STOP HS2: Rabbit
Posted in: Uncategorized
What the cuss!
Help save our wildlife before it’s too late.
Advertising Agency: Vinny&Friends, UK
Creative Director: Jason Vinny Vinciguerra
Published: April 2014
What the cuss!
Help save our wildlife before it’s too late.
Advertising Agency: Vinny&Friends, UK
Creative Director: Jason Vinny Vinciguerra
Published: April 2014
La photographe Silvia Grav fait des photos très souvent en noir et blanc qui sont parfois d’une très grande violence et parfois rêveuses. L’esthétique côtoie la double exposition, la solarisation et des montages qui prolongent le corps de ses modèles. Sombres, surréalistes, de belles photos à découvrir dans la suite.
Jose Cuervo literally bottles up its history in this campaign from McCann New York.
The effort, which includes a TV spot and smartphone app, centers on intricate dioramas from animation studio Laika House. Finely detailed models capturing key Cuervo moments are placed inside tequila bottles.
We're treated to the volcanic eruption that led to the growth of agave used in making tequila; Mexico's fiery victory at the Battle of Puebla in 1862 (France lost, no surprise there); the brand keeping Americans hammered during Prohibition; the birth of the margarita; and a beach volleyball tournament, included because Cuervo is a pro-series sponsor.
These miniatures are lovingly crafted and provide a novel respite from the usual high-tech commercial effects. Note the facial expressions—Jose looks forceful and assured—and the rich textures of the sea and soil.
When users of the brand's mobile app hover their phones over a bottle of Cuervo Tradicional, a 3-D diorama of the bar where Cuervo helped invent the margarita appears. And after a few shots, who knows what else you'll start seeing?
See the work at http://www.retweetbingo.com
You can now win a contract with Happiness Brussels by completing your digital bingo card at retweetbingo.com. The traditional bingo card numbers have been replaced by twitter influencers in various fields and to prove your social media prowess you must get your tweets re-tweeted by the likes of Le Soir, The Guardian or – why not – Barack Obama.
Happiness is looking for people who understand how brands need to behave in the social media sphere, and know the right tone of voice to use at any time. Prove to be a brand yourself with a sharp tweet. Whether you are a concept provider, photographer, writer, journalist, graphic designer or an übernerd that dreams in memes and talks in hashtags, Happiness Brussels invites everyone for a game of ReTweet Bingo. The winner will enjoy a 6-month trial at Happiness’ HQ at the heart of Europe in Brussels working with clients such as Toyota, Bacardi-Martini and Nivea, an unorthodox agency structure, an iPhone Gold and naturally, oodles of happiness.
Advertising Agency: Happiness Brussels, Brussels, Belgium
Creative management: Karen Corrigan, Niek Eijsbouts, Philippe Fass
Concept provider: Arnaud Bailly
Copywriter: Jan Denys
Development: Thomas Colliers / Bliss Interactive
Published: April 2014
Advertising Agency: Jam, London, UK
Creative Director: Chris De Abreu
Art Director: James Fernandes
Copywriter: James Greening
Account Director: Marie Peltier
Planner: Jack Swain
Agency Producer: Jo Dillon
Director: Ed Sayers
Music: Joe da Costa
Published: April 2014
A impressão em 3D é uma das novidades do momento, mas até agora estava restrita à confecção de objetos rígidos, o que nem sempre é agradável, ainda mais para o setor infantil. Itens fofinhos agradam mais aos pequenos, e deixam os pais mais confortáveis, já que as chances de arranhões ou machucados é menor.
Pensando nisso, o setor de pesquisas da Disney está desenvolvendo um sistema de impressão 3D de ursinhos. Ao invés de pelúcia, eles usam fios de lã, que quando sobrepostos, criam uma camada confortável para a criançada agarrar. O padrão usado para a confecção do ursinho é o mesmo que seria utilizado em qualquer outra impressora 3D, mas o resultado é bem mais fofinho.
Os protótipos também estão gradativamente evoluindo para incluir também bichinhos que possam ter mecanismos que permitam a movimentação dos braços, por exemplo, ou a inclusão de peças eletrônicas internas, que possam torná-los mais interativos.
Essa técnica pode alavancar a confecção em larga escala de bichinhos customizados, como uma réplica de um desenho da criança. Iniciativas do tipo já existem, como o Child’s Own Studio, mas os ursinhos são feitos de forma artesanal, o que acarreta demora e também encarece o produto final. Ao que parece, se depender da Disney, isso vai se tornar um serviço em breve.
Post originalmente publicado no Brainstorm #9
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German herbal spirit brand Jägermeister has set up a UK subsidiary, the first outside its German borders, which is being headed by former Bacardi global brand director
Guy Lawrence.
In the No Shit Sherlock category, Adblock Plus is out with a study that finds “loud” online ads such as flash-like or animated ads result in 36% lower ad recall and a 76% decline in brand opinion.
