BBH NY Teams Up with The Corner Shop to Plug Playstation Plus

BBH New York have teamed up with production company The Corner Shop to produce this new spot promoting Sony’s new Playstation Plus network.

The 1:19 spot continues the trend of depicting gamers in real-life situations mirroring the games they’re playing, in lieu of actual gameplay. In this way, the spot shows a group of friends transition among a series of games (at one point one of the players says, “Guy’s it’s me,” but they’re no longer playing on the same team and just laugh), displaying the Playstation Plus’ “New Games Monthly” and “Next Gen Multiplayer” features simultaneously. It’s something of a spiritual successor to BBH’s lauded Perfect Day” spot from October, although it doesn’t have quite the same swagger. Credits after the jump. continued…

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Nissan Australia: #VJUKE

Advertising Agency: Whybin\TBWA, Melbourne, Australia
Creative Directors: Damian Royce, Paul Reardon
Art Director: Scott Canning
Copywriter: Tim Woolford
Additional credits: David Jonhson, Leigh Arbon, Fintan McGivern, Scott Woodhouse, Matt Chiodo
Published: February 2014

Homemade Luxury Sportcars – This Lamborghini Sesto Elemento is Crafted from a 30-Year Old Volvo (GALLERY)

(TrendHunter.com) It might seem hard to believe when looking at the photos, but this Lamborghini Sesto Elemento is actually a homemade marvel that’s crafted from the basic shell of a 30-year old Volve 740….

Hot Wheels Star Trek Collection: Purse

To boldly go where no man has gone before.

Advertising Agency: Ogilvy, Mumbai, India
National Creative Directors: Abhijit Avasthi, Rajiv Rao
Art Director: Rajiv Rao, Sameer Sojwal, Chirayu Palande
Copywriter: Sameer Sojwal
Photographer: Santosh Jadhav
Published: February 2014

Marketing’s Split Personality Is Looking Like Insanity


Most marketing folks I know have long been of two minds on the role of advertising, seeing it as a tool to connect with consumers emotionally, but also rationally. Most advertising has tried to do both, with varying degrees of success, and often at the expense of one or the other outcome. This uneasy duality has gotten more extreme lately.

In fact, it’s beginning to look like a clinical affliction: Never have advertisers won more creative awards, entertained more Super Bowl viewers, or seen their content repurposed across more channels. Yet consumers have never trusted companies less, and their loyalty to brands has never been lower. Now, as if in response to this chronic condition, employers and clients increasingly rely on the invisible magic of data and tech solutions to try to connect consumers to sales transactions.

Continue reading at AdAge.com

Nawras: Calling

Passengers are just as responsible. Speak up for safe driving.

Advertising Agency: Leo Burnett, Oman
Chief Creative Officer: Bechara Mouzannar
Creative Director: Mohamed Oudaha
Copywriters: Janelle Erickson, Ross Hardiman, Simon Raffaghello, Mohamed Oudaha
Art Directors: Dima Kronfol, Ammar Safi, David Bowen, Mohamed Oudaha
Photographer: Tejal Patni
Typographers: Dima Kronfol, Mohamed Oudaha
Account Supervisors: Khalil Salem, Saad Yusuf
Planners: Ali Marashi, Nicolas Chidiac, Saad Yusuf

Nawras: Make-up

Passengers are just as responsible. Speak up for safe driving.

Advertising Agency: Leo Burnett, Oman
Chief Creative Officer: Bechara Mouzannar
Creative Director: Mohamed Oudaha
Copywriters: Janelle Erickson, Ross Hardiman, Simon Raffaghello, Mohamed Oudaha
Art Directors: Dima Kronfol, Ammar Safi, David Bowen, Mohamed Oudaha
Photographer: Tejal Patni
Typographers: Dima Kronfol, Mohamed Oudaha
Account Supervisors: Khalil Salem, Saad Yusuf
Planners: Ali Marashi, Nicolas Chidiac, Saad Yusuf

Nawras: Speeding

Passengers are just as responsible. Speak up for safe driving.

