Chick-fil-A Quick to Head Off Potential Gay-Marriage Controversy


Another summer, another Chick-fil-A gay-marriage controversy? Not if the chicken chain can help it.

On Wednesday, after the Supreme Court issued its rulings on the Defense of Marriage Act and California’s Proposition 8, Chick-fil-A President-Chief Operating Officer Dan Cathy tweeted his thoughts on the matter: “Sad day for our nation; founding fathers would be ashamed of our gen. to abandon wisdom of the ages re: cornerstone of strong societies.”

The politically charged comment was quickly deleted, but not before being noticed by blogs and news outlets.

Continue reading at AdAge.com

Ottawa International Animation Festival: Inner child, 5

Get in touch with your inner child. And let it play in traffic.

A poster campaign created to connect with the quirky animation lovers who attend the Ottawa International Animation Festival. Reminding them that animation kets them get in touch with their inner child, perhaps in ways you might not expect.

Advertising Agency: McMillan, Ottawa, Canada
Art Director: Jared Barter
Copywriter: Ian Driscoll
Illustrator: Michael Zavacky
Project management: Leah Goodman, Carl Rudnik
Published: June 2013

Ottawa International Animation Festival: Inner child, 4

Get in touch with your inner child. And renew its sense of wonder.

A poster campaign created to connect with the quirky animation lovers who attend the Ottawa International Animation Festival. Reminding them that animation kets them get in touch with their inner child, perhaps in ways you might not expect.

Advertising Agency: McMillan, Ottawa, Canada
Art Director: Jared Barter
Copywriter: Ian Driscoll
Illustrator: Michael Zavacky
Project management: Leah Goodman, Carl Rudnik
Published: June 2013

Ottawa International Animation Festival: Inner child, 3

Get in touch with your inner child. And scar it for life.

A poster campaign created to connect with the quirky animation lovers who attend the Ottawa International Animation Festival. Reminding them that animation kets them get in touch with their inner child, perhaps in ways you might not expect.

Advertising Agency: McMillan, Ottawa, Canada
Art Director: Jared Barter
Copywriter: Ian Driscoll
Illustrator: Michael Zavacky
Project management: Leah Goodman, Carl Rudnik
Published: June 2013

Ottawa International Animation Festival: Inner child, 2

Get in touch with your inner child. And show it where babies come from.

A poster campaign created to connect with the quirky animation lovers who attend the Ottawa International Animation Festival. Reminding them that animation kets them get in touch with their inner child, perhaps in ways you might not expect.

Advertising Agency: McMillan, Ottawa, Canada
Art Director: Jared Barter
Copywriter: Ian Driscoll
Illustrator: Michael Zavacky
Project management: Leah Goodman, Carl Rudnik
Published: June 2013

Ottawa International Animation Festival: Inner child, 1

Get in touch with your inner child. And let it talk to strangers.

A poster campaign created to connect with the quirky animation lovers who attend the Ottawa International Animation Festival. Reminding them that animation kets them get in touch with their inner child, perhaps in ways you might not expect.

Advertising Agency: McMillan, Ottawa, Canada
Art Director: Jared Barter
Copywriter: Ian Driscoll
Illustrator: Michael Zavacky
Project management: Leah Goodman, Carl Rudnik
Published: June 2013

Liking is not Helping Campaign

L’agence Publicis a crée cette nouvelle campagne de sensibilisation aux désastres humanitaires intitulée « Liking is not Helping » pour l’association Crisis Relief Singapore : des images choquantes en total décalage avec les likes qui semblent les approuver. À découvrir en détails et en images dans la suite de l’article.

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Nature Conservancy Ads Paint the Planet’s Future as Either/Or

Environmental debates are touchy, and often noticeably lacking in nuanced dialogue. Interesting, then, that The Nature Conservancy, which says it's committed to taking a creative and balanced approach to solving environmental issues, would frame its latest ads as the opposite of that. Portland, Maine, ad agency Kemp Goldberg Partners recently rolled out ads for the group in Boston that ask people what the "future of nature" will be—in each case, prompting them to choose between two apparently incompatible options. Loggers or forests? People or wildlife? Fishermen or fish? Ecology or economy? The campaign points to a landing page, futureofnature.org, where visitors learn that, in fact, they might not have to choose at all—that a healthy economy and a healthy natural world might both be possible. The "Tastes great, less filling" approach of the ads is a provocative one when the subject isn't beer but rather the future of the planet—though it will surely draw people into the conversation. And the audience's brief trip from black and white into gray mirrors the larger one this client hopes the population at large will eventually take, too. More images below.

