Zen Saying About Symbols

“To point at the moon a finger is needed, but woe to those who take the finger for the moon.”

nike_swoosh.gif

Symbols can become powerful conveyors of emotion and meaning. However, you should never confuse the symbol with the meaning, like many marketers frequently do. They absolutely love to commiserate (and waste a lot of money and time) on logos, colors, fonts, sizes, placements, ad nauseum. They don’t just “take the finger for the moon,” they suck on it for comfort. In contrast, great marketers keep their sights (and investments and activities) firmly set on the moon; co-creating meaningful, valuable and ever evolving customer experiences.

Take Nike’s logo. As the story goes, Carolyn Davidson designed the swoosh in 1971 while a graphic design student at Portland State University. For her services, she billed the company a whopping $35 (around $180 in today’s dollars). Or look at Google’s logo. Yes, Google has had several logos since its renaming from “BackRub”. But none took years to conceive and six figures to create. In fact, the first one was created by founder Sergey Brin using a free graphics program after teaching himself how to use it.

The question is not whether the choice of a logo is important. The important question to ask about a logo – about any and all aspects of your brand – is: is it appropriate for the feelings that I want people to conjure up? If so, don’t get all hung up on it. It’s simply the visual representation of an invisible meaning; meaning that gets built into the symbol as distilled perceptions and feelings accumulate over time in people’s unconscious minds.

Struggling MGD Lightens Up

CHICAGO (AdAge.com) — Attention, dieters: Now you can drink twice as much light beer for nearly the same amount of calories. Miller Brewing Co. is prepping an aggressive regional rollout of a 64-calorie, female-targeted version of MGD in a move it hopes will revive one of the most moribund franchises in domestic beer.

Burger King: Veg City, New Year’s Eve

Burger King: Veg City, New Year's Eve

No artificial colorants added
The total lack of artificial colorants in our products doesn’t just make you fel good. It makes you feel absolutely fantastic.

Advertising Agency: .start, Munich, Germany
Creative Directors: Marco Mehrwald, Thomas Pakull
Art Director: Roland Raith
Junior Art: Nina Zinnhobler
Copywriter: Bernd Nagenrauft
Illustrator: Christoph Hoppenbrock
Published: November 2007

Burger King: Veg City, Red-light district

Burger King: Veg City, Red-light district

We have it your way
Pickle in? Pickle out? Only you decide how you want your burger.

Advertising Agency: .start, Munich, Germany
Creative Directors: Marco Mehrwald, Thomas Pakull
Art Director: Roland Raith
Junior Art: Nina Zinnhobler
Copywriter: Bernd Nagenrauft
Illustrator: Christoph Hoppenbrock
Published: November 2007

Burger King: Veg City, Halloween

Burger King: Veg City, Halloween

Fresh tomatoes. Fresh ketchup.
At Burger King we offer extra ketchup made from fresh tomatoes, any time. How we manage this, is of course, top secret.

Advertising Agency: .start, Munich, Germany
Creative Directors: Marco Mehrwald, Thomas Pakull
Art Director: Roland Raith
Junior Art: Nina Zinnhobler
Copywriter: Bernd Nagenrauft
Illustrator: Christoph Hoppenbrock
Published: November 2007

Burger King: Veg City, Sniper

Burger King: Veg City, Sniper

Onions taken out on request
Just say the word and we’ll eliminate the onions from your burgers. Quickly and discreetly.

Advertising Agency: .start, Munich, Germany
Creative Directors: Marco Mehrwald, Thomas Pakull
Art Director: Roland Raith
Junior Art: Nina Zinnhobler
Copywriter: Bernd Nagenrauft
Illustrator: Christoph Hoppenbrock
Published: November 2007

Burger King: Veg City, Airport

Burger King: Veg City, Airport

Strictly controlled ingredients
At Burger King we’re extremely serious about controlling the quality of our ingredients. That’s why we examine everything. Thoroughly.

Advertising Agency: .start, Munich, Germany
Creative Directors: Marco Mehrwald, Thomas Pakull
Art Director: Roland Raith
Junior Art: Nina Zinnhobler
Copywriter: Bernd Nagenrauft
Illustrator: Christoph Hoppenbrock
Published: November 2007

Cartel Se Busca. Fund-raising party


 

This is kind of a local event in Santiago, Chile. So if you’re not in the area maybe you won’t be interested in this post… Anyways…
 
Cartel Se Busca (Poster wanted) is a project where 100 different artists are asked to interveine a foldable poster commonly found outside small stores around the city, also known as palomas (pidgeons) here in Chile.
 
