Miller High Life Acknowledges It’s Low Life Appeal

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AdWeek doesn’t like the new Miller High ads and neither do we. While Gabriel Beltrone does an exquisite job of explaining why the ads suck, we’ll be more blunt. They come off like some copywriter’s hipsterific dream of cool as defined by a sort of fuck you sensibility to the fact losers who drink Miller High Life can’t afford to get out of the pool hall and make something of themselves.

Rather, they’d prefer to spew a stereotypically Millennial “I don’t give a shit” tonality — with “we’re so cool we’re in black and white” ‘tude no less — that just wants to make you punch Rich for his lame attempt at wry wit and self-importance.

Too harsh? Go read Gabriel’s take. She was much nicer.

Mullen ‘World’s Toughest Job’ Spot Goes Viral

One day in and this Mullen spot already has more than a million views thanks to its appearance on every blog around as well as, you know, the enduring power of maternal love.

Because we’re cynical bastards who don’t fully appreciate our mothers, our favorite part of this campaign is the fact that the original fake listing supposedly scored 2.7 million impressions but only 24 applications–thereby demonstrating the incalculable value of paid placement.

We also applaud the Huffington Post for yesterday’s most blatant Upworthy ripoff headline:

“24 Applicants Were Terrified To Do This Job. Then They Found Out Why Billions Already Do It.”

On the shameless self-promotion front: the “job” in the spot was obviously not real, but these open positions at Mullen most definitely are.

Now please talk about how much you don’t want to apply for them.

continued…

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Delta Car Dealership: Let’s change the headlines

Advertising Agency: McCann, Helsinki, Finland
Creative Directors: Jyrki Poutanen, Timo Silvennoinen
Art Director: Jyrki Poutanen
Copywriters: Timo Silvennoinen, Jyrki Poutanen, Tuomas Perälä
Graphic Designer: Jutta Sutinen
Junior Creatives: Maria Lomakina, Pyry Nousiainen
Editing: Maria Lomakina
Photographer: Shutterstock
Agency Producer: Yrjo Haavisto
Account Director: Jyrki Reinikka
Additional credits: Niina Huttunen
Published: January 2014

Almacenes Éxito Giro Internacionales Éxito / International Money Transfer Éxito: Windows


Print
Almacenes Exito

A print campaign to promote in Colombia “Giros Internacionales Éxito”, a new service to make international money transfers, created by Almacenes Éxito.

Advertising Agency:Sancho Bbdo, Bogotá, Colombia
Creative Directors:Hugo Corredor, Giovanni Martínez, Damian Montañez
Art Directors:Camilo Jiménez, Daniel Marín
Copywriter:Jose Luis Rueda
Photographer:Alfonso Torres
Account Director:Natalia Perez

Mouth watering copycat / Idée bouche trou?

nids2poule2012 nids2poule2014
THE ORIGINAL? 
Make the politicians work – 2012
Source : GOLD LION (Best use of ambient media)
Agency : Voskhod (Russia)
LESS ORIGINAL
CrossRoads community NYC – 2014
Source : Adsoftheworld
Agency : Saatchi & Saatchi New York (USA)

Falusi, Paterson Move Up the Ranks at Ogilvy NY

corinnafalusi1-140SOgilvy’s NY HQ has given the bump-up to two of its senior creatives as the agency has promoted group creative director Corinna Falusi, who works on IKEA and Coke, to ECD, and creative director Michael Paterson, who works on American Express, to senior partner/GCD. Falusi, you may recall, joined O&M nearly two years ago from StrawberryFrog, where she spent nearly a decade and last served as ECD. Paterson, meanwhile, has been with Ogilvy’s New York office for five years, during which time he’s also worked on the “A Smarter Planet” campaign for IBM as well as efforts for Gap.

From what we’ve been told, the pair isn’t replacing anyone in their respective positions, but are just being promoted “due to their great work and the need for creatives at a higher level.”

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Bulmers: Colourful, 2

Advertising Agency: Adam & Eve DDB, London, UK
Executive Creative Directors: Ben Priest, Ben Tollett, Emer Stamp
Creative Directors: Steve Wioland, Matt Woolner
Retouching: Stanleys Post
Design / Typography: Paul Knowles
Creative Producer: Laura Smith
Planner: Tom Sussman
Managing Partner: Mat Goff
Account Director: Lauren Tomlinson
Account Manager: Joseph Mishon
Artists: Alan Murray, Thomas Bürden, Duncan Edwards, Paul Knowles