Advertising Agency: Leo Burnett, Oman
Chief Creative Officer: Bechara Mouzannar
Creative Director: Mohamed Oudaha
Copywriters: Janelle Erickson, Ross Hardiman, Simon Raffaghello, Mohamed Oudaha
Art Directors: Dima Kronfol, Ammar Safi, David Bowen, Mohamed Oudaha
Photographer: Tejal Patni
Typographers: Dima Kronfol, Mohamed Oudaha
Account Supervisors: Khalil Salem, Saad Yusuf
Planners: Ali Marashi, Nicolas Chidiac, Saad Yusuf

Nawras: Tired

Passengers are just as responsible. Speak up for safe driving.

Advertising Agency: Leo Burnett, Oman
Chief Creative Officer: Bechara Mouzannar
Creative Director: Mohamed Oudaha
Copywriters: Janelle Erickson, Ross Hardiman, Simon Raffaghello, Mohamed Oudaha
Art Directors: Dima Kronfol, Ammar Safi, David Bowen, Mohamed Oudaha
Photographer: Tejal Patni
Typographers: Dima Kronfol, Mohamed Oudaha
Account Supervisors: Khalil Salem, Saad Yusuf
Planners: Ali Marashi, Nicolas Chidiac, Saad Yusuf

Arla: Nature’s own sport drink

Advertising Agency: ANR BBDO, Stockholm, Sweden
Creative Director: Andreas Lönn
Art Director: Marcus Göransson
Additional credits: Fredrik Pantzerhielm, Anna Jensen, Jacqueline Nyman, Max Vitali, Callboy
Published: December 2013

Olson Notches Another Win with wet n wild Beauty

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Well, the Olson camp did the math for us as the Minneapolis-based agency’s wet n wild Beauty win marks its seventh AOR assignment since Sept. 1, following the likes of Sharp Electronics, Supercuts and Commerce Bank. In case you didn’t know, wet n wild, which signed Fergie from Black Eyed Peas as its spokesperson in 2012, is a 35-year-old, L.A.-based division of Markwins Beauty Products and one that has never maintained an AOR relationship before but tapped Olson after a national search.

Markwins president Bill George says in a statement, “Our brand is in a great position to reach out to a broader audience. Of all the agencies we talked to, Olson’s team best understood our circumstances and laid out the most compelling vision for our future.” From what sources tell us, other agencies in the final round were Mekanism and DDB West. As wet n wild AOR, Olson will now handle broadcast, digital, social media and data analytics for the brand.

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Faber-Castell: The Colorful Directors

Advertising Agency: Project House HAVAS Worldwide, Istanbul, Turkey
Creative Directors: Cabbar Cem Özdemir, Serhan Acar
Copywriter: Umut Göçmen
Art Directors: Mert Y?ld?r?m, Kadir Önder
Junior Art Director: Emre Neyse
Operation Director: Elif Okanc? Lambac?o?lu
Project Manager: ?nci Beyenirsoy
Brand Director: Burçak Arzova
Brand Manager: Oytun Sava?
Social Media Team Leader: Dilay Çoban
Social Media Assistant: Tu?çe Arugun
IT Director: Alper Bayrakl?
IT Development: Erol Demirer, Gökhan Gökgöz, Muhammed Akbaba
Web Management Director: Ari Rozant
Flash Animations: Cansu Bilge
Web Developer: Ça?r? Zorkol
Published: February 2014

Coca-Cola: Social Media Guard

Advertising Agency: Memac Ogilvy, Dubai, UAE
Creative Director: Ramzi Moutran
Associate Creative Director / Copywriter: Sascha Kuntze
Designer: Diana Al Zubeidi
Producer: Amin Soltani
Published: February 2014

Novo Nordisk Gulf: Fingers To Diabetes

Advertising Agency: Agency 222, Doha, Qatar
Executive Creative Director: Tim Styles
Creative Director: Fergus O’Hare
Art Director: Baher Raouf
Copywriter: Muhammad El-Ayat
Illustrator: Allan Santiago
Published: November 2013

Liquorland Australia: Rainbow

Advertising Agency: The Royals, Australia
Production: Exit Films
Post: Pixel Kitchen

Op-Ed: It’s the End of ‘Experience Marketing’ As We Know It

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And so, the cast of contributors from the Huge family continues to rotate as we now welcome Andrew Kessler to the fold. Kessler is the founder/CEO of Togather, a startup out of Huge Labs that serves as a platform that helps clients like Barnes & Noble and Red Bull deploy event marketing programs with the same control and measurability of a digital ad buy. As the headline mentions, Kessler makes his AgencySpy debut by discussing whether it’s to sound the death knell for what’s known as experience marketing. Take it away, sir.

