Kia's Hamsters Are Back, and Getting Lucky With Sexy Lady-Hamster Girlfriends

Kia’s oddly endearing and enduring hamsters have returned, this time dabbling in experiments that make Weird Science look scientifically responsible by comparison.

The new ad from David&Goliath for the plug-in 2015 Kia Soul EV takes us into a laboratory, where everyone’s favorite human-size hamsters are performing tests on the electric vehicle—and, inadvertently, their normal-size pet hamster. The results change the researchers’ priorities faster than you can say “hamster balls.”

Check it out below, and know that any feelings of discomfort are totally normal. But also know that life can be lonely for terrifyingly huge man-rodents, and they need love, too.

Credits below. Hat tip to our friends at Unruly Media.

CREDITS
Client: Kia Soul

Agency: David&Goliath
Founder & Chairman: David Angelo
Chief Creative Officer: Colin Jeffery
Creative Director/Copywriter: Matthew Curry
Associate Creative Director/Art Director:  Kristian Grove Møller
Copywriter: Courtney Pulver
Art Director: Michael JF Wilson
Executive Producer, Managing Director: Carol Lombard
Executive Producer: Paul Albanese
President: Brian Dunbar
Group Account Director: Brook Dore
Account Director: Adam Blankenship
Account Supervisor: Nancy Ramirez
Executive Director, Head of Planning: Seema Miller
Managing Director Business Affairs: Rodney Pizarro
Business Affairs Managers: Tony Kim & Camara Price

Production Company: @radical.media
Director: Colin Jeffery
Executive Producer: Frank Scherma
Producer: Kathy Rhodes
Director of Photography: Toby Irwin;  2nd Unit DP: Greg Baldi
Production Designer: Tom Foden
Wardrobe Stylist: Anette Cseri

Special EFX: Legacy Effects

Editorial: Union Editorial
Editor: Jim Haygood
Assistant Editor: Erik Jessen
Executive Producer: Michael Raimondi
Senior Producer: Joe Ross

Post-Production/VFX: MPC LA
Executive Producer: Asher Edwards
Producer/Deputy Head of Production: Mike Wigart
VFX Supervisors: Andy Boyd (3D Lead), Jake Montgomery (2D Lead)
VFX 3D Team: Ian Wilson, Stew Burris, Corinne Deorsay, Kristen Eggleston, Dameon O’Boyle, JT Lawrence, Huisoo Lee, Aaron Hamman, Charles Trippe, Zach Dimaria, Michael Lori, Roxanne Zuckerman, Danny Garcia, Lee Par, Gizmo Rivera, Jackie Cooper, Jadan Duffin, Brady Doyle
Production Coordinator: Ashley Greyson
Grade: MPC LA
Colorist: Mark Gethin, Ricky Gausis

Music and Sound Design: Hum
Music Editor: Dan Hart
Sound Designer: Dan Hart

Audio Mix: Margarita Mix, Santa Monica
Mixer: Nathan Dubin



'Got Milk?' Isn't Dead. In Fact, It Just Made Two Curious New Ads

There was major media hubbub earlier this year about the death of the “Got milk?” campaign. But while it’s no longer being used nationally by the Milk Processor Education Program (MilkPEP), it’s still very much alive in California, where it originated with the California Milk Processor Board.

And now, Goodby, Silverstein & Partners, which created the legendary tagline back in 1993, is launching new “Got milk?” work in an unusual partnership with Grupo Gallegos, which created the “Toma leche” campaign—and acknowledging that milk sales have been in decline for years.

“Milk is losing relevance, and sales have been in decline as family life and diets have changed,” GSP says. To reestablish milk as the right choice for families, the two agencies have partnered on a campaign “that highlights how a person’s future self is determined by the nutritional choices he or she makes today—starting, of course, with milk.”

The agencies are approaching California as one whole market to deliver bilingual work that appeals to all consumers, regardless of ethnicity. The campaign launched Wednesday with two spots, each airing in English and Spanish, that couldn’t be more different.

