Droga5, Vita Coco Too Cool to Make a Real Ad

Last year, coconut water maker Vita Coco decided that print ads starring Rihanna and her beachfront lifestyle weren’t quite enough to promote its key product. The brand is growing even faster than its super-hot category and currently owns 60 percent of the coconut-based market despite PepsiCo’s investment in competitors Zico and O.N.E.

Earlier this year, the company also ensured its status as a classic agency world stock character: the unreliable client. Amid plans to expand internationally, Vita Coco signed Saatchi & Saatchi as its creative AOR in September 2014. At the time, Coco’s communications director hyped this move as “the first time we’ve worked with a truly global agency,” but the relationship didn’t work out; when Saatchi’s six-month contract expired, the company announced that it would not adhere to the AOR model, choosing instead to work with multiple “agency partners” depending on its needs.

Right after that announcement, Vita Coco signed Droga5 Europe to work on “creating a UK and European campaign for the brand.”

The agency’s debut work for the client also marks the latter’s first-ever TV campaign–and while the Droga Europe win focused on UK and Europe-based campaigns, the new ad will premiere tonight on prime-time American TV.

As with so much of Droga5’s work, this ad promotes the client’s product by mocking current trends in marketing. The agency’s ire focuses on campaigns positioning various beverages as dietary/weight loss aids and effectively argues that Vita Coco doesn’t need to make such claims because its product is so simple: water from a coconut. How unhealthy could that be?

In reaching this point, Droga pokes fun at crash diets and food marketing buzzwords of the day (“super foods,” anyone?) while implying that consumers can avoid the whole mess of false claims entirely by simply sticking with RiRi’s favorite non-alcoholic beverage.

Jane Prior, EVP of global brand strategy and development, writes:

“We are excited to unveil our first ever US TV commercial. As a category leader, Vita Coco is committed to elevating the coconut water category and we’re looking forward to reaching millions of new consumers with this campaign.”

The ad will air around the world; no word on follow-ups at the moment.

Client: Vita Coco
Campaign: Stupidly Simple
Title: Get More Healthy
Launch Date: 15th June 2015
Agency: Droga5 Europe

Executive Creative Director: Nik Studzinski
Copywriter: Tom Corcoran
Art Director: Tom Bender
Producer: Rachel Amess
Head of Brand Strategy: Toto Ellis
Brand Strategist: Iona Ratcliffe
Managing Director: Nick Simons
Account Management: Yuki Yamakado

Client Vita Coco
EVP Global Brand Strategy and Development: Jane Prior
Production Company: Blink Ink
Director: Chris Bristow
Producer: Matt Marsh
Editorial: Blink Ink
Editor c/o Blink Ink
Animator c/o Blink Ink
Post Production: Blink Ink (animation/compositing)

Dove Men Care Celebrates ‘First Fatherhood Moments’

Dove Men Care launched a Father’s Day spot entitled “First Fatherhood Moments,” presumably from The Marketing Arm (who handled its previous “#RealStrength” effort) celebrating the moment when men first learn they’ll be fathers.

A new 60-second spot released in time for the holiday shows the reactions from a series of men as they learn that they will be dads for the first time. It’s a simple but emotional approach, with footage sourced from real reactions posted around the web (and used with permission). The real reactions, ranging from stunned (but happy) look to laughs to tears of joy lend the spot an air of authenticity absent from many brands’ Father’s Day efforts. It also helps that the brand has built recent campaigns around celebrating dads, making the effort seem like a natural extension. According to Mashable, the campaign was built around research which found that 82 percent of men saw fatherhood as an emotionally transformative experience, although that numbers seems a little lower than you’d expect, if anything.

Trussardi Designed These Fashionable Cans and Bottles for Coca-Cola's 100th Birthday

It’s been a full century since Coca-Cola approved the Root Glass Company’s contour bottle design that would become the soft drink brand’s trademark. So, to pat themselves on the back, Coke is teaming up with Italian fashion house Trussardi for a limited-edition collection of stylish aluminum cans and glass bottles.

