SXSW 2014: O que resta além dos likes?

No palco: Anna Deavare Smith (atriz e professora) e Jordan Roth (Culturalist)

Cinema e teatro mudaram muito de cena nos últimos anos e estão se adaptando aos diversos cenários de mídia. Para começar a palestra, Anna e Jordan de quebra já partiram de um pressuposto que, ao meu ver, exemplifica muito bem as diferenças entre formatos antigos e formatos novos.

“Nos programas gravados, não faz diferença ter ou na?o uma platéia, pois a mensagem é composta de forma unilateral. No teatro, se na?o há platéia, não é peça. Uma pec?a sem platéia é um ensaio.”

A metáfora do teatro é perfeita para a definição de discurso unilateral em qualquer meio que pressupõe o diálogo, como por exemplo as redes sociais. Além disso, também foi discutido o nascimento de novas camadas de comunicação no fluxo emissor-receptor.

Se antigamente o esquema era baseado em atores enviando mensagens para o público, hoje percebemos duas novas camadas: 1) pessoas que assistem o show e postam na internet para falar com outras pessoas, ou seja, platéia falando com todo mundo e 2) pessoas que não assistiram o show, mas que foram impactadas de alguma maneira e postam na internet para falar sobre isso.

Nesse segundo caso, é todo mundo falando com todo mundo. Vale a pena pensar, na sua próxima estratégia, em como identificar cada uma das camadas e pensar o que deve ser feito por elas.

Dica que aprendi: você não se comporta no teatro da mesma maneira que se comporta no cinema. Lembre-se disso.

Pergunta que não quer calar: pode responder WhatsApp durante o teatro? As regras de convivência mudaram?

[Ilustração: Fernando Weno]

Brainstorm9Post originalmente publicado no Brainstorm #9
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Adventurously Boho Lookbooks – The Urban Outfitters Spring 2014 Catalog is Youthfully Free-Spirited (GALLERY)

(TrendHunter.com) The boho style is perfect for the upcoming warmer weather for a number of reasons, all of which are addressed stylishly in the Urban Outfitters Spring 2014 lookbook. From embracing the season with a…

Western Journalist Is Shot and Killed as Kabul Mourns Official’s Death

The attack on a Swedish reporter was the first time in years that a foreigner appeared to have been specifically targeted and killed in Kabul.

    

The Salvation Army: Bottles, Wires, Chairs


Print
The Salvation Army

Advertising Agency:WMcCann, Sao Paulo, Brazil
Creative Director:Milton Mastrocessario, Carlos Murad
Copywriter:Carolina Markowicz
Art Director:Rafael Segri
Account:Maximiliano Lacerda, Rafael Reis, Caio Amaral, Manoela Amarante
Agency Producer:Marcelo Hack, Marcelo Pinto
Art Buyer:Ricardo Livio
Photographer:Miro

Canal+: Leave Wilhelm Alone


Film
Canal+

Advertising Agency:FCB, Madrid, Spain
Advertising Agency:FCB, Los Angeles, USA
Executive Creative Directors:Pedro Soler, Eric Springer
Creative:Beatriz Pedrosa, Peio Azkoaga, Joao Freitas
Producers:Brendan Kiernan, Steve DeVore, Thomas Anderson, Kate Borkowski, Kepa Vizcay
Production Company:H?L?
Director:Alex Grossman
Lighting:Seamus Tierney
Sound:Sam Tornero Pulido
Web Developers:Carlos Lainez, Miguel Iglesias
App Developers:Joan Arbó, Jorge Cubillo
Social Media Strategy:Mauro Rodriguez, Jose Olivares
Poster:Beatriz Pedrosa, Marian de la Fuente
Planner:Manuel Lopez

Braincast 100 – Vida e Obra de Nicolas Cage

Foram 99 programas com temas não tão importantes e menos interessantes, para enfim chegarmos no que realmente vale a pena ser discutido: a vida e carreira do melhor ator vivo (ou morto) do mundo (segundo os chineses).

Nicolas Cage, essa grande pessoa, praticamente o sexto integrante do Braincast, ganha uma merecida homenagem no programa 100. Um verdadeiro presente para os nossos fiéis ouvintes.

“Why couldn’t he just put the bunny back in the box?”

Faça o download ou dê o play abaixo:

> 0h04m21 Comentando os Comentários?
> 0h28m23 Pauta principal
> 1h35m55 Qual é a Boa?

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Workshop9

Voltamos com nosso Curso de Design!

Workshop9

Em 2013 foram mais de 400 alunos em 5 capitais. E agora, no dia 3 de maio 2014, teremos mais uma edição do Módulo 1 (revisado) em São Paulo!

Já no segundo semestre, lançaremos o Módulo 2 do curso de Design. Se você não fez o primeiro, essa é a sua chance!

