Oxelo Longboard

Orientée sur la pratique et l’état d’esprit du longboard, ce film pour la marque français Oxelo a été réalisé par l’agence Ores, déjà en charge des précédentes campagnes de publicité. Des images simples et réussies de ride, présentant 3 des modèles de la marque. L’ensemble est à découvrir dans la suite.

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Campaign Viral Chart: Carrie remake viral puts MGM on top

MGM, the Hollywood studio, has shot to the top of the most-shared ad chart this week with an online video promoting its remake of the 1976 film, ‘Carrie’, starring Chloe Grace Moretz.

Nutrivet: Dog, Cat

“They don’t like it any more than you do.
Treat pet hair loss with Wild Salmon Oil.”

Hair loss at pets is as common as baldness at humans. So, if you’d had this problem, you’d hope for an effective treatment. Treatment that in the world of pets is possible. With this in our minds, we translated the feeling of animal hair loss by depicting dramatic portraits of pets suffering of human baldness.

Advertising Agency: Publicis, Bucharest, Romania
Worldwide Creative Director: Erik Vervroegen
Chief Creative Officer: Razvan Capanescu
Group Creative Director: Mihnea Gheorghiu
Senior Art Director: Raluca Bararu
Copywriter: Cosmin Baba
Account Manager: Miruna Sandulescu
Production: New Folder Creative Studio – Vlad Opreanu
Photographer: Dan Vezentan
Retouching: Raluca Bararu

Aç?k Radyo/Open Radio: Music of the People

Aç?k Radyo is a radio station that covers global social and cultural issues as well as airing all types of music from all around the world. They go by the motto “open to all sounds of the universe”. In this work, we are showing a score sheet (what a wonderful world) made up of people.

Advertising Agency: Havas Wordlwide, Turkey
CCO: Ergin Biny?ld?z
Copywriter: Merve Selamet
Art Director: Serhat Akavc?
Photographer: Harold Feinstein

Radical Transparency

Why we need an amendment to the Universal Declaration of Human Rights.

From Adbusters #110: The Epic Human Journey: Part 4, Autumn

They lied to us about Mossadegh in Iran.

They lied to us about the premise for entering Vietnam.

They lied to us about the murder of Allende in Chile, the history of intervention in Haiti and Cuba, the back-room deals to buy and sell drugs, guns and dictators in Central America and beyond.

And of course they lied to us about Afghanistan, about Iraq, about Libya, about Syria.

Chances are they’re lying to us about Egypt right now.

The 21st century is barely a teen and already it is as obscene, violent and arrogant as its older brother 100 years before. Even in the past ten years, the same mistakes, the same carnage, the same lies, repeat like a flipping cathode ray television screen. Lie. Stall. Lie. Stall. Lie. Stall. And if that doesn’t work, lie and stall some more.

It was no small happening that on the same day that Chelsea Manning (formerly Bradley Manning) was handed a 35-year sentence for exposing American war crimes in Iraq, former Egyptian strongman Hosni Mubarak was freed from a Cairo prison and the democratically elected, now ousted, Mohamed Morsi was left in a secret cell.

This type of serendipity is indicative of the deep culture of secrecy pervading geopolitics today. Who benefits from this obsessive secrecy? Certainly not the half million dead civilians in Iraq. Nor the two million civilians killed in Vietnam during the Cold War. Nor the innumerable victims who have died in the blowback from the long list of covert actions conceived in secret and fought in darkness. Even the dead are told that it was for their own good, that somehow things could have been even worse. And, of course, we’ll never really know what could have happened, because we, the people, are always left in the dark.

How many ghostly and fake Al Qaeda threats and foiled terror attacks have we witnessed since the Snowden revelations alone? The recent American embassy closure panic was nothing more than a sad rehashing of the terror-temperature chart that was broadcast on American television in the early years after 9/11 (recall the “chances of a Bin Laden attack” craze). Looking back, it brings a smile. But don’t be too quick to laugh. It would be comical if there weren’t so many of us who are still duped by these very same tactics … who are actually swayed to hate the Mannings and the Snowdens out there … the very people trying to pull back the curtain of secrecy.

