Advertising Agency: FCB Inferno, London, UK
Creative Director: Gary Robinson
Art Director: Sean Cullen
Copywriter: Dan Shone
Director: Sebastien Montaz-Rosset
Regional Account Director: Tom Kingham
Senior Account Director: Sam Hawes
Managing Partner: Charlotte Lavender
Chief Strategy Officer: Simon White
Strategic Director: Linda Hodson
Creative services: Shanie Connard
Published: May 2014
Advertising School: Miami Ad School, Miami, USA
Art Director: Vignesh Seshadri
Copywriters: Kathryn Kvas, Smriti Tandon
Published: June 2014
20,000 people die from drunk driving accidents every year.
If you drink, do not drive.
Creative: Brunno Barbosa
20,000 people die from drunk driving accidents every year.
If you drink, do not drive.
Creative: Brunno Barbosa
Download Apps
Android: http://bit.ly/1plYx5d
iOS: http://bit.ly/1kAsqZ6
Advertising Agency: Tribal Worldwide, Toronto, Canada
Creative Director: Joshua Stein
Copywriters: Sanya Grujicic, Tracy Wan
Art Directors: Andrew Bernardi, Earvin Fanfair, Peter Borell
Agency Producer: Stef Fabich, Pat Elia
Account Team: Susan Grant, Miles Savage, Taylor Pawsey
Strategy: Sandra Moretti, Kevin McHugh
Social Media Strategy: Laura Muirhead
UX: Jarrod Beaton, Daniel Wiseman
Development: Adrien Montpellier, Paul Sham, Enzo Licata
Technology Partner: Konrad Group
Director: Aleysa Young / Untitled Films
Editor: Melanie Hider
Download Apps
Android: http://bit.ly/1plYx5d
iOS: http://bit.ly/1kAsqZ6
Advertising Agency: Tribal Worldwide, Toronto, Canada
Creative Director: Joshua Stein
Copywriters: Sanya Grujicic, Tracy Wan
Art Directors: Andrew Bernardi, Earvin Fanfair, Peter Borell
Agency Producer: Stef Fabich, Pat Elia
Account Team: Susan Grant, Miles Savage, Taylor Pawsey
Strategy: Sandra Moretti, Kevin McHugh
Social Media Strategy: Laura Muirhead
UX: Jarrod Beaton, Daniel Wiseman
Development: Adrien Montpellier, Paul Sham, Enzo Licata
Technology Partner: Konrad Group
Director: Aleysa Young / Untitled Films
Editor: Melanie Hider
Advertising Agency: Karmarama, London, UK
Creative Directors: Joe De Souza, Sam Walker
Creatives: Simon Connor, Stephen Cross
Designers: Mike Heath, Jerome Beguier
Producer: Ashley Goldfinch
Advertising Agency: BBR Saatchi & Saatchi, Israel
Executive Creative Director: Nadav Pressman
Creative Director: Eran Nir
Art Director: Ale Feldman
Copywriter: Lior Shoham
Production: Dorit Gvili
Producer: Odelia Nachmias
Account Group Head: Maya Salomon
Account Supervisor: Moran Lupo
Account Executive: Chen Halpern
Strategic Planning: Shai Nissenboim
Planner: Gilad Kremer
Traffic: Roniot Doanis
Director: Yoram Ever Hadani
Production Company: Mula
Post Production: Broadcast
Advertising Agency: 1886 – FCB Johannesburg, Johannesburg, South Africa
Executive Creative Director: Stuart Stobbs
Creative Directors: Matthew Barnes, Toni Hughes
Art Directors: Mark Livni, Leon Curling-Hope
Copywriter: Mbeu Kambuwa
Director: Helen Raine
Cinematography: Kim Hinrichs
Editor: Jonty Pressinger
Production House Producers: Jason Plumbly, Wilmare Rautenbach, Benjamin Kaufman
VFX Operator: Jonty Pressinger
Stylist: Kaley Meyer
Published: 2014
Advertising Agency: SID LEE, Montreal, Canada
Creative Director: Dave Roberts
Art Director: Lorne Covant
Copywriter: Laurent Abesdris
Agency Producers: Jeanic Larocque, Jimmy Lee
Account Coordinator: Alicia Brennan
Production: Head Gear Animation
Director: Isaac King
Animation: Isaac King
EP/Producer: Andria Minott
Music and Sound: Eggplant Collective
Audio Producers: Rocco Gagliese, Adam Damelin
Music Composition: Sean Hayden
Sound Design: Dan Branco
Audio Engineers: Matt Gauthier, Nathan Handy
Narrator: Shaun Austin-Olsen
La designer Heather Abbot de FINCHandHARE a imaginé des cards de voeux dépliantes très originales. Pliées, les cartes affichent à priori un message négatif. C’est en dépliant la carte de voeux, comme un cadavre exquis, qu’un message touchant et attentionné se révèle. A découvrir dans l’article.