> Acesse e inscreva-se: eventioz.com.br/design

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Críticas, elogios, sugestões para braincast@brainstorm9.com.br ou no facebook.com/brainstorm9.
Feed: feeds.feedburner.com/braincastmp3 / Adicione no iTunes

Quer ouvir no seu smartphone via stream? Baixe o app do Soundcloud.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Saatchi & Saatchi Denmark Surprises Slurpers for Coca-Cola

Back-to-back Saatchi-related posts, you say? Truly sheer coincidence. Anyhow, if you’ve ever shelled out the price of admission to see a movie in theaters only to have the experience ruined for you by some person loudly munching popcorn or slurping their soda, or if you’ve ever been that person, then you can probably relate to Saatchi & Saatchi Denmark’s latest stunt for Coca-Cola.

In an alternative to the usual PSAs discouraging people from making noise during film screenings, the agency had a surprise in store for Copenhagen film-goers. For the stunt, the creative team made their own genre films, while also capturing an unknowing audience with a green screen and hidden camera. As patrons “arrived at the cinema and settled into their seats, a retouch artist then quickly edited them into a bespoke film that was shown on the big screen to rapturous applause.” The two genre clips, directed by Christian Eagles Borg of Duckling Copenhagen, were “Gangster,” in which, “we see an actor, who represents a member of the audience, transported into a scene where a cop is being buried alive as she casually munches on her popcorn” and the romance “Stableboy” in which Coca-Cola slurping film-goers are inserted right into the middle of a love scene.

The stunt was not exactly easy to pull off. “We have seen real people in advertising before, but not — to our knowledge — so quickly after they have been filmed, and combined with previously shot footage in this way.  It required a hell of a lot of prep to get it right on the night,” said executive creative director Jason Mendes.

You can check out the Coca-Cola slurp stunt above, and stick around for credits after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

Anne Sweeney Says She’s Leaving Disney to Pursue TV Directing


Anne Sweeney will leave Walt Disney Co. in January, the company said Tuesday, to pursue a new endeavor — TV directing.

Ms. Sweeney has spent 18 years at the Mouse House, currently serving as co-chair, Disney Media Networks and president of Disney/ABC Television Group.

“The past 18 years at Disney have been the highlight of my executive career,” Ms. Sweeney said in a statement. “I’ve been a part of an amazing evolution in our business and our industry, and have achieved far more than I ever thought possible. But as wonderful as the experience has been, there has always been a nagging voice in the back of my head pushing me to step out of the comfort zone of the executive ranks and more directly into the creative arena that enticed me to TV in the first place. I finally listened to that voice and thought, ‘if not now, when?’

Continue reading at AdAge.com

Anne Sweeney to Leave Disney to Pursue TV Directing


Anne Sweeney will leave Walt Disney Co. in January, the company said Tuesday, to pursue a new endeavor — TV directing.

Ms. Sweeney has spent 18 years at the Mouse House, currently serving as co-chair, Disney Media Networks and president of Disney/ABC Television Group.

“The past 18 years at Disney have been the highlight of my executive career,” Ms. Sweeney said in a statement. “I’ve been a part of an amazing evolution in our business and our industry, and have achieved far more than I ever thought possible. But as wonderful as the experience has been, there has always been a nagging voice in the back of my head pushing me to step out of the comfort zone of the executive ranks and more directly into the creative arena that enticed me to TV in the first place. I finally listened to that voice and thought, ‘if not now, when?’

Continue reading at AdAge.com

Babied TV Show Characters – Photographer Karen Abad Turns a Little Girl into Pop Culture Icons (GALLERY)

(TrendHunter.com) On a cold winter day in Indiana, photographer Karen Abad was visiting friends, Cristina and Jon, both of whom had no desire to head outdoors. Instead, they decided to hole up inside and find a…

Vídeo de Obama com Zach Galifianakis já é o maior gerador de tráfego para o HealthCare.gov

O presidente Barack Obama foi o mais recente convidado de Zach Galifianakis para o quadro Between Two Ferns, do site Funny or Die, onde o ator entrevista celebridades em um cenário muito simples, ~entre duas samambaias~.

Apesar do humor meio abobado, e da questionável habilidade de Obama para a atuação, o quadro alcançou mais de 2,5 milhões de visualizações em apenas algumas horas, e fez com que o Funny or Die se tornasse o maior gerador de tráfego para o site HealthCare.gov.

tara-health-care

O vídeo já alcançou mais de 2,5 milhões de visualizações e fez com que o Funny or Die se tornasse o maior gerador de tráfego para o HealthCare.gov.

Focado no público jovem, o HealthCare.gov foi alvo de muitas críticas pelas diversas falhas que apresentou quando foi lançado, e agora que os problemas foram corrigidos, o interesse do governo norte-americano é fazer com que os jovens acessem o site e se cadastrem no plano de saúde popular.