The research study was conducted by analyzing eye movements of 1,200 research participants in North America and Europe as they viewed a set of test websites. Researchers measured which ads were viewed, how quickly ads were noticed on the page, and how much time viewers spent on each ad. Follow-up survey questions measured ad recall, brand perceptions, and other descriptive information about various ad types.
Among the key findings of the international research:
– Static ads are 300 percent more likely to be rated “easy to understand” than jumpy animated ads
– Flashy animated ads are 200 percent more likely to be considered “dated”
– Ads placed on clutter-free web pages are nearly 200 percent more likely to be seen, and are noticed 300 percent faster
– Participants’ opinion of the advertised brand was 76 percent more likely to be negative after viewing an animated ad versus a static ad
– Ad Recall falls 36 percent when ads are presented on a cluttered website
– Ads are more likeable when presented on an clutter-free website; viewers reported 129 percent higher likeability scores for ads on clean sites versus the exact same ads when presented on a cluttered site
– Likelihood to click (Click Through Rate) was actually lower for attention-grabbing blinking ads than for clean, static ads (26 percent very/somewhat likely for animated versus 31 percent very/somewhat likely for static)
Others have come to the same conclusion. Then again, none of this really matters, right? After all you aren’t actually using banners anymore are you?
When you leave people to their own devices, they tend to get nihilistic. When they get nihilistic, they make darkly comic scripts for DirecTV.
Case in point: the satellite-TV company's Twitter-sourced fable—created in the style of Grey's long-running "Cable Effects" campaign—of what happens if you don’t cut the cord.
The satellite giant asked its fans to contribute a story line to the campaign by tweeting one-liners with the hashtag #GetRidofCable. The company then selected the best ideas and made a cohesive, disturbing story—read like a storybook in the video below—of getting addicted to cheese during lab experiments, going back in time and undoing your own birth … all because the protagonist refused to say no to cable.
It's actually a pretty good entry in the campaign, even if the last line is a bit long-winded. Then again, despite the medium's limitations, people on Twitter aren't really known for keeping it short, are they?
Inspired by the force of imagination.
Advertising Agency: H-57, Milan, Italy
Creative Directors: Matteo Civaschi, Gianmarco Milesi
Art Directors / Illustrators: Matteo Civaschi, Orazio Marino, Alessandra Miatello, Elena Scanferla
Published: January 2014
Inspired by the force of imagination.
Advertising Agency: H-57, Milan, Italy
Creative Directors: Matteo Civaschi, Gianmarco Milesi
Art Directors / Illustrators: Matteo Civaschi, Orazio Marino, Alessandra Miatello, Elena Scanferla
Published: January 2014
Inspired by the force of imagination.
Advertising Agency: H-57, Milan, Italy
Creative Directors: Matteo Civaschi, Gianmarco Milesi
Art Directors / Illustrators: Matteo Civaschi, Orazio Marino, Alessandra Miatello, Elena Scanferla
Published: January 2014
Inspired by the force of imagination.
Advertising Agency: H-57, Milan, Italy
Creative Directors: Matteo Civaschi, Gianmarco Milesi
Art Directors / Illustrators: Matteo Civaschi, Orazio Marino, Alessandra Miatello, Elena Scanferla
Published: January 2014
Inspired by the force of imagination.
Advertising Agency: H-57, Milan, Italy
Creative Directors: Matteo Civaschi, Gianmarco Milesi
Art Directors / Illustrators: Matteo Civaschi, Orazio Marino, Alessandra Miatello, Elena Scanferla
Published: January 2014
Inspired by the force of imagination.
Advertising Agency: H-57, Milan, Italy
Creative Directors: Matteo Civaschi, Gianmarco Milesi
Art Directors / Illustrators: Matteo Civaschi, Orazio Marino, Alessandra Miatello, Elena Scanferla
Published: January 2014
Inspired by the force of imagination.
Advertising Agency: H-57, Milan, Italy
Creative Directors: Matteo Civaschi, Gianmarco Milesi
Art Directors / Illustrators: Matteo Civaschi, Orazio Marino, Alessandra Miatello, Elena Scanferla
Published: January 2014
Inspired by the force of imagination.
Advertising Agency: H-57, Milan, Italy
Creative Directors: Matteo Civaschi, Gianmarco Milesi
Art Directors / Illustrators: Matteo Civaschi, Orazio Marino, Alessandra Miatello, Elena Scanferla
Published: January 2014
…or something like that
Here’s a very curious tip we received from at least one source at Razorfish: employees are now required to use parent company Publicis Groupe‘s phone plan to access all work emails and calendars.
Essentially, the message is: “If you like your plan, you can keep your plan…unless you want to do work stuff. Then you’re gonna need either a new corporate plan or a new phone.”
Full email after the jump.
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