Pantone's Color of the Year Is Marsala, and It Has Some Critics Throwing Shade

Designers always eagerly await Pantone’s December announcement of its Color of the Year, predicting which hue will be ubiquitous in the year ahead. The 2015 Color of the Year, unveiled Thursday, is Marsala—a deep reddish brown. And it has some critics seeing more red than brown.

“It’s a color that makes you want to go to Olive Garden or order Tampax in bulk,” says New York Magazine’s The Cut blog in perhaps the most scathing critique.

And for its part, Olive Garden seems elated.

Not all of the reaction to Marsala has been negative, but it does feel muted—perhaps appropriately so—compared to previous COYs like Tangerine Tango (2012), Emerald (2013) and Radiant Orchid (2014).



Marsala, meanwhile, is “a naturally robust and earthy wine red,” Pantone says.

The executive director of the Pantone Color Institute, Leatrice Eiseman, further elaborates:

“While PANTONE 18-3224 Radiant Orchid, the captivating 2014 color of the year, encouraged creativity and innovation, Marsala enriches our mind, body and soul, exuding confidence and stability. Much like the fortified wine that gives Marsala its name, this tasteful hue embodies the satisfying richness of a fulfilling meal, while its grounding red-brown roots emanate a sophisticated, natural earthiness. This hearty, yet stylish tone is universally appealing and translates easily to fashion, beauty, industrial design, home furnishings and interiors.”

Pantone’s agency of record, experience design firm Sub Rosa, created the brand’s overarching “Make It Brilliant” platform—and did the creative for the Color of the Year campaign, including all of the images here.

“To bring the color to life, Sub Rosa was tasked with creating a series of images that were as bold and exciting as the color of the year itself,” the agency tells AdFreak. “To do this they created a print and social campaign that makes Marsala the star. The creative team worked closely with Pantone to ensure the tone and energy would drive the mood of an imagined ‘place.’ Sub Rosa organized this story through food, drink, cooking and friends coming together at various stages of an evening meal: appetizers, dinner and dessert.”

“In each vignette, Sub Rosa meticulously planned details to create multiple layers that speak to the broad design audience. As this party moves from appetizers on the deck to dessert by the fireplace, Sub Rosa played into varying elemental associations and feelings that Marsala evokes by appropriately adjusting the character and contents of each ‘room.’ “

So, what do you think of the choice of Marsala?



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Air Canada: Gift of home for the holidays

Advertising Agency: JWT Canada
Chief Creative Officers / Executive Creative Directors: Brent Choi, Ryan Spelliscy
Creative Director: Gary Westgate
Associate Creative Director: Don Saynor
Art Director: Alex Newman
Copywriter: Patrice Pollack
Integrated Broadcast: Andrew Schulze
Producer: Caroline Clark
Account Team: Scott Miskie, Gavin Wiggins, Victoria Radziunas, Lindsay Hill
Production Company: The Solidarity Union / Soft Citizen
Executive Producer: Rob Burns
Director: Shaun Anderson
Producer: John Scarth
DP: Byron Kopman
Editing House: School Editing
Editors: Chris Van Dyke, Brian Wells
Editor Assistance: Mark Lutterman, Nicole Sison, Steve Puhach, Drew MacLeod, Lauren Piche
Editorial Producer: Sarah Brooks
Online: Fort York VFX
Audio: TA2
Audio Director: Steve Gadsden
Media Agency: Mindshare

ABC / The Chew: Enjoy the ride

Animation/Design studio: Leftchannel
Writer/Producer: Paedor Stirling
Creative Director: Scott Tucker
Design/Art Director: Kevin Anderson
VP Marketing Creative Daytime: Valerie McMichael
Music/Sound Design: Circa Music; ABC

Mozilla Firefox – Choose Independent (2014) 1:15 (USA)

Mozilla Firefox - Choose Independent (2014) 1:15 (USA)

Bicoastal creative studio humble and ad agency Occam recently teamed to create a :75 brand manifesto film for Mozilla Firefox to mark its tenth anniversary.

