Coca-Cola: Battlefield
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Advertising Agency: McCann, China
Chief Creative Officer: Tomaz Mok
Creative Directors: Jeremy Guo, Hesky Lu
Creative: Jay Caplan
Agency Producer: Christine Chen
Account Managers: Cia Hatzi, Grace Fong, Kif Mao, Sally Nghiem
Production Company: Moviola
The Mill Names Kneale CCO and Knucklehead Opens in U.S.
Posted in: UncategorizedThe Mill has named Angus Kneale as its first chief creative officer. Kneale, who was one of the founders of The Mill’s first U.S. studio in New York, first joined The Mill in London in 1997, moving to New York in 2002. He started his career as an animator at Video Lab in South Africa. The company has also promoted Ben Smith and Rama Allen to executive creative directors. Smith will be involved in overseeing all creative output from The Mill in New York and will focus on Mill+ projects with VFX artists, designers, editors and directors. Allen’s job will include making interactive and immersive experiences, and building initiatives like Mill Lab to show interdisciplinary innovations across The Mill globally.
Brooklyn-based production company Mssng Peces has signed Masa Kawamura, co-founder of Party Japan, to its directorial roster. Kawamura co-founded the Tokyo agency after spending several years as a creative director in agencies such as Wieden & Kennedy, BBH, and 180. His background is in coding and film directing. He was named one of the Creativity 50 in 2011. Also joining the roster is filmmaker and choreographer Celia Rowlson-Hall. Her debut feature film, MA, which she wrote, directed and starred in, will have its world premiere at the Venice Film Festival in September. She has worked with Lena Dunham & Gaspar as a choreographer and has directed videos for fashion publications like Vogue, Vanity Fair and Glamour.
Arnold Schwarzenegger Re-creates Terminator 2's Bar Fight Scene for Video Game Ad
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“I need your clothes. Your boots. And your motorcycle.”
Arnold Schwarzenegger really needs some new material. A quarter-century after walking naked into a seedy bar and uttering that famous line in Terminator 2: Judgment Day, Arnie’s still sizing up biker-dive patrons with his robo-vision and ordering folks to strip down and surrender their modes of transportation.
Here, the action-movie icon re-enacts that memorable scene in a fun spot for game maker 2K promoting its upcoming WWE 2K16 title. in which Schwarzenegger’s Terminator is a playable character for fans who pre-order.
“It’s a nerd’s dream: a painstaking recreation of a classic film with a relevant twist to the cast,” says Pete Harvey, creative director at barrettSF, which made the spot. “Our hope is that people pull up this scene with the original to compare what stayed absolutely consistent and what subtly changed.”
The most obvious change is the supporting cast, with real-life WWE stars such as Eva Marie, Daniel Bryan and Finn Bálor playing barflies and waitstaff. (Dean Ambrose is so going to wish he’d used an ashtray to put out that cigar.) There is no sign of Hulk Hogan—and I have a feeling he won’t be baaack anytime soon.
Also, in the cinematic original, Schwarzenegger was a sculpted god whose body epitomized muscly manhood, even if he was all transistors underneath. Today, though still in good shape, Arnie looks more like an aging, confused ex-governor of California, searching in vain for a bill he can veto.
CREDITS
Client: 2K
Campaign: Raise Some Hell – “Biker Bar”
Agency: barrettSF
Creative Director: Pete Harvey
Senior Art Director: Brad Kayal
Senior Copywriter: Brad Phifer
Integrated Producer: Nicole Van Dawark
Assistant Producer: Heather Bernard
Managing Director: Patrick Kelly
Account Director: Brittni Hutchins
Account Manager: Jillian Gamboa
Production Company: Acne
Director/Director of Photography: Anders Jedenfors
Executive Producer (Production Co): Rania Hattar
CEO/Executive Producer: Line Postmyr
Line Producer: Taylor Pinson
Production Designer: Joshua Strickland
Editorial Company: The Vault
Editor: Kevin Bagley
Assistant Editor: Dustin Leary
Recording Studio: One Union Recording
Engineer: Eben Carr
Engineer: Matthew Zipkin
Executive Producer: Lauren Mask
Sound Designer: Joel Raabe
Animation Company: Oddfellows
Creative Director: Chris Kelly
Animator: Cosmo Ray
Animator: Stan Cameron
Executive Producer: TJ Kearney
Producer: Erica Kelly
Color Correction: Apache
Colorist: Shane Reed
Executive Producer: LaRue Anderson
Producer: Caitlin Forrest
Finshing: Everson Digital
Smoke Artist: Mark Everson
Target: The perfect fit
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Creative Director: David Richardson
Associate Creative Director: Alyson Frahm
Art Director: Maddy Furlong
Production Company: Concrete + Clay
Live Action Producer: Michelle Stark
Director: Dewey Nicks
Director of Photography: David Wilson
Target: Poolside style
Posted in: Uncategorized

Creative Director: David Richardson
Associate Creative Director: Alyson Frahm
Art Director: Maddy Furlong
Production Company: Concrete + Clay
Live Action Producer: Michelle Stark
Director: Dewey Nicks
Director of Photography: David Wilson
Viacom Uses Jon Stewart's Farewell to Drive Ad Sales Across Networks
Posted in: UncategorizedJon Stewart’s final farewell from “The Daily Show” could provide a much needed boost to ad revenue for not only Comedy Central but for Viacom’s entire swath of cable channels.