Now the organization of the project is throwing a party to raise funds being held tomorrow. Yes, tomorrow. Sorry for the short notice but I’ve had a few problems posting the news.
 
The event’s info is on the flyer, but just in case, the address is Santos Dumontt 480. It’ll cost $1000 chilean pesos ’till 1 AM, after which it’ll cost $2000.
 
Those who can, try to go support this excellent and creative iniciative.

Denver Wants Ego, Effie Calls Green, Absolut Does Vaginas

– The Denver Egoist, which covers the Colorado ad scene, is in search of an additional writer and is holding an essay contest. Check it out here. – It seems American Idol judge Paula Abdul along with Madonna may…

Citroën: Logo tracks

Citroën: Logo tracks

Against microsleep. Citroën lane assist.

Advertising Agency: Euro RSCG Duesseldorf, Germany
Creative Directors: Florian Meimberg, Torsten Pollmann
Art Directors: Florian Meimberg, Jean-Pierre Gregor
Copywriter: Torsten Pollmann

Gondry Lays Waste to Internet for ‘Be Kind Rewind’

We used to be fans of Michel Gondry, the father of lush Levi’s commercials and Eternal Sunshine of the Spotless Mind. But then he came out with The Science of Sleep and shattered our childlike faith in his ability…

Apple keeps busy reinventing the banner

Macpctimes Apple undeniably has great TV advertising with TBWA’s “Get a Mac” spots, starring AdFreak favorite John Hodgman. As we mentioned previously, it’s also been extending its creative excellence to that most humble of vehicles, the Web banner. Today’s NYTimes.com continues Apple’s latest innovation of syncing up Web-display ads to work together to tell a story. The first iteration of this approach was so successful that it has drawn over 600,000 views on YouTube. The only problem was, it crashed some browsers, leading tech blog Engadget to pull the ad. They seem to have worked out the kinks for the new execution.

—Posted by Brian Morrissey

Oriental Gallery


 

I’ve never been much of a fan of the oriental culture; but still I can’t deny its enormous value in overall international culture.
 
Now I leave you a place to see what’s going on in the world of design over at the lands of the rising Sun.
 
Link: Oriental Gallery.

Stop the Traffik – Barcode – Billboard (UK)


Leagas Delaney London created this billboard for Stop The traffik, which shows humans in barcode form.

read more

Rascal Flatts Says Milk Rocks. Do You Care?

We’re not really sure who Rascal Flatts is. But they think milk rocks, and that’s cool with us. “Milk Rocks” is a contest that will be promoted online and on milk cartons nationwide, as well as on school lunchroom…

To Up Bread Sales, Grain Foods Aims for Carnal Appetites

We like this cute take on a sinister fairytale. Instead of Hansel & Gretel, think gorgeous girl with good shoes. And instead of breadcrumbs in a forest, think breadslices in a well-furnished house. And instead of running home to…

Newsflash: Obama Stirs Hispanic Populace With a Big ‘If’

The media is reporting Barack Obama shouted out a stirring "Si se puede" in Spanish. The problem is that without the accent on the i, the phrase means, "If we can," not "Yes, we can."

Legal Language Carved Out of Tribune’s Employee Manual

Real estate mogul, Samuel Zell, is intent on changing the culture at The Tribune Company, his latest acquisition and first media company.

Zell tapped Randy Michaels, Tribune CEO for interactive and broadcasting, to rewrite the company’s employee manual–that lovely document workers snuggle up with at night.

According to Los Angeles Times (a Tribune paper), the document–which shrunk from 11,519 words to 3,663 words–is nothing like the mind-numbing, lawyered gobbledygook in most corporate manuals. Consider the opening:

“Rule #1: Use your best judgment.”

“Rule #2: See Rule 1.”

It appears that Zell is using his best judgment. Should his employees do the same, Tribland will be, no doubt, be a happy place.

Yahoo! Mail can’t mend a broken heart

Yahoo3
Haunted by an unrequited love with a fellow ferret fanatic? Doomed to the doghouse by an unfortunately timed transvestite photo? Well, you can try turning to Yahoo! Mail, but even that might not save you from the damage that’s already been done, according to two quirky new TV ads by Sydney agency Three Drunk Monkeys. The dry wit and subtle storytelling of the “Losing Lincoln” and “Lady Boy” spots do a good job of keeping the ads in left field without drifting completely into Aaron Ruell country.

—Posted by David Griner

Earnest Firm Goes Sherpa: ‘We Are So Not an Agency’

LaBov & Beyond is this delicious mesh of old-fogeyness and “I swear I’m cool, I swear!”-ness. When we last covered them, they were trying to generate creativity with a whiteboard website. This time around, they’re spreading word that LaBov…