Country: 

Commercials: 

Hendrick's Gin Tackles Boredom, Repetition, Monotony, Banality and Repetition With Flying Frog

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Channeling 42 Below Vodka, Hendricks’s Gin (which, by the way, is awesome) is out with its first animated spot touting the brand’s unique combination of rose and cucumber. The ad will air on the brand’s YouTube channel, Facebook page and other social properties.

The brand worked with animation house WeWereMonkeys after having seen the work the company did for Little Talks.

Qaeda Group in Yemen Threatens to Kill American Journalist

The hostage, in a video posted online, identifies himself as Luke Somers, 33, a photojournalist who was kidnapped in Sana, Yemen, in September 2013.

Le Bureau Tells You Not to Buy Shit for Red Cross Sweden

Swedish agency Le Bureau teamed up with Seattle-based animation studio The Academy’s Swedish collective known as Brikk to create a two minute PSA for Red Cross Sweden.

The ad tries to convince Swedes to give Red Cross parcels to those in need for Christmas, rather than buying something they won’t even remember next year. Or, as Brikk puts it, “We together with Red Cross think that a food package to Syria is a better Christmas gift than a fitness band, and that’s what we are trying to communicate in the animation.”

To accomplish this, the animation highlights just how many gifts are forgotten, or even sold secondhand online after the holiday season. “Don’t buy thoughtless presents for the ones you care for, buy something special that shows they mean more,” says the spot’s rhyming narrator, positing Red Cross gifts as the answer. Near the end of the PSA he gets a little more direct, saying, “…this year don’t buy shit, make an active choice.” The candidness is refreshing, and should get more people to share what otherwise could have been a very dry message. (more…)

New Career Opportunities Daily: The best jobs in media.

Grey London Creates Adorable ‘Christmas Choir’ for McVitie’s

Grey London created one of the more off-the-wall Christmas spots you’ll see this year with “Christmas Choir,” promoting McVitie’s Victoria cookies.

In the spot, a family sits around on a sleepy holiday evening when the father decides to open up a box of McVitie’s biscuits. Upon opening the container, a chorus of tiny, adorable animals begins barking, meowing, quacking and otherwise vocalizing to the tune of 80s hit “Only You” by Yaz. The chorus of cuddly critters is, clearly, meant to evoke the happiness evoked by digging in to a box of McVitie’s (in this case punctuating a case of holiday doldrums), but that’s not important right now. What’s important is that around the 44 second mark a tiny narwhal whale emerges from the depths of a punch bowl. For that, Grey London, we thank you. (more…)

New Career Opportunities Daily: The best jobs in media.

Santa Ditches the Sleigh and Flies Coach in Expedia's Heartwarming Christmas Ad

The sleigh is overrated.

Santa Claus ditches it entirely in Expedia’s touching Christmas campaign from 180LA, choosing instead to fly coach around the world and ending up at St. Jude Children’s Research Hospital in Memphis, where he delivers presents to some very special kids.

As seen in the video below, Santa traveled 19,602 miles over seven days (49.7 hours of flight time), going from the North Pole via Anchorage through Honolulu, Tokyo, Dubai, Paris, Dublin, New York City, and finally to Memphis, where he hands out gifts—and also donates all the points he earned on flights to St. Jude, which is the selling point here.

“Santa flies around the world every year for children, so we loved the connection of giving him travel points to donate to St. Jude Children’s Research Hospital,” says Vic Walia, senior director of brand marketing at Expedia.

“More people travel during the holidays than any other time of year. We hope this campaign will encourage people to donate their Expedia+ rewards points to St. Jude, considering how quickly they can add up during this busy travel season.”

More at Expedia.com/Santa and the hashtag #SantaFliesCoach.

