncategorizedA Rémy Martin, conhecida fabricante francesa de conhaque, mostrou como pretende aplicar um pouco de inovação nas suas garrafas em um vídeo publicado esta semana: usando uma tag NFC. Cada garrafa de conhaque receberá uma tag na tampa que avisa se ela foi aberta ou não – e dessa forma, certificará a autenticidade do conhaque […]
> LEIA MAIS: Rémy Martin cria garrafa com NFC para certificar autenticidade do conhaque
Post originalmente publicado no B9
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Mulheres russas quebram estereótipos em campanha da Nike
Posted in: UncategorizedNetfling mistura Tinder com Netflix para combinar casais
Posted in: UncategorizedNem Schwarzenegger é suficiente para justificar um novo “Exterminador do Futuro”
Posted in: UncategorizedDiretor Alan Taylor não consegue acompanhar sua principal estrela, limitando-se a imitar a franquia sem, fundamentalmente, fazer um novo filme
> LEIA MAIS: Nem Schwarzenegger é suficiente para justificar um novo “Exterminador do Futuro”
Post originalmente publicado no B9
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Ayrton Senna vira personagem do game Angry Birds Go!
Posted in: UncategorizedLeo Burnett Loses Special K to JWT
Posted in: UncategorizedKellogg Co. is moving creative duties for its struggling Special K brand to JWT and away from long-time agency Leo Burnett in the U.S., Ad Age has learned.
Leo Burnett, which has been Kellogg’s lead agency for some 65 years, will retain other parts of the business, including big breakfast brands such as Frosted Flakes and Pop-Tarts. The agency will also continue as Special K’s agency in Europe and Canada, according to an internal Leo Burnett memo obtained by Ad Age.
But in the U.S., the Special K loss is significant because it is has long been a priority for Kellogg. The brand consumed more than $120 million in measured media spending last year, according to Kantar Media. JWT also has a longstanding relationship with Kellogg, working with the company in some markets since the 1930s. The agency created work for Special K Red Berries in the early 2000s.
Universal’s Back Lot Tour Adds a Bigger Dose of Movie Fantasy
Posted in: UncategorizedThe postmodern, in theory.
Posted in: Uncategorized…is an infinite array of sign signifiers …
by
From Adbusters #120: Manifesto for World Revolution PT.III
The postmodern is an infinite array of sign signifiers, at least in theory.
It is said that in the postmodern, or pomo, all of life is registered as simulation. Freedom is a moot point because what used to be known as freedom cannot be known in the pomo … it can only be repeated, or copied, in an infinite chain or referents to a past definition that was never experienced. The pomo mind witnesses life, past, future and present, as form. It is alienated from the actuality of existence and resists consequence, favoring ambivalence, but still considers itself to be the result of phenomenal force. Politics becomes an everyday virtue, rarely practiced but consistently preached. In suspended animation, the whole of consciousness is consumed by the culture of the spectacle.
For the first time in recorded history, the global is achieved.
72andSunny Changes Things Up for Carl’s Jr.
Posted in: UncategorizedFollowing a seemingly endless stream of ads following the supermodel in skimpy outfit formula, including its recent “The Most American Thing Ever,” 72andSunny changes things up with two new ads for Carl’s Jr promoting the chain’s Ding Dong Ice Cream Sandwich (made with the Hostess treat) and Grilled Pork Chop Biscuit.
“Steam” (featured above) shows the makings of the chain’s new breakfast sandwich. Filmed in an actual Carl’s Jr. location, with a biscuit-making employee the spot shows the doughy origins and steamy, crunchy finished product. Directed by Claire Thomas, the spot provides close-ups of the biscuit over a voiceover waxing poetic over “the steam that rises from in between the flakes and folds of a biscuit that was just born from the oven.” The other spot, “Eclipse” is set to Richard Strauss‘ “Also Sprach Zarathustra” (which most viewers will recognize from 2001: A Space Odyssey) and shows a ding dong eclipsing a scoop of ice cream Beyond showcasing the product food porn style, it also delivers the implication that the new creation eclipses other cold summer desserts.
