Huggies Focuses Squarely on Value With Longer-Lasting Diaper


Kimberly-Clark Corp.’s Huggies has lost U.S. diaper market share steadily throughout this decade’s slow economic recovery. Now, having concluded that economic improvements aside, value consciousness is here to stay, K-C is fighting back with a new focus on how long its diapers last for the money.

A re-launch of Huggies Snug & Dry, the brand’s biggest and least-expensive line, now touts “12 Hour Protection” and improved absorbency. While many parents will change diapers much sooner, the new claim is meant to drive home the value parents get for their money, said Giusy Buonfantino, president of North America Baby & Child Care in an interview.

“We’re focusing on what more value-minded moms want from diapers, which is really the best protection at the best value,” Ms. Buonfantino said. “So you’ll see a lot more clarity on the products, on the packaging, on claims.”

Continue reading at AdAge.com

Taipei-Based Rules Creative Turns the Fitting Room into a Treadmill

Fashion and fitness collide in a sense in a new campaign from Taipei-based agency Rules Creative for local clothing brand Earl Jean.

Rather than focus on the knitted denim jeans themselves, though, Rules Creative has some fun with the brand and some unsuspecting customers who just want to try its clothes on. As mentioned above, the agency transformed a fitting room floor at an Earl Jean store into a treadmill, testing shoppers’ balance while essentially forcing them to engage in some physical activity in the process.

Their surprised reactions are captured in the video above, which has garnered nearly a million views on the Earl Jean Taiwan fan page and its official YouTube channel.

So, why would Rules Creative subject random people to this mini-workout?

The purpose of the stunt is not only to address the fact that jeans aren’t seen as proper sportswear, but also to show that Earl Jean denim carries many of the same features such as traditional workout/sports gear such as moisture-wicking, flexibility, and breathability.

As the campaign slogan tells us, “It’s the jeans that people could wear for sports” — and the agency tells us that sales are up 30 percent, so someone is listening.

SunEdison Names Grey SF its First Lead Creative Agency

Renewable energy development company SunEdison, North America’s largest solar energy provider, has selected Grey San Francisco as its first lead creative agency, Adweek reports. The agency will responsible for consumer, corporate, and B2B advertising, as well as digital marketing. Grey San Francisco beat out four undisclosed agencies to win the assignment.

SunEdison, who did not spend any money on media last year, according to Kantar Media, plans to spend $25 million to $30 million on media this year in an effort to build a global brand. According to Adweek, SunEdison is reportedly seeking a media agency as well, although there are no details on the search process yet.

Ken Milhous, director of brand and corporate communications at SunEdison, told Adweek:

“Grey’s deep experience in the energy space, their strategic vision and their creative thinking were all factors in why we’re so excited to be working with them at this important time in our history.”

ECD Clements Leaving AKQA

Stephen Clements, longtime veteran of the AKQA organization who currently serves as ECD in its San Francisco office, will be leaving the agency to “pursue other opportunities.”

He does so after more than a decade with AKQA, which he joined as a head of graphics/video back in 2003 before moving up to the CD role in 2010 and being selected, along with Neil Robinson, to replace departing ECD Pierre Lipton in 2012. (Lipton spent two years at M&C Saatchi before leaving to become CCO at 360i back in October.)

During his tenure, Clements helped run creative for clients such as Apple, Target, Verizon, and Google Glass.

From AKQA Managing Director Simon Jefferson:

“Stephen has been a strong creative leader and valuable mentor for our team in San Francisco. We’re grateful for the contributions he’s made to our business and wish him all the best in his next endeavor.”

…and from Clements himself:

“I’m a big fan of AKQA and am proud of all that we’ve achieved in collaboration with our forward-thinking clients. It’s an incredibly talented group of people, and I’m honored to have been part of the growth and success of one of the world’s best agencies.”

As to the why, we hear that Clements plans to run his own “incubator,” that he already has at least one major investor, and that the entire project — according to a source — may be funded by another agency entirely.

In other former AKQA executives news, Robinson — who left in March 2014 to co-found the San Francisco office of Zeus Jones — departed from that gig in January to help launch still-new agency Chapter SF.

Expect to hear more about Clements’ project in coming months.