The very word “secrecy” is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths and to secret proceedings. We decided long ago that the dangers of excessive and unwarranted concealment of pertinent facts far outweighed the dangers which are cited to justify it.
— JFK, 1961

So why do we still believe our leaders when they say “trust us”? Why do we still wait in eager anticipation for them to read from carefully crafted scripts that they don’t even write? The answer is simple: we don’t know any better. And why don’t we know any better? Why do we continue to live in the dark? Another simple answer: our governments are legally allowed to lie to us. Totalitarian or democratic, East or West, it’s written into every state constitution in the world. And each time a government is given a mandate, we participate in the farce … we reaffirm that, contrary to what we tell our children, lying isn’t so bad after all.

If we are ever going to escape the 21st century with less bloodshed than the 20th century, we’re going to have to strip our governments of the right to lie to us citizens. In this information age, where gigatons of information zips around the globe each second, and where the geopolitical, financial and ecological stakes are so high, we need a new human right … one that is stamped into the first article of every state constitution, one that needs to become the centrepiece of the United Nations Charter.

The UN was created in the aftermath of the two most traumatic and disturbing wars of all time. Auschwitz. Dresden. Hiroshima. These atrocities made the battlefields and massacres of Gettysburg, Sevastopol and Waterloo a century earlier look like a track and field warm up. When the Universal Declaration of Human Rights was penned in 1948, it was based on the belief that without basic human rights, violence, war and genocide were sure to continue, if not flourish, into the future. The resounding and hopeful spirit of “Never Again” led the way. It was a groundbreaking moment for the human spirit. A moment that, unfortunately, never had a chance to fly.

So long as elites and powerful forces are able to concoct wars and geopolitics in secret, we, the people, will never see a day of peace on Earth. Not even a single minute in fact … likely not even a second. Aggression, hatred, greed, jealousy and fear may be the ingredients of war, but secrecy is the heat that it needs to rise … the fuel that turns the disapproving into blind followers. So long as secrecy prevails as a fundamental right of states, peace, unity and brotherhood will always remain dreams … increasingly jaded ones.

In the spirit of 1945 and 1948, we propose the following amendment to the UN Charter, the Universal Declaration of Human Rights, and to every constitution of every country in the world:

An amendment to the constitutions of all nations and? Article 19 of the Universal Declaration of Human Rights: Everyone has the right to live in a world without secrets. This right includes freedom from state deception, freedom from corporate misinformation, freedom from financial manipulation and the right to full public disclosure on all matters pertaining to peace, security, ecology and finance.

Masquerading Food Merchandizing – A Bigger Harvest Packaging Dresses Fruits Up as Vegetables (GALLERY)

(TrendHunter.com) You’re probably wondering why these fruits have been dressed up like vegetables. Well, A Bigger Harvest packaging combines two Chinese traditions into one, and hence two foods have been united….

Platinum-Haired Punk Portraits – The Boys by Girls Magazine Hero Editorial is Androgynous (GALLERY)

(TrendHunter.com) The latest issue of Boys by Girls magazine features the androgynous ‘Hero’ fashion story by photographer Shannon Sinclair. Sinclair captures the editorial’s model star, Dylan…

Advertising: For CVS Regulars, Ads Tailored Just to Them

CVS heard complaints about coupons creating cash register receipts that spanned five or six feet and has gone online with its offers.

    



64 Costume-Like Hoodies – From Medieval Hoodie Designs to One-Eyed Monster Hoodies (TOPLIST)

(TrendHunter.com) When it comes to dressing up for Halloween, purchasing an outfit just for one occasion may seem a bit frivolous, which is why these costume-like hoodies are perfect to wear all year long with their…

Suit Filed Against Warner Bros. in Screenplay Theft

A lawsuit accuses Warner Brothers of stealing the screenplay of its 2012 movie “Trouble With the Curve” and of manufacturing evidence in their defense.

