It's not quite Dr. Evil money, but Warren Buffett—through Berkshire Hathaway and Quicken Loans—is offering a cool $1 billion to anyone who completes a perfect March Madness bracket this year.
Think you're really good at predicting the outcome of basketball games? Don't bank on making it rain in Bora Bora just yet. Your odds of filling out a perfect bracket are 1 in 9.2 quintillion, a number that I did not realize existed until today.
While we're at it, I'd like to offer $1 zillion to the person who locates a Taco Bell that still serves Choco Tacos.
It’s been 10 years since Unilever’s Dove launched its groundbreaking “Campaign for Real Beauty.” It’s won a plethora of ad awards and sold a heap of product — sales have jumped to $4 billion today from $2.5 billion in its inaugural year. But has it changed perceptions?
Dove claims it has. Research from Harvard psychologist Nancy Etcoff examining the campaign then and now finds more women today define beauty on a wider array of qualities beyond looks, such as confidence. It also concludes that women now base their ideas of beauty more on social media than traditional media. The research was funded by Unilever, but Dove isn’t trying to be too vain about it. “I’m sure we’ve played some part,” said Steve Miles, senior VP-global marketing. Here’s a look at six historical highlights — and lowlights — of “Real Beauty.”
GoDaddy, which promised it would cease airing sleazy ads replete with scantily clad women and heavy sexual innuendo, has lived up to that promise with its Bodybuilder ad, one of two ads it will air during Super Bowl XLVIII February 2nd.
Well, they’ve mostly lived up to the promise. There are no scantily clad women in this ad but there’s a hell of a lot of scantily clad male muscle-heads showing off their pecs as they race towards the spray tan store owned and operated by the aforementioned fully clothed woman.
Ever since the brand unleashed (literally) an avalanche of sexual innuendo with Candice Michelle having a wardrobe malfunction in a court room, the brand had always pandered to the lowest common denominator. Now that Bob Parsons is gone things, it seems, have shifted directions.
Wearing a muscular body, suit, Danica Patrick makes an appearance in the commercial as well. It’s her 13th Super Bow ad, more than any other celebrity.
Last year, GoDaddy dipped a tremulous toe into the waters of grown-up advertising, with one of its two Super Bowl spots spurning the over-the-top sexed-up approach in favor of actually demonstrating why you should host your website with that company. (The other spot, not so much.)
This year, Deutsch New York, sets out to prove that GoDaddy has transformed, and has released one of the brand’s two Big Game spots early. This one features a herd of bodybuilders barrelling toward an unknown destination. If you look closely, you’ll also see longtime spokesperson Danica Patrick sporting a decidedly different look. The gang ends up at a spray-tanning salon, owned by a woman who used GoDaddy to “get found.”
Noites mais longas e frio glacial certamente não colaboram para a paciência quem espera ônibus na Suécia. Pensando nisso, a Coca-Cola, em mais uma iniciativa de sua campanha “Open Happiness”, deu um toque de verão em uma parada na cidade de Uppsala.
Projeção, lâmpadas quentes, sons de pássaros cantando e, claro, refrigerante grátis alegraram o dia escuro de quem aguardava.
Agora, aguardemos a Coca levar felicidade para aqueles que esperam nosso confiável transporte público debaixo de um sol de 40 graus.
The site is basically a compendium of ridiculous wearable tech ideas. Once you’re done reading one of them, simply click the pink colored text for the next ludicrous suggestion. Some highlights include: “T-shirt that posts to Facebook when you need a shit,” “Umbrella that glistens when it’s going to rain,” “Pair of earbuds that glows green when your ex is in the building,” and “Heart rate monitor that makes a vine when you’ve got a hangover.” O’Connell created the site, inspired by shitprideas.com, using WTF engine. Feel free to share some of your favorite entries in the comments section.
L’artiste Heather Hansen dessine avec son corps des figures symétriques et en ressort couverte de noir. Elle fait de sa chorégraphie un moyen d’expression avec des mouvements synchronisés, en douceur, qui rappellent le test de Rorschach. La vidéo témoigne de la fusion charnelle qu’il existe entre l’artiste et son oeuvre.
From the early 1990s the internet has had multiple roles in art, not least in defining several new genres of practitioners, from early networked art to new forms of interactive and participatory works, but also because it is the great aggregator of all art, past and present. Art and the Internet examines the legacy of the internet on art, and, importantly, illuminates how artists and institutions are using it and why continue
In the first part of Media Week’s salary survey for 2014 in association with recruiter Sylex, managing director Simon Shroot charts a steady past year for those working at media owners, and takes a look at the year ahead.
It’s not just any week for Rob Hunt, head of creative media, IPC Men & Music – he has the looming NME Awards and Nuts 10th Anniversary party to organise.
BtoB Magazine, the flagship publication for business-to-business marketers, became part of Ad Age on Jan. 1. As reported in Ad Age, “The move reflects the growing overlap between b-to-b and consumer strategies as both grow more focused on targeting and engaging specific customer groups.” While convergence rules the day, there was once a notable divide between b-to-b and consumer advertising. Agencies tended to play on one side of the fence or the other.
In a stunning case of naivete, when I launched PJA Advertising in the 1990s to serve technology brands, I didn’t even know that “business-to-business” was a category within advertising. For some mysterious reason, I liked working on the challenges faced by companies whose complex products usually went hand in hand with a complicated selling process. Technology led to health care, and then financial services, and eventually a mix of related consumer accounts.