    

Bulgaria Rising!

Martina Dechevska live from Sofia, Bulgaria.

Read more on Adbusters.org

Jeremy Scahill

Must-see video on NSA oversight.

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Here’s the state of oversight in the USA according to author and journalist Jeremy Scahill:

Members of congress cannot bring a pencil, paper or anything with a battery into the padded rooms in the White House where they read carefully selected and edited versions of classified material, which they are not allowed to discuss with anyone, not their constituents nor fellow lawmakers.

There’s only a handful of senators that can enter the secure classified intelligence facility, and they can only review certain (not all) memos – only ones that the White House deemed appropriate to share with Congress. But by law, Congress is supposed to oversee all actions and certainly at least some members are supposed to be briefed on covert actions. The White House is stonewalling Congress, stifling our democracy.

Watch this must-see video where Jeremy Scahill explains how this lack of oversight is connected to covert US military action around the world, the expansion of America’s surveillance state, the recent leaks by Edward Snowden and the danger we’re all in when journalism and whistleblowing are criminalized.

Read more on Adbusters.org

Gay Weddings Get Their Own Version of ‘The Knot’


In the wake of DOMA, here comes the same-sex wedding boom, and the nuptials industry is getting ready for a commercial explosion. On Monday, The Knot launched the first edition of its gay weddings digital magazine, with two editions — one for male and one for female couples. However, other than the differing covers, the content inside is exactly the same. The publication had already launched its own gay weddings website in 2008, but the magazine goes further, with all the advice, fashion and decorating tips you’d expect to see in The Knot. According to Editor-in-Chief Rebecca Dolgin, it was a “happy coincidence” that the mags launched the same day as the Supreme Court decision, as the company had been planning the special editions for a few months to launch around Pride Month.

“Same-sex couples are going to get inspirations from any other wedding, but there are some things that are unique, like how they are going to walk down the aisle,” said Ms. Dolgin. Interestingly, she said The Knot has also found that straight couples are also incorporating a lot of these rituals into their own weddings, making it an “interesting evolution” of wedding traditions for the company.

To produce the issues, the magazine tapped into their regular wedding expert sources, but also reached out to new ones, like actor Jesse Tyler Ferguson, who plays openly gay lawyer Mitchell Pritchett on “Modern Family,” who contributed to a piece on bow-ties, and Evan Wolfson, president of Freedom to Marry, who also happens to be the brother of The Knot’s co-founder Michael Wolfson.

Continue reading at AdAge.com

SFX Entertainment Files for I.P.O

The music company, led by the media executive Robert F.X. Sillerman, is looking to raise up to $175 million through an initial public stock offering.

    

Goodby, Silverstein Turns Its Entire Building Into a Declaration of Gay Pride

Not just brands but ad agencies, too, are marking the historic Supreme Court rulings on DOMA and California's Prop 8. As you can see above, Goodby, Silverstein & Partners turned its own office building into an out-of-home display—a rainbow to celebrate gay pride. A young senior communication strategist named Krista Miyashiro came up with the idea, and Jeff Goodby and Rich Silverstein "immediately jumped on board to make it happen," the agency tells us. The display will be up all week.

    

Today’s Bids on Boston Globe May Be a Tenth of What The New York Times Paid


The New York Times Co., which is accepting bids for the Boston Globe today, is likely to fetch a price that’s about a 10th of what it paid in 1993, a sign of the industry’s deterioration over the past two decades.

The bids are set to be in the range of $100 million, according to three people who asked not to be identified because the matter is private. The potential buyers include Rick Daniels, a former president of the Globe, and former Time Inc. CEO Jack Griffin, in partnership with cousins Steven and Ben Taylor, whose family once owned the newspaper, the people said.

The Times Co. put the Boston Globe up for sale in February and hired Evercore Partners to manage the process, part of an effort to focus on its flagship New York Times media brand. The deal will include the Worcester Telegram & Gazette and a growing printing business.

