Barberclub.ca: Gentleman's shave
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Advertising Agency: 32 MARS, Canada
Production Company: Nova Film
Director: François Lallier
Director of Photography: François Gamache Sound:Studio Expression
Advertising Agency: 32 MARS, Canada
Production Company: Nova Film
Director: François Lallier
Director of Photography: François Gamache Sound:Studio Expression
Advertising Agency: JWT London, UK
Executive Creative Director: Russell Ramsey
Art Directors: Ronnie Vlcek, Simon Sworn
Copywriters: Kat Thomas, Alex Ball
Designer / Typographer: Alta Rezazadeh
TV Producer: Doug Wade
Production Assistant: Charlotte Jude, Eleanor Rose-Stamp
Planner: Alison Ashworth
Business Leader: Carmen Bekker
Board Account Director: Sally Emerton
Account Executives: Danielle Stephenson, Jessica Deakin
Media agency: Carat
Media planner: Lyndsey Barnard
Director: David Edwards
Production Company: Rattling Stick
Editor: Neil Smith at Work
Sound: Toby Griffin / GPS
Grade: Ben Roger / GPS
We used once very popular Slovenian singer Oto Pestner who was out of the public spotlight for quite some time … and we reused Letiva, his forgotten song from 1978. We promoted it through radio stations like a brand new hit.
Advertising Agency: Mayer McCann, Ljubljana, Slovenia
Creative Directors: Robert Bohinec, Gal Erbeznik
Art Director: Dejan Miletic
Copywriter: Domen Husu
Account Directors: Manca Kodermac, Tamara Stader
Published: January 2014
J Shoes was founded in the Midlands and is inspired by the centuries of quality shoemaking from the region. The brand takes classic silhouettes such as the Brogue or the Chukka and applies a little unexpected colour, material or texture, to produce timeless shoes that enable you to show your true character. ‘Be in character’ is bought to life through contrasting the characters from the era in which the shoes take their silhouettes, with contemporary styling and urban locations.
Advertising Agency: 18 Feet & Rising, London, UK
Creative Director: Johnny Leathers, Matt Keon
Art Directors / Copywriters: Johnny Leathers, Alex Delaney
Photographer: Will Sanders
Agency Producer: Greg Hemes
Strategist: Emilie Riis-Anderson
Account Director: Adrienne Little
Producer: Miguel Lamas
Production company: Twenty Twenty
Published: October 2014
J Shoes was founded in the Midlands and is inspired by the centuries of quality shoemaking from the region. The brand takes classic silhouettes such as the Brogue or the Chukka and applies a little unexpected colour, material or texture, to produce timeless shoes that enable you to show your true character. ‘Be in character’ is bought to life through contrasting the characters from the era in which the shoes take their silhouettes, with contemporary styling and urban locations.
Advertising Agency: 18 Feet & Rising, London, UK
Creative Director: Johnny Leathers, Matt Keon
Art Directors / Copywriters: Johnny Leathers, Alex Delaney
Photographer: Will Sanders
Agency Producer: Greg Hemes
Strategist: Emilie Riis-Anderson
Account Director: Adrienne Little
Producer: Miguel Lamas
Production company: Twenty Twenty
Published: October 2014
J Shoes was founded in the Midlands and is inspired by the centuries of quality shoemaking from the region. The brand takes classic silhouettes such as the Brogue or the Chukka and applies a little unexpected colour, material or texture, to produce timeless shoes that enable you to show your true character. ‘Be in character’ is bought to life through contrasting the characters from the era in which the shoes take their silhouettes, with contemporary styling and urban locations.
Advertising Agency: 18 Feet & Rising, London, UK
Creative Director: Johnny Leathers, Matt Keon
Art Directors / Copywriters: Johnny Leathers, Alex Delaney
Photographer: Will Sanders
Agency Producer: Greg Hemes
Strategist: Emilie Riis-Anderson
Account Director: Adrienne Little
Producer: Miguel Lamas
Production company: Twenty Twenty
Published: October 2014
J Shoes was founded in the Midlands and is inspired by the centuries of quality shoemaking from the region. The brand takes classic silhouettes such as the Brogue or the Chukka and applies a little unexpected colour, material or texture, to produce timeless shoes that enable you to show your true character. ‘Be in character’ is bought to life through contrasting the characters from the era in which the shoes take their silhouettes, with contemporary styling and urban locations.
Advertising Agency: 18 Feet & Rising, London, UK
Creative Director: Johnny Leathers, Matt Keon
Art Directors / Copywriters: Johnny Leathers, Alex Delaney
Photographer: Will Sanders
Agency Producer: Greg Hemes
Strategist: Emilie Riis-Anderson
Account Director: Adrienne Little
Producer: Miguel Lamas
Production company: Twenty Twenty
Published: October 2014
Advertising Agency: 18 Feet & Rising, London, UK
Creative Director: Johnny Leathers, Matt Keon
Art Directors / Copywriters: Johnny Leathers, Alex Delaney
Photographer: Will Sanders
Agency Producer: Greg Hemes
Strategist: Emilie Riis-Anderson
Account Director: Adrienne Little
Producer: Miguel Lamas
Production company: Twenty Twenty
Published: October 2014
Advertising Agency: 18 Feet & Rising, London, UK
Creative Director: Johnny Leathers, Matt Keon
Art Directors / Copywriters: Johnny Leathers, Alex Delaney
Photographer: Will Sanders
Agency Producer: Greg Hemes
Strategist: Emilie Riis-Anderson
Account Director: Adrienne Little
Producer: Miguel Lamas
Production company: Twenty Twenty
Published: October 2014
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Advertising Agency: Sunrise, Copenhagen, Denmark
Agency website:Creative Director: Janus Jauch
Art Director: Jan Majgaard
Photographer: Howard Davies
Additional credits: Dorthe Fink, Jeppe Ebstrup
Published: October 2014
Sign up for National Collection Day, November 9th.