AMV BBDO Suckles to Launch UK Tech Company Thunderhead

New brands typically have a hard time standing out amidst the vast array of competition, so AMV BBDO developed a spot for UK cloud-based engagement software platform Thunderhead that’s pretty hard to ignore.

The ad imagines the software platform as a superhero named Thunderhead. When a car salesman is having trouble connecting with a customer, Thunderhead bursts through the door. Soon the salesman is suckling at Thunderhead’s nipple while he telepathically delivers engagement insights which help the salesman find the perfect car for the customer. Um, yeah, that’s one way to get attention.

“We are a cheeky British technology upstart who are lucky enough to have the best customer engagement software in the business world,” Gav Thompson, Thunderhead’s chief marketing officer, told The Stable. “We asked AMV to develop an idea for us that would ensure that CMOs became aware of our unique customer engagement capability and our ability to deliver happy customers. We also liked the idea of a product demo that was a bit bonkers.”

A bit bonkers, indeed.

Noooooooooo! This Loony British Ad for Mints Ends With a Comic Shocker

This Trebor Mints ad from Wieden & Kennedy London has a bit of that 1990s Gushers weirdness to it, either as a tribute to nostalgic thirtysomethings or just for shiggles.

It opens with a teen admitting to his father that he prefers soft mints to their harder contemporaries, which makes his dad go all Malory Archer and crush his whiskey glass out of anger. Weird how that never cuts anyone’s hand on TV.

And it only gets stranger from there.

Though the concept is hardly revolutionary, they kept the weirdness to one element of the ad that mostly delivers, so it works. For my own sanity, I won’t get into the Punnett square logistics that resulted in minty dad’s human son. No sense asking questions I don’t want answered.

CREDITS
Client: Trebor
Marketing Manager, Gum & Candy, Mondelez: Elena Germani
Senior Brand Manager, Mondelez: Elena Mallo
Project Name: “Choose Your Trebor”
Agency: Wieden + Kennedy London
Creative Directors: Kim Papworth
Creative team: Max Batten & Ben Shaffrey
Executive Creative Directors: Tony Davidson / Iain Tait
Agency Executive Producer: Danielle Stewart
Group Account Director: Andrew Kay
Account Director: Hanne Haugen
Head of Planning: Beth Bentley
Planning Director: Georgia Challis
TV Producer: Lou Hake
Creative Producer: Danny Wallace
Designer: Michael Bow
Production Company: Hungryman
Director: Taika Waititi
Executive Producer: Matt Buels
Producer: Camilla Cullen
Director of Photography: Bob Pendar-Hughes
Editorial Company: Work Post
Editor: Rachel Spann
Post Producer: Josh Robinson, The Mill
VFX Supervisor: Dan Adams, The Mill
Music+Sound Company: Wave
Sound Designer: Dugal Macdiarmid
Producer: Rebecca Boswell
Mix Company: Wave
Mixer: Dugal Macdiarmid
Producer: Rebecca Boswell



Reinventing Shoes with 3D Print and Architecture

Pour le Milano Design Week, la marque d’accessoires et chaussures United Nude a collaboré avec des architectes et designers du monde entier tels que Ben Van Berkel, Zaha Hadid, Ross Lovegrove, Fernando Romero et Michael Young. Ils ont voulu réinventer la chaussure en la pensant comme une oeuvre architecturale, grâce à la technique de l’impression 3D.

« Ilabo » by Ross Lovegrove for United Nude.

« Ammonite » by Fernando Romero for United Nude.

« Unx2 » by Ben Van Berkel/Unstudio for United Nude.

« Flames » by Zaha Hadid for United Nude.

« Young Shoe » by Michael Young for United Nude.

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RSA Signs 'Uncertain' Duo Sandilands and McNicol, Nilsson Joins Skunk


RSA has signed directors Anna Sandilands and Ewan McNicol to its roster, as their film “Uncertain,” a Southern gothic tale set on the Texas/Louisiana border, premiers at the Tribeca Film Festival. The filmmaking duo are co-owners of Lucid, a documentary production company based in Seattle, and they have made TV commercials and communications for clients including Google, Apple, Nike, Nokia, and BlackBerry. Their short films have screened at festivals including Sundance, Tribeca, BFI London International Film Festival and SXSW, and they have received awards including a Cannes Silver Lion, BAFTA nomination, Webby for Best Documentary and a One Show award.