Continue reading at AdAge.com

5 Ways Nonprofits Can Leverage Digital Asset Management

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in the nonprofit world, we strive to fund the causes we care about. And to do this, sometimes we need to think like a business–particularly with regards to branding.

In recent years, our sector has been using high volumes of digital materials to achieve strategic goals. Many of us are now swimming in servers of uncategorized photos, logos, PDFs, and videos. And many more of us are drowning in them.

There are times when we need to spend money to achieve engagement, awareness, and efficiency, and I argue that digital asset management (DAM) is one such expense.

Nonprofits brand, market, and advertise like businesses because that is how we raise awareness. And we have to do it well to stand out in an era of information overload. At our hospital, we’ve used cloud-based DAM to supercharge our marketing efforts. Over the past five years, the bump to efficiency, brand consistency, and collaboration have been immeasurable.

If you’re in the nonprofit world, here are five ways you can leverage digital asset management to amplify outreach.

1. Save time with self-service

We use photos, videos, logos, graphic standards, and branded templates for outreach. This adds up to a colossal number of files–5,867 to be exact.

Pre-DAM, we stored all these files on servers, and when anyone needed a file, they had to reach out to a designated digital asset caddy that could retrieve the right file. This could take hours or days, depending on demand.

DAM is self-service: Everyone who needs files can access them at will. We have a total of 600 users, 50 to 100 of whom use the system daily. None of them needs to request files anymore.

2. Make your brand consistent

How do you know if your team members are using the right digital assets? With a server system, you don’t. If one of your executives has learned that file requests take hours or even days, they will also be tempted to scrape assets from web pages or outdated assets. The results could be a PowerPoint or PDF with low-quality graphics and the old logo.

Our DAM system has protected the consistency of our brand and the quality of our digital assets. Of the 600 users, only a few have uploading privileges. Anyone can download files, but we alone can quickly and conveniently insure that the right files are on the cloud. We know that costly graphics and videos aren’t being shelved in favor of other assets because we can also track who uses the system.

3. Preserve your history

Prestigious, enduring nonprofits have extensive histories. News clips, radio recordings, TV footage, photos, and now web content document our efforts. And we know that in the nonprofit world, a big track record is a big confidence builder. Donors usually prefer to give to organizations that are established, successful, and capable of showing their achievements.

Historical assets help establish this credibility, but they are notoriously hard to store. Indeed, the National Records and Archives Administration estimates that an average recorded CD-R only lasts 5 to 10 years, despite manufacturer’s claims of 25 years. Magnetic media such as audio video tapes have a 10- to 20-year lifespan.

This means that nonprofits need to get CDs, tapes, and perhaps even floppy discs into secure cloud storage with redundancy (i.e., one or more copies in additional server locations). Otherwise, history dies.

Safeguard your history in a DAM system–the time and cost of digitizing this record will save major headaches and disappointment down the road.

4. Repurposing

The digital assets you already have are far more valuable than the assets you don’t yet have–that is, if you can find them. With DAM, we operate on a search first, shoot later basis. All our assets are tagged and keyword searchable so we can immediately determine if we have an image that already fits our purposes. If we don’t, then we can capture and edit additional photos. This way, we save more time and we reallocate resources for major photo shoots.

Our asset development process complements repurposing. Initially, our creative or video teams load raw images and video onto a server that is only accessible to our design team. The server is essentially a warehouse–only after creative services have manufactured the images and footage to perfection do we load them into the DAM system, our internal marketplace for finished products.

If more people use and reuse the finished products, we maximize our current resources.

5. Categorization

It would be nice if marketing and digital teams had the bandwidth to create folders and subfolders for every imaginable type of image–but they don’t. Therefore, one of the biggest payoffs from DAM is categorization.

I have mentioned it above, but let’s dive deeper into the details. Categorization and tagging let asset users conceive and retrieve the way a novelist might tap into his or her own reservoir of ideas. A marketer can think, “I want a photo of a teenage, male, patient interacting with a female nurse,” and filter by those exact tags to find the image–or to determine that it does not yet exist.

DAM categorization lets your team members find the images they know they want instead of the generic photo that is just close enough.

