My Media Week: Justin Stephenson
Posted in: UncategorizedThis week, Justin Stephenson, director of ad sales, A+E Networks UK, pitches, plots and plans, while thinking about exercise.
This week, Justin Stephenson, director of ad sales, A+E Networks UK, pitches, plots and plans, while thinking about exercise.
BuzzFeed, the online publisher of news, lists and quizzes that are designed to be shared on social media, is forecasting revenue of as much as $120 million in 2014, said two people with knowledge of its financials.
The sales level will depend on how many advertising deals are booked next year, said one of the people, who asked not to be identified because the numbers are private. BuzzFeed has projected about $60 million in sales for 2013, according to another person familiar with the matter, indicating that revenue may double next year.
The company, based in New York, has seen its Web traffic more than quadruple over the past year, vaulting it into the top ranks of news sites. BuzzFeed is now completing work on its 2014 budget and will soon present the numbers to the board, one of the people said. This year’s revenue projection was raised from $40 million in the middle of 2013 because the startup was growing faster than expected, according to the person.
The D.C. Metro's newest ad campaign, dubbed "Metro Forward," took a giant step backward recently with a sexist print ad that suggests women would rather talk about shoes than public transport reliability. The not-so-subtle subtext, according to critics, is that women (specifically the Metro's riders) are too vapid to care about matters of import.
"The point of the ad is to get people talking about Metro's massive rebuilding effort by juxtaposing technical facts with a variety of light responses in conversation between friends," a Metro spokesperson tells DCist.com.
In a version of the campaign featuring two men, when asked whether he'd noticed some new hardware installed on the train, the guy's punch line is, "No, Billy, not so much." What, no mention of beer, power tools or watching some sports last night?
The sexism of the women-oriented ad is particularly egregious and laughable because it's so lazy. "Ladies and their shoes" is a punch line you'd hear on late-night TV 25 years ago, and it wasn't funny then, either. Luckily for us, this is one of those advertising blunders where the parodies will be much better executed because more thought will have been put into them than in the original.
Why can't Bobby just talk about shoes?! Not as funny because he's a dude? #sexistdcmetro @wmata @unsuckdcmetro pic.twitter.com/WtWWH1UrnY— YH (@parkyhee) December 3, 2013
Lost In Motion II, c’est le nom de cette superbe vidéo réalisée par Ben Shirinian et le chorégraphe Guillaume Côté pour le National Ballet of Canada. Une collaboration renouvelée après une première vidéo déjà incroyable, à découvrir en vidéo dans la suite, suivie d’une vidéo making-of.
Depois que a Adidas lançou sua Brazuca, já estava na hora da Nike por Ordem na casa (ler com trocadilho, por favor).
Para lançar sua nova bola – a Ordem – tida como a mais aerodinâmica e tecnologicamente avançada da história, a Nike levou Wayne Rooney para o mais perfeito dos gramados: um campo de golfe.
É lá que ele faz um desafio inusitado contra o campeão do U.S Open, Rory McIlroy.
E com uma pequena ajuda do nosso Fenômeno, ele até que não faz feio.
Ah, só por curiosidade. A música “Straight Down the Midlle”, do Bing Crosby, foi escrita para o filme “Honor Caddy” e é considerada a 1ª música sobre golfe da história.
Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie
Já pensou se as placas de sinalizacão soubessem para onde a gente quer ir? Já pensou se elas pudessem nos apontar a direção certa na hora que a gente precisa? Os caras da Breakfast pensaram.
Foi assim que eles criaram Points, a tal placa de sinalização mais avançada do mundo. E por que ela é tão avançada?
Porque ela se ajusta de acordo com o que você procura, o que está acontecendo por perto ou a hora do dia.
Chegou ali de manhã? Ela diz onde tomar um bom café. Chegou no fim do dia? Ela dá opções de balada. Tudo compilando informações em tempo real via Twitter, Foursquare e outras fontes online.
Com a Copa chegando, bem que espalhar algumas dessas por aí pra facilitar a vida dos turistas não seria má ideia.
Fica a dica.
Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie
Aegis Media’s Vizeum has won the £10 million media planning and buying business for RSA’s insurance brand MoreThan, previously held by Starcom MediaVest Group.
A Warner Bros. revelou o segundo trailer de “Her” – intitulado “Ela”, Brasil” – dirigido por Spike Jonze.
Joaquin Phoenix é Theodore, um homem que se apaixona por uma inteligência artificial chamada Samantha, criada a partir de seus próprios gostos, preferências e testes de personalidade. Scarlet Johannson faz a voz do computador. A Samanta do B9 abordou bem o aspecto de relacionamentos na era digital nesse post, na ocasião do primeiro trailer revelado do filme.
“Ela” estreia nos Estados Unidos no dia 18 de dezembro, e chega no Brasil em 17 de janeiro.
“Se apaixonar é tipo uma forma socialmente aceita de insanidade”
Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie
Acxiom has been perceived as an agency by many parts of the ad industry, including this publication, but now the data giant has sealed a multi-year deal with one of the biggest media agencies in the business: Starcom MediaVest Group.