Continue reading at AdAge.com

How to Effectively Manage the Talent Life Cycle


How many CEOs do you know who have been punched in the face at work?

I was. But the incident occurred long before I became a CEO.

One summer during college, a couple of friends and I worked in the warehouse of a well-known clothing designer. Typical of our age, we were eager to do things differently. In fact, we performed our tasks so efficiently that we exceeded our quotas and had free time each afternoon.

Continue reading at AdAge.com

Coca-Cola Puts Media Into Agency Review


Coca-Cola Co. has put its U.S. media-buying and -planning business into review, Ad Age has learned.

A company spokeswoman confirmed the review and said incumbent Starcom Mediavest Group will participate along with three agencies that Coke works with globally: UM, MediaCom and Carat/Dentsu. The review is expected to conclude later this year after formal presentations in mid-July.

Coca-Cola spent more than $406 million on measured media in the U.S. last year, according to Kantar Media. Spending is expected to jump this year as the company implements a global cost-cutting program with some savings poured into media.

Continue reading at AdAge.com

The Real 'Mad Men' Diaries: Jerry Della Femina


What do you do when your advertising agency is broke and about to go out of business? Throw an expensive party, naturally.

That’s what legendary adman Jerry Della Femina did in 1967, when Della Femina Travisano & Partners was failing. Instead of shuttering the shop, he and Ron Travisano pooled their last $11,000 and put on a glamorous bash at New York hotspot L’Etoile. The idea was that if the agency looked succesful, people would believe it and sign on.

“It was a crapshoot, but we had no choice,” he recalls today.

Continue reading at AdAge.com

Former Microsoft Executive Nancy Tellem to Join Interlude Start-Up

Ms. Tellem will be chief media officer and executive chairwoman of the start-up, best known for an interactive music video of Bob Dylan’s “Like a Rolling Stone.”



Blindfolded Kids Try to Recognize Their Moms in This Lovely, Smash-Hit Mother's Day Ad

Are you unique enough that your child could pick you out of a lineup by touch alone?

The charm-bracelet pushers over at Pandora Jewelry have just released The Unique Collection, but you won’t see much jewelry in this two-minute spot by Grey New York. Instead, you can watch them prove how every woman is unique, and try not to cry, as kids are blindfolded and asked to pick out their moms by touch alone.

The children, ages 3-9, touch rings and bracelets, hair and noses. Check out the video to see how they do.

Even more touching is the worry on each mom’s face as she waits to see if her child would recognize her, followed by tears of joy when they do. It underscores how irreplaceable our moms are, and how important it is to them that we know them well—particularly on days like Mother’s Day. (Hint, hint, buy her some personalized jewelry.)

Though the video stars moms and has been released well before Mother’s Day (it already has more than 14 million views on Facebook and 7 million on YouTube), Pandora’s call to action wisely tells people to celebrate the woman in their heart—noting that all women are unique, whether they’re a mom or not.

It’s also a not so subtle hint to her significant other, because c’mon, that 3-year-old isn’t paying for the bracelet himself.



For women in Africa life is a marathon / Une originalité bidon?

Click here to view the embedded video.

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THE ORIGINAL? 
Lidl – Marathon for water – Lisbon – 2010
Source : Cannes SILVER LION
Agency :  Leo Burnett Lisboa (Portugal)
LESS ORIGINAL
Water for Africa – Paris Marathon – 2015
Source : La Réclame
Agency : Ogilvy & Mather Paris (France)

Fulo Flowers: The flower you need, 1

The flower you need, when you need it most.

Advertising Agency: Africa, Sao Paulo, Brazil
Creative Directors: Sergio Gordilho, Rafael Pitanguy, Bernardo Romero, Beto Rogoski
Art Directors: Fernando Lyra, Marcio Kota, Lucas Aguiar, Bernardo Romero
Copywriters: Arturo Marenda, Leonardo Marcal
Illustrator: Estudio Icone
Published: April 2015

Fulo Flowers: The flower you need, 2

The flower you need, when you need it most.

