Doner Names JWT Vet Eric Weisberg as Global Chief Creative Officer

Doner appointed Eric Weisberg as its new global chief creative officer, effective September 6, when he will take over for Rob Strasberg, who will remain with the agency as global creative chairman.

Weisberg will relocate from New York to Doner’s Detroit headquarters for the position, and will be responsible for overseeing creative across all Doner offices and clients, while reporting to Doner global CEO and president David DeMuth

“Eric really stood apart as a collaborative, impact-driven creative leader who has a strong vision for the future and who will help us build a culture of inventive creativity. His expertise in storytelling, technology, data and media will elevate our creativity to better solve modern marketing challenges,” said DeMuth. “As we continue to focus on the emerging needs of our clients and leveraging the power of our integrated capabilities, Eric shares both our desire to flex our creative muscles in new ways and our ambition to fuel the positive momentum building across the Doner network.”

“We couldn’t be more excited to have Eric join Doner,” added Strasberg. “Eric is an experienced, multi-faceted creative leader, who will elevate Doner’s legacy for great work by taking advantage of the modern creative toolbox to power ideas that move people.”

Weisberg joins Doner following 15 years with JWT New York, most recently serving as global executive creative director. While with JWT, he helped established the agency’s first fully integrated creative group and led creative on accounts including Johnson & Johnson, the agency’s largest client, KPMG, Nestlé, Northwell Health and Wild Turkey. Prior to joining JWT in 2001, Weisberg spent three years as a creative with Leo Burnett, a year as a senior copywriter with Saatchi & Saatchi and ten months as an associate creative director with K2 Digital. 

In a statement, Weisberg called Doner “ an underestimated giant in the industry,” adding, “Doner is a network with amazing people, impressive clients, beautiful work and incomparable real-time production capabilities. By adding even more disruptive innovation, Doner can unleash its full potential.”

J.B. Smoove Assumes ‘Legit’ Role for Rent.com’s Advertising Debut

After playing foil to Larry David for several years on Curb Your Enthusiasm and hosting his own MSG show Four Courses, funnyman J.B. Smoove continues to pad his resume by taking on the role of “Legit-a-Master” for Rent.com.

This is the company’s first-ever ad campaign, created by MDC agency Doner. Doner emphasizes the word “legit” in its overall rebranding effort for Rent.com–a free national listings site targeted at both renters and property managers–which also includes a new logo and updated website.

In the debut spot above, we’re introduced to Smoove’s character and his mission: to ensure that every listing on Rent.com is legit and that every review is certified. While the actor/comedian doesn’t go full Smoove in the initial ad, his presence alone adds some levity to the campaign, which will soon find his character dealing with renters/dog owners and the always-contentious issue of picking up after your pets.

According to Doner co-CEO/CCO Rob Strasberg, the Rent.com ad debut is aimed at–you guessed it–younger millennials, hence its airing on cable networks such as Spike, Adult Swim, MTV and VH1 along with the usual broadcast channels.

Co-CEO, Chief Creative Officer: Rob Strasberg
EVP, Executive Creative Director: Brad Emmett
VP, Creative Director: Mark Cooke
VP, Creative Director: Bryan Hutson
Writer: Matt Livengood
Art Director: Dominique Wilson
Art Director: Bert Loera
EVP, Brand Leadership: Lisa Nardone
SVP, Brand Leader: Dennis Castillo
VP, Brand Leader: Stephanie Giorio
Brand Leader: Kari Weaver
Account Executive: Brad Sanders
VP, Strategic Planning: Alima Trapp
SVP, Director of Business Affairs: Sherryll Kollin
VP, Executive Producer: Paul Renusch
VP, Business Management Supervisor: Katherine Simmonds
SVP, Media Strategy and Activation: Bruce Haynes
VP, Associate Media Director: Alicia Lingenfelter

Doner Illustrates ‘Epic Fails’ for JBL

Here are a couple of spots that actually illustrate the functionality of the product they’re promoting.

This work by Doner of Michigan, launched earlier in the week, demonstrates the many (sometimes excruciating) pains caused by old-school headphones with their freaking cords.

We write this post while wearing phones with a cord too short to allow us to sit up properly, so we get it.

Another one after the jump.

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Doner Takes on Youth Homelessness for Bellefaire JCB

Today Doner launched an integrated campaign on behalf of Bellefaire JCB, “an innovative organization that provides exceptional care, education, and advocacy to enhance the emotional, physical and intellectual well-being of children, young adults and families” to raise youth homelessness awareness.

The centerpiece of that campaign is “Take A Closer Look,” a series of faceless figures set up across Greater Cleveland, each wearing a sweatshirt describing the reason for their homelessness as a way to communicate the message that homelessness is not a choice, and that young people are driven to homelessness by forces beyond their control. For example, one of the shirts reads “My dad kicked me out of the house because I’m gay,” while another says “My mother’s boyfriend hurts me.” A sticker on the floor in front of each figure further describes the situation and offers ways to help. The campaign also includes TV and radio PSAs, social media and print components. Stick around for credits after the jump. continued…

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Diddy Joins Fiat Fold to the Tune of Pharrell’s ‘Happy’

Doner created a new global campaign called “Mirage” for FIAT, in promotion of their new Fiat 500L, the first four door vehicle from the automaker (which we guess is now officially Fiat Chrysler Automobiles). “Mirage” enlists the help of Diddy and Pharrell‘s hit “Happy,” which you may recall as the song from the world’s first 24-hour music video, and the soundtrack to Despicable Me 2.