“Champion,” directed by Dummy’s Harold Einstein, is an amusingly quirky set piece that takes place in a grocery store. “Brave,” meanwhile, directed by Anonymous Content’s Armando Bo, presents a much more emotional appeal by showing a firefighter rescuing a family.

“It’s time to start addressing the California market on the basis of things we all share,” GSP chairman Jeff Goodby said in a statement. “California consumers are extremely diverse, but when it comes to wanting what’s best for our children and their future, we are one united front. This campaign embraces every parent’s personal desire, which is preparing our children for a successful and healthy future.” Credits below.

CREDITS
Client: California Milk Processor Board
Campaign: Milk Fuels a Better Future
Spots: “Champion,” “Brave”

Agencies: Grupo Gallegos; Goodby, Silverstein & Partners

Executive Creative Director: Jeff Goodby
Chief Strategy Officer: Andrew Delbridge
Chief Creative Officer: Marty Orzio

Creative Directors: Eric Kallman, Kate Catalinac
Associate Creative Directors: Saul Escobar, Curro Chozas
Copywriter: Simon Bruyn
Art Director: Andrew Livingston

—Spot: “Champion”
Head of Broadcast Production: Tod Puckett
Senior Broadcast Producer: Leila Seghrouchni

Production Company: Dummy
Director: Harold Einstein
Director of Photography: Jonathan Freeman
Executive Producer, Line Producer: Eric Liney

Editing Company: Arcade Edit
Editor: Dave Anderson
Assistant Editor: Mark Popham
Producer: Fanny Cruz
Executive Producer: Sila Soyer
Managing Partner: Damian Stevens

Visual Effects, Final Conform: The Mill
Executive Producer: Jo Arghiris
Senior Executive Producer: Sue Troyan
Producer: Adam Reeb
Shoot Supervisor, 3-D Lead Artist: Tara DeMarco
2-D Artists: Timothy Crabtree, Jake Albers
3-D Artists: Lu Meng-Yang, Mike Di Nocco, Matt Neapolitan
Colorist: Greg Reese
Art Department: Jeff Langlois, Ashley Forbito

Music: Butter
Composer: Josh Canevari
Executive Producer: Ian Jeffreys
Senior Producer: Annick Mayer

Sound Design, Effects, Mix: Barking Owl
Sound Designer: Michael Anastasi
Mixer: Brock Babcock
Producer: Whitney Fromholtz
Executive Producer: Kelly Bayett

—Spot: “Brave”
Head of Production: Carlos Barciela
Producer: Valeria Maldini

Production Company: Anonymous Content
Director: Armando Bo
Editing: Luna Post
Editor: Pablo Piriz
Telecine: The Mill

Music:
Original Music Composition: Elias Arts 
Executive Creative Director: Brent Nichols
Creative Director: Dave Gold
Executive Producer: Ann Haugen
Producer: Katie Overcash

Sound Design: TruLove Post
Sound Designer: Gonzalo Ugarteche

Visual Effects: The Mill
Senior Executive Producer: Sue Troyan
Executive Producer: Enca Kaul
Producer: Adam Reeb
Production Coordinator: Kris Drenzek
Shoot Supervisor, 2-D Lead: Bill Higgins
2-D Artists: Steve Cokonis, Robert Murdock, Patrick Munoz, Jale Parsons
3-D Artists: Phil Mayer, Jason Jansky
Colorist: Adam Scott
Art Support: Jeff Langlois, Ashley Forbito



You'll Be Hot and Cold on W+K's New Honda Work, and That's a Good Thing

This Honda Civic campaign by Wieden + Kennedy London is cool. And pretty warm, too.

The centerpiece is an engaging 30-second film that shows the freezing and thawing of a Civic on a stylized desert set. This dramatically illustrates that the automaker tests its vehicles at temperatures ranging from -22°F to +176°F. (This is helpful in case you’re planning a road trip from the North Pole to Hell.)