Advertising Agency: Africa, Sao Paulo, Brazil
Creative Directors: Sergio Gordilho, Rafael Pitanguy, Bernardo Romero, Beto Rogoski
Art Directors: Fernando Lyra, Marcio Kota, Lucas Aguiar, Bernardo Romero
Copywriters: Arturo Marenda, Leonardo Marcal
Illustrator: Estudio Icone
Published: April 2015

Lurpak: Freestyle

Advertising Agency: W+K, London, UK
Creative Directors: Sam Heath, Kim Papworth
Creatives: Gustavo Kopit, Barnaby Blackburn
Designer: Bruce Usher
Executive Creative Directors: Tony Davidson, Iain Tait
Agency Executive Producer: Danielle Stewart
Group Account Director: Rachel Parker
Account Director: Hannah Gourevitch, Katja Giannella
Account Executive: Stephanie Brooks
Head of Planning: Beth Bentley
Planner: Jennifer Lewis, Theo Izzard­Brown
TV Producers: Gemma Knight, Sahar Bluck
Creative Producer: Rebecca Herbert
Production Company: MJZ
Director: Juan Cabral
Production Company Producer: Stephen Johnson
Director of Photography: Anthony Dodd Mantle
Editorial Company: Work Post
Editor: Neil Smith
Post Executive Producer: Julian Marshall
VFX Company: MPC
VFX Producer: Anandi Peiris
Music+Sound Company: Soundtree
Composers: Peter Raeburn, Ben Castle, Luis Almau
Sound Designer: Parv Thind
Producer: Jay James / Soundtree
Mix Company: Wave Studios
Mixer: Parv Thind
Producer: Rebecca Boswell / Wave Studios
Creatives: Sam Heath, Gustavo Kopit, Barnaby Blackburn
Designer: Bruce Usher
Creative Producer: Rebecca Herbert
Creative Researcher: Laura Barker
Photographer: Gustav Almestål
Agent: Lund Lund
Food Stylist: Katie Giovanni
Director of Relations: Marta Bobic

Heineken: Run with it

Advertising Agency: Rothco, Ireland
Agency Producer: Jessica Derby
Art Director: Paddy Thunder
Copywriter: Connor O’Hare
Executive Creative Director: Alan Kelly
Strategy: MCCP
Account Director: Eva Nash
Account Manager: Susan Nelis
Production Company: Motherland
Director: Finn Keenan
Producer: Ellen Kenny
Executive Producer: Ross Killeen 
Social: Eric Gasparro
Post House: Motherland
Photographer: Piotr Dybowski
Digital: Rothco
Grade: Windmill Lane 
Motion Graphics: John Cutler
Digital and Social strategy: Kathleen Healy

Fallsview Casino: Viewfinder

The Power of Fallsview.

Advertising Agency: Blammo, Toronto, Canada
Creative Director: Michael Murray
Art Director: Yan Snajdr
Copywriter: Tom Mednick
Photographer: Robert Watson
Retoucher: Simon Tuckett
Published: April 2015

30 Years of Celebrities Portraits Living in New York

La photographe américaine Lynn Goldsmith a sillonné les rues new-yorkaises de 1973 à 2013 pour tirer le portraits de quelques icônes telles que le groupe The Police, le rappeur LL Cool J, les acteurs Kevin Bacon et Mark Wahlberg. L’exposition « Streets of NYC » a ouvert le 17 avril et continuera jusqu’au 6 mai, à la galerie du Morrison Hotel (Soho) : elle retrace les rencontres et portraits de Goldsmith.

The Police – 8th Avenue and 37th, 1978.

LL Cool J – 8th Avenue and 33rd Street, 1997.

Van Halen – Chinatown, 1978.

Mark Walberg – West Village, 1991.

Laurie Anderson – 6th Avenue and 53rd, 1982.

Matt Dillon – subway lower Manhattan, 1981.

Lion Babe – Jillian Hervey East Village – 2nd Avenue and 3rd, 2013.

Kevin Bacon – 6th Avenue and 40th, 1982.

Photos by Lynn Goldsmith/courtesy of Morrison Hotel Gallery.
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