Bulmers: Colourful, 1

Advertising Agency: Adam & Eve DDB, London, UK
Executive Creative Directors: Ben Priest, Ben Tollett, Emer Stamp
Creative Directors: Steve Wioland, Matt Woolner
Retouching: Stanleys Post
Design / Typography: Paul Knowles
Creative Producer: Laura Smith
Planner: Tom Sussman
Managing Partner: Mat Goff
Account Director: Lauren Tomlinson
Account Manager: Joseph Mishon
Artists: Alan Murray, Thomas Bürden, Duncan Edwards, Paul Knowles

Bulmers: Live colourful, 5

Advertising Agency: Adam & Eve DDB, London, UK
Executive Creative Directors: Ben Priest, Ben Tollett, Emer Stamp
Creative Directors: Steve Wioland, Matt Woolner
Retouching: Stanleys Post
Design / Typography: Paul Knowles
Creative Producer: Laura Smith
Planner: Tom Sussman
Managing Partner: Mat Goff
Account Director: Lauren Tomlinson
Account Manager: Joseph Mishon
Artists: Alan Murray, Thomas Bürden, Duncan Edwards, Paul Knowles

Bulmers: Live colourful, 4

Advertising Agency: Adam & Eve DDB, London, UK
Executive Creative Directors: Ben Priest, Ben Tollett, Emer Stamp
Creative Directors: Steve Wioland, Matt Woolner
Retouching: Stanleys Post
Design / Typography: Paul Knowles
Creative Producer: Laura Smith
Planner: Tom Sussman
Managing Partner: Mat Goff
Account Director: Lauren Tomlinson
Account Manager: Joseph Mishon
Artists: Alan Murray, Thomas Bürden, Duncan Edwards, Paul Knowles

Bulmers: Live colourful, 3

Advertising Agency: Adam & Eve DDB, London, UK
Executive Creative Directors: Ben Priest, Ben Tollett, Emer Stamp
Creative Directors: Steve Wioland, Matt Woolner
Retouching: Stanleys Post
Design / Typography: Paul Knowles
Creative Producer: Laura Smith
Planner: Tom Sussman
Managing Partner: Mat Goff
Account Director: Lauren Tomlinson
Account Manager: Joseph Mishon
Artists: Alan Murray, Thomas Bürden, Duncan Edwards, Paul Knowles

Bulmers: Live colourful, 2

Advertising Agency: Adam & Eve DDB, London, UK
Executive Creative Directors: Ben Priest, Ben Tollett, Emer Stamp
Creative Directors: Steve Wioland, Matt Woolner
Retouching: Stanleys Post
Design / Typography: Paul Knowles
Creative Producer: Laura Smith
Planner: Tom Sussman
Managing Partner: Mat Goff
Account Director: Lauren Tomlinson
Account Manager: Joseph Mishon
Artists: Alan Murray, Thomas Bürden, Duncan Edwards, Paul Knowles

Bulmers: Live colourful, 1

Advertising Agency: Adam & Eve DDB, London, UK
Executive Creative Directors: Ben Priest, Ben Tollett, Emer Stamp
Creative Directors: Steve Wioland, Matt Woolner
Retouching: Stanleys Post
Design / Typography: Paul Knowles
Creative Producer: Laura Smith
Planner: Tom Sussman
Managing Partner: Mat Goff
Account Director: Lauren Tomlinson
Account Manager: Joseph Mishon
Artists: Alan Murray, Thomas Bürden, Duncan Edwards, Paul Knowles

Infográficos revelam a realidade sobre nosso cotidiano

New Creations é o nome de um grupo de criativos dinamarqueses dedicado à criação de tirinhas, games, livros, aplicativos, filmes e tudo o que a imaginação permitir. Tamanho potencial pode ser visto em diversos sites, entre eles o Kind of Normal. É por lá que encontramos “True Facts”uma série de infográficos que revelam de uma forma muito bem-humorada a realidade sobre nosso cotidiano.

Mas não para por aí. “True Facts” também mostra coisas que fazem – ou já fizeram – parte de nossas vidas em diversas épocas e áreas, como trabalho, entretenimento e vida digital, entre outros. Confira uma pequena seleção:

22 05 04-1 19 14-1 18 04 18-1 11 11-1 14 13 17

Brainstorm9Post originalmente publicado no Brainstorm #9
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NBC Universal Creates Digital Video Initiative to Try to Keep Ad Dollars In-House


NBC Universal has announced a new video initiative, which it will use to create content specifically intended for digital platforms.

The unit is starting with four series, which will be available across NBC Universal’s digital platforms, on Hulu and on TV via video-on-demand.

