Hasta La Creative!

À la manière de Matthias Heiderich, Julien Schulze, photographe basé à Berlin nous présente une sélection d’images, fruit d’un travail au concept bien particulier. En se focalisant sur des parcelles d’architectures, Julien Schulze arrive à capturer des images graphiques et colorées, qui nous montrent la beauté et l’esthétique des structures urbaines sous un angle différent.

Union Made Creative recently launched an inspirational ad for Lego targeted at young girls and for many the reaction will be: “It’s about time.”

Despite its roots of mostly gender-neutral marketing (which makes sense, given that there’s no real reason to attach a gender to building blocks), Lego has come under fire from many, including feminist critic Anita Sarkeesian, who devoted two segments of her “Feminist Frequency” series to the subject, for its overt marketing towards boys in recent decades. The “together” in the brand’s “Let’s Build Together” campaign, for example, was limited to fathers and sons. In 2012, the brand reacted by releasing its Lego Friends line, marketed towards girls, but the extension was viewed by many as an after-thought at best and by its more vocal critics, as Sarkeesian put it, a “a pastel-colored gender-stereotyped suburban wasteland.” That Lego Friends is “for girls” only reinforces the problematic notion that the rest of Lego’s products are intended for boys. The majority of sets in the line feature stereotypically feminine constructions like beauty salons and bakeries, and are dominated by soft pastel colored blocks.

A kind of tipping point came early this year when a letter from a 7-year-old girl went viral and put renewed pressure on Lego to better serve its female fans. The company showed that they might finally be getting the message this summer when they released the Lego Research Institute, developed by Swedish geochemist Ellen Kooijman through the fan-sourced Ideas platform, which features three female scientists. The limited-edition set sold out within days, delivering a clear message to the company that there’s a demand for such products.

All of which brings us to “Inspire Imagination and Keep Building” from Union Made Creative, which (finally) addresses many of the sexist tendencies in Lego’s advertising. “I don’t always want you to help me,” says a girl narrator at the beginning of the ad, “Do you know why? I want to figure it out on my own.” While the ad shows the girl playing with figures from Lego’s Friends set, it shows her using those pieces in creative ways, and she doesn’t play with them exclusively. She also makes a hospital bed and plays doctor, creates a helicopter and a maze for a hamster. In short, it explores the wonder and imagination at the core of the brand. “Because you taught me how to think and how to dream,” the narrator says at the conclusion of the spot, “I’m about to make something that I know will make you proud.”

The ad is very well crafted and would be emotionally powerful even without the background of the brand’s gender-biased marketing, but is all the more so because of it. At the very least it is a big step in the right direction for Lego, as they hopefully continue to move toward making all of their fans feel equally welcome, regardless of gender. (more…)

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Hey ad agencies: Drop everything you are doing — the state of Ohio is looking for a new tourism campaign. And, frankly, what could be more important than that?

TourismOhio put out the call for ideas on Friday with a 17-page request for proposal document, noting that while the tourism organization in the past has engaged in “‘random acts of marketing,” this time it’s serious: “It’s not just about throwing a bunch of destinations at people and saying ‘come spend time here’ — we need to capture the emotional and experiential qualities of Ohio that make us distinctive among our contiguous states.”

For you New Yorkers living in your Manhattan bubble and clouded by your East Coast bias, you should know that Ohio is so much more than the birthplace of Drew Carey, or where Johnny Manziel rides the bench.

Continue reading at AdAge.com

At least 28 editors at the New Republic resigned today following a management shake-up at the century-old political magazine.

The departures by staff editors and contributing editors were reported in a tweet by Ryan Lizza, a contributing editor, who also stepped down.

The editors stepped down en masse after CEO Guy Vidra announced to staff in a memo yesterday that the print publication frequency would be halved to 10 issues a year and two top editors would leave. The magazine will also move its offices to New York from Washington, according to the memo, which was obtained by Bloomberg News.

Continue reading at AdAge.com

Wellington agency Clemenger BBDO has a history of releasing intriguing road safety PSAs, forgoing the typical heavy-handed scare tactics in favor of nuanced spots that tell stories rather than beat viewers over the head with a message. Their track record includes last year’s “Blazed” stoned driving PSA and this effort from January. So it shouldn’t come as a surprise that the agency has once again delivered with “Local Legends,” but it just may be their best attempt yet.

The spot takes an intriguing approach to the problem of drunk driving, targeting not drivers themselves but bystanders who witness people getting into their cars drunk but are unsure how to act, or if it is their place to do so. In the ad, two elderly gentleman at a gas station see a group of rowdy youngsters getting into their car. “They’re just kids, if we don’t say something” one of them says, gesturing toward the group. “Why don’t you get a lift home tonight?” one of the men asks the boys, who are initially dismissive. Eventually, after much discussion, they convince the group to let one of them drive them home. What really sets the ad apart is how convincing the dialogue is, with awkwardness and humor that pulls the viewer into the story.

Clemenger BBDO also manages to incorporate a clever social extension, with local newspapers, radio and street posters asking public “What would you say?” and allowing them to respond via phone, text or Facebook, and then sharing the best responses. Rather than feeling tacked on, it engages viewers with a question the PSA implies and gets people thinking about what they’d do in a similar situation. Not only does this increase viewer engagement with the PSA, it may even help change bystander behavior, ultimately the goal of the campaign.

“The purpose of this strategy is to get people to be their own legends,” explains Linda Major, head of social marketing at Clemenger BBDO. “By thinking about what they would do in a similar situation people will be better prepared intervene in a way that defuses a real situation.” (more…)

New Career Opportunities Daily: The best jobs in media.