Advertising Agency: Sunrise, Copenhagen, Denmark
Agency website:Creative Director: Janus Jauch
Art Director: Jan Majgaard
Photographer: Howard Davies
Additional credits: Dorthe Fink, Jeppe Ebstrup
Published: October 2014
Sign up for National Collection Day, November 9th.
Advertising Agency: Sunrise, Copenhagen, Denmark
Agency website:Creative Director: Janus Jauch
Art Director: Jan Majgaard
Photographer: Howard Davies
Additional credits: Dorthe Fink, Jeppe Ebstrup
Published: October 2014
see the work at http://like4lives.com
The Australian Koala Foundation’s new social media initiative, Like for Lives, urges people to post a picture of a koala on Instagram or Facebook together with the promise: For every like this picture gets, I will donate 50 cents to savethekoala.com. The immediate goal is to spread awareness of the very real threat of extinction facing koalas. And raise money to help fight it. Because let’s face it, who could resist helping a friend raise money for cute koalas – especially when the koala’s doing the asking.
Advertising Agency: M&C Saatchi,? Stockholm, Sweden
Production company: The Brewery
Droga5 New York’s senior account lead, Nick Simons, is moving to the agency’s London office to become managing director.
Toulon’s love for Jonny Wilkinson, Shane Williams’ small stature, Bill McLaren’s recovery from tuberculosis to become ‘the voice’ of rugby, and the Munster team’s against-all-odds defeat of New Zealand in 1978 are celebrated in a series of ads for Guinness.
Honda et l’agence Wieden Kennnedy, viennent de dévoiler la campagne interactive « The Other Side Story ». L’expérience intégrée sur YouTube permet de visualiser deux vidéos en passant de l’une à l’autre avec une simple pression de la touche « R » de votre clavier. Permuter entre les deux personnages – papa cool de jour et criminel de nuit – devient alors un jeu minimaliste très prenant.
More than three million dresses emulating those of the Elsa and Anna characters in the popular movie have been sold so far this year, the company said Tuesday.
72andSunny combines Alice in Wonderland with holiday sweetness in the holiday ad “Alice in Marshmallow Land” for Target.
The 60-second spot opens on a young girl following Target’s official mascot Bullseye (a Bull Terrier) down a giant Target logo into “Marshmallow Land.” Once there, the girl, presumably named Alice, eats a mini marshmallow and shrinks to join a group of popular toys at a table as they enjoy hot chocolate. From here, Bullseye and Alice continue on their holiday-themed adventures, set to a cover of the holiday classic “Marshmallow World” by Karen O and mostly removed from any of the malice of Carroll’s classic, of course — the one threatening moment involving a giant robotic dinosaur is easily resolved — until the girl wakes up. It’s a cute and imaginative approach that should appeal to families with small children, while featuring a number of popular holiday items at the giant retailer. Although since it’s debuting so early, it certainly runs the risk of wearing out its welcome by the end of December.
New Career Opportunities Daily: The best jobs in media.
The new Droid Turbo is so fast that when James Franco falls off the roof at a party, he can use the Motorola phone to find the nearest safe landing, calculate the best route there and text his date to meet him at the bottom—all before he crashes through an awning into a dumpster and dusts himself off.
So says this Verizon ad from mcgarrybowen, which features James Franco because James Franco is a cool guy everybody knows. He’s great with the ladies, too. The whole reason he goes over the edge in the first place is to rescue the red scarf of a damsel, because that’s the kind of guy James Franco is. He succeeds, obviously. If you get a Droid Turbo like James Franco, you’ll be great with the ladies, too.
That is unless maybe you’re the James Franco who’s married to novelist Gary Shteyngart. Or the James Franco who’s lobbying for a movie starring James Franco to get an Oscar. Or the James Franco who’s getting punched in the face, or directing a jeans commercial, or talking about how great it is be James Franco in an ad for Motorola rival Samsung’s Galaxy tablet.
Or, if you’re the kind of James Franco who’s not into selling out, you could be the James Franco who posts an Instagram of yourself holding an iPhone 6 the same day your Motorola campaign launches. Oops.
It’s an accepted truism that the food in fast-food ads looks nothing like the food in real life. But can it be made to look that way? Is it possible to transform a regular McDonald’s burger into food-porn perfection using only a couple of iPads and an iPhone??
That the challenge the guys at DigitalRev TV set for themselves. And they do a pretty decent job of replicating actual McDonald’s product shots. Though you wouldn’t want to run extreme close-ups of their creation, like they do in France.
Check out the process below, and skip to 3:00, where the action really starts.
Via Design Taxi.