    



100 Intentionally Distorted Furniture Pieces – From Crumpled Kitchen Tables to Bent Beach Chairs (TOPLIST)

(TrendHunter.com) While older furnishings often feature worn-out appearances and even broken pieces, these intentionally distorted furniture pieces are showcasing that bizarrely bent and abstract designs can breath…

Electric 80s Cosmetic Captures – The Kaleidoscope Volt Magazine Image Series is Highlighter-Hued (GALLERY)

(TrendHunter.com) Styled by Julia Bernard, the ‘Kaleidoscope’ Volt Magazine beauty story brings its 80s-themed visual inspiration to life. Mixing highlighter hued makeup with sculptural locks, this fierce…

Carl’s Jr.: Salad

Advertising Agency: 72andSunny, USA
Chief Creative Officer: Glenn Cole
Chief Strategic Officer: Matt Jarvis
Creative Directors: Mick DiMaria, Justin Hooper
Jr. Copywriter: Rebecca Ullman
Designer: Sarah Herron
Director of Film Production: Sam Baerwald
Senior Film Producer: Molly McFarland
Film Producer: Brooke Horne

Star Wars The Old Republic: join the Battle

Advertising Agency: Draftfcb, San Francisco, USA
Group Creative Directors: Colin McRae, Tony Vazquez
Associate Creative Directors: Jake Slody, Derrick Ho
Senior Art Director: Justin Hargraves
Copywriter: Josh Boggden
Group Managing Director: Heidi Arkinstall
Management Supervisor: Erin Morgan
Production Company: MJZ Productions
Director: Nicolai Fuglsig
Visual Effects Supervisor: The Mill
Executive Producer: Emma Wilcockson
Music: Human
Final Mix: Lime
Engineer: Rohan Young

Pampers: Bellies in concert

Advertising Agency: Conill Saatchi & Saatchi, Miami, USA
Executive Creative Director: Ross Ludwig
Creative Director: Rafael Ramírez
Creative Directors: Ariel Dress, Matías Aubi
Associate Creative Director: Ana Testa
Art Directors: Matías Aubi, Ana Testa
Copywriters: Ariel Dress, Hernán Bacchi
Group Account Director: Beatriz Del Amo
Account Director: Ilyssa Schechter
Account Supervisor: Vasty Gonzalez
Account Executive: Viviana Suarez
Agency Producer: Marinet Quiñones
Digital supervisor: Rafael Lebrón
Production Company: Team Epic
Editing Company: Upstairs/FX

MegaStar Cineplex: Bug’s Life

Advertising Agency: Ogilvy & Mather Vietnam, Ho Chi Minh City, Vietnam
Executive Creative Director: Todd McCracken
Art Directors: BJ Galinato, Nhat Linh Pham, Dang Thuong Do
Copywriter: Mike Ramsy
Photographer: Dang Thuong Do
Producer: Xuan Nguyen
Account: Alfred Leitao

MegaStar Cineplex: King Kong

Advertising Agency: Ogilvy & Mather Vietnam, Ho Chi Minh City, Vietnam
Executive Creative Director: Todd McCracken
Art Directors: BJ Galinato, Bao Chau Ngo
Copywriter: Todd McCracken
Photographer: BJ Galinato
Producer: Xuan Nguyen
Account: Alfred Leitao

Arts, Briefly: BBC and Discovery Cut Back on Collaborations

The BBC and the Discovery Channel are essentially dissolving a relationship that dates to the 1990s.

    



Strong Start for ‘American Horror Story’

The season premiere Wednesday night attracted more than 5.5 million viewers.

    



Cadbury Gems: Neela Peela

Remain ageless.

Advertising Agency: Ogilvy & Mather, India
Executive Creative Director: Abhijit Avasthi
Group creative head: Manoj Shetty
Copywriters: Nikhil George, Devika Srivastava
Agency Producer: Manoj Joshi, Porus Kharegat
Account Management: Sonali Sehgal, Bhavna Thakur, Mallika Raina
Planners: Kawal Shoor, Ganapathy Balagopalan, Roma Singhal
Creative Directors: Manoj Shetty, Vijay Sawant 
Art Director:  Vipul Indulkar
Production Company: Studio Eeksaurus
Producer: Nilima Eriyat
Director: Suresh Eriyat
Director of Photography: Srinivas Reddy
Lighting / Art Direction: Studio Eeksaurus Team
Editors: Priyank Premkumar, Nilesh Dhore
Music: Amar Manglurkar
Sound Design: Chester Misquitta
Post Production: Jivan Gaikawad
Animators: Mukund Bhaleghare, Arun Rane, Sandeep Meher, Bhasker Shinde, Krishna Kedar