Argos readies Shazam-enabled TV ad to boost mobile sales
Posted in: UncategorizedArgos is rolling out a Shazam-enabled ad during this weekend’s ‘ X Factor’ to drive up downloads of its mobile app ahead of Christmas.
Coffee Inn: Wave
Posted in: UncategorizedElla’s Kitchen campaign highlights babies’ taste buds
Posted in: UncategorizedElla’s Kitchen is launching a press and digital advertising campaign that highlights the intensity of taste babies experience when they eat.
An Idiot Abroad to take over Sky1
Posted in: Uncategorized‘An Idiot Abroad’, Ricky Gervais’ TV comedy, is to take over Sky1 next week through special channel idents featuring Karl Pilkington, the show’s star, and Warwick Davis, his new sidekick.
Clearcast forces SodaStream to pull ‘denigrating’ ad
Posted in: UncategorizedSodaStream has been forced to pull the TV ad from its £11m ‘SodaStram Effect’ global campaign last night, hours before it was due to air, after Clearcast slammed it for its “denigration of the bottled drinks market.”
Future digital revenues steer results back to black
Posted in: UncategorizedFuture publishing has returned to the black, reporting a £1.1m profit in its financial year, compared to a £18m loss the year before, boosted by a 30% jump in digital revenues.
OPI – Instinct of Color
Posted in: UncategorizedRetour sur la marque de vernis Opi qui a sorti « Instinct of Color », une vidéo dans laquelle 4 femmes dansent et communiquent avec un cheval. Visuellement original, cette campagne utilise la bande son du groupe C2C pour illustrer une confrontation de danses et de couleurs. Réalisation signée par l’agence Dan Paris.
Thinkbox wins Grand Prix at MRG Awards
Posted in: UncategorizedThinkbox, the marketing body for commercial TV, picked up the Grand Prix at the 2012 Media Research Group (MRG) Awards for its research into multi-screening: ‘Screen Life: the view from the sofa’, last week.
Twickenham to be ‘most technologically advanced’ stadium in Europe
Posted in: UncategorizedThe Rugby Football Union has signed a partnership with sports sponsorship firm Sports Revolution to make Twickenham the most digitally advanced stadium in Europe.
Youthful Colorful Fashion – The Alannah Hill SS13 Lookbook is Pretty and Full of Pastels (GALLERY)
Posted in: UncategorizedUnicef: Closing Eyes
Posted in: UncategorizedOn Tuesday November 20th (United Children’s Day) UNICEF The Netherlands launches it’s “WE BELIEVE IN ZERO” campaign with an imposing kick off. During a period of 24 hours, 19.000 pairs of children’s eyes were shown on the LCD screens that wrap around Amsterdam’s landmark the Ziggo Dome. Every 4,5 seconds a child closes its eyes. After 24 hours all children had closed their eyes while meanwhile the counter added up to 19.000.
Advertising Agency: Roorda Reclamebureau, Amsterdam, The Netherlands
Creative Director / Art Director: Joeri Jansen
Copywriter: Jan Bennink
Photographer: Merlijn Hoek
Pedigree Dog Food bt RK Swamy BBDO Chennai
Posted in: UncategorizedAdvertising Agency: R K Swamy BBDO, Chennai, India
Executive Creative Director: Navneet Virk
Creative Directors: Navneet Virk, Premkumar Prasad
Associate Creative Director: Arun R Kumarasamy
Copywriter: Arun R Kumarasamy
Art Director: Premkumar Prasad
Illustrator: Raj Selvan
Digital Artist: Sivakumar Chinnasamy
Account Manager: Nitin Verma
AECC (Spanish Association against Cancer): Legal Text
Posted in: Uncategorized“Texts like this go unnoticed every day. They are there, but you do not see them. They are present, but you ignore them. They can be of vital importance; however, you do not give them the attention they deserve. Breast cancer can also go unnoticed if you do not pay close enough attention. Unnoticed, a tiny lump can develop, grow and result in breast cancer. So in the fight against this cancer, preventive action must be taken through self-examination and, especially, periodic checkups to take care of any problems promptly and effectively. On 19 October, International Breast Cancer Day, go pink and help us in the fight to end this cancer that today affects so many people. Just enter www.aecc.es, call 900 100 036 or put this text as the signature in all your emails. Together we can join forces to fight breast cancer harder than ever.
Before closing this email think of all we can achieve with your help. Fighting breast cancer is everyone’s business.”
As a self-promotional campaign, the agency has decided to donate the legal text portion of all our emails to the Spanish Association against Cancer to help fight breast cancer.
Advertising Agency: Road Publicidad, Barcelona, Spain
Creative Directors: Aitor Borrás, Maider Mendaza
Art Director: Maider Mendaza
Copywriter: Aitor Borrás
Curling Shelving Units – Bookworm by Atelier 010 Curves Organically Against the Wall (GALLERY)
Posted in: UncategorizedLubricantes Ancap: Wild Horses
Posted in: UncategorizedAdvertising Agency: La Diez Publicidad, Montevideo, Uruguay
Creative Directors: Pablo Barreiro, Rafael Fremd, Pablo Alvarez
Art Director: Natalia Maag
Copywriters: Pablo Barreiro, Rafael Fremd, Pablo Alvarez, Rodrigo Castellanos
Additional credits: Oriental Films
Medecins Sans Frontieres: Photos To Help
Posted in: UncategorizedO motion design de “Call of Duty: Black Ops II”
Posted in: UncategorizedO estúdio londrino SPOV vem fazendo um ótimo trabalho de motion design com a série “Call of Duty”, começando pelo primeiro “Modern Warfare” de 2007. Desde então, todos os títulos da franquia contam com excelentes conceitos visuais e animações cinemáticas, que servem de prelúdio para as missões, além de desenvolverem a narrativa.
Com o novo “Call of Duty: Black Ops II”, a produtora criou dois estilos diferentes, para conseguir distinguir os períodos em que a trama do jogo se passa: Parte na década de 1980, e outra no futuro, em 2025.
Trabalhando por 18 meses em conjunto com a Activision e a Treyarch, desenvolvedora do game, a SPOV misturou live action, motion graphics e arquivo histórico para contextualizar as ações dos jogadores.
Como inspiração para as sequências de 2025, estudaram protótipos militares atuais, e que poderiam ser completamente verossímeis num futuro não tão distante.
São diferentes estilos para apresentar os dois períodos da narrativa do jogo: 1980 e 2025
Confesso que esse não é o meu trabalho preferido da SPOV. Gosto muito mais do que fizeram para o “World at War”, e mesmo para o “Modern Warfare 3″ no ano passado.
Ainda assim, é brilhante a atenção aos detalhes e o cuidado com algo que grande parte dos jogadores nem deve dar tanto valor entre um tiroteio e outro. Porém, essencial para criar a atmosfera épica que um lançamento como esse precisa.
Post originalmente publicado no Brainstorm #9
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