The “experience marketing” trend is close to extinction.

A sponsored pop-up/installation/lounge/whatever made sense as an “organic” brand experience — before the domination of digital. But today anything that would feel at home in Times Square doesn’t fulfill the new authentic standards for branded content.

Specifically, I’m talking about the big-budget consumer-facing events with colored lights, a giant logo, and, if you’re lucky, a fun stunt. In years of agency work, I’ve been a part of too many to count, and the result was always:

– A large crowd…but not the right audience
– Lots of product interest…but only about the freebie swag, and
– Photo albums of smiling fans…but no metrics or demographic data

Sure, our clients could claim a big success because a whole town could be counted as “impressions” and gift bags eventually ran out. But nobody was asking:

– Is this a useful exercise?
– Are we providing the right kind of value to give us a return on brand favorability?
– Are we just repeating a visibility stunt that has a negligible effect on ROI?

continued…

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Six Things You Didn’t Know about Camp & King CCO Roger Camp


4. Roger has a blind sense of optimism and faith. Things always seem to work out and he never gets too upset by almost anything.

5. One of his first partners in advertising was Paul Venables when he started at Korey, Kay and Partners. Here’s a dumb ad they did.

Continue reading at AdAge.com

The Contradiction of Silence

L’agence Bolon a lancé sa collection de revêtement de sol appelé « Silence » en collaboration avec le chorégraphe Alexander Ekman. Ils ont réalisé cette vidéo dans laquelle la musique est faite par les pas des danseurs et le bruit des machines. Une belle chorégraphie, où le sol se tisse au fur et à mesure.

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10 Minutes Without Your Phone Can Provide Water for a Child in Need

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The latest iteration of Droga5′s UNICEF Tap Project (started all the way back in 2007) asks people to put down their smart phones for ten minutes to provide clean water for a child who needs it.

Across the globe, 768 million people lack access to clean drinking water and 1, 400 children die every day from diseases directly related to unsanitary drinking water. Since 1990, UNICEF has been working to provide clean drinking water to those who would otherwise lack access to it. For the past seven years, Droga5 has been helping get the word out via UNICEF’s annual Tap Project campaign.

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This year, visitors to www.UNICEFTapProject.org will be met with a challenge: for every ten minutes they don’t use their mobile phones, UNICEF’s sponsor will provide one day of clean water for a child in need. Currently in its beta phase, the app from Droga5 is scheduled for official launch on March 1st. The way it works is pretty simple: once you visit the site, the app will calculate how long you spend there, with a final tally counted once you touch the mobile device again. For every 10 minutes, a donation will be made by UNICEF’s sponsors, including national sponsor Giorgio Armani Fragrances. Visitors to the site “can also learn more about UNICEF’s clean water initiatives, sign up to be a volunteer and make their own personal donation to help UNICEF provide children with clean water.”

So, if you’re reading this on your smart phone, head on over to www.UNICEFTapProject.org and then put your phone down for a while. It’s for a good cause, and you’re probably on your lunch break anyway. You can live without it for a few minutes. Credits after the jump. continued…

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Olson Wins Wet n Wild Beauty Account


Wet n Wild Beauty has named Olson, Minneapolis, as its first agency of record for broadcast, digital, social-media and data analytics following a national search.

The 35-year-old mass-market value-priced beauty brand made a splash with its 2012 signing of Fergie of the Black Eyed Peas as spokeswoman and namesake for a line of products. And it’s seen three straight years of sales growth in a U.S. mass beauty market that’s seen slowing sales in the past year.

Spending wasn’t disclosed, but Olson in statement said Wet n Wild will launch a “multimillion-dollar paid-media investment.”

Continue reading at AdAge.com