CREDITS
Client: Expedia
Spot: “Santa Flies Coach”
Senior Director, Brand Marketing: Vic Walia
Brand Marketing Manager: Jessica Eichner
Media Director: Elizabeth Dorrance

Agency: 180LA
Chief Creative Officer: William Gelner
Creative Directors: Dave Horton, Matthew Woodhams-Roberts
Art Director: Chelsea Cumings
Copywriter: Trey Tyler
Head of Production: Natasha Wellesley
Executive Producer: Erin Goodsell
Producer: Amber Schaefer
Head of Account Management: Chad Bettor
Account Director: Brooke Stites
Account Manager: Mackenzie Walen
Account Coordinator: Chase Pritchett

Production Company: Ghost Robot
Directors: Dave Horton, Nick Bentgen
Director of Photography: Nick Bentgen
Executive Producers: Mark DePace, Zach Mortensen

Editorial Company: Melvin
Editor: Dave Groseclose
Producer: Brian Scharwath

Company: Therapy Studios 
Executive Producer: Joe DiSanto, John Ramsay
Senior Producer: Allegra Bartlett
Flame Artist:  Wren Waters
Flame Assist: Geoff Stephenson
Sound
Recording Studio: Eleven Sound
Mixer: Ben Freer

Original Music by human



Moto X: The Maker

Advertising Agency: Droga5, USA

New World Supermarkets: It must be Christmas

Advertising Agency: .99, New Zealand
Chief Creative Officer: Craig Whitehead
Copywriter: Simon Wharton
Senior Copywriter: Ed Bell
Senior Art Director: Greg Wylie
Group Account Director: Pippa O’Regan
Agency Producer: Rebecca Richardson
Designer: Simone Lash
Account manager: Allie Buczkowski
Production Company: Finch
Producer: Andy Mauger
Director: Nick Ball
Post production: Blockhead

Expedia / St. Jude Children's Hospital: Santa flies coach

Advertising Agency: 180LA, USA
Chief Creative Officer: William Gelner
Creative Directors: Dave Horton, Matthew Woodhams-Roberts
Art Director: Chelsea Cumings
Copywriter: Trey Tyler
Head of Production: Natasha Wellesley
Executive Producer: Erin Goodsell
Producer: Amber Schaefer
Head of Account Management: Chad Bettor
Account Director: Brooke Stites
Account Manager: Mackenzie Walen
Account Coordinator: Chase Pritchett
Production Company: Ghost Robot
Directors: Dave Horton, Nick Bentgen
Director of Photography: Nick Bentgen
Executive Producers: Mark DePace, Zach Mortensen
Editorial Company: Melvin
Editor: Dave Groseclose
Producer: Brian Scharwath
Finishing Company: Therapy Studios
Executive Producers: Joe DiSanto, John Ramsay
Senior Producer: Allegra Bartlett
Flame Artist: Wren Waters
Flame Assist: Geoff Stephenson
Recording Studio: Eleven Sound
Mixer: Ben Freer
Original Music by human

Gap's Global CMO to Depart Early Next Year


The architect behind Gap’s marketing overhaul is leaving the company.

Global CMO Seth Farbman is departing his role effective Jan. 31, though he will stay on as an advisor for a period of time. This marks the second high-profile marketing exec to decamp from the brand in recent months. In September, Marcela Aguilar, Gap’s senior global director-marketing communications, left to become director-global marketing communications at Apple.

There is no immediate successor for Mr. Farbman, but “we have a strong bench of internal and agency talent to support Gap brand as we determine his replacement,” a Gap Inc. spokeswoman said in a statement.

Continue reading at AdAge.com

Necktie Business Cards

Le studio japonais Necktie a conçu ces superbes cartes de visite sous la forme de chemises et de cravates rayées disponibles en différentes couleurs. Le designer s’est occupé de la direction artistique, la conception et l’impression des cartes avec un papier spécial de chez Heiwashigyo. A découvrir.

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Droga5, Nas Take ‘The Ride’ for Hennessy

Droga5 enlisted New York rapper Nas in its latest spot for Hennessy, entitled “The Ride..”

Nas‘ association with the brand dates back to his classic 1994 debut Illmatic, where the brand is mentioned on the very first track. He signed a deal with the company at the beginning of last year to appear in the latest iteration of its “Wild Rabbit” campaign, which finally comes to life with “The Ride.”