There are a lot of half-baked theories out there about what digital and social media are doing to our society. “It’s making us narcissistic!” some say. “It is making us lonelier!” cry some. “It is turning us into sexpots!” said that one guy that one time.
But one thing is clear: it is putting our snack foods to a vote, which is why, for the second year in a row, we are being asked to choose the newest flavor of Lay’s potato chips.
The campaign, called “Do Us a Flavor,” is back after bringing Cheesy Garlic Bread chips into the world last year. Lay’s went through more than 14 million flavor submissions before settling on four finalists: Cheddar Bacon Mac & Cheese, Cappuccino, Wavy Mango Salsa and Kettle-Cooked Wasabi Ginger.
Advertising Agency: Venables Bell & Partners, USA
Executive Creative Directors: Paul Venables, Will McGinness
Associate Creative Director: Tavia Holmes
Art Director: Ali Sooudi
Copywriter: Claire Wyckoff
Director of Integrated Production: Craig Allen
Producer: DP Odishoo
Production company: World War Seven
Director: Shillick
Director of Photography: Pat Scola
Executive Producer: Josh Ferrazzano
Producer: Sean Cooley
Editing Company: Beast Editorial
Editor: Doug Walker
Sound Design: One Union
Sound Designer: Joaby Deal
Music: South
Mix: One Union
Business Lead: Lilian Ojeda
Account Director: Courtney Lord
Account Supervisor: Carrie Frash
Account Manager: Marcelina Ward
Project Manager: Shannon Fischer
Advertising Agency: Venables Bell & Partners, USA
Executive Creative Directors: Paul Venables, Will McGinness
Associate Creative Director: Tavia Holmes
Art Director: Ali Sooudi
Copywriter: Claire Wyckoff
Director of Integrated Production: Craig Allen
Producer: DP Odishoo
Production company: World War Seven
Director: Shillick
Director of Photography: Pat Scola
Executive Producer: Josh Ferrazzano
Producer: Sean Cooley
Editing Company: Beast Editorial
Editor: Doug Walker
Sound Design: One Union
Sound Designer: Joaby Deal
Music: South
Mix: One Union
Business Lead: Lilian Ojeda
Account Director: Courtney Lord
Account Supervisor: Carrie Frash
Account Manager: Marcelina Ward
Project Manager: Shannon Fischer
Better change the subject. Let’s talk about Golf.
Advertising Agency: 11:21, Rio de Janeiro, Brazil
Creatvie Director / Copywriter: Gustavo Bastos
Art Director: Caró Lago
Account Manager: Diego Crisóstomo
Media Director: Bianca Brandão
Proud supporter of the Air Canada Foundation golf tournament.
Advertising Agency: 5th business, Mississauga, Canada
Creative Director: Joe Amaral
Art Director: Ruth Cachero
Copywriter: Alex Stadnik
Photography: Stock
Account Director: Shannon Beaver
Published: July 2014
Advertising Agency: M&C Saatchi Abel, Cape Town, South Africa
Creative Director: Gordon Ray
Art Director / Illustrator: Carla Bekker
Copywriter: Joshua de Kock
Photographers: Daniel ferreira, Daniel Walsh
Strategists: Alex Band
Production: Sonja Genis, Billie-Jean Demas, Bronwyn Henry
Published: May 2014
Advertising Agency: FCB Inferno, London, UK
Creative Director: Gary Robinson
Art Director: Sean Cullen
Copywriter: Dan Shone
Director: Sebastien Montaz-Rosset
Regional Account Director: Tom Kingham
Senior Account Director: Sam Hawes
Managing Partner: Charlotte Lavender
Chief Strategy Officer: Simon White
Strategic Director: Linda Hodson
Creative services: Shanie Connard
Published: May 2014
Times Square isn’t just a place for confused tourists and Creepy Elmos.
From static ads to multimedia, if you want your (client’s) name in lights, it’s the place for creative shops across this great land of ours to test the waters and see what floats.
How much do those shops spend? How hard will clients break the bank? Who do they all want to attract?
Carlos Monteiro, infographics editor of iNewspaper in Portugal, collected some interesting stats to answer those riddles after the jump.
New Career Opportunities Daily: The best jobs in media.
Havas Worldwide has a new spot for Cracker Barrel, promoting the chain’s limited-time Campfire Meals.
The 15-second ad, entitled “Match,” features a campfire set handcrafted from paper, wood and canvas. A toy owl perches on a stump, followed by a human hand lighting a match and lights a campfire illuminating a screen displaying Cracker Barrel’s Campfire Meals. Aside from the digitally inserted footage and CG embers on the fire, everything was “manually-operated, custom-built or hand-crafted” and shot in a single take. While it can come across as a bit hokey (which actually kind of makes sense for the brand), and the voiceover copy leaves a lot to be desired, the diorama set has a certain charm to it. It may have even been more effective with diorama stand-ins for Cracker Barrel’s Campfire Meals instead of the digital footage used. (more…)
New Career Opportunities Daily: The best jobs in media.
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