The tagline for the pan-European campaign is: “Reliability in the extreme.”

Delightful details include a cowboy skeleton that morphs into a snowman and a rolling tumbleweed/snowball. According to a post on W+K’s blog, the agency (and Johnny Hardstaff, who directed through RSA Films) encased the car in ice and let it melt over five hours—filming 200 takes using a motion-control rig, with 3-D enhancements providing the skeleton’s transformation and other effects.

An interactive version is in the works that will allow users to control temperature changes and see the results. I wish they’d let us melt the Civic into a plastic-metal soup, then freeze it until it explodes into sparkling, razor-sharp shards of ice. Now that would be some fancy branding!

Nissan also recently launched ads that show the temperature testing of its vehicles. Though with Poison’s Bret Michaels performing a power-schlock version of “Endless Love,” that campaign is extreme for entirely different reasons.

Check out a print ad from the campaign below.



I Ate Taco Bell's Entire New Dollar Menu in One Sitting, and Here's What I Learned

For the record, I don’t recommend this.

When Adweek reported yesterday that Taco Bell had rolled out a new dollar menu with nary a TV ad, I felt it was AdFreak’s responsibility to bring you vital information about exactly what you can expect from this cornucopia of consumer value.

So I slipped away at lunch and ordered “one of everything on the Dollar Cravings menu.” This seemed to cause confusion with the friendly voice taking my order, and a manager suddenly took the mic to ask: “You want one of everything? And this ain’t a game?”

No, this was business. Serious business.

They rang me up for the 11 items. I handed over $12.99. And a short drive later, I arrived home with two satisfyingly hefty sacks of warm, damp, processed food. It was time to get started.

First, I decided to spread out and record this bountiful feast:

Perhaps it was my air of supreme confidence that led them to think, “This is a man who’s only going to need two napkins. And, hell, three sporks.” But god bless ’em, they didn’t skimp on the Fire Sauce.

Since I was tackling the project at home, I settled onto the couch with the food arranged before me and fired up an episode of Cosmos featuring Neil deGrasse Tyson, my spirit animal on this fast-food vision quest.

Without further ado, here’s my take on each of the items on the new dollar menu. (I’ve also spared you actual photos of what I ate and instead bring you these delightful promotional images from Taco Bell HQ.)

 
• Beefy Mini Quesadilla

It’s more like a melted beef and cheese soft taco than a quesadilla, but it’s actually pretty good. Surprisingly spicy thanks to its creamy chipotle sauce, it’s one of the few Taco Bell items I can think of in recent memory that didn’t require Fire Sauce.

Is it worth $1? Definitely, though without the spicy sauce it would be a 75-center at best.

 
Beefy Fritos Burrito

I assume the goal of adding Fritos to any food is to make it crunchy, but after sitting in their balmy burrito enrobement for 15 minutes or so, these corn chips have begun to break down into a sort of not-altogether-pleasant tamale mush. I bust out the Fire Sauce and muscle through.

Is it worth $1? Well, it’s one of the most filling options you’ll find on the menu, so let’s say yes. But try to eat it as soon after ordering as possible.

 
Cheesy Bean and Rice Burrito

At this point, my fortitude is already starting to wane, and the last thing I need is a big roll of rice and tortilla. Unlike in the photo above, the beans in mine basically just hold it all together. After just one big bite, I set it aside, knowing it would only hold me back.

Is it worth $1? Not really, unless you’re a vegetarian grabbing food in desperation.

 
Spicy Potato Soft Taco

It tastes like breakfast, but with lettuce. Once again, I don’t need to add sauce, and I knock the whole thing back in a few bites. But I can’t say the chewy potato texture was a culinary delight.

Is it worth $1? Yes, if you’re really into home fries and tacos. Otherwise, I’d say you have better options.