While it would be jumping the gun to assume Carl’s Jr. has abandoned the tired supermodel approach (but we can hope, right?), it’s nice to see 72andSunny offer up a reprieve from the typical sexual objectification. Notably, the ads promote products other than the chain’s burgers, so it’s likely we’ll see more of the same when the chain returns to its more familiar offerings. For now though, the simplistic product-centric approach of “Steam” and “Eclipse” is definitely an improvement.
Credits:
BRAND: CKE
Project: Ding Dong Ice Cream Sandwich
Chief Executive Officer: Andy Puzder
Chief Marketing Officer: Brad Haley
SVP, Product Marketing: Bruce Frazer
Director of Advertising: Brandon LaChance
VP, Field Marketing, Media & Merchandising: Steve Lemley
Director, Product Marketing & Merchandising: Christie Cooney
Product Marketing Manager: Samantha Deese
Director of Public Relations: Kathleen Bush
72andSunny Team
Chief Creative Officer: Glenn Cole
Group Creative Director: Justin Hooper
Group Creative Director: Mick DiMaria
Creative Director/Designer: Tim Wettstein
Creative Director/Writer: Mark Maziarz
Designer: Ryan Davis
Jr. Writer: Reilly Baker
Group Strategy Director: Matt Johnson
Strategy Director: Kasia Molenda
Strategist: Eddie Moraga
Group Brand Director: Alexis Coller
Sr. Brand Manager: Scott Vogelsong
Brand Coordinator: Anthony Fernandez
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Film Producer: Brooke Home
Film Production Coordinator: Taylor Stockwell
Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Maggie Pijanows
Business Affairs Coordinator: Calli Howard
Production Company: Christina Productions
Director: Justin Hooper
Executive Producer: Christina Ritzmann
Editorial: 72andSunny Studio
Editor: Nick Gartner
Producer: Becca Purice
VFX: Brickyard VFX
VFX Supervisor: George Fitz
Producer: Diana Young
Telecine: Brickyard VFX
Colorist: George Fitz
Producer: Diana Young
Audio: On Music & Sound
Composer: Chris Winston
Sound Design: On Music & Sound
Composer: Christ Winston
MUSIC
“Also Sprach Zarathustra”
Written by Richard Strauss
Performed by Badische Staatskapelle Orchestra
Published by C.F. Peters Corporation
Used courtesy of Antes Edition
BRAND: Carl’s Jr. / Hardee’s
Project: “Steam”, Grilled Pork Chop Biscuit
Client: CKE- Carl Karcher Enterprises
Chief Executive Officer: Andy Puzder
Chief Marketing Officer: Brad Haley
SVP, Product Marketing: Bruce Frazer
Director of Advertising: Brandon LaChance
VP, Field Marketing, Media & Merchandising: Steve Lemley
Director, Product Marketing & Merchandising: Christie Cooney
Product Marketing Manager: Allison Pocino
Director of Public Relations: Kathleen Bush
72andSunny Team
Chief Creative Officer: Glenn Cole
Group Creative Director: Justin Hooper
Group Creative Director: Mick DiMaria
Designer: Sarah Herron
Writer: Rebecca Ullman
Group Strategy Director: Matt Johnson
Strategist: Eddie Moraga
Group Brand Director: Alexis Coller
Sr. Brand Manager: Michal David
Brand Manager: Ali Arnold
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Film Producer: Brooke Home
Junior Producer: Kira Linton
Film Production Coordinator: Taylor Stockwell
Director of Business Affairs: Michelle McKinney
Business Affairs Manager: Maggie Pijanows
Business Affairs Coordinator: Calli Howard
Director of Communications: Jeff Sweat
Communications Manager: Ginny Adams
Production Company: Splendid & Co.
Director: Claire Thomas
Executive Producer: Taylor Ferguson
Executive Producer: Erin Tauscher
Producer: Ursula Baird
Editorial: Union Editorial
Editor: Rachael Waxler
Producer: Joe Ross
Assistant Editor: Ryan Khoury
VFX: Brickyard
VFX Supervisor: George Fitz
Producer: Diana Young
Telecine: BeachHouse
Colorist: Mike Pethel
Producer: Denise Brown
Audio: On Music & Sound
Composer: Chris Winston
Sound Design/Mix: On Music & Sound
Composer: Christ Winston
Mcgarrybowen Targets Foodies for Triscuit
Posted in: UncategorizedMcgarrybowen Chicago teamed up with five small food companies in its “Makers of More” campaign for Triscuit, which celebrates craft and simplicity.