I hadn’t heard of Trussardi before this, mostly because I don’t have $927 to throw at a leather jacket. But they’re a pretty big deal as far as high-end fashion goes, and have Lady Gaga and Katie Holmes wearing their clothes and designer bags and stuff.

The Trussardi cans will officially be introduced to the world at Expo Milan 2015. Maybe soda bottles aren’t the best case to show off haute couture aesthetics, though, because these designs aren’t any more impressive than the specialty street art/graffiti-inspired stuff Coke has put out in the past.

Maybe if they’d used their Hawaiian shirt pants as inspiration, I’d be more impressed.

Via Design Taxi.



Little Animals Paws Socks to Dress Up Your Chairs

Les designers japonais Toyo Case ont imaginé des chaussettes pour chaises afin de garder au chaud leurs pieds tout en leur donnant un look adorable. Ces chaussettes représentent des pattes de chats, comme leur nom japonais l’indique : « Nekoashi ». Vous pouvez acheter des modèles sur le shop Otaku Mode.

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Naive New Beaters – Run Away

Le groupe français Naive New Beaters, a dévoilé le clip de son nouveau morceau « Run Away » réalisé par Romain Chassaing, et produit par Solab. La vidéo met en scène le groupe dans le rôle d’un gang atypique au rythme de la musique aux accents rap et rock.

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Marmite: Love the dark

Advertising Agency: JWT, Cape Town, South Africa
Creative Directors: Gareth Pretorius, Jonathan Commerford
Art Director: Michael-Ray Erasmus
Copywriters: Michele Fry, Kelly Van Niekerk
Photographer: Bryan Traylor
Executive Creative Director: Jonathan Lang
Designer: Owen Ingarfield
Agency Producer: Martine Levy
Digital Agency / Production Company: Liquorice
Published: February 2015

J&B: True love is rare

Advertising Agency: JWT, Cape Town, South Africa
Creative Directors: Gareth Pretorius, Jonathan Commerford
Art Directors: Nina Yasvoin, Stephen Roth
Copywriters: Michele Fry, Stuart McCredie
Photographer: Bryan Traylor
Executive Creative Director: Jonathan Lang
Designers: Owen Ingarfield, Paul Lawrence, Michael-Ray Erasmus
Agency Producer: Martine Levy
Published: February 2015

Smirnoff: Explore the night

Advertising Agency: JWT, Cape Town, South Africa
Creative Director: Gareth Pretorius
Art Director: Gareth Pretorius
Copywriters: Jonathan Commerford, Michele Fry
Recording Studio: Big Leap
Executive Creative Director: Jonathan Lang
Film Production Company: Egg Films
Strategist: Misti Watson
Agency Producer: Rochelle April
Published: September 2014

Rolling Stones – The Steves – (2015) :60 (Argentina)

Rolling Stones - The Steves - (2015) :60 (Argentina)
….”Why do I have to feel so bad, in order to look good?” “How come we’ve landed on the moon, yet we still can’t make a toupé that doesn’t look like a toupé?” these questions and many more are asked by an army of Steve Jobs clones, all wearing the poorly fitting black turtleneck, jeans and white sneakers. The ad targets young adults in Argentina, encouraging them to “Question Everything” and the ad closes with showing the 2011 Rolling Stone cover: “The Steve Jobs Nobody Knew.”

Not sure how this relates to the magazine, but as a skit it’s pretty funny.

System U "Transparency" (2015) 1:37 (France)

U is a French supermarket chain. To be as transparent as possible and make a better informed customer, they held a stunt at their Super U store in Thourotte. Customers were able to find out about the values behind their favorite “U” products. They placed a giant 3.6 m mirror made up of LED screens in the store. Using a unique device that pairs augmented reality technology with a system of layering this in HD, customers saw animated images projected of onto the big screen, featuring their shopping carts and the animated images. Far from being just an AR wank, this stunt helped shoppers understand where their food is coming from as well as express the values of U.