 
Cheese Roll-Up

This is literally just half-melted cheese on a tortilla. It’s the kind of thing my 2-year-old would order, unroll out of curiosity and then slowly push toward the center of the table.

Is it worth $1? No way. This is the toast sandwich of Taco Bell cuisine.

 
Shredded Chicken Mini Quesadilla

This one looks promising. And feels promising. Girthy. Sure enough, it’s a pretty satisfying selection, though way too salty. It gets about 20 times better when I add Fire Sauce, which admittedly doesn’t help my sodium levels any.

Is it worth $1? Yeah, I’d say so, especially if you’re not a beef person.

 
Cinnamon Twists

I’ve always liked these more in theory than in practice, and sure enough, they’re basically just packing peanuts dusted with sweetness. I nibbled on them throughout the meal but probably only ate half. Every time I had one, I’d hear Marge Simpson in the back of my mind yelling, “No, Homer! Don’t fill up on bread!”

Is it worth $1? If you actually like them, it’s probably a good deal. But I don’t, so it’s not.

 
Spicy Tostada

I’m officially full, and at any other point in my life, this is where I would stop. But this is legitimate journalism here, so I soldier on to the one item I’ve been most looking forward to: the Spicy Tostada.

It’s basically a one-layer Mexican Pizza, which I’ve been a fan of since forever. In true Taco Bell to-go style, the tostada and its toppings have been slammed into the corner of the box, making the whole sloppy mess impossible to pick up with your hands. But I’ve got two whole napkins at the ready, so I do it anway.

After getting through the gloppiest portion, I fold the rest into a sort of overstuffed hard taco, which really highlights how much more food you’re getting than with the rest of the menu. It’s earnestly good, but I’m officially in pain.

Is it worth $1? Oh, hell yeah. Maybe $2.

 
Triple Layer Nachos

They’re super soggy by this point, and I have no one but myself to blame. I try one. It’s pretty tasty but could use some old-school Taco Bell jalapeños from the nachos of my childhood.

Is it worth $1? Yes, especially if you think about how much you’d spend for chips and cheese at a ballpark.

 
Cinnabon Delights 2-Pack

Yessssssssss, I’ve been waiting for this, the best part of the mea … hey, wait a damn minute, Taco Bell! Where are the Cinnabon Delights? They’re not in the damn bag. I just pulled it out of the trash and checked. Honestly, I’m not sure if this was an omission at the window or if my location just didn’t carry them yet. Either way, it’s a heartbreaker. I throw open the window and yell “NOOOOO,” the sound echoing across the empty sidewalks as the camera pulls away into the sky.

Is it worth $1? Well, I guess I wouldn’t know, WOULD I, TACO BELL?

 
Caramel Apple Empanada

Sigh. With no Cinnabon Delights, I’m left with this flaky fallback plan for dessert. Usually the crust is the best part of a fruit pie, but this one’s pretty bland and almost cracker-y. Still, I’ve got no real complaints, and it’s not as grossly sweet as I expected.

Is it worth $1? Yes, though you’d get more for your money with a fruit pie from a nearby gas station. (That might be the saddest sentence I’ve ever written.)

 
With the last bite gone and a pile of carnage around me, I’m back on the couch and not fit for human interaction. I feel like John Hurt in Alien, but without the pleasant dinner conversation. I’m not proud of what I’ve done, but I hope the sacrifices I’ve made will help you live a more bountiful and frugal existence. 

I hold my stomach and drift into a nap, imagining with my last waking thoughts that a medical examiner is standing over my akimbo corpse, shaking his head while my ghost silently screams: “No! This wasn’t how I lived! I did yoga on Saturdays!”



Wasa "Staying Fit the Swedish Way" (2014) 1:30 (USA)

Wasa Sweden has decided that the best way to advertise crisp bread is to shove Swedish stereotypes and some baby-CGI into a yoga-class. I couldn’t stop cringing even for a second watching this.