In some nonprofit environments, not everyone is tech-savvy, but that does not mean your digital experts should be solely responsible for the retrieval of branded materials. Yes, have a DAM hero or two that maintains the system, but then save money and time and boost your organization’s reach by letting everyone share in the retrieval and proper use of digital assets.

This guest post was written by Kristy Smith, creative services production specialist at Nationwide Children’s Hospital.

45 Nerdy Sci-Fi Shoes – From Wicked Emperor Slippers to Jedi Master Sneakers (TOPLIST)

(TrendHunter.com) Any Sci-Fi movie enthusiast looking to showcase their appreciation for intergalactic films are in luck, because these nerdy Sci-Fi shoes will definitely have any geeky movie-goer bursting with pride….

Kronenbourg 1664: The French blah blah

Advertising Agency: Sid Lee, Paris, France
Executive Creative Director: Sylvain Thirache
Creative Team: Céline & Clément Mornet-Landa
Art Directors: Daniel Abensour, Hampus Jageland, Stephane Soussan
Managing partner: Johan Delpuech
Account Supervisor: Bruno Lee
Project Manager: Pierre Boudin
Director: Julien Rocher
Executive Producer: Claude Fayolle
Postproduction: Wanda

Sistema permite transferir virtualmente a comida de um outdoor para outro como doação

Alguns dos desafios da propaganda sobre doação é o conflito entre outros anúncios com massivas mensagens de consumo que se encontram lado à lado, além da nada ágil necessidade de se discar um número para doar.

Pensando nisso, a Grabarz & Partner criou uma forma de facilitar esse processo para a United Nations’ World Food Programme: através do sistema Food Link para smartphone, é possível “transferir” a comida de um anúncio do supermercado, por exemplo, para aquele que pede a sua doação.

Este ato faz com que  usuário acabe doando o valor do preço daquela comida. Como resultado, o usuário recebe um vídeo de uma criança agradecendo sua ajuda.

Interagindo com a tecnologia NFC (Near Field Communication) e seus códigos colados nos posters dos anúncios, o sistema permite a união de dois mundos sem necessitar baixar qualquer aplicativo, tornando o ato mais interativo e, como resultado, mais recompensador.

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Square Poaches Facebook’s Lead Ad Engineer Gokul Rajaram


Square has just made a key hire, poaching Facebook’s director of ad products Gokul Rajaram to be its product engineering lead.

Mr. Rajaram, who had been at Facebook since September 2010 and played a critical role in spearheading the development of new ad products, will lead development for Square Register, a point-of-sale system for businesses, and other products. He was also instrumental in Facebook’s acquisition of Microsoft’s ad server Atlas.

“I’ve been fortunate to work for two mission-driven, world-changing companies, and Square’s vision and passion for helping businesses grow is inspiring,” he said, in a statement. “I’m thrilled to join the team and help build amazing products that drive economic growth and empower local businesses around the world.”

Continue reading at AdAge.com

Bar Refaeli Strips, Apple Facepalms, DOMA Celebrated, Cannes Critiqued

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– Bar Refaeli strips down to her lingerie again for a new Passionista ad campaign.

– This Digiday article explores the belief among young agency employees that it’s the agency itself which causes them to job hop so much because staying doesn’t allow them to move ahead. People…same shit, different decade. Nothing has changed in 30 years.

– Apple’s new ad campaign isn’t impressing the critics nor the public.

– The Sun has rounded up what they deem to be the sexiest TV ads of all time, all of which have been covered here on Adrants over the years (Except the 1992 Cindy Crawford Pepsi ad as that was before our time.)

– Social media erupted with joy yesterday in reaction to the Supreme Court’s decision to strike down the Defense of Marriage Act and California’s Proposition 8.

– The Drum gives us its top ten takeaways from Cannes Lions last week. Mentioned: Ogilvy’s award haul, Twitter’s new TV ad targeting tool and Wednesday’s social media peak with Conan O’Brien and Sean Combs.

– Digital marketers were all over the DOMA decision yesterday whipping out quick ads across social media channels.

– Following its recent Facebook Page Insights update, the social media giant has given its Ad Manager an overhaul.

– This Sunday, the iPad version of The New York Times will sport its first page takeover unit. The ad will tout Showtime’s Ray Donovan.

– Former Adrants Editor Angela Natividad offers up her take on last week’s Cannes Lions Festival of Creativity.