Five spots highlight The Jam Stand (featured above), Savannah Bee Company, McClure’s Pickles, Olympia Provisions and Wondermade. In each of the ads, the entrepreneurs behind the companies share their story, a product they claim was created with Triscuit in mind and share a tasty recipe created using a Triscuit cracker as its base. The approach makes a lot of sense, as each of the company’s products share Triscuit’s minimalist mindset and the recipes, which make use of jam, honey, pickles, sausages and marshmallows, are inventive (and look pretty tasty). With brands like Triscuit looking to find a place in a changing environment, where consumers want more adventurous options than just cheese and crackers, presenting the item as a kind of blank canvas, with some suggestions for how to use it, may get those who otherwise might look past the brand take notice.
Doner Cleans Up for Neato
Posted in: UncategorizedDoner launched a new campaign for Neato, taking a humorous approach with a series of five 30-second spots for the robotics company (and Roomba competitor).
In “Card,” featured above, an elderly woman is happy to receive a card from her grandson Kyle. That is, until she opens the envelope and glitter spills out everywhere. The spot ends with the grandmother about to let out a loud expletive and Neato taking care of the mess. Each of the spots ends with the message “Meet Neato, the smartest, most powerful robot vacuum” and the tagline “Neato Knows,” which is followed by spot-specific messages, in this case “glitter ruins everything.” Other spots explore a house sitter who brings along all of her cats, a late night junk food binge, a pinata filled with seaweed snacks and unforeseen consequences of a one night stand. It makes sense for Doner to employ humor for Neato, since they’re taking on a well-known brand in Roomba, and even if the spots don’t always hit the funny bone, they manage to be fairly memorable and leave plenty of room for further expansion of the idea.
Credits:
Advertising Agency: Doner, Los Angeles, USA
Executive Creative Directors: Jason Gaboriau, Chris De Abreu
Associate Creative Directors: Jason Tisser, Regan Kline
Art Director: Lauren Culbertson
Managing Director: Zihla Salinas
SVP Account Services: Maria Carr
SVP Strategy: Marlene Calderon
Producer: Robert Samuel
Brand Leader: Jason Villar
Production Company: GO
Director: Brigg Bloomquist
Managing Director: Gary Rose
Executive Producers: Adam Bloom, Catherine Finkenstaedt
Managing Partner/Producer: Aesli Grandi
Line Producer: Greg Jonesy
Production Supervisor: Carol Fahey
DP: Pablo Berron
Editorial: Cut & Run
Editor: Frank Effron
Executive Producer: Carr Schilling
Producer: Ali Reed
Special K Drops Leo Burnett for JWT in the U.S.
Posted in: UncategorizedKellogg is handing over U.S. creative duties for its Special K brand from Leo Burnett to JWT, AdAge reports. Pointing to an internal memo obtained by the publication, it reports that Leo Burnett will retain creative duties in Europe and Canada. JWT, meanwhile, will handle creative duties in Latin America. Leo Burnett has served as Kellogg’s lead agency for around 65 years, and will continue in that role, including working on breakfast brands like toaster pastry staple brand Pop-Tarts and cereal brand Frosted Flakes.
The loss is a sizable one for the agency, as Kellogg spent $120 million on measured media for the brand last year, according to Kantar Media. Leo Burnett’s most recent effort for the brand, “Eat Special. Feel Special.,” showed a change of approach from body positivity and presenting the cereal as diet-friendly to highlighting its nutritional benefits. But it would seem that Kellogg decided the change in direction merited a change in agency. Like many cereal brands, Special K has been struggling, with Euromonitor International reporting a 14.5% drop in sales from 2013 to 2014.
“We are incredibly proud of the contributions this agency has made to the success of Special K,” Rich Stoddart, CEO at Leo Burnett North America, stated in the internal memo obtained by AdAge. “In a little over a decade, we helped build the business from $412 million to almost $3 billion. I’m proud of the smart and strategic work the team developed to help the brand address its current business challenges. We put great work on the table, but in the end, Kellogg bought an idea from JWT that tested better.”