Independentemente da sua opinião sobre a qualidade do quadro de humor, a ação mostra que até o presidente dos EUA está disposto a adequar seu discurso às novas mídias. Um paralelo interessante foi feito pelo Poynter – desde 2009 que o Washington Post não tem uma entrevista com o Obama, e a última exclusiva do The New York Times com o presidente aconteceu há mais de seis meses. Ao invés de focar nas empresas de mídia tradicionais, o governo norte-americano tem dado atenção a veículos como o Huffington Post e o The Daily Show.

Brainstorm9Post originalmente publicado no Brainstorm #9
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Discovery and Eric Schmidt Back Tapp, Platform for $10-Per-Month Web Video


Former TV executives Jeff Gaspin and Jon Klein are starting an online video service with backing from Discovery Communications and Google Executive Chairman Eric Schmidt.

Called Tapp, the service will feature long and short-form programs on channels tied to specific interests such as sports, politics and faith. Each channel will cost about $9.95 a month, with discounts for annual service, Mr. Gaspin, former chairman of NBC Universal Television, and Mr. Klein, ex-U.S. president of CNN, said in a joint interview.

The new network will join a growing list of options for consumers to watch video online, including Netflix, Amazon Prime and the new WWE Network from World Wrestling Entertainment. Former Fox News host Glenn Beck operates The Blaze TV, a $9.95-a-month internet-based subscription service.

Continue reading at AdAge.com

How the Ubiquity of Big Data is Dramatically Changing Marketing

big-data-fjri.jpg

“Big Data” has been a popular buzzword in business circles for the past several years, but when most people hear the term, if they know what it means at all, they picture tech-savvy analysts using highly specialized tools to handle unimaginably huge datasets to deliver arcane business intelligence.

Few think about the ways data is permeating all aspects of our lives, but increasingly, this is the new reality, and the trend is accelerating. Businesses that get out in front of the trend can gain a competitive advantage by serving customers better.

Today, it’s no longer just about Big Data and how it’s used by tech wizards to benefit big businesses – it’s about ever-present data that can be generated from almost any action and analyzed by just about anyone to yield insights that go far beyond traditional business use.

With the proliferation of smartphones and other mobile devices, people are increasingly connected all the time. Consumers use their devices as alarm clocks, exercise monitors, shopping carts, communication platforms, entertainment venues, travel guides, traffic update dashboards and thousands of other uses. Developers launch new applications every day.

What are the implications of this endless cataloguing and application of information? In the near future, it’s likely that physicians will plug into their patients’ device-generated health data (heart rate, exercise duration, blood sugar levels, etc.) to monitor their conditions. Dieters and the fitness conscious are already using smartphone apps to scan food product barcodes and track nutritional intake: It’s a short leap from that to an app that allows healthcare providers to deliver additional guidance to continuously improve wellness.

Other possible future applications may improve senior citizen housing with smart sensors. For example, sensors embedded in a home’s carpet could monitor seniors’ gait and movements to quickly detect patterns that indicate a problem, tapping into other data to ensure that senior citizens who are living alone can remain independent while staying safe. Such a system could alert caregivers if data patterns suggest an issue.

These are the types of everyday data uses that are on the horizon as people become increasingly connected and the “Internet of Things” – the vast network of interconnected devices and data streams – evolves. Consumers are already used to companies like Amazon using their past purchases to recommend new products, but new data generation and analysis capabilities are making more precise targeting possible – and integrating data from even more sources.

Soon, shopping and consumer behavior analysis will routinely drill down to deeper levels, taking into account consumer interactions online, via mobile phones, brick-and-mortar store visits, TV ad-driven contact and much more. Data will be correlated in real time to present consumers with more relevant offers and alert them to events that will resonate with them based on reasonable inferences from past actions.

Emerging technology will soon make it possible to deliver better customer service: New capabilities will include the ability to analyze a caller’s voice, assess their interaction history, evaluate social media behavior, influencers and demographics to route the call to the best call center agent for that customer. In a millisecond, the agent will receive a custom script and recommendations about offers and solutions for the specific caller.

Many of these new capabilities raise important privacy concerns, but to date, consumers have demonstrated their willingness to share information in exchange for services that they value. As data analytics move beyond traditional big-business intelligence gathering and analysis into everyday life, consumers will have to adjust their comfort level with information sharing, and businesses will have to change their strategies accordingly.

It’s no longer a question of IF these types of scenarios will become mainstream: It’s happening now, and emerging technology that takes deep analytics out of the hands of specialists and makes them a part of everyday business and consumer life will become a reality sooner rather than later. For businesses that are prepared to respond in a way that delivers value to customers, these new capabilities can provide an unstoppable competitive advantage.