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Mom invents app that locks kids phones until they call back

Ignore no more is an android app whereby you can lock your kids phone, and they have to call you back to unlock it. This is what happens when you let a teacher turned app-maker, as Sharon Standifird is, start making things that are useful outside of tech hipster bubbles. No mug declaring what you drink, no cat food app, but a solution to a problem every mother – and father – of a teenager faces today. They hit “ignore” when you call.

Adland: 

Lej et lig "The Growl-o-Meter" (2014) 1:50 (Denmark)

There’s no such thing as a casual fan of metal. You are in all the way. To prove this, Danish car rental company Lej at Lig asked agency TN Reklame to promote Copenhell metal festival by using the Growl-O-Mete.

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Kyivstar "vyshyvanka day" (2014) 1:25 (Ukraine)

Here’s a nice mix of traditional and modern. The last working day before AUgust 24th, Independence Day in Ukraine is a day of celebration.

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The Satire tag is finally here, brought to you by facebook.

Finally, the constant joking that we needed an irony or satire tag in HTML has become a reality, as Facebook introduces the satire tag which will weed out the Onion posts from actual news so people can stop being confused by the web. My, when did we all become so gullable? Perhaps when they removed the word from the dictionary, to paraphrase an old joke.

Adland: 

United Way "Graduation" (2014) :60 (USA)

United Way, in collaboration with the Ad Council, and McCann and NFL have launched a new campaign touting the benefits of the United Way. The spot features Russell Wilson, who seems to be in every third spot these days.

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United Way "Childhood Obesity" (2014) :30 (USA)

The United Way in partnership with Ad Council and the NFL are working hard to reduce the onslaught of childhood obesity. This spot features Seattle Seahawk Russell Wilson, giving the kids some charming moral support.

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Cossette creates colorful posters for ESPACE GO

ESPACE GO is a pretty cool contemporary theater in Montreal. It’s upcoming series of showcases women. For the plays LUMIÈRES, LUMIÈRES, LUMIÈRES, UN SHOW NOMMÉ DÉSIR and LES DEUX VOYAGES DE SUZANNE W, they wanted to highlight the duality between two women, through the use of a Tête-bêche technique.

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PUR "Home tasting" (2014) :30 (USA)

Arthur Tweedie an ascot-mascot of sorts, demonstrates the difference between a PUR filter and other filters that rhyme with “itta.”
It’s very…loud.

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PUR "Office faucet" (2014) :30 (USA)

Arthur Tweetie is back, this time showing the ease of installation of a PUR faucet filter. The campaign is trying to make shouting “NO STARS” a thing, bless their hearts.

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Lenovo Is Sponsor and Punchline of Onion Web Series 'Tough Season'


On Friday, The Onion is rolling out the second season of its original web series “Tough Season,” a mockumentary about one man’s quest to become champion of his fantasy football league. Despite the trademark Onion humor, the show didn’t spring from The Onion’s editorial staff. Instead, it was produced by The Onion Labs, an in-house creative and marketing agency, on behalf of Lenovo.

For its pains to sponsor “Tough Season,” Lenovo has also become the butt of several jokes.

In the first episode of season one, for instance, main character Brad Blevins boasts of his mental and visual dexterity while turning over a Lenovo tablet in his hands. “I’m prepared for roughly 582 different scenarios on my Lenovion,” he says, mangling the sponsor’s name. “I got a whole crate of these. They’re sponsoring this whole team — for some reason.”

Continue reading at AdAge.com

Why You Will See Kahlua in Upcoming Zach Galifianakis Flick


Madvine, the five-month-old branded-entertainment arm of media company Relativity, has struck a multi-year, exclusive deal with global liquor marketer Pernod Ricard that will include product placement in an upcoming film starring Zach Galifianakis, Owen Wilson and Kristen Wiig.