That’s because Viacom is using Mr. Stewart’s final episodes of “The Daily Show” to drive advertising elsewhere on Comedy Central and on other networks in its portfolio, according to media buyers. It asked for a $1.5 million commitment from advertisers to appear in the episode, which will air on Aug. 6, buyers said. This package includes 30 seconds of commercial time in the episode, as well as additional inventory on the network and on other Viacom properties.
This is more than 10 times what a unit in “The Daily Show” normally costs advertisers, according to a person familiar with negotiations. And one media buyer said historically a 30-second commercial in the show would cost around $40,000 to $50,000.
What French and U.S. Ad-Tech Companies Can Learn from Each Other
Posted in: UncategorizedFrench and U.S. ad-tech companies can learn a lot from each other. While the U.S. continues to dominate ad tech, a number of French companies have done very well, too. Admonk, Alenty (which was acquired by Appnexus last year), Criteo, Teads, Synthesio and our own firm have all had good success.
The standing perception — and occasional joke — is that we French can be a bit stubborn in the way we approach the world. France is proud of its engineers. The school system is renowned for focusing students on analytical skills and math at a very early age and emphasizing those skills throughout students’ academic careers. Engineers work hard in France, too. After all, they don’t have just pizza and beer to look forward to at the end of a long day — they have excellent wine and cheese.
Math and analysis are particularly important in ad tech’s programmatic environment. But the industry competes for the top engineers with the financial-services industry, which lavishes attention and compensation on those who design good trading algorithms.
Why Ex-Omnicom CFO Randy Weisenburger Invested Millions in MDC Shares
Posted in: UncategorizedAfter 16 years as chief financial officer of Omnicom, Randy Weisenburger left the agency services holding company last September to start his hedge fund, Mile 26. But he hasn’t completely ditched the ad business. Mr. Weisenburger recently spent more than $5 million on shares of MDC Partners, amid news in April that the SEC had been investigating MDC’s accounting practices, trading and former CEO Miles Nadal’s expenses.
Mr. Weisenburger pounced shortly after news of the investigation broke. That news initially sent MDC stock from $28 to a low of $18. He made another investment for an undisclosed amount this month, after the company announced that Mr. Nadal, along with MDC’s Chief Accounting Officer would retire and pay expense reimbursements amid the investigation.
“I don’t think any issues raised by the SEC have anything to do with the operating company itself,” said Mr. Weisenburger. “Underlying agencies are what’s fundamentally driving the business. None of the SEC inquiries have to do with the way the company operates, its clients or its underlying businesses. Many seem to be performing well in the marketplace. On that basis, I made the investment. I just felt the market probably overreacted.”
Hey Developers, Unlike HP, Betabrand Doesn't Give a Crap What You Wear
Posted in: Uncategorized
If you’ve got killer programming chops and a closet full of ill-advised sartorial selections, Betabrand might be the workplace for you.
HP took some heat this week for reportedly telling enterprise developers to comply with the company’s “smart casual” dress code. In a comical response, crowdsourced retailer Betabrand (whose founder was recently named to Adweek’s Creative 100 for stellar branded content) promoted its own job openings by highlighting the extremes to which it’s willing to let employees dress.
So, if you have an interest in wearing nipple tassels and undersized kitten shirts, or just want to work somewhere that finds dress codes laughable, check out the jobs at Betabrand.
Animação conta a história de Tony Iommi, guitarrista do Black Sabbath
Posted in: UncategorizedCâmera Ozo, da Nokia, grava vídeo em todos os ângulos possíveis
Posted in: UncategorizedA área de realidade virtual ganhou um novo produto esta semana, cortesia da Nokia. A empresa anunciou sua câmera Ozo, que filma vídeos específicos para serem exibidos em headsets de realidade virtual, como por exemplo o Oculus Rift. Diferente do que pode parecer nas imagens de divulgação, a câmera não fica pairando sobre o ar […]
> LEIA MAIS: Câmera Ozo, da Nokia, grava vídeo em todos os ângulos possíveis
Post originalmente publicado no B9
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SAE QANTM Creative Media Institute: Open day – Animation
Posted in: Uncategorized
Advertising Agency: Rumble Creative & Media, Brisbane, Australia
Creative Directors: Nancy Hartley, James Burchill
Art Director: Bec McCall
Copywriter: Rhys Venning
Illustrators: Ben Lockwood, Jacko van Deventer
Published: June 2015
SAE QANTM Creative Media Institute: Open day – Audio
Posted in: Uncategorized
Advertising Agency: Rumble Creative & Media, Brisbane, Australia
Creative Directors: Nancy Hartley, James Burchill
Art Director: Bec McCall
Copywriter: Rhys Venning
Illustrators: Ben Lockwood, Jacko van Deventer
Published: June 2015
SAE QANTM Creative Media Institute: Open day – Design
Posted in: Uncategorized
Advertising Agency: Rumble Creative & Media, Brisbane, Australia
Creative Directors: Nancy Hartley, James Burchill
Art Director: Bec McCall
Copywriter: Rhys Venning
Illustrators: Ben Lockwood, Jacko van Deventer
Published: June 2015
SAE QANTM Creative Media Institute: Open day – Film
Posted in: Uncategorized
Advertising Agency: Rumble Creative & Media, Brisbane, Australia
Creative Directors: Nancy Hartley, James Burchill
Art Director: Bec McCall
Copywriter: Rhys Venning
Illustrators: Ben Lockwood, Jacko van Deventer
Published: June 2015