Once I learned that what we were doing had a name, BtoB Magazine served as a virtual community connecting us with people facing the same challenges, limitations and opportunities.
For the second year in a row, Coldwell Banker is rolling out its national marketing campaign during awards season, with the debut of “Home Sweet Home” during the 56th Annual GRAMMY Awards on Sunday, January 26th.
The new, 60 second spot, created by Siltanen & Partners under the direction of executive creative director Rob Siltanen, features the Mötley Crüe anthem “Home Sweet Home.” “Home Sweet Home,” directed by Kat Coiro, is a montage of all the moments that make getting home at the end of the day so rewarding: kicking off your shoes, hopping on the couch, slipping into a warm bath. The spot closes with the hashtag #HomeRocks, pulling together the music connection. Coldwell Banker is also offering fans the chance to vote for their favorite song about homes in the #HomeRocks awards on their Blue Matter blog.
“Music and home certainly go together no matter where you are in the world and we believe we have found the appropriate major events to showcase the emotional value we place in our homes,” explained Sean Blankenship, senior vice president, marketing for Coldwell Banker Real Estate. ““This campaign is part of our ongoing effort to remind Americans that home is as much a lifestyle investment as it is financial,” he added.
“Your Home,” the next spot in Coldwell Banker’s #HomeRocks campaign, featuring the voice (but not the mustache) of Tom Selleck, will launch during the Academy Awards on March 2nd. It will mark the third straight year Coldwell Banker has worked with Selleck, whose father was a former Coldwell Banker executive.
(TrendHunter.com) Love (or at least lust) is in the air in this Victoria’s Secret Valentine’s 2014 Lookbook. The famous lingerie brand sets this sexy new shoot in an adorably decorated light pink bedroom….
Un superbe travail du photographe taïwanais Will Ho qui a pu immortaliser le rendu de millions de planctons luminescents illuminant une plage des Maldives. Ils éclairent la plage entière, là où les vagues touchent le sable. Un rendu surréaliste sur un bord de mer qui scintille en pleine nuit. Plus d’images dans la suite.
Even before Seattle’s win over San Francisco in the NFC Championship game last week, the story of Derrick Coleman was making waves for Duracell.
A powerful new campaign for the battery brand, “Trust Your Power,” debuted January 10th and grabbed the No.2 spot on this week’s Viral Video Chart with close to 5.9 million views. Starring Seahawks fullback Derrick Coleman, the spot tells the story of the NFL’s first legally deaf offensive player and all of the struggles he overcame before making it to the big game. Duracell hasn’t yet run the spot on TV, and isn’t on Ad Age’s known roster of Super Bowl advertisers.
Duracell marketing director Jeff Jarrett told Ad Age last week the spot was intended as web-only, but the company is “considering” other outlets.
Quem sabe o que pode acontecer a partir de um encontro? Esta é a pergunta que o Match.com faz em dois comerciais criados pela DamnGoodAgency, de Estocolmo, com produção da Camp David. Com uma pegada retrô, os filmes se passam nos anos 1970 e 1980, dando novas versões para alguns fatos históricos.
O primeiro deles é a queda do Muro de Berlim, em 1989. O casal está em seu primeiro encontro e, em um passeio próximo ao muro, ocorre um pequeno acidente, que desencadeia a derrubada total de um dos principais símbolos da Guerra Fria.
Já o segundo filme se passa em Wisconsin, em 1976. Um divertido e apaixonado encontro deixa algumas marcas no campo, desencadeando a suspeita de vida alienígena.
SocialCode, a Facebook and Twitter ads partner, has hired an agency executive to head up client services in a bid to forge deeper relationships with big brands.
Colin Sutton is the company’s new VP-client services, charged with growing and retaining the current client base and helping to manage account teams in New York and Chicago. Mr. Sutton was formerly U.S. director for social media at OMD, where he oversaw a social buying group that supported all of the agency’s digital teams and worked with clients like Pepsi, General Electric and Activision.
Prior to his three years at OMD, he was managing director at M80, where he focused on the organic side of social media.
Sources familiar with the matter confirm that come this month’s end, AKQA vet will be leaving the agency. No word yet on where he’s headed to next, but Pullum has spent the last dozen years at the agency, most recently serving as group creative director out of its San Francisco. As GCD, a position he’s held for seven years Pullum first led digital marketing efforts on Visa but has spent the last two-and-a-half years leading digital creative on Audi of America including the redesign of AudiUSA.com.
During his nearly 25 years in the biz, Pullum had stints as an art director at the likes of W+K and Hal Riney before moving up the creative ranks.
The battle between DirecTV and Weather Channel is getting nasty.
In ads in several newspapers on Wednesday, Weather Channel asked DirecTV to drop cancellation fees for those wishing to switch providers since it no longer carries the network. DirecTV dropped Weather Channel last week after the companies failed to reach a new carriage agreement. DirecTV recently added WeatherNation, another weather focused network, to its lineup.
In the ad, styled as an open letter to the board of DirecTV, Weather Channel Chairman-CEO David Kenny said DirecTV subscribers looking to cancel their service are being slapped with fees ranging from $200 to $400.
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