Madvine, whose name combines Madison Avenue and Hollywood’s Vine Street, seeks to go beyond traditional product placement by strategically weaving client brands into Relativity’s productions. Relativity runs film and TV studios as well as divisions representing fashion and sports talent. Madvine also has access to Relativity’s digital-content studio.

Clients get access to Relativity’s properties at early stages. “The premise of Madvine is how do we strategically partner with brands that see the world as we do and integrate the brand into the content, as opposed to interrupting the content, as has been done in the past with traditional advertising,” Madvine CEO Danny Stepper said. “The brand is actually involved at script level,” he added, and has a “seat at the table with the director. It’s more than just a product placement.”

Continue reading at AdAge.com

UPS Store to Kick Off 'Confessions' Campaign Targeting Small Businesses


Continuing its two-year effort targeting small-business owners, The UPS Store next month will introduce an integrated campaign featuring UPS Store franchise owners and real business customers.

The campaign, called “Mailbox Confessions,” will break on Sept. 15 and include TV, print, radio and online. It was created by The UPS Store’s agency of record Doner, Detroit, and UPS’s agency of record Ogilvy & Mather Chicago. Ogilvy created the TV spots and Doner handled the rest of the work. The budget was undisclosed.

“The objective is to strengthen the relationships we have with small-business owners and highlight all the products and services we have to help small-business owners,” said Michelle Van Slyke, VP-marketing and small business solutions for The UPS Store, which has more than 4,400 U.S. locations.

Continue reading at AdAge.com

Ad Tech Isn't a Threat to Agencies, It's an Opportunity


There was a time when only one black box mattered: Google’s search algorithm.

Today, in ad tech, everyone owns a black box. As Keith Weed, CMO of Unilever, puts it, the result is “chaos.”

To illustrate the challenges involved in this, let me tell you about some work we’ve done for a client of ours recently.

Continue reading at AdAge.com

Are You Obsolete? Yeah, Probably (This Fascinating Video Explains Why)


Marketing people may be worried about programmatic buying, and media people may be anxious about content-generating algorithms, but the harrowing lesson of our Video of the Week is that the issue of computer programs and robots taking over human jobs cuts across every possible kind of profession. And it’s going to transform the global economy and change our everyday lives a lot sooner than you may think.

“Human Need Not Apply,” posted Wednesday by CGP Grey, a channel on YouTube that produces popular explanatory videos, is fascinating and eye-opening — and though it runs 15 minutes, it’s hard to not want to watch the whole thing because it sucks you right in (as of Friday morning it’s already racked up more than a million views).

You might have already given some thought to the future of a few of the workforce sectors it covers (e.g., transportation jobs, because, for starters, self-driving vehicles eventually means no more long-haul truckers) but the chilling news for you, if you’re a creative professional or other white-collar worker, is that “Humans Need Not Apply” makes a convincing case that your job is probably doomed too.

Continue reading at AdAge.com

Why the Sports Market Must Play the Long Game


This year’s FIFA World Cup Finals feels like an event that doesn’t happen often enough, which is perhaps why it generates such fervid sports enthusiasm every four years, with crowds gathering in over-packed sports bars and proclaiming their support of a favorite team on social media.

Facebook and Twitter dominated the social media landscape this year, creating pages specifically for the event, with features encouraging interactions and allowing for extensive tracking of the games. Facebook released the “Trending World Cup” hub, which appeared at the top of the news feed when users searched related topics. Along with updates from friends regarding the event, the hub featured news, scores, and behind-the-scenes posts from the players. On the #WorldCup page, Twitter added a scoreboard with a list of upcoming matches and featured emoticon flags that automatically appeared after users “hash-flagged” a country code.

Other sports properties need to learn from this experience. Technological advances and the way fans view the game changes greatly in the span of four years, as do the fans themselves. Sports franchises, sports media and sports marketers need to not only keep up, but keep ahead of the game and think hard about the next generations of fans.

Continue reading at AdAge.com