“Mirage” is (as you might have guessed) set in the desert. Two lost travelers searching for rescue see Diddy drive by in a Fiat, but dismiss the sighting as a mirage. When they then stumble on Diddy‘s REVOLT soiree, they again dismiss the vision as a mirage, with one of the travelers pointing to the new Fiat 500L and saying, “The Fiat over there has four doors. Fiat only makes small cars, it’s not real.” The line draws attention to the misconception that Fiat only builds small cars as a way of introducing the new Fiat 500L, further cemented by the tagline, “Unbelievably Big” (which is sure to elicit snickers and/or “That’s what she said” jokes from certain corners of the ad community). In the spot, Diddy once again proves himself a much more talented comedic actor than rapper (for further evidence, see Made or Get Him to the Greek), delivering the spot’s punchline (which I won’t reveal here) with great timing.

Doner’s global campaign will roll out this Thursday, with the TV spot running both nationally and internationally, and will also include online components. Stick around for credits after the jump. continued…

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Doner, Miguel Cabrera Take the Road Well-Traveled (to Greatness) for Chrysler

If there’s one thing that Detroit has going for it right now, it’s the Tigers. And if there’s one thing the Tigers always have going for them, it’s the super-dependable Miguel Cabrera, arguably the best hitter in baseball. So, if you’re a Detroit car company, just slap Miguel Cabrera in an ad and you’ve got a winner, right?

Doner (which will inevitably be mocked as “boner” in the comments section) has tapped Cabrera’s talents for their latest spot for Chrysler. Alternating between shots of Cabrera, aspiring young baseball players training, and the Chrysler Town & Country while talking about how there’s “one road to greatness” and there are “no shortcuts” whether “you’re trying to become the world’s greatest player or build the world’s greatest car” the spot pretty much sticks to a well-trodden formula. Ending with the irritatingly nonsensical “Imported From Detroit” tagline, and the better thought out #NoShortcuts hashtag, the spot certainly feels familiar.

There’s really nothing new about Doner’s approach, but as a baseball fan, the spot works for me. The background music sounds like it was taken from a “serious sports spot” stockpile somewhere and the “work hard to achieve greatness” message is certainly nothing new for Chrysler. But Miguel Cabrera isn’t just a great baseball player, he’s a seriously likable one, no matter what team you root for, with a truly photogenic swing. So despite the tired tropes of the spot, I can’t find it irritating (except for that tagline). The hometown appeal is obvious, but having people associate your product with Cabrera is a good thing, no matter where they’re from. But please Doner, work on a new tagline. Credits after the jump.

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Fiat’s New Spot Shouts, ‘The Italians Are Coming!’

In Doner’s new spot for the 2014 Fiat 500L, colonial Americans are invaded by a group of red Fiat-driving Italians. To prepare, the American women strip off their bonnets and hoop skirts, revealing cleavage and cocktail dresses. A pub sign is replaced by “Club,” and teacups are shattered to make room for steaming espresso.

Sure, if the Italians invaded instead of the British, we might be less straight-laced when it comes to sex. Our government might engage in fistfights instead of filibusters. But the glamorization of Italy seems to me a boring cliche, an unfounded American fantasy that feeds itself. Because of American media, I expected to see beautiful women and smell-wafting pizza in Rome, but the actual trash-filled streets and knock-off style was less than alluring. The whole thing felt like a self-imposed tourist trap.

Like men in speedos on panoramic beaches, Fiat’s ad is slightly amusing, but I wish it had moved past our traditional perceptions of Italian “fun.” After all, it’s not hard to crack a joke at the expense of Berlusconi and his Bunga Bungas.

Credits after the jump

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It Looks Like Doner Landed a New ‘Colorful Fish’

Via the tips line, we received what appears to be a memo from Doner top dog Rob Strasberg that goes a little something like this:

“Great news! We’ve landed a big, colorful fish from San Francisco – Chad Ackerly.
Not only a super talent but a super good guy, Chad comes to Doner with tons of experience doing great work for all types of clients – not to mention a stellar new biz track record.
I’m super pumped and stoked and jazzed (not really sure about jazzed – but my toes are tapping) for him to start at the start of June.

Check out some of his work and his bio.

http://cargocollective.com/chadackley/

http://cargocollective.com/chadackley/Bio
Rob

Rob Strasberg
Co-CEO/ Chief Creative Officer”

We’re trying to get official confirmation from the MDC-owned, Southfield, MI-based agency, but in the meantime, Strasberg might want to get the spelling of his new hire’s name right as it’s actually Chad Ackley (yeah, we know, calling the kettle black, blah blah). Anyhow, Ackley has spent the last decade at DDB San Francisco, where he primarily served as group creative director  on several campaigns for various Clorox Company brands such as Tilex, Pine-Sol and, yes, Clorox. Ackley started out as an art director at DDB SF but was soon elevated to one of the first creative director roles at the agency. Prior to his time at DDB, Ackley spent nearly a decade as well at Leo Burnett. We’ll update if and when we find out what his new title is. 

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Doner Pays Tribute to Slim Shady in Portfolio Night 11 Teaser (NSFW Language)

Yeah, we couldn’t resist. Again, by sheer coincidence, we have another Doner-related item today thanks to this clip that dropped in our inbox less than a half-hour ago. We’ve already reported on Portfolio Night 11 and posted a couple videos along with it last week, but entering the ring now is Doner, which is celebrating the fact that the Motor City is taking part in the annual recruiting/portfolio review event for the very first time.

So, how else would one inaugurate Detroit’s inclusion into the festivities other than giving a shout-out to native son Eminem. Ladies and gents, we give you “9 Mile,” which of course pays tribute to the hip-hop star’s film 8 Mile and gives a nod to its classic freestyle battle scene but, yes, with a twist. Guess getting your portfolio ripped apart by Doner EVP/ECD Brad Emmett is just as humiliating as getting schooled on the mic by Rabbit. Credits after the jump.

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