The deal lets Starcom use Acxiom’s Audience Operating System, which enables audience segmentation and targeting across online and offline media using first-party and third-party data. Some clients have already used the platform in beta, but the ultimate goal is more involved than simply extending that access: The two firms aim to develop new applications for the system, such as targeting TV advertising.
“We believe leveraging Acxiom client data with third-party media data across any channel is going to shape the market in years to come,” said Laura Desmond, CEO at Starcom MediaVest Group, which is part of Publicis Groupe.
The spirit of Willy Wonka is being evoked with a competition that will see five tickets hidden in Heston Blumenthal’s Christmas chocolates with those who discover a ticket invited to spend the day with the celebrity chef.
“You don’t become a great professional by chance.”
Advertising Agency: Publicis Conseil, Paris, France
CCO: Olivier Altmann
Creative Director: Christophe Perruchas
Art Director: Raphael Halin
Copywriter: Benjamin Sanial
AD Assistant: Juliette Leclerc
Account Managers: Patrick Lara, Franck Agnel, Sigolène Naugès, Hélène Duvoux-Mauguet, Adeline Blanc
Photographer: Frieke Janssens
Art Buyer: Jean-Luc Chirio, Soone Riboud
Print Production: Elysian Fields
Media Plan: Press, outdoor, web
Advertising Agency: Advantage Y&R, Namibia
Managing Director: Truda Meaden
Creative Director: Patrick Held
Production company: Fly On The Wall
Director: Bryan Little
Exec. Producer: Filipa Domingues
Line Producer: David Leite
DOP: Mike Snyman
Sound Composer: Simon Kohler
Editor: Grant Birch
Sprint’s absurdist campaign with veteran thespians James Earl Jones and Malcolm McDowell reading everyday text messages and phone calls gets a new iteration today — but this time instead of debuting on TV, the ad will bow first on a single person’s Twitter feed. At 6 p.m. today, the new ad featuring the two actors reading a text exchange between girl and her boyfriend will appear first for Danielle Gray and her friends.
Ms. Gray is a fan of the TV spots, having tweeted about her love of the ads. Sprint and its ad agency team contacted her for permission and her involvement, and Messrs. Jones and McDowell did the rest in the spot called “Thinking About You.”
Leo Burnett, Chicago, created the video, as well as the ongoing series with director Noam Murro. DigitasLBi, Boston is handling social media. Burnett shot 16 video ads with the actors; this is the eighth spot to go live.
The government’s attorney general is determined to bring an understanding of UK law to social media users by issuing legal guidance to people on Facebook and Twitter, with the aim to prevent users from committing contempt of court.
Asos has beaten Amazon and John Lewis to the top spot for the most shared content on Pinterest in the lead up to Christmas, according to a study by digital marketing firm Searchmetrics.
Advertising Agency: McCann Enterprise, London, United Kingdom
Executive Creative Director: Will Shepherd
Creative Director: Mark McCall, Richard Dorey
Agency Producer: Holly Edwards
Production Company: Psyop
Director: Psyop
Account Handlers: Kat Patterson, Tamsin Devereux, Fred Letts
Music Title & Artist: From Nowhere (Artist: Dan Croll)
Post Production: Psyop, Craft London
Sound Design: Craft London
Media Planning: Rocket
The Advertising Standards Authority has banned a beer ad for the Coalition of UK Brewers after finding it broke the rules by implying alcohol made people popular and was important for social success.
Com um infográfico interativo, o Spotify – que eternamente promete chegar ao Brasil – revelou seus principais números em 2013, incluindo os artistas e músicas mais ouvidas no serviço de streaming.
Foram mais de 4.5 bilhões de músicas escutadas pelos mais de 24 milhões de usuários ativos. “Get Lucky” do Daft Punk bateu o recorde de faixa mais ouvida num período de 24 horas. Considerando os últimos 5 anos, a música mais popular foi “Thrift Shop”, de Mackelmore & Ryan Lewis.
Nova-iorquinos escutam Jay-Z 88% mais vezes que o resto do mundo. 2096 é a quantidade de músicas que tem “Berlim” no título. Já em Londres, o pessoal é viciado em Fleetwood Mac. 20% do acervo do Spotify nunca foi tocado, nem uma única vez.
Esses e outros dados curiosos estão no “Year In Review” do serviço, incluindo as playlists mais populares, músicas separadas por ocasião, e com a possibilidade do usuário criar seu próprio infográfico. Basta se logar no Spotify, que as suas estatísticas musicais também serão exibidas
Post originalmente publicado no Brainstorm #9
Twitter | Facebook | Contato | Anuncie
Fifty-three years ago, the Harvard Business Review published what went on to become one of the most-quoted articles ever to appear in any magazine or newspaper: “Marketing Myopia” by Theodore Levitt.
Perhaps it’s time for a marketing person to point out the myopia in management thinking. A myopia that has undermined companies like Kodak, IBM, Sears, Xerox, Dell, Hewlett-Packard and many others.
Management has fallen in love with brands without realizing that every brand has a potentially fatal weakness. A brand stands for a category. Once a brand becomes strongly embedded in consumers’ minds, it’s almost impossible to move that brand into another category.
View our gallery of highlights from this year’ Campaign A List party, including shots of: Steve Hatch, Facebook’s incoming UK and Ireland regional director; James Murphy, Adam and Toby Horry, Dare’s managing director.