The 60-second spot channels Nas‘ own past with a re-worked version of the song “New York State of Mind” from his debut. Over Nas‘ recitation of the re-imagined lyrics he steps on a subway car and is seemingly transported back in time to the 80s, with time progressing over the course of the ad so that when he emerges from the car later, he is back in the present day. A newspaper headline reading “Panic on Wall Street” at one point signifies a transition to the modern era. It’s all very slick and stylish, with plenty of attention to detail lavished on the concept. The spot ends with Nas walking toward a stage after uttering the line “It was only right that I was born to use mics,” and the text “I tell the stories that need to be told” appearing onscreen, followed by the “What’s your Wild Rabbit?” tagline. (more…)

New Career Opportunities Daily: The best jobs in media.

Publicis Worldwide Wins Cadillac

Cadillac

This morning Cadillac made its big decision: Publicis Worldwide will be its global creative agency of record.

The (very quiet) review began in September when the brand chose to end its partnership with Hill Holliday, and Cadillac will no longer work with IPG agencies moving forward.

Earlier reports held that, while IPG had chosen to fold the Rogue unit it created to serve the client after the Hill Holliday decision, its Lowe and Partners group would take over the account with creative run out of New York and management handled by Campbell Ewald in Detroit. AdAge reported that “the only shop that’s really losing out on Rogue is Hill Holliday,” but that is no longer the case.

The news amounts to a major loss for IPG, which held the account for little over a year after Cadillac’s Fallon breakup prompted the agency’s CEO to write a note calling the decision “an outcome we do not deserve.” The holding company announced a cross-agency realignment to more effectively serve the client when Cadillac named a new president in August (following the appointment of a new CMO in January), but those efforts were not enough to retain the business.

What’s not clear at the moment is how the review unfolded: Cadillac did not announce it or make any public comments, and we don’t know which agencies were involved beyond Lowe and Publicis.

Read the full internal memo from Publicis CEO Arthur Sadoun – which thanks CSOs Carla Serrano, Dylan Williams, and more — below.

(more…)

New Career Opportunities Daily: The best jobs in media.

Sriracha Beer Is Here, in Major Step Toward a World of Sriracha Everything

You can basically rattle off a Bubba Gump-inspired list of stuff that’s great with Huy Fong’s Sriracha hot sauce: Sriracha shrimp, Sriracha wings, Sriracha corn, Sriracha burgers, Sriracha fries, Sriracha eggs. Even Tabasco has made Sriracha.

What the Pho would you do without it?

Inevitably, though, you need to wash down whatever spicy conconction you’ve inhaled with a bottle of beer. Well, now you can get your Sriracha fix with that beer, too.

The beersmiths over at Rogue have made this dream a reality with their Sriracha Hot Stout Beer, available for $13 a bottle. Orders start shipping Dec. 8. 

According to the product page: “Rogue Sriracha Hot Stout Beer, made from Huy Fong original hot chili sauce and sun ripened Rogue Farms ingredients, is ready to drink with soups, sauces, pasta, pizza, hot dogs, hamburgers, chow mein, or anything you’d like to wash down with a spicy kick.”

Oh man, oh man, oh man. 



Stop Half-Assing Holiday Parties and Go Get Yourself an Ugly Sweater Suit

Sure, everyone’s sporting an ironic and hideous Christmas sweater or vest these days, so you’ll need to step up your game. You’ll need a sweater suit.

Shinesty, a retro clothing brand that prides itself on creating “the most outlandish collection of clothing the world has ever seen,” has lived up to that mission with its new line of Ugly Christmas Sweater Suits.

They come in three patterns: snowman, Christmas Tree and “The Rudolph Suave.” 

We all know someone—usually just one person—who will buy this kind of thing.

Wearing it will be hilariously fun the first time, and then the law of diminishing returns will kick in and the suit will be worn to three, four parties tops before permanent exile to the owner’s closet, next to the Handerpants. These suits are the Cards Against Humanity of men’s clothing.

Via Neatorama.



IPA appoints Tom Knox as president

The IPA has appointed Tom Knox, the chairman of DLKW Lowe, as its new president, replacing Ian Priest.