Continue reading at AdAge.com

Klondike Bar Plays Doctor With a Hot Candy Nurse, and a New Product Is Born

Best ice-cream bar ever conceived? That would be the Klondike Kandy Bar, born an indeterminate number of months after an illicit tryst between a regular Klondike Bar and a tall, striking, chocolatey candy-bar nurse—according to a male shopper's adult-movie-addled brain in this sweet spot from The VIA Agency.

It's a fun idea, brought to life quite nicely. In particular, the visual look is pleasantly unique, blending real-world footage and animation. "A ton of ads use animated characters. So we made the decision to shoot as much as we could in camera," says Greg Smith, chief creative officer at VIA. "The awkwardness of putting 'real' characters on 'real' sets and then animating their eyes, arms and legs made it different and it helped us stay true to the lo-fi vibe we wanted to portray."

Turns out the Klondike-candy relationship extends beyond the '70s candy-porn set, too. Klondike is partnering with CollegeHumor to produce a comedy series about the couple. That should be interesting—particularly the inevitable reality-show squabbles over why she's the one who's way more phallic looking.




Southwest Shines With Flight Attendant’s Viral Video as Social Media Sours for Other Airlines

It's been a weird week for airlines in social media, and it's only Tuesday. On Monday a Dutch teen was arrested for tweeting a threat to American Airlines, and US Airways accidentally tweeted a photo of a woman using a model airplane as a sex toy. 

But here's one airline that's actually getting some positive attention this week: Southwest.

Known for being the goofy uncle at the airline family reunion, Southwest (or at least one of its employees) is the star of a video that's quickly gone viral, tallying more than 1.2 million views in two days. The clip is totally safe for work, and no lives were threatened, so they're already winning by a couple of points.

In the video, a flight attendant delivers one of Southwest's famously reinterpreted safety instruction speeches prior to flying. But even frequent Southwest passengers will be impressed by the quantity and quality of zingers she manages to fit into a mere three minutes. 

Some excerpts:

"Flight attendants are coming by, hoping you'll tell them how good looking they are."

"As you know, it's a no-smoking, no-whining, no-complaining flight. It's a 'please' and 'thank you' and 'you are such a good-looking flight attendant' flight."

"If you're traveling with small children … we're sorry. If you're traveling with more than one child, pick out the one that you think might have the most earning potential down the road."

"Sit back and relax—or you can sit up and be tense, either way."




See The Divinyls ‘I Touch Myself’ Turned Into A Touching Breast Cancer PSA

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In April of 2013, Dininyls frontwomen Chrissy Amphlett died from breast cancer after an ultrasound and mammogram missed the cancer. Later, Amphlett found a lump on her own through self-examination.

It’s said that her dying wish was to have the 1990 hit, I Touch Myself, be a reminder to all women to check themselves regularly for signs of breast cancer. The Australian advocacy group, Cancer Council New South Wales, took it upon themselves to work with supporters and other singers to create this new version of the song.

Participating in the creation are Olivia Newton-John, Sarah Blasko, Connie Mitchell, Sarah McLeod, Katie Noonan, Little Pattie, Megan Washington, Deborah Conway and Suze DeMarchi.

The song, always strangely sexual in tonality., takes on an entirely new meaning with this PSA effort that’s tru

JWT resurrects J.Walter Thompson name

JWT is to revert to its roots after nine years, by renaming the agency J.Walter Thompson to coincide with its 150-year anniversary.

Saatchi & Saatchi Belgrade Helps Solve Case of Murdered Journalist

In December, Saatchi & Saatchi Belgrade launched a provocative campaign called “Chronicles of Threats” for Serbian Commission for the Investigation of Murders of Journalists and Office of the OSCE’s Representative on Freedom of the Media.

The campaign featured a threatening letter in one of the country’s most widely circulated newspapers, with an accompanying video on the news outlet’s website, intended to shake public indifference to violence against journalists and rally “media outlets and journalists to document real and threatened acts of violence towards editorial staff, writers and photographers.”

“Chronicles of Threats” succeeded in getting the public’s attention. Thousands called the police in response to the threat, and soon it was featured on the news. When the stunt was revealed, it sparked debate about the kind of threats journalists receive daily. But the campaign also led to the reopening of three cases of murdered journalists, and in one case — Slavko Curuvija, “the most influential independent journalist reporting during the Milosevic regime,” who was murdered 15 years ago — to the arrest of the perpetrators of the crime.

Saatchi & Saatchi Belgrade’s executive creative director Veljko Golubovic commented: “I think the “Chronicles of Threats” campaign is a great example of true power of modern communications. Even one simple idea can move mountains and push the whole society forward. What was impossible yesterday is today’s reality. Our idea was initiation of the chain reaction that led to solving a murder case. And more than that it changed the way people feel and think about journalists.” Stick around for credits after the jump. continued…

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