Sol Beer: Searching for Local Heroes

Here are the posters for the “searching for local heroes,” branded content campaign fro Sol Beer.

Reach for a way out

The O Ninho Association partnered with TBWAAngola to create this ads reminding us that for most women, prostitution isn’t a choice. It’s either a result of human trafficking. or straight up desperation.

VSA Partners, Kleenex Think It’s ‘Time for a Change’

VSA Partners Chicago launched a new campaign for Kleenex showing people helping others in emotional distress.

The campaign is based around an insight from a survey which found that half of respondents missed an opportunity to express their concern for someone, Eric Higgs, general manger-Kleenex brand, explained to AdAge. “Here’s a brand designed to provide care and uplift.”

A 30-second spot shows a group of young boys exiting a bus. One of them stays behind to console a girl who is crying. “People think boys are loud and immature and don’t care about feelings, but they’re wrong,” he tells her, and hands her a Kleenex. Although little context is provided, it appears the girl was bullied on the bus (an easily relatable situation), but whatever the reason the boy’s gesture seems to improve her mood as she exits the bus. The campaign message is summed up in the tagline, “Someone needs one.” A Spanish-language spot from LatinWorks Austin presents a similar situation, with a man providing comfort for a woman crying on a train.

The campaign also includes a partnership with Facebook’s Creative Shop & Studio and real-time marketing shop Vimby, as well as digital billboards, online ads and in-store marketing. Although the agency sat out this campaign, JWT continues to work with Kleenex.

Jeb Bush Unveiled His 2016 Logo, and the Internet Shouted Unkind Things at It

There’s nothing more infectious than good old fashioned enthusiasm from a presidential candidate. And what better way to project that political fervor than by adding an exclamation point to your campaign logo?

On Sunday, John Ellis Bush, known colloquially by a snappier acronym, did just that in unveiling his 2016 logo. It sure is enthusiastic, capped off by an actual exclamation point:
 

 
Many critics quickly pointed out that the logo is missing his surname, though given how politically charged the Bush name is, perhaps that’s not surprising. (Hillary didn’t even find it necessary to spell out her first name in her logo.) And anyway, Jeb has been using essentially the same logo—with the exclamation point—for 20 years:
 

 
Of course, everyone has an opinion about campaign logos, and the Internet had plenty of fun with this one as well. Here are some of the best reactions from the past day:
 

 
I couldn’t help but join in the fun, too.
 



Angel Soft Wishes Single Moms a Happy Father's Day in Unique Take on the Holiday

Adult children raised by single mothers wish their moms a happy Father’s Day in this interesting, unconventional take on the holiday by Deutsch L.A. for Georgia Pacific’s Angel Soft bathroom tissue.

The two-and-a-half-minute video presents various men and women who speak directly into the camera, thanking their moms for being both mothers and fathers in their lives. “She did it all, as though she was two people,” one subject says. The others echo this sentiment, explaining how their moms combined softness and strength, tying back to the brand’s new tagline, “Be soft, be strong,” which is introduced here.

Quite a few of these folks get choked up, but that’s de rigueur for the “gratitude advertising” category, and the tears are balanced by some lighter moments. (One guy recalls his mom teaching him to defend himself on the playground: “She was like, ‘When you punch, you put your knuckle out and you just go for it.’ I don’t even know if that’s a thing.”)

Sure, this is another attempt to yank viewers’ heartstrings, but the novel concept and no-frills presentation really carry the day. The subjects simply tell their stories, and there are no “dramatic appearances” by the moms, or clichéd hug sessions, so the spot feels less contrived than others in the genre. Another plus: The ad honors moms and dads by implicitly acknowledging the importance of the latter.

All that said, the work, from my perspective, has a basic conceptual flaw. While well-meaning, it could be be construed as trading in gender stereotypes. Some might find the suggestion of one parent typically being “soft” and the other “strong” kind of regressive. (Gee, I wonder which is supposed to be which?)