Theis contributed article was written by Niraj Pant, Senior VP of Engineering, I.Predictus.

Following ‘True Detective’ Crash, Time Warner Cites Focus on HBO Go Tech


Improving the technology around HBO Go is a top priority for 2014, Time Warner CEO Jeff Bewkes told investors Tuesday at Deutsche Bank’s Media, Internet and Telecom Conference.

Many HBO Go users were left in the dark Sunday night when they tried to watch the season finale of HBO’s “True Detective.” The number of people tuning in effectively crashed the network’s video-on-demand platform, sparking a flood of angry tweets from those trying to log on.

Still, Mr. Bewkes said, “Most of you could” watch it.

Continue reading at AdAge.com

Basic Bentwood Ledges – The Tile Shelf Looks Great in Repeated and Patterned Arrangements (GALLERY)

(TrendHunter.com) As simple seeming as it is, the Tile Shelf has quite a bit of charm to offer. This piece would not serve merely as a device to hold and display your various possessions, for it attracts some…

Havas Chicago Picks Up Sears’ Craftsman, Die Hard and Kenmore


Sears Holdings has handed its Craftsman, Kenmore and Die Hard account to Havas Chicago after a protracted review, according to people familiar with the process.

The company put the account, which had been at WPP’s Y&R in Chicago, into review last summer.

Y&R in Chicago had worked with Sears since 1993. Dentsu’s McGarryBowen picked up lead creative duties for the Sears brand in 2011, but Y&R at the time retained the Die Hard, Kenmore and Craftsman brands.

Continue reading at AdAge.com

The Military Is Undercharging Marketers to Use Its Soldiers


The U.S. military has one of the most respected brands in the country. The Defense Department drives one of the shiniest cars down Madison Avenue. It should be able to demand whatever it wants in its external advertising contracts with companies that want to work with American service members.

So why do the government and its marketers give troops away at a ridiculously low price to any sporting organization or beer company that wants to parade them as a prop for an event? In 2012, the National Football League donated $800,000 to three military-related non-profits as part of a Veterans Day Salute to Service. That amount is nothing but a rounding error on the billions that the league brings in throughout the year. Yet it gives the league carte blanche to integrate armed forces branding into its website, TV broadcasts and apparel.

It’s not just the NFL. On February 17, the Defense Department released a statement, “DOD Works With NBA to Improve Troops’ Transition Assistance.” This implies that the basketball league sponsored a jobs program or scholarships for veterans. Instead, during the NBA’s All Star Weekend “thousands of troops, veterans and family members were honored guests at events throughout the weekend, including concerts, visits from current and former NBA and WNBA players, on-court activities and the opportunity to attend the All-Star game itself.” It’s unclear how any of this helps troops better transition out of the military.

Continue reading at AdAge.com

Bits Blog: Snowden Urges Tech Industry to Protect Customers

Edward J. Snowden discussed spying by the National Security Agency via videoconference at South by Southwest, and told attendees that they were “the folks who can fix this.”

    



Saatchi LA Concludes Muppets Campaign for Toyota Today

Saatchi & Saatchi LA released the latest online video for their Muppets Toyota campaign yesterday, featuring Kermit and Pepe filling up at a gas station en route to the premiere of Muppets Most Wanted in Los Angeles. The campaign, which began with the Muppets at the Super Bowl and followed them on a schlep across the country as they posted images on Facebook and Instagram en route to their film’s premiere, concludes today as the Muppets pull up to the red carpet at the Muppets Most Wanted premiere.

The new video, one of four released for the campaign thus far (we imagine there may be one more filmed on the red carpet), sees Kermit and Pepe shooting the shit with gas station attendants, and even hitting on some ladies. Notably, when Kermit mentions that Miss Piggy will like it that they get the windshield cleaned, Pepe badmouths her and says she’ll just make the inside dirty anyway. Kermit can’t help but agree. Upon leaving the station, the pair realize they may or may not have actually filled up the tank.

The spot is kind of fun, but leaves a lot to be desired (it doesn’t help that they already did a gas station spot with Pepe). Maybe it’s just that I have high expectations for all things Muppets, but it feels like there was the opportunity for something more here. The other videos released for the campaign elicit much the same reaction, although Rolf and Rizzo’s video is a slight step up. It’s great to see the Muppets in action, and these are far from terrible, but I wish Saatchi and Toyota could have done more with the opportunity. Stick around for a pair of Saatchi LA’s other Muppet spots for Toyotoa, along with credits, after the jump. continued…

New Career Opportunities Daily: The best jobs in media.

#A.I.L – artists in laboratories, episode 57: James Auger

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In this episodes we’re going to talk about James’ PHD thesis Why Robots? which uses the robot as a vehicle to study how technology be domesticated. But the designer will also discusss preferable futures and electronic devices that know more about your partner’s emotional state than you do continue