Don’t men and women—raising kids alone or together, or childless, for that matter—usually combine both traits to varying degrees?

CREDITS
Client: Angel Soft
Chief Marketing Officer: Douwe Bergsma
Senior Vice President & General Manager, Bath Tissue: Vivek Joshi
Senior Marketing Director, Brand Center: Shari Neumann
Senior Brand Director: Joe Stempien
Senior Brand Manager: Todd Wingfield
Brand Manager: Melissa Blunte

Agency: Deutsch L.A.

Creative Credits:
Chief Creative Officer, North America: Pete Favat
Executive Creative Director:: Karen Costello
Executive Creative Director: Juan Oubina
Associate Creative Director: Melissa Langston-Wood
Associate Creative Director:: Jorge Ortega:
Director of Integrated Production: Vic Palumbo
Executive Integrated Producer: Rachel Seitel
Integrated Producer: Win Bates
Associate Integrated Producer: Justin Polk
Music Director: Dave Rocco

Account Management Credits:
Group Account Director:: Erik Petersen
Group Account Director:: Montse Barrena
Account Director:: Megan Prince:
Account Director:: Lauren Pollare
Account Executive:: Melanie Faessler
Assistant Account Executive : Bianca Brittain

Account Planning:
Chief Strategic Officer: Colin Drummond
Executive Planning Director:: Jeffrey Blish
Group Planning Director:: Thas Naseemuddeen
Account Planner:: Eva Cantor
Digital Strategist : Janet Shih

Business Affairs/Traffic:
Director of Integrated Business Affairs:: Abilino Guillermo:
Senior Business Affairs Manager:: Terry Miglin:
Director or Broadcast Traffic:: Carie Bonillo
Broadcast Traffic Coordinator:: Anna Brito

Executives:
CEO, North America:: Mike Sheldon
President, Los Angeles: Kim Getty

Production Company: Steelhead
Director: Eric Kaufman
Executive Producer: Ted Markovic
Producer: Matt Johnson
Line Producer: Melissa Verdugo

Editorial Company: Steelhead
Editor: Morgan Griswold
Executive Producer: Ted Markovic
Producer: Simone Gurren

Post Facility: Company 3
Executive Producer: Rhubie Jovanov
Senior Colorist: Stefan Sonnenfeld

Post/VFX: Steelhead
Executive Producer: Ted Markovic
Broadcast Motion Design Director: Jason Porter

Music by: Elias Arts
Track Title: Father’s Day
ECD: Vincenzo LoRusso
CD: Michael Goldstein
EP: Vicki Ordeshook
Head of Production: Katie Overcash

Audio Post Company: Steelhead
Executive Producer: Ted Markovic
Mixer: Chase Butters



Photographs in Motion

Le photographe et animateur français Nicolas Monterrat ajoute avec beaucoup de talent, du mouvement à des photos historiques ou des peintures, leur apportant un aspect humoristique et parfois surnaturel. Il redonne une forme de modernité à ces images.

Esta impressora a laser não é o que você imagina

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Laser super potente imprime arte a velocidades impressionantes em uma lousa de madeira

> LEIA MAIS: Esta impressora a laser não é o que você imagina

Brainstorm9Post originalmente publicado no B9
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Campanha anti-poluição projeta crianças chorando em fumaça na China

xiao zhu

Ação de guerrilha quer, na verdade, vender purificadores de ar

> LEIA MAIS: Campanha anti-poluição projeta crianças chorando em fumaça na China

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Nescafé usa café para conectar pessoas que não se conhecem

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Ação foi realizada em Frankfurt, na Alemanha

> LEIA MAIS: Nescafé usa café para conectar pessoas que não se conhecem

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LEGO vai lançar um set de “The Big Bang Theory”

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Ideia sugerida por fãs vai se tornar um set oficial

> LEIA MAIS: LEGO vai lançar um set de “The Big Bang Theory”

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